On Sun 13 Jul 2025 at 14:56:12 (+), Kevin Zembower wrote:
> In a recent thread, this link appears for me in the digested version of
> lilypond-user that I subscribe to:
> https://lists.gnu.org/archive/html/lilypond-user/attachments/20250712/2094b03f/attachment.png
> This leads to a 404 Not Foun
On Fri 30 May 2025 at 22:13:25 (+0200), Steven Senden wrote:
> Does Lilypond automatically offset barlines on consecutive systems so
> they're not aligned? I'm sure I read this somewhere in the documentation,
> however I'm running into a case where all three systems with the exact same
> rhythms al
On Tue 13 May 2025 at 11:34:14 (+0200), Silvain Dupertuis wrote:
> What about just placing it there, in front of the music within the final
> \score expression?
>
> \score {
> \new Staff \with {
> midiInstrument = "acoustic guitar (nylon)"
> } { \clef "treble_8"
> \transpose g e
>
On Tue 06 May 2025 at 16:01:06 (-0400), Lydia Westerberg wrote a PM:
> …
You should send your reply to the list as there be Mac users.
Obviously I won't have received your error on my linux system.
However, I see your Mac response includes:
> lilypond not opened
> Apple could not verify lilypond
On Tue 06 May 2025 at 13:50:48 (-0400), Lydia Westerberg wrote:
> iMac 374 Sequoia 15.4.1 latest Mac software.
> Some computer specialists at Apple support and I have not been successful in
> downloading Lilypond 2.24.4
> Had a bit more success (almost there) using Firefox.
> Any suggestions?
On Mon 21 Apr 2025 at 17:17:03 (+0100), Wol wrote:
> Oh - and why does lilypond insist on calling an english half-note a
> full note?
Apart from not being sure what you mean by an /english/ half-note,
I can't find the term "full note" in the LP manuals, unless it's
split across two lines, like in
On Mon 21 Apr 2025 at 18:50:27 (+0200), Mats-Olof Liljegren wrote:
> > 21 apr. 2025 kl. 18:17 skrev Wol :
> > On 21/04/2025 15:27, k...@aspodata.se wrote:
> >> They just superficially skims over the topic, the real problem is that
> >> poeple mixes the languages, there will always be confusion and
On Mon 21 Apr 2025 at 11:10:47 (-0700), Peter X wrote:
> Subject: How to assign syllables to specific notes when melody serves
> different purposes?
> melody = \relative c'' {
> \key c \major
> \time 4/4
\set melismaBusyProperties = #'() % set this here
> a8 (g8) f4 e d \break
>
On Thu 10 Apr 2025 at 19:57:31 (+0200), Helge Kruse wrote:
> When notes are written, they should look nice so that they are easier to
> read. For example, the notes in triplets should have roughly the same
> spacing.
>
> When writing vocal music, however, we are dealing with syllables of
> differe
On Wed 09 Apr 2025 at 16:00:48 (-0600), Mike Stay wrote:
> For some reason I can't fathom, every capital N in my lyrics is being
> replaced with U+1ECA (Latin Capital Letter I with Dot Below). I'm on
> macos Sonoma 14.6 running Frescobaldi 3.3.0, which calls out to
> lilypond 2.24.4. What could pos
On Tue 11 Mar 2025 at 20:53:05 (-0500), Lilypond-User wrote:
> Sorry for the late response. Using \bar ".|:-||” accomplished what I
> needed, albeit confusingly. Since the II precedes the .|: on the output PDF,
> why isn’t the correct syntax for this command \bar “||-.|:” ? I had
> actuall
On Fri 07 Mar 2025 at 06:34:45 (+), Werner LEMBERG wrote:
> >> > If you have two staves, and a voice were to change staves, would
> >> > you expect the lyrics to leap about too?
> >>
> >> Actually yes :-) Can you imagine a situation where this shouldn't
> >> happen?
> >
> > You're asking me t
On Thu 06 Mar 2025 at 08:00:37 (+), Werner LEMBERG wrote:
>
> >> However, if I use `alignAboveContext = "V1"` instead, it doesn't
> >> work, and I get the warning
> >>
> >> ```
> >> warning: alignAboveContext not found: V1
> >> ```
> >>
> >> Why?
> >
> > Does it make sense? If you have two st
On Thu 06 Mar 2025 at 04:06:59 (+), Werner LEMBERG wrote:
[ … ]
\new Voice = "V1"
[ … ]
% alignAboveContext = "V1"
[ … ]
> which yields the attached image, correctly aligning the lyrics 'Above'
> above the staff. However, if I use `alignAboveContext = "V1"`
> instead, it doesn't work, and
On Tue 25 Feb 2025 at 13:41:58 (+0100), Gianmaria Lari wrote:
> The implicit instantiation of items is something almost always creating
> problems for me. I agree that without it, the code would be very verbose
> even for very simple situations but in the end, I have the impression that
> it does
On Mon 24 Feb 2025 at 07:58:19 (-0800), Knute Snortum wrote:
> > On Mon, 24 Feb 2025 at 16:18, Gianmaria Lari wrote:
> >> When I need to write a temporary polyphonic passage my code looks similar
> >> to this:
> >> \fixed c' \new Staff
> >> {
> >> \incipit %monodic
> >> <<
> >> \new Voice
On Mon 24 Feb 2025 at 10:02:27 (-0500), Aleksa Jakovljevic wrote:
> I assume you want a repeat barline? The syntax in 2.22 and later would be
> \bar".|:" .
>
> {
> c1 \bar".|:" c1
> }
>
No, the behaviour of that barline is quite different, as shown
in the attached.
There's a mention of
On Wed 19 Feb 2025 at 09:35:24 (-0800), Knute Snortum wrote:
> On Wed, Feb 19, 2025 at 9:15 AM Richard Shann wrote:
> >
> > This looks promising and I would like to try to understand what the two
> > duration parameters 8.. and 32 are doing in this context.
> > The only documentation I have found f
On Tue 18 Feb 2025 at 09:53:18 (-0500), Laura Conrad wrote:
> >>>>> "David" == David Wright writes:
>
> >> "aplaymidi -p 14:0 score.midi" doesn't crash but hangs and doesn't play
> >> anything.
>
> Davi
On Tue 18 Feb 2025 at 17:56:02 (+), Richard Shann wrote:
> At https://lilypond.org/doc/v2.25/Documentation/notation/glissando
> under the section
> Contemporary glissando
> is this example (without the whole bar rest at the end).
> 8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
> \ve
On Mon 17 Feb 2025 at 13:36:09 (-0500), Laura Conrad wrote:
>
> This was originally reported by a non-technical MacOS user, so he was
> presumably using the default browser with watever default MIDI player
> that uses.
>
> There are no error messages when I run lilypond.
>
> I have used both tim
On Mon 17 Feb 2025 at 21:43:43 (+), Raphael Mankin wrote:
> I have tried both your suggestions and I get no errors, but no output
> whatsoever. I am using the standard Ubuntu package of
> Frescobaldi+Lilypond.
>
> Amended MWE attached
Your attachment (this version) works, and produces the att
On Wed 12 Feb 2025 at 17:52:38 (+0100), SK wrote:
> since a few days I cannot use a script involving lilypond-book anymore.
> It's really strange cause I don't remember to change anything for the
> script, the included python or lilypond itself. Only thing I did was
> cleaning up the output directo
On Mon 10 Feb 2025 at 16:03:48 (+), bobr...@centrum.is wrote:
> Thanks for the responses. Peter Chubb suggested that I was shrinking the
> scores twice which was something I had begun to suspect. I changed the 'A4'
> to 'A3' in my script and my PDF viewer shows something a bit different from
On Mon 10 Feb 2025 at 12:00:23 (+), Raphael Mankin wrote:
> On 10/02/2025 10:17, Timothy Lanfear wrote:
> > On 09/02/2025 10:09, Raphael Mankin wrote:
> > > Attached is a MWE.
> > >
> > > I tried using explicit syllable lengths, but it appears that
> > > they were ignored. So writing "rhythm4"
On Fri 07 Feb 2025 at 15:03:09 (+), Raphael Mankin wrote:
> On 07/02/2025 13:57, Brian Barker wrote:
> > At 13:21 07/02/2025 +, you wrote:
> > > Sometimes a song has slightly different rhythms in different verses, ...
> > > Is there a neat way of setting such songs? All the ways that I
> >
On Tue 04 Feb 2025 at 18:38:34 (+0100), Ben Engbers wrote:
> It showed that fluid-soundfont-gm and fluid-soundfont-common were
> already installed. I only had to add fluid-soundfont-gs.
>
> I also found this page:
> https://discussion.fedoraproject.org/t/how-to-midi-audio-on-fedora-with-fluidsynth
On Tue 04 Feb 2025 at 08:44:19 (-0800), Knute Snortum wrote:
> On Tue, Feb 4, 2025 at 8:24 AM Ben Engbers wrote:
> > I installed fluidsynh and QSynth but never heard of the fluidsynth
> > soundfiles?
>
> FluidSynth and QSynth use soundfont files, I believe (at least on my
> machine [Ubuntu] they
On Mon 03 Feb 2025 at 16:40:29 (+0100), Arne Ploese wrote:
> I tried to align the lyrics by filtering unwanted text with \new
> Devnull.
> In the second verse the last underline is extended through out the coda
> section.
> This looks to me like a bug - is it one?
An extender runs as far as the
On Thu 30 Jan 2025 at 09:13:42 (-0800), Stu McKenzie wrote:
> On 2025-01-29 03:55, Valentin Petzel wrote:
> >
> > > I sometimes add sticking to drum scores to assist readers by showing the
> > > preferred hand for each stroke.
> > >
> > > I'm aware of the ability to change the horizontal position
On Thu 30 Jan 2025 at 15:58:06 (+), bobr...@centrum.is wrote:
> Greetings from Iceland,
>
> A friend of mine here has been working on publishing the Þorlákstíðir* for
> some years now. He has rendered the chant notation using the Meinrad font
> within LibreOffice Writer. He would like to ad
On Tue 28 Jan 2025 at 19:04:46 (-0800), Stu McKenzie wrote:
>
> I sometimes add sticking to drum scores to assist readers by showing
> the preferred hand for each stroke.
>
> I'm aware of the ability to change the horizontal position of lyrics
> using '\override LyricText.self-alignment-X'.
>
>
On Sun 19 Jan 2025 at 15:31:24 (-0500), Lilypond-User wrote:
> - In the design document and the email you didn't describe in words
> what these clefs actually do, I think. From the visual evidence it
> looks like the middle line is the pitch described by the clef (a4,
> etc). However, the F and G c
On Sun 19 Jan 2025 at 16:05:00 (-0500), Saul Tobin wrote:
> convert-ly should work fine when run from its default location within the
> Lilypond installation. If after reinstalling Lilypond you still get this
> type of issue, likely it is due to your PATH including
> only lilypond-2.24.4\bin. I wou
On Sun 19 Jan 2025 at 19:28:25 (+), Jenifer Tribe wrote:
> This is where I was and what I typed:
> C:\Users\jenny\Documents\Music\Lilypond\Isaac\Coralis C\Pentecost XVIII
> Communion>convert-ly -e Coralis-notes-A.ly
> I've removed the local copy of convert-ly.
> I think that's better - it has
On Sun 19 Jan 2025 at 11:17:38 (-0800), carsonm...@ca.rr.com wrote:
> Page numbers indicate a pdf.
> I use on the online index.
> https://lilypond.org/doc/v2.24/Documentation/learning/lilypond-index#lilypon
> d-index_cp_letter-S
Substituting "notation" for "learning" seems to work.
It's often wort
On Sun 19 Jan 2025 at 10:58:25 (-0800), carsonm...@ca.rr.com wrote:
> Looked in the index of 2.24 and did not see it.
>
> Where should I be looking?
Notation Reference 2.24.0 p884 (command index) and p910 (LilyPond index).
Cheers,
David.
On Sun 19 Jan 2025 at 12:20:06 (+), Jenifer Tribe wrote:
> I have installed this after hanging on to 2.18.2 for years.
> When I run convert.ly I get the following..
>
> File "C:\Users\jenny\Documents\Music\Lilypond\Isaac\Coralis C\Pentecost
> XVIII Communion\convert-ly.py", line 82, in
>
On Sat 18 Jan 2025 at 12:25:54 (+0100), Arne Ploese wrote:
> I would expect that all three examples yield the sme output, but the
> middle with s1 seems to disturb the add lyrics algorithm.
>
> Did I something wrong?
Yes and no. Firstly, as Knute said, format the code
to make the structure cleare
On Mon 13 Jan 2025 at 00:17:11 (-0500), Hwaen Ch'uqi wrote:
> Hello. I just downloaded 2.24.4, but I do not see where the texinfo manuals
> are. How might I obtain them? I am using ubuntu-22.04.
If you go to https://gitlab.com/lilypond/lilypond/-/releases/v2.24.4
I think you'll find that the Packa
On Thu 02 Jan 2025 at 10:22:01 (-0800), Walt North wrote:
> Ahh... on further reading I see that the tick mark is a commonly used
> indication for a breath. Perfect.
As a singer, I've used tick marks for ever, but I think the first time
I saw them published where they hadn't been before was in Rut
On Thu 02 Jan 2025 at 09:08:08 (+0100), Xavier Scheuer wrote:
> On Thu, 2 Jan 2025 at 07:10, Walt North wrote:
> >
> > I use lilypond to enter music notes, chords, and lyrics and use those
> > to create different handouts for different musicians. For those that
> > receive melody lines I can ins
On Sat 28 Dec 2024 at 15:24:26 (+0100), Simon Albrecht wrote:
> I would like to obtain LilyPond output with black and white inverted
> (black background, white music and text) for on-screen use and
> projections. Does someone know how to achieve that through LilyPond
> code, or has it been done bef
On Fri 20 Dec 2024 at 13:40:48 (-0800), Knute Snortum wrote:
> Since you're going to write a Python script, I figure I can share what I've
> done so far on mine. It uses python-ly so you need to do a `pip install
> python-ly` first before you run it. It makes three very big assumptions:
>
> 1) T
On Thu 21 Nov 2024 at 18:09:35 (-0800), Kenneth Wolcott wrote:
> Thanks, David.
>
> I think I finally found the answer in the manual (see attached screenshot).
>
> \set Timing.beamHalfMeasure = ##f
That's certainly more compact, but I've not used it because I'm more
interested in avoiding long "
On Thu 21 Nov 2024 at 17:26:26 (-0800), Kenneth Wolcott wrote:
> Hi David;
>
> You have:
>
> #'() % beamExceptions
> \overrideTimeSignatureSettings
> 3/4 % timeSignatureFraction
> 1/8 % baseMomentFraction
> *2,2,2 % beatStructure*
>
> Would the following modification work?
>
On Thu 21 Nov 2024 at 16:23:53 (-0800), Kenneth Wolcott wrote:
> The "motif" is:
>
> dotted-quarter followed by three eighth notes.
>
> Lilypond automatically engraves the eighth notes as a set of three.
That would be correct for a measure of 6/8 time.
> She wants it engraved so that the first
On Tue 19 Nov 2024 at 09:05:00 (-0800), Stu McKenzie wrote:
>
> Reply to David Wright (et al):
>
> On 2024-11-18 10:40, Stu McKenzie wrote:
[ recapitulation of OP snipped ]
>
> In reply to your post:
>
> > It's typical that an error occurs before the "outd
On Mon 18 Nov 2024 at 21:21:31 (-0800), Stu McKenzie wrote:
> On 2024-11-18 11:52, Stu McKenzie wrote:
> > On 2024-11-18 11:50, Stu McKenzie wrote:
> > > On 2024-11-18 11:00, Knute Snortum wrote:
> > > > On Mon, Nov 18, 2024 at 10:41 AM Stu McKenzie wrote:
> > > >
> > > > I'm using LilyPond ve
On Sun 10 Nov 2024 at 22:46:54 (-0800), Walt North wrote:
> You mention deferring interpretation. I'm not familiar with that and I
> haven't found information on that in the docs. Can you point me?
>
> "you would still need to defer polly's interpretation"
s/interpretation/evaluation/ might be
On Sun 10 Nov 2024 at 10:48:15 (-0800), Walt North wrote:
> Typically I use variables for reuse to create one sheet for piano and
> one sheet for rhythm guitar. I would hide the staff from guitar player
> with nullvoice (saving paper space). The lyrics are aligned with the
> melody the piano sees.
On Sat 09 Nov 2024 at 15:13:02 (-0800), Stu McKenzie wrote:
> On 2024-11-09 14:21, Thomas Morley wrote:
> > Am Sa., 9. Nov. 2024 um 21:10 Uhr schrieb Stu McKenzie:
> >
> > > The second bar loses the '\skip 8'.
> > Nope. Use bar-checks ;)
> >
> > Cheers,
> >Harm
> >
>
> I must be missing som
On Fri 01 Nov 2024 at 11:57:41 (-0400), Lydia Westerberg wrote:
> Thank you. If I upgrade to the new LP version, then I need assistance.
There's a lot of assistance in §1.3 of the Learning Manual.
You download the binary from the LP website, unpack it in
the finder, and place whatever it produces
On Thu 31 Oct 2024 at 12:22:12 (-0400), Lydia Westerberg wrote:
> How can I have someone assist me in downloading
> the lily;ond 2.24.4 on m iMac Sonoma 14.5?
>
> It doesn’t seem possible to simply download
> my old 2.18.2.
Presumably 2.18.2 was never built for this architecture so such
a binar
On Wed 16 Oct 2024 at 09:36:52 (-0500), Cameron Hall wrote:
> I just had the same exact problem a few days ago. See this
> thread: https://lists.gnu.org/archive/html/lilypond-user/2024-10/msg00077.html
I noticed that, and spent a few minutes looking for when this change
took place, and for a descr
On Wed 25 Sep 2024 at 16:35:51 (-0500), Cameron Hall wrote:
> Hello, I'm a fairly new user, and I'm trying to combine some similar parts
> together in a score which may contain quoted sections. However, it seems that
> using quoteDuring screws up the layout. Instead of getting neat chords, the
>
On Fri 20 Sep 2024 at 15:05:51 (-0700), Walt North wrote:
> Am I missing something? It seems like using devnull to align lyrics
> to does pay attention to ties. Ties do seem to be honored when using
> voice for alignment.
>
> Below is a stripped down example with screenshot.
>
> \version "2.24.
On Wed 21 Aug 2024 at 19:12:04 (-0700), Peter X wrote:
> Additionally, if there is a specific glyph that represents a tie/slur
> symbol that can be used within LaTeX, I would be interested in learning
> about that as well.
https://www.cogsci.ed.ac.uk/~richard/utf-8.cgi?input=203f&mode=hex
htt
On Wed 07 Aug 2024 at 14:43:32 (+0100), Raphael Mankin wrote:
> Is there a neat way of avoiding having a repeat bar in the middle
> of a measure while preserving the stanza numbers is their proper
> places?
I wasn't aware that the stanza numbers could become detached from
their pr
On Sat 03 Aug 2024 at 19:46:57 (-0300), Lucas Cavalcanti wrote:
> Hello. I'm transcribing a piece and I have come to need to use the
> "OneStaff" feature: I need to switch between multiple types of staff
> between this song. However, I'm facing a problem while inputting lyrics:
> the lyrics are ali
On this list many (most?) people include in their reply the address
of the person they're responding to, as well as the list address.
On Tue 30 Jul 2024 at 06:31:30 (+0200), Zlobinsky Michael wrote:
> I see links like following in the e-mails.
> [ … ]
I was asking your question over eight years a
On Wed 10 Jul 2024 at 08:46:56 (+0200), Hans Aikema wrote:
> > On 10 Jul 2024, at 06:14, David Wright wrote:
> > On Mon 08 Jul 2024 at 22:48:00 (+0100), Raphael Mankin wrote:
> >> That is great, thanks. I have not yet got my head around context
> >> naming. Clearly
On Mon 08 Jul 2024 at 22:48:00 (+0100), Raphael Mankin wrote:
> That is great, thanks. I have not yet got my head around context
> naming. Clearly I shall have to do some more reading.
I didn't find the context method any clearer than Christopher's
method, which should actually work. (Personally,
On Thu 04 Jul 2024 at 21:11:29 (+0100), Raphael Mankin wrote:
> On 04/07/2024 16:48, Jean Abou Samra wrote:
> > Le jeudi 04 juillet 2024 à 15:21 +0100, Raphael Mankin a écrit :
> > Anyhow, I persist in my opinion that facilitating the input of accented
> > characters is best done at a level differe
On Thu 27 Jun 2024 at 16:49:22 (-0700), Kenneth Wolcott wrote:
> All she wants is the very short Clarinet solo, not the entire piece,
> transcribed for Piano, in the "correct key"; so I guess that would
> mean writing it in F?
>
> Here's the engraving that I made based on the 8notes transcription
On Mon 10 Jun 2024 at 19:14:06 (-0700), carsonm...@ca.rr.com wrote:
>
> Which term in the notation index would take me to instructions for
>
> Cresc. - - -- -- ff
Cresc. Dynamics. Alternatively, one might guess that terms as common
as cresc and dim would be commands, and he
On Mon 10 Jun 2024 at 20:27:37 (+0300), Виноградов Юрий wrote:
> Greetings!I understand that you can make the same settings for
> lyricmode. But I ask you to show me some example. Since I am not very good at
> lilypond myself. I really need to be able to make the first syllable of a
> word, the
On Wed 05 Jun 2024 at 19:24:48 (-0600), Gregory Evans wrote:
> Hi Mark thanks for the reply,
> so my mwe didn’t show, but the measure is 2/5 which means the duration of
> the measure is that of a half note prolated by 5:4, so that is where the 8
> in 9:*8* comes from.
>
> Regardless of this discre
On Mon 03 Jun 2024 at 07:24:41 (+0200), Stefan Thomas wrote:
> Am Mo., 3. Juni 2024 um 03:19 Uhr schrieb David Wright:
> > On Sun 02 Jun 2024 at 16:10:56 (+0200), Stefan Thomas wrote:
> > > again, I'm trying to activate point and click in gvim. I made a little
> > &g
On Sun 02 Jun 2024 at 16:10:56 (+0200), Stefan Thomas wrote:
> again, I'm trying to activate point and click in gvim. I made a little
> success:
> I wrote in the editor options of okular:
> gvim --remote-silent +%l %f +normal! %c
> When I click on a note, the right document is opened and the cursor
On Mon 27 May 2024 at 16:46:21 (+0200), Volodymyr Prokopyuk wrote:
> How can I align vertically blocks 3. and 4. in the second column?
> [image: image.png]
> The markup is attached in a file.
That appears to the the same layout as Notation Reference
Chapter 2, § Printing stanzas at the end in mult
On Tue 21 May 2024 at 11:43:10 (+1000), Laurie Savage wrote:
> On Tue, 21 May 2024 at 10:35, Paul Scott wrote:
>
> > Segno repeat structure is like a black box to me. I have been
> > relatively successful with help and trial and error.
> >
> > I would really appreciate some help with this that I
On Sun 19 May 2024 at 01:24:44 (+0200), Jean Abou Samra wrote:
> > Hi. I have a case where I want to have different vertical spacing between
> > two
> > different scores. I can get system-system spacing to change for both scores
> > using a \paper variable. But if I'm understanding the documenta
On Sat 18 May 2024 at 16:46:43 (+), Giles Boardman wrote:
> Thanks for getting back to me Aaron and throwing me a rope
>
> I understand the two models you describe. I thought I was going for the
> second i.e. a single sequential part, but I want to put each section on a
> different line
On Mon 13 May 2024 at 03:21:35 (+), Peter Baughman wrote:
> I have a few .ly files that work great and produce lovely pictures when I
> build then with a command like:
>
> lilypond --png my_song.ly
>
> I started to play around with midi output and was a little suprised to find
> that I nee
On Sat 11 May 2024 at 16:06:00 (+0200), N. Andrew Walsh wrote:
> (the stickler in me would complain that tuplets should always indicate a
> shortening of length, and this is technically putting six sixteenths in the
> space of eight, but I guess the feathering overrules that)
I tickles me that I s
On Sat 11 May 2024 at 15:14:47 (+), Giles Boardman wrote:
> You are, of course, right. Your evidence is clear. The position of the \key
> command seems a strong candidate but I can't get it into the .MID even in the
> simplest of snippet.
>
> As I mentioned I also have other behaviour I can'
On Wed 08 May 2024 at 13:40:23 (+), Kris Van Bruwaene wrote:
> Is there a simple solution for putting a tie between staves of a pianostaff?
> I need to tie a note of the lower voice on the upper staff to a note of the
> upper voice on the lower staff. I found this on StackExchange:
> https:/
On Sat 04 May 2024 at 11:18:52 (-0400), Fr. Samuel Springuel wrote:
> How do I get the comma (which is not italicized) attached to the italics text
> just before it?
>
> \version "2.24.3"
>
> \markuplist \wordwrap-lines { test test test \italic { italic text }, test
> test test }
You concat it
On Fri 26 Apr 2024 at 20:33:26 (-0400), David Olson wrote:
> As it turns out, the "bc" text needs to be in lower case for \smallCaps to
> work.
>
> title = \markup { 539. Threshing Floor of Aruna. 1100 \smallCaps bc }
>
> it doesn't operate on text that's already capitalized.
There's a bumper c
On Fri 26 Apr 2024 at 07:59:09 (-0700), Aaron Hill wrote:
> On 2024-04-26 7:44 am, Eric Benson wrote:
> > I see. How hard would it be to write a Scheme function that would
> > copy a
> > melody variable and remove the text marks, or in fact everything
> > other than
> > the note values, which are a
On Thu 25 Apr 2024 at 22:16:21 (-0700), Eric Benson wrote:
> Is this intentional or desired?
AIUI this is one of the reasons \textMark was invented, so that
multiple text marks could be placed at the same point:
"Note: Older LilyPond versions used the \mark command for text marks,
even though
On Thu 25 Apr 2024 at 13:36:49 (+), Schlipf, John (schlipf) wrote:
> On question:
> On Wed 24 Apr 2024 at 19:13:47 (+0200), Johannes Roeßler wrote:
> > Hey David,
> >
> > it works - but I am running into an issue with short passages.
> > I would like to stretch the choir part to the right side,
On Thu 25 Apr 2024 at 13:06:01 (-0700), Steve Carlock wrote:
> Thanks. I agree that the barcheck warning message is cryptic. It appears
> that this issue happens when the lyric is attached to notes that are tied
> across a measure boundary. Unfortunately I can't change the third measure
> - that
On Wed 24 Apr 2024 at 19:13:47 (+0200), Johannes Roeßler wrote:
> Hey David,
>
> it works - but I am running into an issue with short passages.
> I would like to stretch the choir part to the right side,
> but when I bring in "ragged-right = ##f" then it breaks:
>
> I assume you have a solution f
On Mon 22 Apr 2024 at 18:06:21 (+0200), Johannes Roeßler wrote:
> \version "2.24.0"
> \score {
> \new ChoirStaff <<
> \new Staff {s1 s1 a'1}
> \new Staff {s1 s1 a'1}
> \new Staff {a'1 a' a'}
> \new Staff {s1 s1 a'1}
> >>
> \layout { }
> }
I'm guessing this might be an XY ques
On Sun 21 Apr 2024 at 18:45:35 (+0200), Hans Aikema wrote:
> > On 21 Apr 2024, at 17:58, Gian Paolo Renello wrote:
> >
> > I read as you suggested but didn't find the way. Here is hte piece of score
> > code:
> >
> > \score{
> > \new StaffGroup <<
> > \new Staff \with {
> >
On Wed 17 Apr 2024 at 11:45:51 (+0100), rich...@oneill-griffiths.net wrote:
> Hi, I've been using the Anglican chant template to set items for our choir
> and I've just a note spacing problem with one chant (Walford Davies) last
> quarter.
>
> How do I address the note spacing for the B/C clash i
On Wed 10 Apr 2024 at 21:35:16 (-0600), Ben Bradshaw wrote:
> Well I fixed having multiple lilyponds installed, and at first I thought it
> worked. Zathura and xpdf at least work when I open them separately.
I'm not sure exactly what you mean by open separately. Is this: typing
in a command line,
On Thu 11 Apr 2024 at 21:14:14 (+0100), Wol wrote:
> On 07/04/2024 11:50, Werner LEMBERG wrote:
> >
> > > > There is a web page that deals with command-line installation, if
> > > > that's what you want:
> > > >
> > > > https://lilypond.org/doc/v2.24/Documentation/learning/command-line-setup
> >
On Sun 07 Apr 2024 at 22:09:05 (+0100), Wol wrote:
> On 07/04/2024 21:15, David Wright wrote:
> > \version "2.24.0" % 2017-06-14
> > %% Seehttp://lists.gnu.org/archive/html/lilypond-devel/2017-05/msg00017.html
> > %% The paper itself is rotated to landscape.
>
On Sun 07 Apr 2024 at 20:30:53 (+0100), Wol wrote:
> I'm having fun trying to get things to print landscape. Okay, I'm
> doing "monkey see monkey do" programming, but I have two apparently
> almost identical files, one of which prints landscape, the other
> portrait.
I use the following files, nam
On Fri 05 Apr 2024 at 20:43:01 (-0600), Ben Bradshaw wrote:
> I've been using frescobaldi mostly because I like the point and click
> functionality. I just discovered today that you can configure that to work
> with other PDF viewers and editors, which I would like to do, since I keep
> trying to u
On 2024-03-23 2:12 am, Eby Mani wrote:
> Two questions.
> 1, How do i set instrument names as per attached "example_1" picture.
>
> 2, example_1 - How do i disable connecting barlines between staves when
> using PianoStaff or GrandStaff within ChoirStaff.
You could also replace r1 with R1 in ord
On Sat 13 Jan 2024 at 08:25:32 (-0800), Matthew Fong wrote:
> Hello everyone,
>
> I've done a few more things which might be described as hacking using
> \markup.
>
> \tweak LyricText.self-alignment-X #-0.75
> \markup \center-column { \override #'(baseline-skip . 0.4) \line{ "lives
> and reigns"
On Thu 11 Jan 2024 at 20:11:54 (-0600), Stanton Sanderson wrote:
>
> Thank you for the suggestion, but as stated previously, I’m trying to
> reproduce the original from the Peters edition. The problem, as you point
> out, is that the cut C is used in the original. Whether 8/4 or 4/2 (and I
> ag
On Mon 08 Jan 2024 at 01:45:32 (+), Karen Billings wrote:
> I deleted the commented section, saved the file, and got the same behavior. I
> used the file lilypond-8.22.1.mingw, downloaded on 8/8/21, to install
> lilypond on this machine. Is that the correct install program?
I don't see that
On Sun 07 Jan 2024 at 23:55:09 (+), Karen Billings wrote:
> Thank you so much for the info, Kieren.
> I followed your instructions and moved the bar numbering block
> \context { \Score \consists "Bar_number_engraver"
> barNumberVisibility = #(every-nth-bar-number-visible 1)
On Thu 04 Jan 2024 at 23:34:28 (+0100), Volodymyr Prokopyuk wrote:
>
> I know that lilypond can receive a source.ly file from the stdin by
> using lilypond
> -. Is it possible for lilypond to output PDF to the stdout?
>
> My motivation behind using lilypond in a pipeline is to speed up PDF
> gene
On Wed 27 Dec 2023 at 18:06:05 (+0100), Tobias Lawrenz wrote:
>
> how can I turn off the automatically adds from notation elements, like the
> time signature?
> Because I want to make the whole score by myself without automatically adds.
What functionality of LilyPond are you interested in retai
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