Re: Key and time change at end of piece

score use the two solutions. I commented out the padding tweak because it doesn't look all right when included. The third score shows how it would work when pieces are combined with the tag solution. Cheers, Arnold \version "2.20.0" \language "english" music = { c'4

Re: Key and time change at end of piece

ble bar. /bar "||" s1 > > Shane > > On Fri, Feb 17, 2023, 4:36 AM Aberforth D - Instrumentals < > aberfor...@gmail.com> wrote: > >> Hello, >> >> I am working on a complete piano vocal score for an opera. To keep things >> manageable I w

Key and time change at end of piece

{ \key f \major \time 4/4 c'4 d' e' f' g' a' b' c'' \bar "||" \clef "bass" \key g \major \time 3/4 } }

Re: How do I do a transition between a grouped and a non-grouped part (example attached)

Thanks, Elaine. Jean pointed out how to print the brace in the middle of a system before in his reply. My issue now is with how continuation will work. I know how to do it, so long as I do not mind manually breaking to get to the next system after the brace, but I would prefer to avoid this (i

Re: How do I do a transition between a grouped and a non-grouped part (example attached)

Thanks Jean. This is quite useful. Unfortunately I'm not quite sure how to make it into the generalized solution I need. This works well if I have a specific number of systems, and I know how many systems I will need before turning on the grouping --- which causes problems if I don't want to br

Bug or by design?

for your attention. Best regards, Aberforth D \version "2.20.0" \language "english" partA = { \key e \major \time 4/4 \clef "G" \voiceOne g''1~ | %\once \override Accidental.stencil = ##f g'' } partAb = { \key e \major \time

ties with TeXShop

At one point I happily used TeXShop to do all of my Lilypond work. A couple of years have passed and I have returned with a new Mac and I find that I cannot get to this configuration due to an error in pointer to an italian university. It says that the page cannot be found. Is there another s

Re: Long dynamic spanners

Thank you Pierre for this very useful function. It works perfectly and I will need this often. Also my apologies for not having found this thread myself. I thought I had thoroughly searched the whole site. Regards, Aberforth D On Tue, 14 Jul 2020 at 11:23, Pierre Perol-Schneider

Fwd: Long dynamic spanners

ape. Below is the amended script of my latest attempt. Thanks, Aberforth D \version "2.20.0" \language "english" spanText = \override TextSpanner.bound-details.left.text = \etc RH = \repeat unfold 19 { \relative c' { g8[ c e g c g e c] | } } LH = \transpose c c, {

Long dynamic spanners

re repeated after a line break; 2) The dashes don't always vertically line up with the next word. Can somebody point me to a better way to get this done? Many thanks in advance, Aberforth D \version "2.20.0" \language "english" spanText = \override TextSpanner

Re: Temporarily override frenched score

Thanks for this insightful clarification. I'll just take care not to apply it to the first or last bar on a staff. A minimum of 3 bars per staff should not be a real limitation. Regards, Aberforth D On Mon, 29 Jun 2020 at 16:46, Lukas-Fabian Moser wrote: > Hi, > > > No, I w

Re: Temporarily override frenched score

other bar on the staff. As I rarely have just 1 bar on a staff this should not be a problem in practice. Thanks, Aberforth D On Mon, 29 Jun 2020 at 15:06, Lukas-Fabian Moser wrote: > Hi, > > Am 29.06.20 um 14:41 schrieb Aberforth D - Instrumentals: > > It works although it doesn

Re: Temporarily override frenched score

staff when it doubles another staff without having to replace the notes by rests, as described in my original message. Thanks, Aberforth D On Mon, 29 Jun 2020 at 11:28, Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com> wrote: > Hi, > How about: > > > \versio

Temporarily override frenched score

where the staff used to be. Any suggestions? Aberforth D \version "2.20.0" \language "english" \layout { \context { \Staff \RemoveAllEmptyStaves } } fillBar = \relative c' { g'8[ g g g g g] | } fillLine = { \fillBar \fillBar \fillBar \fillBar } pa

Fonts for TextScripts

bug, but it's more likely just me doing something wrong. I'm using version 2.20.0. Any help is appreciated. Aberforth D

The search for an API

that really the abrupt end of the story, or is there some other possibility to call Lilypond from an external program? Cheers Felix D. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Help I despair

Setup a virtual Linux machine and compile it under Frescobaldi Linux or directly from the command prompt. Raphael. Am 09.03.2018 um 11:13 schrieb peter.gen...@sunscales.myzen.co.uk: Today Fresco on Laptop working Fresco on Desktop produces the -107374

Re: set command / position of the chord symbol in relation to the first staff

1:maj7 bes2:maj7 a:7.9.13 d:min9 g:9.5+ c1:maj7.9 f2:maj7 g:/f c:min/es d:7.9 as:maj7 bes:maj7 c1:6.9 } I hope my newbie-question doesn’t bother anybody here on the lilypond forum! Thanks, Raphael. > Am 05.02.2017 um 23:36 schrieb Simon Albrecht : > > \layou

set command / position of the chord symbol in relation to the first staff

documentation, I didn’t find the appropriate variable I have to set. \chords { \set majorSevenSymbol = \markup { maj7 } c1:maj7 bes2:maj7 a:7.9.13 d:min9 g:9.5+ c1:maj7.9 f2:maj7 g:/f c:min/es d:7.9 as:maj7 bes:maj7 c1:6.9 } Any suggestions? Thanks for the

Position of staves

Hi, I have created this simple code for use inside of lilypondbook. right = { s1 s s s \break s s s s} left = { \clef bass s1 s s s \break s s s s } \score { \new PianoStaff \with {\override StaffGrouper #'staff-staff-spacing #'basic-distance = #10 } <<

Re: Trouble Spacing Staves

Thank you to MM. Barry, Scott, & Bréfort for your answers. The main issue was the ragged last bottom. Once I added that line to the \paper block, the staff spacing problem was solved. ___ lilypond-user mailing list lilypond-user@gnu.org https://list

Trouble Spacing Staves

I am a new LilyPond user entering my first song. I have copied the file below. By reading the Learning Manual, I have learned how to do everything I need to do EXCEPT: I would like to increase the space between the staves so that the music is fairly evenly spread vertically across the one page,

Re: notation of wind chimes

I think, as a reference, Samuel Adler’s Study of Orchestration is still a valuable tool. But for my students and quick questions, I always recommend the VSL Academy: https://www.vsl.co.at/en/Academy There you can find useful information on standard notation. In your case, it though does not sta

Re: Question concerning my code

le \time 2/2 c2. b4 % m1 a c2 b8 a % m2 b4. a8 b c b a % m3 b2. b4 % m4 a4. g8 a b a4~% m5 a c b a % m6 gis4. fis8 gis a gis fis % m7 gis2. a8 b % m8 c2. b4

Re: Question concerning my code

oup << >>> % neues System >>> \new Staff << >>>% Oberstimme >>>\new voice = "first" >>> { >>> \voiceOne >>> \clef treble >>> \time 2/2

Question concerning my code

gis4. fis8 gis a gis fis % m7 gis2. a8 b % m8 c2. b4 % m9 a4 c2 b8 a % m10 b4. a8 b c b a % m11 b c d c b4 a % m12 gis8 a b gis a4 fis4 % m13 gis8 e a4~a8 gis16 fis a8 [gis] % m14 a2. a4 % m15 a2

Question as well

gis4. fis8 gis a gis fis % m7 gis2. a8 b % m8 c2. b4 % m9 a4 c2 b8 a % m10 b4. a8 b c b a % m11 b c d c b4 a % m12 gis8 a b gis a4 fis4 % m13 gis8 e a4~a8 gis16 fis a8 [gis] % m14 a2. a4 % m15 a2 a2 % m16

Re: Question concerning my code

% m3 >> b2. b4 % m4 >> a4. g8 a b a4~ % m5 >> a c b a% >> m6 >>

Re: Lilypond-book question

Hello Philippe, hello Jeffrey, thanks for your help. I used the right path (I typed the whole path) and then run a test file, compiling it with lilybook and then finally with latexpdf. It worked! /Applications/LilyPond.app/Contents/Resources/bin/lilypond-book --output=out --pdf lily/lily.lytex

Lilypond-book test

Hi Everyone, as a newbie to lilypond, I read workflow for integrating Lilybond-book into LaTeX which is outlined in the documentation: http://lilypond.org/doc/v2.18/Documentation/usage/an-example-of-a-musicological-document I typed the testfile, saved it in a separate folder, but on my mac, I ge

Re: Implementation of \tuplet allow both incorrect and correct musical expressions

--I didn't even notice when I was engraving the LilyPond version from his hand-written score. It was only later that I realized that the 5/2 and 7/2 tuplets did not follow the "Math Rule." Food for thought. - Original Message - From: Peter Bjuhr To: Simon Alb

Re: Off-topics : vibrato

Pierre Perol-Schneider writes: > Hi List, > Does anyone know a modern notation to indicate a vibrato ? > Thanks, > Pierre > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user Pierre, I wro

Column of music and a column of graphics... or creating invisible measures...

Hi, first post on this forum. I wish to have something similar to the image attached. At the moment my code is rather simple: /upper = { \override Score.KeyCancellation #'stencil = ##f \set Score.explicitKeySignatureVisibilit

lilypond-book

First of all I would like to thank everyone who have been so very helpful in responding to my latest email queries concerning Lilypond. I have at least one more (for now) and am getting rather frustrated with this one. I am quite new to lilypond-book, and am attempting to add a somewhat compl

Blank staff music

Hi. This may seem simple to some, but I am having some difficulty with this. I would like to have Lilypond produce blank sheet music with a grand staff. I found the attached code, but cannot figure out how to add the bass clef. Any help is appreciated. Also I am getting an error message as well

Tuplets in Orthodox Liturgical Music

f4 f f g a bf2 bf \divisioMinima a4 a g2 g4 g f1 \divisioMaxima f4 g2 a f4 f f f f f f g a bf2 bf4 bf bf2 \divisioMinima a4 a a a a a g2 g4 g f1 \divisioMaxima g2(a) f4 g a bf2 bf \divisioMinima a4 a a f g a bf2 bf \finalis a4 a a g2 g4 g f\breve \bar "|." } bass

Re: bar length

David Kastrup gnu.org> writes: > > Angles D'Auriac grenoble.cnrs.fr> writes: > > > Hello ! > > I am a total beginner and I wonder if it is possible to have > > all measure of exactly the same length on the score. > > Well, that's the definition of measure, isn't it? Joking aside, you > shoul

Progam to text-label LilyPond measures (uses YAML input)

er way, I would enjoy learning of it! Copyright (c) 2011 Mark D. Blackwell. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Legato, Polyphonic Voices and Connected Flags

Hello everyone, I've got a slight problem. In measure #1, I've got the non-polyphonic melody. In measure #2, I've got some polyphonic going on. However, I'm having problem telling Lilypond to put a legato from the last note in measure #1 with the first voice in measure #2. Can you help me, pl

Legato and Polyphonic Voices

Hello everyone, I've got a slight problem. In measure #1, I've got the non-polyphonic melody. In measure #2, I've got some polyphonic going on. However, I'm having problem telling Lilypond to put a legato from the last note in measure #1 with the first voice in measure #2. Can you help me, pl

Bad gregorian output

the notes; \augmentum dots appears very far to the right (under next group...); neumes are very close together on the second line. http://old.nabble.com/file/p29685256/VATICTEST.ly VATICTEST.ly Does somebody know how could we correct these errors? Thank you for your help. Jean-Christophe D

Re: website draft 4, help wanted

On 7/8/09 6:27 PM, "Graham Percival" wrote: > > Now for *my* rant. > > As I've said before, I stopped using lilypond 4-5 years ago. Last > Fall, I briefly got back into improving the engraving of my old > compositions, but that stopped when I went to Singapore. > > So why am I still around

Re: Bass clarinet fingering chart

Mike, great work! I have some comments below On 7/7/09 2:46 PM, "Mike Solomon" wrote: > Hey lilypond-users, > Before I put this on the LSR, please play around with this. > Specifically, please > > 1) Make it less sprawling. Decrease your tab settings. Follow the indentation suggestions g

Re: chordChanges true, but certain "cautionary" chordnames wanted

On 7/7/09 6:44 AM, "Werner" wrote: > Hello. > > For accidentals there is the possibility to obtain them also if not needed by > adding an exclamation mark ! > > How to get a chordsymbol if \set chordChanges = ##t ? > > Is there a hint? > > (Would be nice with the exclamation mark too.) >

Re: Chordnames and added Bassnotes

On 7/7/09 5:38 AM, "Werner" wrote: > Hello, > > is there a possibility to print e.g. > > F > _ > C > > instead of > > F/C > > ??? As far as I know, this is not easily done right now. The chord naming code is currently under revision; I think that it will be more easily done in the futu

Re: new website: draft 3

On 7/2/09 1:41 AM, "Graham Percival" wrote: > On Wed, Jul 01, 2009 at 03:50:14PM +0200, Mats Bengtsson wrote: >> >> Graham Percival wrote: > "where is the gui" is unfortunately still common, but the > new website and the 10.5 GUI work should fix that. Actually, I beg to differ. Since th

Re: Header title problem or convert-ly problem

On 6/25/09 2:37 PM, "Jay Hamilton" wrote: > A: I have tried over and over to follow the docs. AND I have copy and pasted > both Mats suggestions and now Simon's . > Mats has never worked. Yes the version info is in the file. No it did not > work. > Simon's suggestion, I renamed the file wit

Re: lilypond-user Digest, Vol 79, Issue 104

On 6/25/09 8:37 AM, "Hajo Dezelski" wrote: >> Possibly we should also think of >> - a better slogan? it seems to me that "Sibelius 6 - Perfect scores" >> is more attractive than "music notation for everyone." >> possibly something vaguely like: > ... >> Jan. > > > Lilypond - Keep

Re: Lilypond and Jazz chords

On 6/23/09 5:19 PM, "Tim McNamara" wrote: > > > On Jun 23, 2009, at 12:24 PM, Carl D. Sorensen wrote: > >> On 6/23/09 9:16 AM, "Grammostola Rosea" >> wrote: >> >>> Tim McNamara wrote: >>>> >>>> On Jun 15,

Re: Lilypond and Jazz chords

On 6/23/09 9:16 AM, "Grammostola Rosea" wrote: > Tim McNamara wrote: >> >> On Jun 15, 2009, at 2:00 PM, Kieren MacMillan wrote: >> >>> Wol et al: >>> >> Would it be reasonable to separate the functions of putting notes on >> the staff and chord names above the staff, and let the user spell

Re: subdivideBeams broken?

On 6/21/09 4:25 PM, "Mark Polesky" wrote: > > > Carl D. Sorensen wrote: > >> By default, beatLength is the numerator of the time signature. > > Don't you mean denominator? I would call the numerator beatCount > or something. Haven't fol

Re: subdivideBeams broken?

On 6/21/09 3:27 PM, "Hans Aberg" wrote: > Yes, beatLength will do a (2+2)+(2+1) beaming. Though this is one > possible beaming for what I am writing now, my problem is that I have > bunch of different meters. For example, I may want (2+2)+3, > (2+2)+3+(2+2) and so on. > > I have looked at the

FW: [frogs] Re: Patching the output file naming code (Was: thanks to whomever put this in the LSR...)

I've forwarded Ian's message from the Frogs mailing list, because I don't know how to answer his question. I'm sure somebody on -devel will. Thanks, Carl -- Forwarded Message From: Ian Hulin Reply-To: Date: Sat, 20 Jun 2009 17:25:42 -0600 To: Reinhold Kainhofer , Conversation: [frogs] R

Re: subdivideBeams broken?

On 6/21/09 9:49 AM, "Hans Aberg" wrote: > On 21 Jun 2009, at 16:47, Trevor Daniels wrote: > >> SubdivideBeams will break beams at intervals >> defined by beatLength, which by default is set >> to 1 over the denominator of the time signature. > > Yes, but this is what goes wrong, as my time s

Re: Petrucci-like spacing?

On 6/18/09 8:45 AM, "Laura Conrad" wrote: >>>>>> "Carl" == Carl D Sorensen writes: > > Carl> Does this seem at all promising? >>> >>> Yes, but there's still the problem of extra space at the barline. I >>>

Re: RFC: new vertical layout engine

On 6/15/09 2:37 PM, "Jonathan Kulp" wrote: > Joe Neeman wrote: >> I've started working on a new system for doing vertical layout in one >> pass (ie. positioning and stretching the systems simultaneously). This >> should give better default behaviour than the current code and it should >> also

Re: Problems regarding figured bass

On 6/14/09 3:38 AM, "Reinhold Kainhofer" wrote: > -BEGIN PGP SIGNED MESSAGE- > Hash: SHA1 > > Hi all, > I'm running into several problems with figured bass while writing another > large > orchestral piece. Attached is a sample file highlighting these issues: > > 1) How can I add a fi

Re: Petrucci-like spacing?

On 6/8/09 6:15 PM, "Laura Conrad" wrote: >>>>>> "Carl" == Carl D Sorensen writes: > > Carl> Here's my attempt to get the spacing you're looking for. I've > Carl> done it manually, but if you like it, I think that I

Re: Lilypond and Jazz chords

On 6/12/09 9:10 AM, "Tim McNamara" wrote: > > > On Jun 12, 2009, at 1:28 AM, Tao Cumplido wrote: > >>> I think it's great that you did this. Have you put this on LSR? >> >> Thanks. I haven't put this on LSR yet because the function hasn't >> been much tested yet. Maybe I should have done

Re: Lilypond and Jazz chords

On 6/12/09 12:28 AM, "Tao Cumplido" wrote: >> I think it's great that you did this. Have you put this on LSR? > > Thanks. I haven't put this on LSR yet because the function hasn't been much > tested yet. Maybe I should have done anyway. > When the function is updated I will upload it there.

Re: Trouble with convert-ly

On 6/11/09 4:36 PM, "Father Gordon Gilbert" wrote: > Hi Bertalan, > > Looking in jEdit plugin options, the line which shows were the program and > convert-ly are shows /usr/bin .  And Lily fires up just fine, so you'd think > convert-ly should work as well.  I did 'which convert-ly' and it sh

Re: Issues compiling multiple voice drum midi

On 6/10/09 8:16 PM, "hendr...@umn.edu" wrote: > This issue may be too elementary for this mailing list or may have already > been addressed, however I cannot find answers in digging through the > archives and am not sure where to ask more basic questions. If I need to be > re-directed to anoth

Re: Lilypond and Jazz chords

On 6/10/09 2:03 AM, "Tao Cumplido" wrote: >> But as I said before, if anybody wants to create a chordname input mode >> that >> takes a root, and arbitrary name string, and an optional added bass, >> they're >> welcome to do so. > > http://lists.gnu.org/archive/html/lilypond-user/2009-02/msg0

Re: translation of the doc into italian

On 6/9/09 10:39 AM, "Federico Bruni" wrote: > Hi all, > > as far as I can see there is not an italian documentation for lilypond. > > I'd like to help with that, could you please tell me how can I contribute? > If other italians want to join, either for just proofreading or > translating als

Re: "Missing" jazz chord modifiers

On 6/9/09 11:16 AM, "lasconic" wrote: > > > maybe bass ? > for removing third and fifth and keeping the root only? Does this mean that you'd like to have a one-note "chord"? I've never seen this before in notation (but that doesn't mean too much). If you do want a one-note chord, I'd pref

"Missing" jazz chord modifiers

In our discussion about chord names, Jean-Alexis pointed out that we are probably missing some modifiers in our chord mode input. He pointed out one example: alt: 7.3-.5-.9-.11-.13- What are some other modifiers that should be added, in your opinion? Remember that m7b5 doesn't qualify as a modif

Re: Lilypond and Jazz chords

On 6/9/09 9:16 AM, "Jean-Alexis Montignies" wrote: > > You can find an example of a chord notated as 'phrygian' (well it's more a > modal indication, but that's what the composer Gary Peacock intended) in the > lead sheet for Vignette. > More arguments for using names: Alt is much more easy

Re: Lilypond and Jazz chords

On 6/2/09 3:55 AM, "Jean-Alexis Montignies" wrote: > Hi there, as a jazz player I would like to share my input. Thanks for sharing, Jean-Alexis. > > What I need in scores is really chord names. > The chord name denotes the intent of the composer and is much subject > to interpretation. > >

Re: Lilypond and Jazz chords

On 6/1/09 1:45 PM, "lasconic" wrote: > > > Hi, > Just in case it can be helpful, someone (Karl) post a pdf he wrote on > MuseScore (http://www.musescore.org) mailing list about chord name display. > Musescore is a free GPL WYSIWYG scorewriter (with lilypond export > capabilities) > Maybe it

Re: Better MIDI

On 6/1/09 5:29 PM, "Peter Chubb" wrote: > > > Hi, > > I've put up a page on how to get more realistic sounding MIDI output > from current LilyPond, along with the scripts and scheme code used, at > http://www.nicta.com.au/people/chubbp/articulate Peter, I haven't had a chance to loo

Re: Lilypond and Jazz chords

On 6/1/09 8:56 PM, "Tim McNamara" wrote: > > > On Jun 1, 2009, at 2:33 PM, Carl D. Sorensen wrote: > >> A chordnamemode *input* mode has been proposed a couple of times. >> This mode >> would take only a root (and optionally, a slash or alternate bas

Re: Problems with Piano Staff Template

On 6/1/09 1:38 PM, "Jonathan Kulp" wrote: > Mats Bengtsson wrote: >> >> >> Mark Austin wrote: >>> Thanks James. Works a treat now. However, this means the error is in >>> the template in the Learning Manual, since I copied it straight over. >>> >>> The first few lines of the first \score bl

Re: Lilypond and Jazz chords

On 6/1/09 12:50 PM, "Grammostola Rosea" wrote: > Tim McNamara wrote: >> >> On Jun 1, 2009, at 4:13 AM, Tim Rowe wrote: >> >>> 2009/6/1 Carl D. Sorensen : >>> >>>> You are welcome to pursue this, if you are interested in it. I

Re: Lilypond and Jazz chords

On 5/31/09 7:34 AM, "Johannes Schöpfer" wrote: > Hi, > >> As I already said some time ago when I made my own chordnames functions, I >> still believe chordnames should be seperated from chords, or at least chords >> shouldn't produce chordnames since it'll never be clear. And the other way >>

Re: Lilypond and Jazz chords

On 5/30/09 10:55 PM, "Brett Duncan" wrote: > Carl D. Sorensen wrote: >>> I assume that there would still have to be some means of creating >>> exceptions. If someone wants chords named mainly in the Real Book style, >>> but with minors notated sl

Re: Lilypond and Jazz chords

On 5/30/09 7:16 PM, "Carl D. Sorensen" wrote: > Right now we have a naming problem, separate from the display problem. If > we can get the code to recognize that we have a Ebmaj7b5, then we can figure > out how to display it in a way that the users will like. Right no

Re: Lilypond and Jazz chords

On 5/30/09 5:15 PM, "Brett Duncan" wrote: > Carl D. Sorensen wrote: >>>>> My currently-planned starting point for chord naming is >>>>> >>>>> http://www.dolmetsch.com/musictheory17.htm#namechords >>>>> >>>>

Re: Lilypond and Jazz chords

On 5/30/09 9:53 AM, "Grammostola Rosea" wrote: > Tim McNamara wrote: >> >> On May 30, 2009, at 9:50 AM, Carl D. Sorensen wrote: >> >>> On 5/30/09 3:21 AM, "Brett Duncan" wrote: >>> >>>> Grammostola Rosea wrote:

Re: Lilypond and Jazz chords

On 5/30/09 3:21 AM, "Brett Duncan" wrote: > Grammostola Rosea wrote: >> Do we have an Jazz/pop chord expert on the list (I'm sure he/she exist)? >> And who wants to help with this? > > I don't consider myself an "expert", but after 20 years of playing with > various pop, rock and jazz groups,

Re: tablature.ly - please test and comment

On 5/29/09 9:20 AM, "Marc Hohl" wrote: > Carl D. Sorensen schrieb: >> >> On 5/29/09 2:05 AM, "Marc Hohl" wrote: >> >> >>> Carl D. Sorensen schrieb: >>> >>>> [...] >>>> >>> There i

Re: tablature.ly - please test and comment

On 5/29/09 1:56 AM, "Marc Hohl" wrote: > David Stocker schrieb: >> If I may chime in... >> >> This may just be a matter of editorial taste, but would it be possible >> to make it so the 'X' on in the Tab staff is not the musical glyph >> from Feta, but rather the character 'capital X' from th

Re: Lilypond and Jazz chords

On 5/29/09 6:10 AM, "Grammostola Rosea" wrote: > Hi, > > In the last months there where some questions about Jazz/pop chords. > About the notation of the default chords but also about chords with an E > in the bass, A/E, sus4 etc. > Some people even posted ways to do it right. > If I remember

Re: tablature.ly - please test and comment

On 5/29/09 2:05 AM, "Marc Hohl" wrote: > Carl D. Sorensen schrieb: >> [...] >> >> Here's one way to do it: >> >> deadNote = >> #(define-music-function (parser location note) (ly:music?) >> (set! (ly:music-property no

Re: tablature.ly - please test and comment

On 5/28/09 6:28 PM, "David Stocker" wrote: > If I may chime in... > > This may just be a matter of editorial taste, but would it be possible > to make it so the 'X' on in the Tab staff is not the musical glyph from > Feta, but rather the character 'capital X' from the same font set being > us

Re: tablature.ly - please test and comment

On 5/28/09 7:22 AM, "Julian" wrote: >> But still not within the tablature staff >> At the moment, I don't know how to manage this. > > I found it, > > < >% Dead Note >\tweak #'stencil #ly:note-head::print >\tweak #'glyph-name #"2cross" >\tweak #'style #'special >f'\1 >

Re: tablature.ly - please test and comment

On 5/28/09 1:21 AM, "Marc Hohl" wrote: > Carl D. Sorensen schrieb: >> [...] >> >> I think it's better to have the duplication and the ability to switch >> between \tabNumbersOnly and \tabFullNotation, than to avoid the duplication, >> and

Re: tablature.ly - please test and comment

On 5/27/09 2:50 PM, "Neil Puttock" wrote: > 2009/5/23 Marc Hohl : >> Neil Puttock schrieb: > >>> Since none of this works properly (I suspect it will require more than >>> Scheme hacking to get everything working), I don't think it's suitable >>> for inclusion. >>> >>> >> >> Hm, I guess yo

Re: Tweaking end-of-line time signature?

On 5/26/09 4:03 PM, "Trevor Bača" wrote: > %%% BEGIN #3 PROPORTIONAL SPACING WITHOUT STRICT NOTE SPACING AND WITH  EOL > ADJUSTMENT %%% > > adjustEOLMeterBarlineExtraOffset = #(define-music-function (parser location) > () >    #{ >   #(define (foo grob) > (if (<= (ly:item-break-

Re: Confused about asterisk notation

On 5/26/09 7:33 AM, "David Bobroff" wrote: > Brandon Olivares wrote: >> Hi, >>> One of the tracks starts with this: >> >> s16*259 16 16 16 s16 16 16 >> > > The "*" is a multiplication sign. "s16*259" means "skip (i.e. invisible > rest) a 16th note 259 times. I'd actually say it a bit diff

Re: Line lengths in NR [was Petrucci-like spacing?]

On 5/25/09 4:43 PM, "Patrick McCarty" wrote: > On Mon, May 25, 2009 at 03:26:42PM -0700, Patrick McCarty wrote: >> On Mon, May 25, 2009 at 2:49 PM, Trevor Daniels >> wrote: It looks like a whole note but has the duration of a quarter note, when LilyPond determines the spacing.

Re: Petrucci-like spacing?

On 5/25/09 10:57 AM, "Henning Plumeyer" wrote: > Am 25.05.2009, 02:13 Uhr, schrieb Carl D. Sorensen : > > There are some issues though - not with Laura's example where no bar lines > are needed. But when you want bar lines the bars are too "full". >

Re: tablature.ly - please test and comment

On 5/25/09 12:13 PM, "Julian" wrote: > > Hello Marc, > > Well at first, english is no my native lang, so sorry for don't speak it well. > > I'm the admin of tuxguitar (a tablature editor) project and now i'm trying to > implement some of these features to the lilypond exporter plugin. > >

Re: Petrucci-like spacing?

tically. What I've done is to multiply each note by a value necessary to make its final duration equal a 1/4 note. \relative c'' { \key f \major g1*1/4 bes1*1/4 a1*1/4 g1*1/4 d'1.*1/6 c4 bes4 c1*1/4 } Does this seem at all promising? Thanks, Carl _

Re: tablature.ly - please test and comment

On 5/23/09 1:09 AM, "Marc Hohl" wrote: > Neil Puttock schrieb: >> 2009/5/22 Marc Hohl : >>> % for ties in tablature, fret numbers that are tied to should be invisible >>> % or -after a line break - put in parentheses. Since this is not (easily?) >>> % possible in lilypond, we offer three comma

Re: Should sample code in NR build correctly?

R build correctly? >> >> On Sat, May 23, 2009 at 07:54:54AM +1000, Nick Payne wrote: >>> For example, on p.98 of the PDF version of the 2.12.2 NR the >> following >>> example appears about half way down the page: >>> >>> \repeat volta 2 { c4

Re: \partial at start, but want whole bar at end

On 5/22/09 7:27 AM, "Paul Hodges" wrote: > Hi all, > > I have looked around, but I can't find anything about this in the pdf > documentation or snippets (v2.12.2): > > At the start of my piece, I have \partial for an upbeat. However, I > wish to have a full bar (a semibreve in 2/2) at the e

Re: How to achieve chord stop with ¬

On 5/21/09 2:07 PM, "Stjepan Brbot" wrote: > > > > Carl D. Sorensen wrote: >> >> Stjepan, >> >> First, you should know that this has been fixed in the git sources and >> will >> be available in the next development release. >

Re: Complex chords

On 5/21/09 2:54 PM, "Stjepan Brbot" wrote: > > > But this should be the whole snippet code form snippets guide, look at: > Yes, but in your file there are apparently 16 lines that come before the lines you showed in your email. The line that caused the error is line 2 in your email, and l

Re: Complex chords

On 5/21/09 12:41 AM, "Stjepan Brbot" wrote: > > > > Tim McNamara wrote: >> >> You need to define exceptions to the way that LilyPond writes >> chords. One way is to use one of the alternative chord rendering >> methods that you can find in the snippet repository. You can put >> this into

Re: How to achieve chord stop with ¬

On 5/21/09 1:08 AM, "Stjepan Brbot" wrote: > > > > M Watts wrote: >> >> There are at least 2 versions in UTF-8; a normal one U+00AC, and a >> full-width one U+FFE2. >> >> To use these within lilypond, do \markup { \char ##x00AC } or \markup { >> \char ##xFFE2 }. >> >> Or, if your file is

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