Text Spanner Leading Directly Into Another Text Spanner

Hi, Is there a way to create a text spanner that leads directly into another text spanner, for example an accelerando into a ritardando? I've tried using \stopTextSpan and \startTextSpan on the same note, but the second text spanner is above the end of the first one which is not what I want.

Text Spanner Leading Directly Into Another Text Spanner

Thanks for all the helpful replies everyone, but I've now run into a new problem; I want the second text spanner to align with the first spanner's dashed lines, for the first system. The second text spanner is currently below the dashed lines. How do I fix this? ___

Re: Text Spanner Leading Directly Into Another Text Spanner

Will do. \version "2.19.65" \relative c'' { \override TextSpanner.bound-details.left.text = "accel." \override TextSpanner.bound-details.right.padding = #1 \acciaccatura e8\startTextSpan d4 d r d d2 g4. d8 e2 r R4*4 r2 r4 \override TextSpanner.bound-details.left.text = "rit." c\sto

How do I revert a TextSpanner's staff-padding after a line break?

I'm really sorry to bother you all again, but I can not figure this out. In my last question about a Text Spanner leading into another Text Spanner, I was finally able to align an accelerando with a ritardando using staff-padding. Unfortunately, after the line break in my score the spanner con

Re: How do I revert a TextSpanner's staff-padding after a line break?

On 20/09/2017 00:15, Thomas Morley wrote: Probably easiest: { \alterBroken staff-padding #'(5 0) TextSpanner c'1\startTextSpan d' \break e' f'\stopTextSpan } Cheers, Harm Thank you. It works perfectly. ___ lilypond-user mailing list l

Assign Dynamics Context to PianoStaff for MIDI

Hi, I was wondering how to assign a Dynamics context to a PianoStaff so it plays piano-centred dynamics in the piano part correctly in the MIDI file, without having to manually insert dynamics on notes in every voice. ___ lilypond-user mailing list

Re: Assign Dynamics Context to PianoStaff for MIDI

Thank you for taking the time to respond, but I'm afraid it didn't work. I'm using 2.19.65. I asked this because assigning dynamics to every voice—even in a separate midi block—is really tedious. ___ lilypond-user mailing list lilypond-user@gnu.org h

Re: Assign Dynamics Context to PianoStaff for MIDI

On 06/10/2017 12:15, Ben wrote: Robert, I am confused. What doesn't work with my code that I posted? If you create a separate 'score' for your MIDI realization (which you want to have a centered dynamics context for the piano as a whole), it should be that simple - no need

Re: Assign Dynamics Context to PianoStaff for MIDI

I myself should also clarify that what I've been trying to do the whole time is get the midi file to playback dynamics properly, not merely fit them between the staves in a midi file. I think I didn't explain myself properly, I just assumed. I tried using your code as well, but could hear no di

Frescobaldi on a Mac - Preference Files

Frescobaldi anymore (since a couple of months actually) and I suspect corrupt preference files to be the reason. But I can't locate them - does anyone of the mac users know where I can find them? Thank you, Robert ___ lilypond-user mailing list li

Re: Frescobaldi on a Mac - Preference Files

Dear Davide, Thanks! I'll check that asap and hope to be able to use Frescobaldi again ... I'll let you know! Best, Robert > On 11 Oct 2017, at 15:09, Davide Liessi wrote: > > Dear Robert, > > I overlooked your messages to the Frescobaldi list, I'm sorry. &

How to remove Text scripts

er } { c'1-"Text" } } While this works - the text script *is* in fact gone -, it also generates this warning: warning: cannot add text scripts to individual note heads My question is: If this is indeed not the correct way to remove text scripts, which one is? Thanks

Re: How to remove Text scripts

Hi Kieren, I believe you're right! Thanks a lot, Best, Robert > On 14 Oct 2017, at 21:39, Kieren MacMillan > wrote: > > Hi Robert, > > I believe you’re looking for > >\with { \omit TextScript } > > Hope that helps! > Kieren. > _

Switch back a \voiceOne to \oneVoice

dig this problem, but I have no idea how to fix it. Here is an attached snippet.ly file to show you what I get and what I want. I ask you if you could share some advise with me and help me fix it. Robert \version "2.21.0" \language deutsch #(set! paper-alist (cons '("snippe

Re: Switch back a \voiceOne to \oneVoice

Hi Rémy This is it. I owe you a good beer, man :-) Thanks! Robert On 10/15/2017 06:43 PM, Remy CLAVERIE wrote: > Hi Robert, > >   > > Instead of using \voiceTwo, you could add a new tag : \tag > #'tag_orchestral { \voiceTwo} > >   > > I think this metho

Re: Switch back a \voiceOne to \oneVoice

Thanks, David, I will definitely use tagGroup. I see some possible application for it in my work. It is revolutionary for me, that I can tag not only _music_, but also a music command. This idea never crossed my mind. ___ lilypond-user mailing list l

\repeatTie on single note in chord still not showing up

Hi, A few months ago, somebody wrote about how to insert repeatTies on a single note in a chord, and it was discovered that when one did this e.g. 2, the tie wouldn't show up. It was decided it was a bug. You can find the thread here

Re: Any other Thunderbird users have messages never post? (WAS: Hide slur?)

f so, is your email provider something other than Gmail, GMX, or > Microsoft? (Microsoft meaning Hotmail, Outlook.com, etc.) It's FastMail. HTH, Robert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: rim shot

Actually, I (not a drummer as well but a bassist, so close enough ...) would suggest not to translate this at all. I've never played with a dummer (german speaking) who didn't call a rim shot "rim shot". I've never heard of a "Randschlag" or indeed any German word for this percussive element ...

Approximate Time of 2.20 Release?

Hi, I was curious if the development team has an estimation of when LilyPond 2.20 will be released. It would be nice to have some idea as to the approximate time it will happen. It says 2.19.80 is "a pre-release for the upcoming stable 2.20 release" on LilyPond's news page, so will 2.20 be next

Re: Approximate Time of 2.20 Release?

Thanks for the information, both of you. I'll be looking forward to it. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

How do I apply patch files to my LilyPond binary on Windows?

Hi, I was wondering if it was possible to apply patch files to binaries on Windows, and if so how to do it. I have been waiting for about a month for LilyPond 2.19.81 where hopefully the problem with the repeat ties in chords will be fixed (in case any reader doesn't know, as of 2.19.80 repe

A problem with "placing grace notes between arpeggios and chords"

nce I prefer to use the real pitches, I commented out "\relative c' " and adjusted all notes. Result: the notes are perfect but there are no arpeggios any more. Why? And what can I do to correct it (except going back to "\relative c' ")? Thanks in advance for any advice

Re: How do I apply patch files to my LilyPond binary on Windows?

Understood. Sorry to hear it, though. Well, I'll try waiting out a bit more. Seems the devs are hard at work squashing bugs. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: A problem with "placing grace notes between arpeggios and chords"

file; the, or a, real occurrence is in bar 91 of Chopin's Nocturne Op. 37 No. 2. Another nasty problem is in bar 119 of the same Nocturne. ) Thanks again. Best regards, Robert Blackstone On 14 Nov 2017, at 18:57 , Thomas Morley wrote: > 2017-11-14 17:39 GMT+01:00 Thomas Morley : >

Re: A problem with "placing grace notes between arpeggios and chords"

n the second, and I do not understand why that should be like this. My next puzzle is to extend the arpeggio to the bass-note below the chord but I doubt I will find a solution or a tweak. Best regards, Robert Blackstone On 14 Nov 2017, at 15:52 , Ben wrote: > On 11/14/2017 7:23 AM

Re: A problem with "placing grace notes between arpeggios and chords"

ng so my reply would have been rather late. I'm particularly grateful for the various solutions you provided me with. In fact you wrote two entire bars of the score I am, or was, struggling with. Best regards, Robert Blackstone On 15 Nov 2017, at 19:18 , Edward Neeman wrote: > The

Re: Full bar rest R time 6/8 and 9/8

What about R8*6 and R8*9 for 6/8 and 9/8, respectively? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Full bar rest R time 6/8 and 9/8

I think R8*6 would be 6 bars of full measure rests in a musical segment in 1/8 time ... > On 1 Dec 2017, at 14:41, Robert Murdoch wrote: > > What about R8*6 and R8*9 for 6/8 and 9/8, respectively? > > > ___ > lilypond-user ma

Re: "unroll code"

other possibility. Best, Robert Am 13/05/16 um 23:01 schrieb Gianmaria Lari: Is there any tool to "unroll" the code. For instance, suppose you have something like this... \version "2.19.40" fragment.1 = { a b c d } fragment.2 = { e f g a } music = { \repeat

Re: "unroll code"

That was my first thought too, but the OP wanted to have something like \repeat unfold 3 { c d e f } unfolded into c d e f c d e f c d e f and \displayLilyMusic doesn't do that. Instead it outputs \repeat unfold 3 { c d e f } Am 15/05/16 um 18:18 schrieb Paul: On 05/15/2016 09:01 AM, Da

Re: Converting Midi to PDF, or lilypond

There's a program called Musescore (free open source WYSIWYG music sheet program) that can import and render MIDI. Might be messy, depending on the complexity of the music, but that's probably the same in all programs ... Best, Robert. __ It is wrong always, everywhere, and

Re: Embedding LilyPond in iOS app?

ing to do. That's no proof, of course ... Again, I'm no expert on this, just what I remember. Best, Robert Am 20/05/16 um 05:19 schrieb SNIPER36: Hello, I just came across lilypond while looking for a notation library that I can embed into an iOS app. I would like a view in my a

Re: Typesetting a Bach Ornament; Sarabande, French Suite 5

In the OP's defense: I believe Sam wasn't talking about the \prall glyph but the in-staff symbol just to the left of the A note head that looks a bit like a tied letter c. What it is, however, I don't know ... maybe just that - the letter c? __ It is wrong always, everywhere, and for any

Re: OT: review needed for liner notes translation

sional life. So it's perhaps best to keep me as a "reserve" in case nobody more qualified turns up. BTW: A very interesting programme on these CD's. I'll buy it anyway when it will be available. Best regards, Robert Blackstone On 11 Jun 2016, at 10:15 , Urs Liska w

Re: OT: review needed for liner notes translation

Fine with me. (I've never edited a file in a web interface, but I guess it should not be much of a problem.) Best regards, Robert On 11 Jun 2016, at 11:14 , Urs Liska wrote: > > > Am 11.06.2016 um 10:47 schrieb Robert Blackstone: >> Hi Urs, >> >> Ref.: &quo

Figured bass, horizontal alignment of pairs containing figures with accidentals

e the vertical position either of the accidentals or of the figures such that the figures with accidentals will be "bottom-aligned"? Thanks in advance for any help. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Figured bass, horizontal alignment of pairs containing figures with accidentals

On 3 Jul 2016, at 10:34 , Andrew Bernard wrote: > Hi Robert, > > I am not an expert in FB in lilypond, but this appears to be fixed in 2.19.44 > at least. Can you upgrade? > > Andrew Hi Andrew, Thanks for your quick reply. Yes, I have installed 2.19.44-1. I had already t

Re: Figured bass, horizontal alignment of pairs containing figures with accidentals

On 3 Jul 2016, at 11:54 , David Kastrup wrote: > Robert Blackstone writes: > >> On 3 Jul 2016, at 10:34 , Andrew Bernard wrote: >> >>> Hi Robert, >>> >>> I am not an expert in FB in lilypond, but this appears to be fixed >>> in 2.19.44

Re: slurs and repeats

allowed? >{ e4 e d d | c2. } > } > \bar "|." } > > \score { > \new Staff { >\music > } > \layout {} > } > > Hi Martin, I think you forgot the ) after the e4 in the 3rd bar of \alternative. Anyway, this works for me, but I'm not su

Re: Centered text lines in markuplist

ant and it requires a sort of manually fitting of the text on the pages but at least it works. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Changing and playing a different instrument in MIDI

hoice. - If necessary I could do it for you. If you want to give it a try, send me, to test it, a small part of your score. In will probably be able to return the saved midi-performance on an instrument of your choice (provided it is in th

I am not top posting

I have no idea why, but this interface won't let me ask a question. It says I am top posting. I am not top posting. I have not quoted anything. How do I send a message to this list? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.

getting repeat bar lines to print across an entire system

hey there, So this: \score{ \new StaffGroup << \new Staff { \bar ".|:" c'1 c'1 \bar ":..:" c'1 c'1 \bar ":|." } \new Staff { \bar ".|:" c'1 c'1 \bar ":..:" c'1 c'1 \bar ":|." } >> } does what I would expect to do, the repeat bar lines are drawn across the enti

Re: I am not top posting

Thank you, that is precisely what was happening. On Sun, Jul 24, 2016 at 2:49 AM, Nathan Ho wrote: > On 2016-07-23 21:05, Robert Edge wrote: > >> I have no idea why, but this interface won't let me ask a question. It >> says >> I am top posting. >> >>

Re: getting repeat bar lines to print across an entire system

So there is a snippet here: http://lsr.di.unimi.it/LSR/Item?id=1032 That gets pretty close. I am assuming that no one writes that much scheme code unless the functionality is broken in Lilypond proper. I'll prepare a bug report. ___ lilypond-user maili

Re: getting repeat bar lines to print across an entire system

> > I'd also add that it is not so much the case the lilypond is broken > and fails to function, but that lilypond just fails to provide a > particular function that you have need of. > By broken I mean failing to behave as the documentation says it should. see here: http://lilypond.org/doc/v2.1

Re: I am not top posting

> Out of interest, what interface are you using? > > > This is coming directly from my email account, as was the message that posted successfully in my other thread. The experienced the issue with the gmane web interface. It appears that the '<<' characters in some lilypond code was the issue. __

Re: getting repeat bar lines to print across an entire system

> > So I'd say this part of the code is not broken but works as it should, > it's just not like you'd expect it should be. > > I'm not sure where you are seeing charts drawn like that. I'm used to seeing this: http://www.saxuet.qc.ca/TheSaxyPage/Realbook%20C/Four.jpg or this: http://www.ejazzline

Re: getting repeat bar lines to print across an entire system

> And now I'm pissed, maybe I should revert this part of the code. > Okay, you do whatever you want man. We'll just say it works as intended by the developer. Or doesn't, but is too hard to fix. Or whatever. There will be no bug report. Got it. ___

Horizontal shifting of a figured bass symbol

ugly and I would like to have the sharp aligned with the centre of the whole note. What can I do to shift this sharp a wee bit to the right? Thanks in advance for all help. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond-use

Re: Horizontal shifting of a figured bass symbol

On 26 Jul 2016, at 11:03 , David Kastrup wrote: > Robert Blackstone writes: > >> Dear all, >> >> In my experience, figured bass symbols are, or rather look, always perfectly >> aligned vertically with their bass note. >> Not, however, in this case. Tha

Re: Horizontal shifting of a figured bass symbol

On 26 Jul 2016, at 11:40 , David Kastrup wrote: > Robert Blackstone writes: > >>>> \new FiguredBass { >>>>\figuremode { \override BassFigure #'font-size = #-2 >>>>< \sh >1 < _ >1 | >>>>

Editorial accidentals in figured bass

Dear all, I've seen in the documentattion that it is possible to put figure+accidental pairs between brackets, like this [#3] . Now in some examples I need [#]3. Is there a way to do this? Thanks in advance for any help. Best regards, Robert Black

Re: Editorial accidentals in figured bass

Thanks Shane, Elegant or not, it does work. Best regards, Robert Blackstone On 29 Jul 2016, at 12:39 , Shane Brandes wrote: > A possible method by Andrew Cashner on Stack overflow. Probably a > better method out there but this may suffice. > > > \version "2.18.2&q

Re: Dynamics inside a chord?

Not sure if that's also acceptable, but what *does* work is use of simultaneous voices: \version "2.19.44" \new Voice << { a } { b\p } >> Am 14/09/16 um 14:49 schrieb David Kastrup: Menu Jacques writes: Hello folks, Just for a try: \version "2.19.44" \relative { }

Ties, distance from barline at a system break

2~ | \break ges'2 } % My question: is there a way to change the tie-length or the space after, respectively before the tie, or the space between "whatever sits at the beginning of the staff" and the musical text? I have not found any so far. Thanks in advance fo

Re: Ties, distance from barline at a system break

the value of the note-head gap I found that 6 instead of 8 yields a reasonable compromise for me. Thanks again, Best regards Robert On 5 Oct 2016, at 13:06 , Pierre Perol-Schneider wrote: > Hi Robert, > How about: > > % > \version "2.18.2" > > \pa

Re: Ties, distance from barline at a system break

can't see what causes it and how I can get rid of it, which I would like to do. Could you help me out here? Thanks in advance. Best regards, Robert On 5 Oct 2016, at 14:12 , Andrew Bernard wrote: > Hi Robert, > > Well, I don't have 2.18, so I don't know if this is

Re: Ties, distance from barline at a system break

ng: `\shapeII' " etc. Anyway, I will follow your advice and download and install the openlilylib framework on my path. It is terra incognita for me but I'll have a go at it and if and when I get stuck I will scream for some more help. Thanks for your help. Best regards, Robert %

Re: Ties, distance from barline at a system break

ces/share/lilypond/current/_internal/utilities" of the LilyPond.app, nevertheless could not be found. No idea why not. Anyway, in the end it worked and the result is what I hoped it would be. Thanks for your help. Best regards, Robert On 6 Oct 2016, at 13:53 , Kieren MacMillan wrote

Re: Crash! -1073741819

It could be coincidence, but there's a Windows error code of just that number: http://www.tenforums.com/general-support/9872-file-system-error-1073741819-a.html __ It is wrong always, everywhere, and for anyone, to believe anything upon insufficient evidence. -- William Kingdon Clifford >

Re: Unpitched notes/sounds

Hi Jaques, This could simply refer to ghost notes, usually written with x note heads ... Best, Robert __ It is wrong always, everywhere, and for anyone, to believe anything upon insufficient evidence. -- William Kingdon Clifford > On 19 Oct 2016, at 17:40, Menu Jacques wr

Re: Changing voice order...

You specify the input in a well-structured way, let lily care about the engraving) I'd find any input sequence other than 1/2/3/... counterintuitive. Best, Robert __ It is wrong always, everywhere, and for anyone, to believe anything upon insufficient evidence. -- William Kingdon Cl

Re: Changing voice order...

Am 28/10/16 um 11:01 schrieb David Kastrup: Robert Schmaus writes: Hi everyone, I've never used implicit voice assignment and I doubt I will start with it now. But since there's no real need for the ordering of voices _in the code_ to match the vertical arrangement of the _engra

barNumberCheck with repeats

in the score block, the bar number check (sensibly) expects the last bar to be bar # 4, not 3. As workaround, I could leave out \unfoldRepeats while creating the score and just use it for the final engraving. But there might be some trick to have the bar number checks supressed in a score block -

Re: barNumberCheck with repeats

... at least one of the \layout block will use the checks. So, for me, this would work - but others with bigger and more complicated scores might have a different opinion on this. I guess, a mention of this in the sections "Repeats in MIDI" would be a g

Re: barNumberCheck with repeats

Am 09/11/16 um 11:35 schrieb David Kastrup: Robert Schmaus writes: Not much of a trick. \set Score.ignoreBarChecks = ##t Ah, great - thanks David! barNumberCheck = #(define-music-function (n) (integer?) (_i "Print a warning if the current bar number is not @var{n}."

Re: Stepping down and moving on

this list! It couldn't have been easy, staying on for that long without any secure means of income - kudos for that! I'm sure you won't disappear completely or quickly, so ... See you around, Robert PS: wonderful performance of Bach's Air on the accordion! Am 09/11/16 um 18:

Curious thing about ties

ly just curious, I don't have a problem with this behaviour. I'm guessing that this can only occur with notes inhabiting the middle staff line, right? Anyway, take care, Robert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Curious thing about ties

> On 14 Nov 2016, at 21:22, Hans Åberg wrote: > > >> On 14 Nov 2016, at 21:09, Robert Schmaus wrote: >> >> I've wondered why in the first instance, the tie is a down-tie, while in the >> second it's an up-tie (see attached screenshot). Is there a

Re: Curious thing about ties

> On 14 Nov 2016, at 22:27, Brian Barker wrote: > > At 21:09 14/11/2016 +0100, Robert Schmaus wrote: >> something I just came across while pondering away: in the following snippet, >> there are two ties across barlines. >> [...] >> I've wondered why in

Re: Curious thing about ties

fixable by using tie directions. (I've never gotten deep enough into tweaking to use anything like penalties...) But if you (Andrew) think the bug squad should be involved, I trust you on this and forward this thread to them. Best, Robert ___

Re: Photoscore

ts the complete but unadorned score in Finale. Just the notes. No lyrics, exporessive marks, ties yes but no slurs etc. One other caveat: Finale does not recognize partial measures so you have to make a copy with only full measures. Just a suggestion. Best regards, Robert Blackstone On 22 Nov

PianoStaff.shortinstrumentName

mentName = "B. C." but only the first system gets its name I admit that " \set PianoStaff.shortinstrumentName = "" " was only a guess since I had not been able to find the correct command anywhere in the documentation. Thanks in advance

Re: PianoStaff.shortinstrumentName

Thanks Harm and Malte, \set PianoStaff.shortInstrumentName = "B. C." did indeed work. (I should have seen that ) Best regards, Robert On 28 Nov 2016, at 10:25 , Thomas Morley wrote: > shortInstrumentName ___ lilypond-user mailing

midi2ly won't load a file

Hello, Midi2ly always gives the error "$ midi2ly mbd.mid Traceback (most recent call last): File "/usr/bin/midi2ly", line 1113, in ? convert_midi (f, o) File "/usr/bin/midi2ly", line 961, in convert_midi str = open (f).read () IOError: [Errno 2] No such file or directory: 'mbd.mid'".

Re: LilyPond 2.25.14

I did convert this Carver Mass to 2.25.13 and created the pdf with no error but the following warning: the property 'extra-X-extent' does not exist (perhaps a typing error) and warning: The MIDI channel is tuned around warning: module 16 will be remapped (actually, I got these last messages in

Re: computer compatible

I’m using it with macosx 14.4.1 since 14.1 Robert > El 11 abr. 2024, a les 16:28, Lydia Westerberg va > escriure: > > > Is Lilypond compatible with iMac sonoma 14.2? > Thanks. > Lydia Westerberg > > >

Re: computer compatible

True, they took the X out from the system name, but the numbers stay as one should expect. 10.14 is not system 14 but 10. (https://en.wikipedia.org/wiki/MacOS_version_history) Robert > El 11 abr. 2024, a les 17:59, Leo Correia de Verdier > va escriure: > > MacOS 14 (Sonoma) is

explicit arpeggio

Dear list, I don’t find a way to do this kind of explicit arpeggio (piano): Any clues would be much appreciated. Robert

Re: explicit arpeggio

Oh thanks. I knew it was somewhere, but couldn't find it. ⁣Robert On 26 d’abr. de 2024, 13:33, at 13:33, Robin Bannister wrote: > Robert Garrigos wrote: > >> >> I don’t find a way to do this kind of explicit arpeggio (piano): >> >> > >This is c

Re: explicit arpeggio

How about moving the grace notes of the lower staff to the left? I’m trying with GraceSpacing but cannot make it work just for the lower staff. It is applied to the Score, not the Staff. > El 26 abr. 2024, a les 13:33, Robin Bannister va escriure: > > Robert Garrigos wrote: > >

GraceSpacing on Staff

. Thanks. Robert

Re: GraceSpacing on Staff

Thanks, Leo, this is indeed the easiest solution. > El 26 abr. 2024, a les 20:08, Knute Snortum va escriure: > > On Fri, Apr 26, 2024 at 10:02 AM Leo Correia de Verdier > mailto:leo.correia.de.verd...@gmail.com>> > wrote: >> s4*3 after the grace notes (within the grace group) in the lower staf

Re: explicit arpeggio

abr. 2024, a les 20:05, Knute Snortum va escriure: > > On Fri, Apr 26, 2024 at 7:07 AM Robert Garrigos <mailto:rob...@garrigos.cat>> wrote: >> How about moving the grace notes of the lower staff to the left? I’m trying >> with GraceSpacing but cannot make it work just f

slur cross staves

s4*4} 1_\fermata } >> Which makes me this: But I'm still missing the slur from cue low f to high c. Any ideas how to do it? Thanks. Robert

Re: slur cross staves

Thanks, Knuite, this helped me a lot. Robert. > El 27 abr. 2024, a les 1:07, Knute Snortum va escriure: > > On Fri, Apr 26, 2024 at 2:57 PM Robert Garrigos <mailto:rob...@garrigos.cat>> wrote: >> This is the original music to copy: &g

Re: Frescobaldi?

I cannot use Frescobaldi on Mac Sonoma (not working), so I went for Visual Studio Code, with some lilypond plugins, and I have to say that it offers everything I need Robert > El 28 abr. 2024, a les 13:57, Jean Abou Samra va > escriure: > >> Is Frescobaldi the most common to

Re: Fw: Frescobaldi ... panic alternatives?

have enough knowledge to develope Frescobaldi. ⁣Robert On 30 d’abr. de 2024, 8:11, at 8:11, Jean Abou Samra wrote: > >> FYI, what I like the most about Frescobaldi are: >> >>  * Templates and wizards >>  * Snippets >>  * Point and Click selection >>  * Synt

slurs problem with voices

first_example } \score { \new Staff \second_example } first example prints no slur: second example prints a slur where it is supposed to be, according the code, although it is not what I want: Why is not the first example working? I tried with explicit voicing with the same results. Thanks. Robert

Re: slurs problem with voices

Oh this is a bit embarrassing, such a basic error….. sorry, I never realized that the parenthesis needs to be right after the first note. Thanks all. Robert > El 2 maig 2024, a les 2:49, Mark Stephen Mrotek va > escriure: > > Timothy, > > Perhaps this? > > Mar

\after positioning in voices

s2 d8(c b2) } >> } \score { \new Staff \example } How can I have the dynamics in the same place as the first example in the two voices fragment? Thanks. Robert

Re: Frescobaldi?

I can confirm the same problem. Just installed macports and frescobaldi port and it launches only via terminal. Double clicking on the .app (inside the apps/macports folder) returns a general launch error with py2app. Once launched via terminal, frescobaldi works great, though. > El 10 maig 202

acciaccatura on lieder set

e voice and lyric lines, the output is ok. What’s wrong with my first code? thanks. Robert

Re: acciaccatura on lieder set

thanks, Stephan, that fixes the problem Robert > El 28 maig 2024, a les 8:53, Stephan Schöll va escriure: > > Try adding a grace spacer in the melody at the moment of the > acciaccaturas in the piano: > > \new Voice \relative c' { > \global > \gr

lilyjazz fonts not working

-chord.otf).  this is my \paper code: \paper { property-defaults.fonts.music = "lilyjazz" property-defaults.fonts.brace = "lilyjazz" property-defaults.fonts.roman = "lilyjazz" property-defaults.fonts.sans = "lilyjazz" } What am I missing? Thanks. Robert Garrigós

Re: lilyjazz fonts not working

Thanks Hans, but I already tried this with no luck. However, adding: property-defaults.fonts.serif = "lilyjazz-text" fixed it. Robert. > El 18 ag. 2024, a les 10:38, Hans Aikema va > escriure: > > > >> On 18 Aug 2024, at 10:19, Robert Garrigos wrote: >&

Re: lilyjazz fonts not working

I also added the stylesheets lilyjazz.ily, jazzextras.ily and jazzchords.ily into my lilypond install, although I had to translate the notes into English. Robert > El 19 ag. 2024, a les 4:56, Jeff Kopmanis va escriure: > > For me the installation was two-fold: > 1) install the

Re: lilyjazz fonts not working

Oh that's a good one. I will definitely use it. Thanks. ⁣Robert Garrigós i Castro +34 620 918 701 https://garrigos.cat Get BlueMail for Android ​ On 19 d’ag. de 2024, 11:27, at 11:27, Mark Probert wrote: >And to add on, updating the fonts needs to be done for each new release &

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