Hi,
Installed lilypond on my PC running Window XP Pro SP2. Installation completed
with error. Downloaded test.ly file and followed instructions on
http://lilypond.org/web/install/windows
Got error saying could not find test.ly file. I've checked...it's there with
the right extension. Any ideas
used. I
got it from an example, but I don't entirely understand what it does:
#(define text-font-defaults
'((font-encoding . latin1)
(baseline-skip . 2)
(word-space . 0.6)))
#(set! fonts (make-century-schoolbook-tre
hello,
is there a jazz font (music & text) available?
thanks,
-steve
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/gooeytar.com/public/bwv-988/0.80/
I have tried to organize the build of both a "book" and individual
variations
all from the same source files organized in multiple directories
It can certainly be improved on, but it seems to work out ok..
-steve
> Hi Huw
>
>
{ g2. |}
{ g2. \bar "|." |}
}
}
\score {
\new StaffGroup {
<<
\new Staff << \global \guitarone >>
\new Staff << \global \guitarthree >>
>>
}
\layout { }
}
Ideas?
e value of
the notes
Is there a way to integrate this heuristic into the main code so
that most manual
tweaking is not needed?
Or is there another better approach that can be used for issue?
thanx - steve
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what remains is the fixing up
of a few "lilypond" issues,
fixing ties etc or whatever suggestions for improvement this forum and
its experience can provide.
I have an idea of how to approach the issue of ties and will
elaborat
f the Goldberg Variations for Guitar Ensemble?
We may even get a recording out of it?
-steve
>
> best,
> Janek
>
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issue ( and
I think it is)
to taking LilyPond to the next level, then we could fix that and use
Goldberg
both the guitar and "generic" transcriptions as a focal point for organizing
and fund raising...??
-steve
>
> --
> David Kastrup
>
_
> Terrific work Steve. I love the idea of dividing it into duos, trios and
> quartets.
> Can I pass the URL along to others, or is the announcement just meant for
> list members?
Yes, allocating the appropriate resources to each variation
is, I believe, the best way to
it possible to algorithmically determine in advance a Bad Tie?
Going through it manually can be easily done and would only require
a few days, but I would be willing to sponsor a solution for 2.18.1 if
it is simple enough, not expensive, and will not make a mess..
e of that model
that
LilyPond seeks to emulate?
-steve
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> Hi Steve,
>
>
> On Wed, Feb 19, 2014 at 10:30 AM, wrote:
>
>>
>> Howdy!
>>
>> I am starting to investigate how Ties and Slurs should look
>> according to the
>> statement on lilypond.org that lilypond
>>
>>
nor (?) changes to "fix"
what is a consensus
of the problematic ties, perhaps i) iv) and v) ?
Thoughts?
-steve
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hy do I get that weird font instead of \italic ? Doesn't matter
what I
change to font to, it is always the same.. fontsize works and hspace work
Ideas?
thanx - steve
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Thats it!!
thanx - steve
> - Original Message -
>
>
> From the NR where make-dynamic-script is introduced:
>
> "In general, make-dynamic-script takes any markup object as its argument.
> The dynamic
> font only contains the charac
\\
{ gis,8[ b] gis[ b] gis[ b] | }
>>
}
voicetwo = \relative c {
< e, e' >4 dis' cis |
}
guitar = << \voiceone \\ \voicetwo >>
thanx - steve
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lilyp
gis[ b] | }
>>
}
voicetwo = \relative c {
< e, e' >4 dis' cis |
}
guitar = << { \voiceone } \\ { \voicetwo } >>
global = {
\time 3/4
\key e \major
\clef "G_8"
}
\score {
> Try putting everything in the same voice with this sort of construct
> {<<{}\\{}\\{}>>}
>
Doesn't change anything...
-steve
> regards,
> Shane
>
> On Mon, Jun 9, 2014 at 11:55 AM, wrote:
>>
>> Howdy!
>>
>>
< e, e' >4 dis' cis |
}
guitar = << { \voiceone } \\ { \voicetwo } >>
global = {
\time 3/4
\key e \major
\clef "G_8"
}
\score {
\new Staff { << \global \guitar >> }
\layout { }
}
thanx - steve
> 2014-06-09 1
Howdy!
I have a problem getting lilypond to draw the correct glissando
line...
Here is a pdf and lilypond source file
http://gooeytar.com/projects/test/test.pdf
http://gooeytar.com/projects/test/test.ly
and another attempt
http://gooeytar.com/
> %% thanks to David K:
> \grace { \bar "" 8 \bar "|" }
> < a fis' >4 < gis e' >
> }
This works!
thanx - steve
>
> HTH,
> Harm
>
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t tell you why.
>
> If that helps?
Thanx, the best I can get is this
http://www.gooeytar.com/projects/test/test3.pdf
http://www.gooeytar.com/projects/test/test3.ly
which has the stems wrong and using \stemUp doesn't fix it.
???
-steve
>
> James
>
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Ideas? thanx - steve
\version "2.18.0"
global = {
\time 3/4
\key e \major
\clef "G_8"
}
voiceone = \relative c' {
\repeat volta 1 {
\partial 4 { e'16_\p b gis' e } |
b'4 r gis,16 e b' gis |
ut of position???
http://www.gooeytar.com/projects/test/test4.pdf
http://www.gooeytar.com/projects/test/test4.ly
They rests in voicethree are way out! Sure I could use "\rest" for
each one but shouldnt
this just work??
Here is a minimal reduction of the problem. Ideas?
I fix this stem collision?
Using this thing will lengthen stems but not shorten them
\once \override Stem.details.beamed-lengths = #'(7)
\once \override Stem.details.beamed-lengths = #'(2)
Code below..
thanx - steve
*
\version "2.18.0"
Howdy!
I want to make a custom key signature. It should have f# c# a#
How can I do this?
-steve
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> On 14-11-13 10:13 AM, st...@linuxsuite.org wrote:
>>Howdy!
>>
>> I want to make a custom key signature. It should have f# c#
>> a#
>>
>> How can I do this?
>>
>> -steve
>>
>>
>>
&
subscribe to mailing list at mutopiaproject and
the subscription request(s) bounced!! This has been going on
for at least a year. No corrections, no acknowledgement, no contact
at all??
Is this project dead?
thanx - steve
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Unfortunately, there is an obvious error in Bach Goldberg
Aria bar 18 that I have seen propagated to several other versions
that have used this as source. Not good.
-steve
> 2011/4/8 Francisco Vila
>>
>> 2011/4/8 steve :
>> > Howdy!
>> >
>> >
top-margin on the "title" page? Or what is the correct way to
do this?
thanx - steve
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Thanx thats it! I ended up doing something like this
top-system-spacing =
#'((basic-distance . 20)
(minimum-distance . 20)
(padding . 0))
which seems to work ok.
-steve
> 2013/6/3
>
>>
>> How
> Hi,
>
> If I have two or more scores on the same page, how can I setup different
> system-system spacing for each?
have you tried putting each score in \bookpart ? This allows
for separate \paper sections.
-steve
>
> I've searched the documentation on this
except one is a minor third lower. Both slurred notes are on
lines
and have identical beaming, stem direction.. etc.. shouldn't the ties be
identical also?
Here is a link to a pdf.
http://indra2.web.net/~linuxsui/gooeytar.com/public/lilypond/tst.pdf
--steve
_
compilation. I want the
Preface to
appear in the TOC with its page number. How can I manually insert the entry
for the Preface into the TOC??
thanx - steve
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Howdy!
Seems my nice lilypond score gets messed up if I have a \break before
a \repeat volta followed by a \acciaccatura
http://gooeytar.com/projects/Anitra%27s_dance/ad.pdf
http://gooeytar.com/projects/Anitra%27s_dance/TEST/ad.pdf
complete reduced files are in
ht
Seems to work ok with only a single staff
http://gooeytar.com/projects/Anitra%27s_dance/TEST/one-staff/ad.pdf
???
reduced files in
http://gooeytar.com/projects/Anitra%27s_dance/TEST/one-staff/
-steve
>
> Howdy!
>
> Seems my nice lilypond score
> A shot in the dark: what happens if you add acciaccaturas with spacer
> rests in _all_ voice contexts?
that fixed it
adding
\break
\acciaccatura s8
to guitar2 produces the desired result
http://gooeytar.com/projects/Anitra%27s_dance/ad.pdf
thanx -
does nothing..
I have some files at
http://www.gooeytar.com/projects/FourMoments/Python/fm.ly
http://www.gooeytar.com/projects/FourMoments/Python/fm.pdf
never had this problem before? Am I missing something?
I can't verify it with a tiny example.
-
and it does nothing..
>
> From the NR:
> "ragged-bottom:
>
> If this is set to true, systems will be set at their natural spacing,
> neither compressed nor stretched vertically to fit the page."
>
> It seems apparent that setting ragged-* to _true_ will
Phil,
Thats IT Pulled my hair out for days..
I'll pay it forward... somehow
thanx - steve
> - Original Message -
> From:
> To: "Phil Holmes"
> Cc: "lilypond-user"
> Sent: Tuesday, March 10, 20
iles needed to compile my example can be found in
http://www.gooeytar.com/projects/FourMoments/Python/
Also I modified
/usr/local/lilypond/usr/share/lilypond/current/scm/paper.scm
by adding a 9" X 12" paper size, which is st
What is the correct way to do this in LilyPond??
thanx - steve
\version "2.18.2"
H = \once \override Staff.NoteHead.style = #'harmonic-black
voiceone = \relative c'' {
\clef "G_8"
\time 4/4
\key g \major
b4 b2 r4 |
b4 b4 r r |
Your attached code still has the note heads in voiceThree and voiceSix
changed to black harmonics, when there is a black harmonic in voiceOne
-steve
> Am 24.03.2015 um 19:39 schrieb st...@linuxsuite.org:
>>Howdy!
>>
>> I have reduced a
g4\rest g4
>\once \override NoteColumn.force-hshift = #1.0
>fis2 |
>g4\rest g4
>\once \override NoteColumn.force-hshift = #1.0
> fis2 |
>g4\rest g4
>\once \override NoteColumn.force-hshift = #1.0
>fis2 |
&
g4\rest g4
\once \override NoteColumn.force-hshift = #1.0
fis2 |
g4\rest g4
\once \override NoteColumn.force-hshift = #1.0
fis2 |
}
>>
}
-steve
>
> Each bar shows a different behaviour depending
YES!!!
Thank U All 4 u.
-$teev
> On 25/03/2015 07:20, st...@linuxsuite.org wrote:
>>Your attached code still has the note heads in voiceThree and
>> voiceSix
>> changed to black harmonics, when there is a black harmonic in voiceOne
>
> Just change
r.com/projects/test/test.pdf
ideas? - steve
\version "2.18.2"
voiceone = \relative c' {
\voiceOne
\clef "G_8"
\time 4/4
\key c \major
s4
\once \override Rest #'extra-offset = #'(1.6 . 0.6 )
g16\rest g8.^~ g2 |
}
voicetwo = \rela
> Steve,
>
> 1. Remember that the << { } \\ { } ... >> syntax automatically
> (implicitly)
> applies \voiceXXX in ascending order.
Yes, but I like explicitly stating some of the defaults..
>
> 2. Putting notes in proper voices usually eliminates any n
e on
2.18.2?
thanx - steve
\version "2.18.2"
%#(define-bar-line ".|:-|." "|." ".|:" "||")
\relative c'' {
\time 2/4
\repeat volta 2 {
c4 c | c c |
}
\alternative {
{ d b }
{ c b^"Fine" }
}
\bar
Thats it! thanx very much
version 2.18.2 does everything I need and have been using it for
years and don't want to deal with compatibility issues..
thanx - steve
> Hi,
>
> (The mailing list is lilypond-user, not lilypond-users,
> I've corrected t
the last repeat???
https://ln.sync.com/dl/2d42a9350/ukfaa7s8-rpenm7ne-xqxv7mpk-x99vbzbw
thanx - steve
test.ly ***
\version "2.18.2"
music = \relative c''
{
\time 3/4
\partial 4 a8 a |
a4 a a |
\repeat volta2
{
b4 b
> Hi Steve,
>
> Does this sketch help you out?
Thanks, I am aware of that solution... and there are a couple of
others...
I am trying to render this second appearance of this after the
trio. Here is a
a page. The part I am interested in has the downbeat a C flat
I can't find a lilypond solution.. and / or a reason why they are
notated differently.
-steve
> Hi Steve,
>
> I'm unclear what the problem is. Seems also easy. Can you show your code?
>
> I am also puzzled about you saying there are several ways to set the first
>
> Hi Steve,
>
> Just going to chime in here, that I believe it will come out like the
> latter version you prefer by default.
>
I am finished the basic engraving for 3 guitars, but can't get the
repeats the
way they should be.
I posted a piece of simplifie
Thats it!!
thanx - steve
> On 2018-05-17 10:22, st...@linuxsuite.org wrote:
>> I posted a piece of simplified code to illustrate. This is what
>> the default does
>> isnt 'it??
>>
>>
>> https://ln.sync.com/dl/2
ols, and a modern disposition.
I have 2 movements of the 5 piece Suite Bresilienne finished, then on
the Choro No 1, and the 12 Etudes.
Of course anyone with sufficient skill, ambition, etc is welcome to help!
How about the 12 Etudes?
thoughts?
-steve
;
> Lastly, the dedication at the beginning of each prelude is "Ã Mindinha".
Of the 3 versions I have seen It written à Mindinha, and à
Mindinah. The latter edition by Zigante, is in the last re
issue in 2006, so I kept it.
thanx - steve
>
> Thank you for your contribution. Cheers,
>
> Diosnel Herrnsdorf
>
> On 14/2/25 15:13, st...@linuxsuite.org wrote:
>> Hi,
>>
>
Has Lilypond been fixed to work properly on OSX Leopard yet? I see
all kinds of archived messages about problems with it and I have just
downloaded the latest 2.11.x version and indeed it does not seem to
work on first try. here is what happens now:
1 - Download lilypond for Intel OSX
2
- vim, emacs, textmate, lilypond-tool (jEdit) are all good-
it's only the lilypond text editor which doesn't work, and to be
honest you won't miss it.
d
On 22 Jun 2008, at 23:40, Steve Schow wrote:
Has Lilypond been fixed to work properly on OSX Leopard yet? I see
You have absolutely no idea how much chaos things like this cause for
people who are using Lilypond for major projects. You have absolutely
no idea how much of a problem this sort of thing is for archives like
Mutopia. You have no idea how the lack of input grammar stability
undermines efforts
s the change may not be the
maintainer of the file, and the maintainer of the file may have other
things to do besides run convert-ly on some old project.
Unless all you ever want Lilypond to be is a program used by individuals
typesetting a handful of their favorite works, ra
able octavation errors is so much greater when working in relative
mode.
Steve
> Original Message
> Subject: Re: convert from absolute to relative
> From: Jonathan Kulp <[EMAIL PROTECTED]>
> Date: Fri, August 22, 2008 7:27 am
> To: [EMAIL PROTECTED]
> Cc:
#x27;ve used and installed lilypond on this and
other platforms before; this is the first time i've had trouble.
thanks,
-steve
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thanks for the suggestion, Jon; i tried it and got the same error.
i thought it may have been my python installation, but removing it didn't
seem to help either.
-steve
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know what i did to cause the original problem, though...
thanks!
-steve
On Fri, Dec 19, 2008 at 11:14 AM, Jonathan Kulp wrote:
> steve berthiaume wrote:
>
>> hello,
>>
>> i'm trying to install lilypond on puppylinux 3.01, and i'm having a
>> problem
>
Rune,
Thanks a lot for the quick response!
Oh the mysteries of Lilypond. I'm looking forward to the day I can
intuitively figure out solutions myself. I used your trick and it worked
perfectly for my first staff group, but the rest of the staff groups in the
same system now show no bracket at
Is this expected behavior or a bug?
\grace { c,16[c]} c4\p\laissezVibrer
That is producing the following with lilypond 2.10.25:
http://www.nabble.com/file/p11495639/ScreenHunter_02%2BJul.%2B08%2B21.04.jpg
What do i need to do to get the grace notes on the right side of the time
sig?
--
Vie
If you mean this is the answer:
"When skipBars is set, the result will look OK, but the bar numbering will be
off."
I already found that out from reading the manual, but I am trying to figure
out a work-around. Also, what about the notion of the part sheets showing mm
rests while the conduct
Ok. I had already read that section last night. I just read it again to make
sure. I am either blind or the answer to my question is not there.
It says in the manual:
"A crescendo mark is started with \< and terminated with \! or an absolute
dynamic. A
decrescendo is started with \> and
Yea, I've tried a couple different midi files. The same midi files open up
fine in sonar. I've read to resave them from Sonar too and those also have the
same problem. They don't crash really. Midi2ly produces a message saying that
it created my ly file. But the ly file has no note data in
mailto:[EMAIL PROTECTED]
> Sent: Sunday, July 08, 2007 3:37 PM
> To: Steve Schow
> Cc: 'Dewdman42'; 'lilypond-user@gnu.org'
> Subject: Re: Decrescendo on last note??
>
> Steve Schow wrote:
> > It says in the manual:
> >
> > "A crescen
Or actually the answer is to attach to spacers. Got it.
> -Original Message-
> From: Steve Schow [mailto:[EMAIL PROTECTED]
> Sent: Sunday, July 08, 2007 3:42 PM
> To: 'Graham Percival'
> Cc: 'Dewdman42'; 'lilypond-user@gnu.org'
> Subj
> Quoting Steve Schow <[EMAIL PROTECTED]>:
>
> > If you mean this is the answer:
> >
> > "When skipBars is set, the result will look OK, but the bar
> numbering
> > will be off."
>
> What do you mean that the bar numbering will be off
wrote:
>
> Steve Schow wrote:
>
> Greetings,
>
> Transparent rests in the score is easy. Add:
>
> \layout {
>\context {
> \Voice
> \override MultiMeasureRest #'transparent = ##t
> \override MultiMeasureRestNumber #'transparent = ##t
Thanks for the simple example and see the measure numbering is retained
correctly this way. But I still do not understand how I can have the conductor
score have EMPTY measures when the whole measure is a rest (but not hide the
rests in measures that have notes).
> -Original Message
Ok, here's a question. I know this question comes up occasionally. I
have been one of the people bringing it up. Why do lilypond PDF's look
crappy on-screen, even though they print fine? particularly on windows.
Here is a simple example. This screen shot is from around page 15 of the
lilypo
Using a different PDF viewer is not really an acceptable solution for work
that will be published on the internet. It needs to be acceptably viewable
in ANY pdf viewer on any platform.
I will point out again, that if a PDF is created on the mac(with finale), it
looks fine on windows. Also if
Unfortunately I can't, which is why I am now reduced to begging, pleading,
groveling and anything else that will influence the developers of Lilypond
to consider fixing it.
Graham Percival-2 wrote:
>
>
> If you can contribute any code that addresses
> these issues, great.
>
> - Graham
>
>
> For what it's worth, here's my screenshot of the same snippet
> (Linux64). It's not perfect, but not so ugly though.
Couldn't see your image?
> Honestly, I don't think LilyPond developers *can* fix it (maybe
> GhostScript guys could,
I totally disagree. I use ghostscript to produce ove
Ok, here is a short example.
This is using windows ghostscript, and using the pre-compiled postscript
file from Finale:
http://www.nabble.com/file/p11701393/ScreenHunter_03%2BJul.%2B19%2B19.33.jpg
This is using windows ghostscript direct from finale, through the print
driver:
http://www.nabbl
and here are a couple PDF's. I can't share the last one from Overture yet
due to licensing issues.
http://www.nabble.com/file/p11701415/test_ghost_direct.pdf
test_ghost_direct.pdf
http://www.nabble.com/file/p11701415/test_ghost_manual.pdf
test_ghost_manual.pdf
http://www.nabble.com/file/p117
Rune. THANKS FOR TRACKING THAT DOWN BRUTHA!
--
View this message in context:
http://www.nabble.com/PDF-Problem-tf4114229.html#a11702477
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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hello, i've looked in the "barlines" section of the manual, but couldn't
find this particular issue: ending repeat ":|" , line break, starting repeat
"|:" in next line:
\version "2.10.20"
\score
{\relative c'
{
\time 4/4
\key c \major
c1 d e f
\bar ":|" %this repeat
could someone point me to where can i find the answer to this:
a note at the end of a repeat section needs to be tied back to the first
note of the section
thanks,
-steve (2.10.20)
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http
use a GrandStaff, not a PianoStaff, because cross staff beaming is
not in use and I want automatic adjustment of staff spacing.
Part of the GrandStaff being removed when only one of its staves carries
notes in a system. This is undesired.
Any advice?
> Original Message
> Subject: RE: Thematic index
> From: Steve Dunlop <[EMAIL PROTECTED]>
> Date: Thu, February 07, 2008 11:00 am
> To: Laura Conrad <[EMAIL PROTECTED]>
>
> > Kieren> Not that I know of... But just put each exampl
rs of
each work are engraved to aid the reader in locating a piece of interest.
Steve
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I'm reducing the spacing-increment to #0.80 to get a tightly spaced
score. The notes are spaced to my liking except that they crowd the
barlines. Is there a way to give the barlines more space?
Steve
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lilypond
e add horizontal
space between the notes to allow the dot to clearly apply to the upper
voice. Is this a bug? Is there a tweak?
Thanks
Steve
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beats. Another way of saying this is that a beam can only
have one eighth note and two sixteenth notes.
Perhaps an example will make it clear. I want the autobeamer to make
this:
{ a8 a a a a a a a16 a }
to look like this:
{ a8 [a a a] a [a] a a16 a }
Can someone help me out?
Thanks
I'm finding that there isn't enough space around bar lines. In some
cases ledger lines are touching the bar lines. Is this a known bug? Is
there a way to adjust the space a barline takes up?
Steve
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lil
58.ly
http://www.nerstrand.net/organscore.ly
Steve
> Original Message
> Subject: Re: Spacing around bar lines in 2.11.38
> From: Mats Bengtsson <[EMAIL PROTECTED]>
> Date: Tue, March 04, 2008 1:04 pm
> To: Steve Dunlop <[EMAIL PROTECTED]>
> Cc: V
file:
http://www.nerstrand.net/barexample.pdf
And fixed the broken link:
http://www.nerstrand.net/bwv558.ly
Sorry for the mixup, and thanks for looking.
Steve
> Original Message
> Subject: Re: Spacing around bar lines in 2.11.38 - links to example
> From: "Valentin
This has the unfortunate side effect of preventing barlines from
appearing flush right with the staff, so that instead the five lines of
the staff continue past the bar line for whatever amount Y-extent is set
to.
I'm trying Mats' suggestion now.
Steve
> Ori
. The problem seems worst with whole notes on ledger lines in
measures that also contain running eighth notes.
Thanks for the note on repeated spaces as well.
Steve
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Is there any way to get a different left margin on even and odd pages?
I'm trying to make room for the binding without giving up any space on
the outside of the leaf.
Thanks
Steve
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Using LilyPond 2.6.1, does anyone else notice an oddity with:
\time 3/4
Using gs the "3" seems to be displayed correctly, over the "4," in both
the .pdf and .ps versions of the document. In xpdf the .pdf looks fine,
but in gpdf and the evince document viewer the "3" is either invisible
or distor
On Wed, Jul 20, 2005 at 12:10:11AM -0600, Steve D wrote:
>
> Using LilyPond 2.6.1, does anyone else notice an oddity with:
>
> \time 3/4
--- ---
What a horrible question I asked, with no indication of operating
environment, PDF application version numbers, with imprecise phras
On Sun, Jul 24, 2005 at 09:21:37AM -0700, Jay Hamilton, Sound and Silence wrote:
> I'm getting an error message
> syntax error, unexpected DIGIT, expecting DRUM_PITCH or NOTENAME_PITCH
> or '>'
Instead of this:
~
Type this:
4~
Instead of this:
Type this:
2.
The duration of all the notes of
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