Hi Martin,
Use a rest in the ChordNames context, I think.
Best,
Robert
> On 8. Apr 2022, at 10:37, Martin Tarenskeen wrote:
>
>
> Hi,
>
> I am creating a little leadsheet.
> How do I enter a "N.C." (No Chord) in chordmode for the ChordNames context?
>
> thanks,
>
> MT
>
Quick Update: The exception did indeed disappear after entering some more
music. Header is also no problem anymore …
I just hope, it stays like this when I get to the end of the music …
> On 17. Nov 2021, at 13:37, Robert Schmaus wrote:
>
> Dear Ponderers,
>
> I was just a
Dear Ponderers,
I was just about to quickly write down a sheet of music, nothing fancy at all,
when all of a sudden I got an exception. This is the full ly code (and I can’t
make it any shorter for the reasons explained below):
\version "2.20.0"
\header {
title = "Sinfonia No. 2 C-Dur"
Aha, I see now what I did wrong .. I used \set instead of \override ...
> On 25. Mar 2021, at 21:20, Valentin Petzel wrote:
>
> Okay, can you check if this works on your installation?
>
> Am Donnerstag, 25. März 2021, 21:00:13 CET schrieb Robert Schmaus:
>> That’s what I
That’s what I thought too at first. Doesn’t work in my Lilypond (2.20)
installation though ...
> On 25. Mar 2021, at 20:48, Valentin Petzel wrote:
>
> If you’re talking about regular markup in the Staff, you can simply put an
> \override TextScript.font-size = ...
> into the \with block of your
e text inside the markups.
>
> El jue, 25 mar 2021 a las 8:54, Robert Schmaus ( <mailto:robert.schm...@web.de>>) escribió:
> Hi Pablo,
>
> I think, you can just place a
>
> \set fontSize = #-1
>
> in the layout block to get this for all markups.
>
> Best,
&g
Hi Pablo,
I think, you can just place a
\set fontSize = #-1
in the layout block to get this for all markups.
Best,
Robert
> On 25. Mar 2021, at 08:12, Pablo Cordal wrote:
>
> Hi everyone,
>
> Is there any way to set the default size for all markups in a staff? I have a
> lot of markups
Just a test if I can send this to the list now.
Hi Jaques,
I guess I can answer some of your questions ..
The box issue: check out the mark formatter settings here:
http://lilypond.org/doc/v2.19/Documentation/notation/bars.en.html#rehearsal-marks
For the percent repeats to appear in a ChordNames context, you'll need
to have it accept percen
Nice font though ... does anyone know which one this is?
> On 22 Mar 2019, at 04:30, Guy Stalnaker wrote:
>
> Wow! None of the dozen or so I did looked anything like that!
>
> --
>
> “Happiness is the meaning and the purpose of life, the whole aim and end of
> human existence.”
>
> ― Aris
Try C8*5.
Best,
Robert
> On 31 Oct 2018, at 09:00, Gianmaria Lari wrote:
>
> The following code...
>
> \version "2.19.82"
> \new ChordNames \chordmode { c8~c2 }
>
> displays C C. How can I make it display a single C chord that last 8~2?
>
> Thank you, g.
> _
Might be the same thing as here:
http://lilypond.1069038.n5.nabble.com/Curious-thing-about-ties-td196616.html
> On 26 Jul 2018, at 12:37, Thomas Morley wrote:
>
> Hi,
>
> please consider the following example:
>
> \version "2.19.82"
>
> \relative c'' {
> f,1
> r4 b~ b8 a b4~
> b8 a b2.
>
s could be included in the documentation - I'll try to do
that the next days and send it to ... well, I'll find that out, too.
Thanks again everyone!
Good Night,
Robert
Am 11.07.18 um 00:22 schrieb Torsten Hämmerle:
Robert Schmaus wrote
The improvisation switch works well if one c
don't need for
the score for the improvisation parts. It only needs to look good, and
that it does, as usually ...
Thanks and have a good night,
Robert
Am 10.07.18 um 22:54 schrieb David Kastrup:
Robert Schmaus writes:
Dear Ponderers,
I'm setting up a custom drumStyleTable as described in
Dear Ponderers,
I'm setting up a custom drumStyleTable as described in the documentation
here:
http://lilypond.org/doc/v2.18/Documentation/notation/common-notation-for-percussion#custom-percussion-staves
So far, so good, but I've noticed that \improvisationOn/Off seems to
stop working with th
Dear Ponderers,
I'm setting up a custom drumStyleTable as described in the documentation
here:
http://lilypond.org/doc/v2.18/Documentation/notation/common-notation-for-percussion#custom-percussion-staves
So far, so good, but I've noticed that \improvisationOn/Off seems to
stop working with th
Hier about clusters?
See here:
http://lilypond.org/doc/v2.18/Documentation/notation/single-voice#clusters
> On 8 Jul 2018, at 10:28, Allen Wu wrote:
>
>
> Hi guys,
>
> I am thinking about writing a piece with each note offering a range to choose
> instead of being specific. Is there a way
Hi Andrew,
thanks first of all for your mail and the many resources (which I will
need some time to look through, I think) ... and sorry for the late
reply, I had two computer-free days, which sometimes really is refreshing.
I agree with you - when I looked at the Scheme functions (mainly as
Am 27.05.18 um 12:09 schrieb David Kastrup:
Robert Schmaus writes:
Thanks Aaron,
it's rather on-topic I guess. Or rather: I'm afraid.
In your first link, there's a sample chapter of "The Little Schemer"
available. You'd think that they would put something
MESZ schrieb Robert Schmaus
:
Thanks Aaron,
it's rather on-topic I guess. Or rather: I'm afraid.
In your first link, there's a sample chapter of "The Little Schemer"
available. You'd think that they would put something up that's acutally
help
he near future, I'm afraid.
Cheers,
Robert
Am 27.05.18 um 07:19 schrieb Aaron Hill:
On 2018-05-26 06:15, Robert Schmaus wrote:
so far, I was completely satisfied with out-of-the box lilypond and
rarely used anything involving scheme. Mainly because, I find this
language very counter
Hi David,
thanks for your reply!
Real simple would be
repeattype = "volta"
... \repeat \repeattype 2 { ... } ...
That *is* simple ... if someone else apart from you would have suggested
that this works at all, I probably wouldn't have believed it.
Try
define-void-function (even without
Dear Ponderers,
so far, I was completely satisfied with out-of-the box lilypond and
rarely used anything involving scheme. Mainly because, I find this
language very counter-intuitive, but that's maybe because I code in
C-like languages all the time.
Anyway, my project was to make me a functi
Picture wooden building blocks which some of us still might remember from their
childhood. Every block has a single slot to attach stuff to.
s8 8 8 are 3 distinct cubes of edge length 1.
s8*3 is a single block measuring 1x1x3.
Cheers, Robert
> On 25 Apr 2018, at 10:09, Gianmaria Lari wrote
Hi Emilio,
I find this behaviour decidedly un-obvious as well.
But here's a way to have a more controlled spacing:
\version "2.19.80"
{
f''2^\markup{
\column {
\rounded-box "1"
\rounded-box "2"
\rounded-box "3"
}
}
f''2^\markup{
\column {
\box "1"
Hi Ernie,
That's because in between two measures, there is only one bar line, break or no
break.
So, you override your first end-repeat bar before the break with a start-repeat
after the break right away.
You should use just one bar sign, in your case the double bar ":|.|:"
Or use repeats an
I think this could work with simultaneous implicit voices like this:
<<
{ \appoggiatura{e16} f4 }
{ \grace{s16} c4 }
>>
Sorry, I'm not at my computer right now, but I'm sure this construction should
do.
Best, Robert
> On 9 Mar 2018, at 16:19, Mark Stephen Mrotek wrote:
>
> Hello,
>
>
Hi Ming,
e : min7.5- / d
Should work ..,
Best,
Robert
> On 17 Feb 2018, at 00:06, Ming Tsang wrote:
>
>
> Lilyponders
> How to generate the second chard name?
> Thanks for the help
> Ming
>
>
>
>
>
> Sent from Mail for Windows 10
>
>
> ___
Not sure if I understand you correctly, but is this what you're looking for?
http://lilypond.org/doc/v2.18/Documentation/notation/writing-rests#full-measure-rests
> On 21 Dec 2017, at 19:20, Helge Kruse wrote:
>
> I have a score for an orchestra instrument (harp). The harp starts after tens
JM
>
>> Le 15 déc. 2017 à 11:15, Robert Schmaus a écrit :
>>
>> If you mean alternative chords on top of each other, I just place two
>> ChordNames contexts in the score and have the upper one contain mostly
>> spacers plus the alternative chord names wherever o
If you mean alternative chords on top of each other, I just place two
ChordNames contexts in the score and have the upper one contain mostly spacers
plus the alternative chord names wherever one is needed ...
Best, Robert
> On 15 Dec 2017, at 00:20, Menu Jacques wrote:
>
> Hello folks,
>
> M
There's not much information in your mail but fwiw: I had the problem of
Frescobaldi crashing right away when I opened it (on a Mac). Solved it by
completely trashing the preferences.
> On 8 Dec 2017, at 19:53, Son_V wrote:
>
> I'm no more able to open any .ly file in UbuntuStudio, Frescoba
I think R8*6 would be 6 bars of full measure rests in a musical segment in 1/8
time ...
> On 1 Dec 2017, at 14:41, Robert Murdoch wrote:
>
> What about R8*6 and R8*9 for 6/8 and 9/8, respectively?
>
>
> ___
> lilypond-user mailing list
> lilypond-us
Actually, I (not a drummer as well but a bassist, so close enough ...) would
suggest not to translate this at all. I've never played with a dummer (german
speaking) who didn't call a rim shot "rim shot". I've never heard of a
"Randschlag" or indeed any German word for this percussive element ...
Hi Karlin,
> But anyway, is anyone else using Thunderbird, and never having any
> lost messages at all?
I do, and I haven't ever lost a message to this (or indeed any) list.
Sometimes it took a while for it to show up but I doubt that's anything to do
with TBird.
> If so, is your email provide
Hi Kieren,
I believe you're right!
Thanks a lot,
Best, Robert
> On 14 Oct 2017, at 21:39, Kieren MacMillan
> wrote:
>
> Hi Robert,
>
> I believe you’re looking for
>
>\with { \omit TextScript }
>
> Hope that helps!
> Kieren.
>
>
> Kieren MacMillan, com
Dear Ponderers,
I need to remove text scripts in certain situations from the voices.
Text scripts are engraved by the Text_engraver, so I tried to remove
that from the voice, like this:
--
\version "2.19.65"
\score {
\new Staff \new Voice \with { \remove Text_engraver } { c'1-"Text
gt;
> 2017-10-11 14:23 GMT+02:00 Robert Schmaus :
>> I'm looking for the place where Frescobaldi would store its preference
>> files, namely the session informations etc.
>
> The preference file should be org.frescobaldi.frescobaldi.plist in
> ~/Library/Preferences/.
&
Dear List,
This doesn't belong here, strictly speaking, but I don't get any answers
from the Frescobaldi list.
I'm looking for the place where Frescobaldi would store its preference
files, namely the session informations etc.
The reason for this is that I can't open Frescobaldi anymore (since
I forgot to specify what kind of break I meant... I don't mean
> a line break, but stopping the current bracket and starting a new one.
> Without the grace spacer, the two brackets are merged into one.
>
>> On 09/07/17 18:42, Robert Schmaus wrote:
>> Hi,
>> I can
Hi,
I can't imagine there's any problem at all with having a \break within
an "ottava-zone". have you tried it?
and should it be obvious what the grace spacer is for?
Best,
Robert
Am 07.09.17 um 18:01 schrieb Caagr98:
I currently do it with the code below. It works, but it feels wrong. Is
Hi Andrew,
It's not the bar number check that breaks the MM rest, it's the separation of
s1. * 17 into pieces of 9 and 8 measures that does.
Why don't you insert the check at bar 18 and keep use s1. * 17 - that should be
ok also.
Best, Robert
> On 13 Jul 2017, at 02:20, Andrew Bromage wrot
Hi Peter,
if you use Frescobaldi for writing your music (and I very much can
recommend that!!), it has a lot of such things built in.
http://www.frescobaldi.org/index.html
Best,
Robert
Am 14.06.17 um 12:02 schrieb pe...@chubb.wattle.id.au:
Hi Folks,
Lots of older music is written in
Am 29.05.17 um 15:28 schrieb Carl Sorensen:
I had not heard of quartic chords before reading this email (as I've
mentioned before, I'm a music novice). It was very interesting for me to
study quartic chords.
But in my web search and following links, I never found anything that
approached a no
My advice: go over your file (I only looked at it superficially) and
pepper it with bar checks and - in this case probably more importantly -
bar *number* checks. Then you should find your misplaced repeat block ...
Here's the manual:
http://lilypond.org/doc/v2.19/Documentation/notation/bars.e
Hi Charles,
how good of you to send a summary of this thread. I was very interested
in it as you wrote the first mail but couldn't reply right away. And
when I could, the thread had already grown so huge, I just could not
keep up all posts.
So it might well be that what I write has already bee
I code \stemUp for for the second group. It works but all subsequent
stems are all UP. How can I stop the \stemUp for next measure onward?
You can "release" the stems again with \stemNeutral.
But I'm not sure if you should use \stemUp in the first place. Maybe you
should actually use \voi
Hi Wilhelm,
Just a stab in the dark (I'm not in reach of LP right now):
Context "staff" does not seem to exist at all.
Does
\new Staff = "staff" ...
Solve the problem?
Also, I'm not sure if the Lyrics contexts should be inside the staff context or
rather outside of it ... and in the desired s
Check this link in the LSR:
http://lsr.di.unimi.it/LSR/Item?id=969
It descibes how to create coloured backgrounds for markup. If you simply
make that background white, it might be just what you want ... if the
markup is set on top of everything else at least.
Best,
Robert
Am 06.05.17 um 1
Please cool down and stop overreacting.
Well your statement, which - very possibly without any bad intention -
turned around the historical facts, so admirably matched that notion
that occasionally pops up also on this list ... namely that notion that
everything proprietary is an attack on
On 5 May 2017, at 07:35, Michael Gerdau wrote:
> Anybody remembering apple sueing apple records for trademark infringement?
Also, if I recall correctly, the lawsuit wasn't about trademark infringement at
all. I think Apple Corps had an understanding with the newly founded Apple Inc
that the
On 5 May 2017, at 07:35, Michael Gerdau wrote:
> Anybody remembering apple sueing apple records for trademark infringement?
Aaand we're back with some good old conspiracy theories and household paranoia.
I distinctly remember Apple Corps (i.e. The Beatles) suing Apple Inc (i.e.
Apple) for c
I couldn't agree more!
> On 3 May 2017, at 03:30, Andrew Bernard wrote:
>
> Come on guys. Lilypond is not named Lily, the app is not developed by Apple,
> Apple is not stealing anything, and it has nothing to do with music engraving.
>
> Lilypond is not a brand and not a trademark. It's open
>
>> my score becomes integrated with the email addresses etc when I go to send
>> or print.
>
> ... but perhaps that is because the PDF is sitting on your desktop
> rather than in the filesystem. Do you need to drag it into a folder?
There's nothing special about the desktop ... it's just a f
There is a technique to make the flag smaller in general:
\override Flag.font-size = #-2
for instance. That what you're looking for?
Best, Robert
> On 8 Apr 2017, at 16:43, Joseph N. Srednicki wrote:
>
> Hello:
>
> See the example below.
>
> Is there a technique to shorten the tail of an
Am 15/03/2017 um 14:54 schrieb Adam Spiers:
On 15 March 2017 at 13:45, Robert Schmaus wrote:
Hi Adam,
you're right ... I might have changed something else. Anyway, applying the
overrides to the Score seems to be the correct way.
I tried your file. Maybe you'll have to insert
Just a thought - you apply the SpacingSpanner modifications to context
\Score ... did you already try to apply those to context \ChordNames
instead? That *does* change something, but I'm not sure if it is what
you want ...
Cool analysis, by the way!
Best,
Robert
Am 15/03/2017 um 01:11 schrie
t 21:45:05.998738 +0100 Frescobaldi QObject::startTimer: QTimer
can only be used with threads started with QThread
default 21:45:05.998986 +0100 Frescobaldi QObject::startTimer: QTimer
can only be used with threads started with QThread
default 21:45:06.18 +0100 Frescobaldi QObject::startTimer: QTime
Dear List,
this is not about Lilypond, so technically, I'm actually asking the
wrong list. But I'm pretty sure there's someone who can help me here ...
I'm using Frescobaldi 2.18 on a Mac OS 10.12.3.
So far, never had any problems. But now, completely out of the blue,
Frescobald won't start u
Hi Amir,
I'm not sure if I understand your last sentence correctly - did you
mean, \makeCluster doesn't do what you need in general, or did you mean
that you need to apply \makeCluster over several staffs?
If you meant the latter, that is no problem. \makeCluster does work over
several syst
That's because there is none.
> On 12 Jan 2017, at 04:55, MING TSANG wrote:
>
>
>
>
> dear lilyponders,
>
> I have the following snippet but I cannot see the difference between F1:maj
> and F1:maj7
> Help is appreciated.
>
> God bless nImmanuel,
> Ming
>
>
>
> \version "2.19.54"
> \l
Ming,
That would be
g : m7.5- / f
or alternatively
g : min7.5- / f
Cf here:
http://lilypond.org/doc/v2.18/Documentation/notation/common-chord-modifiers
Best,
Robert
> On 12 Jan 2017, at 04:26, MING TSANG wrote:
>
> dear lilyponders,
>
> I transcribe a score, I encounter Gm7(b5)/F and d
Good morning everyone,
> On 15 Nov 2016, at 02:30, Andrew Bernard wrote:
> I know lilypond strives to do as much good layout as it can without requiring
> tweaks, but this seems a step too far.
I can fully agree with the first part of your statement - for my needs, LP has
always been perfect!
> On 14 Nov 2016, at 22:27, Brian Barker wrote:
>
> At 21:09 14/11/2016 +0100, Robert Schmaus wrote:
>> something I just came across while pondering away: in the following snippet,
>> there are two ties across barlines.
>> [...]
>> I've wondered why in
> On 14 Nov 2016, at 21:22, Hans Åberg wrote:
>
>
>> On 14 Nov 2016, at 21:09, Robert Schmaus wrote:
>>
>> I've wondered why in the first instance, the tie is a down-tie, while in the
>> second it's an up-tie (see attached screenshot). Is there a
Dear Ponderers,
something I just came across while pondering away: in the following
snippet, there are two ties across barlines.
%
\version "2.19.35"
\score {
\relative c'' {
| a2 r8 a8 ( a ) b ~
| b2 r8 b8 ( a ) b ~
| b2 r2
}
}
%
David,
thank you for your fantastic work. I'm happy to hear about your new
position - I hope it will be (at least) as interesting as - I think -
your work on LilyPond has been. I'll miss your regular and always
insight- and helpful (and at times very humorous) contributions to this
list!
It
Am 09/11/16 um 11:35 schrieb David Kastrup:
Robert Schmaus writes:
Not much of a trick.
\set Score.ignoreBarChecks = ##t
Ah, great - thanks David!
barNumberCheck =
#(define-music-function (n) (integer?)
(_i "Print a warning if the current bar number is not @var{n}."
Not much of a trick.
\set Score.ignoreBarChecks = ##t
Ah, great - thanks David!
barNumberCheck =
#(define-music-function (n) (integer?)
(_i "Print a warning if the current bar number is not @var{n}.")
(make-music 'ApplyContext
'procedure
(lambda (c)
Dear Ponderers,
I've got the following question about a problem involving bar number
checks and repeats. When I'm engraving a bigger project, I find it
useful to employ bar number checks. I also find it very useful to use
the technique of having seperate layout and midi score blocks, the
latt
Am 28/10/16 um 11:01 schrieb David Kastrup:
Robert Schmaus writes:
Hi everyone,
I've never used implicit voice assignment and I doubt I will start with it now.
But since there's no real need for the ordering of voices _in the
code_ to match the vertical arrangement of the _engra
Hi everyone,
I've never used implicit voice assignment and I doubt I will start with it now.
But since there's no real need for the ordering of voices _in the code_ to
match the vertical arrangement of the _engraved_ notes (and isn't that also,
what Lilypond is all about? You specify the inpu
Hi Jaques,
This could simply refer to ghost notes, usually written with x note heads ...
Best,
Robert
__
It is wrong always, everywhere, and for anyone, to believe anything upon
insufficient evidence.
-- William Kingdon Clifford
> On 19 Oct 2016, at 17:40, Menu Jacques wrote:
>
> Hell
It could be coincidence, but there's a Windows error code of just that number:
http://www.tenforums.com/general-support/9872-file-system-error-1073741819-a.html
__
It is wrong always, everywhere, and for anyone, to believe anything upon
insufficient evidence.
-- William Kingdon Clifford
>
Not sure if that's also acceptable, but what *does* work is use of
simultaneous voices:
\version "2.19.44"
\new Voice <<
{ a }
{ b\p }
>>
Am 14/09/16 um 14:49 schrieb David Kastrup:
Menu Jacques writes:
Hello folks,
Just for a try:
\version "2.19.44"
\relative { }
In the OP's defense: I believe Sam wasn't talking about the \prall glyph but
the in-staff symbol just to the left of the A note head that looks a bit like a
tied letter c. What it is, however, I don't know ... maybe just that - the
letter c?
__
It is wrong always, everywhere, and for any
Hi John,
I'm not an iOS programmer, but fwiw, I remember a discussion about this
topic from some years back.
One thing that came up is that, in iOS, it's not possible (i.e.,
allowed) to build a iOS lilypond app which is then called from some
separate text-editor app. Thus if anything, one wo
There's a program called Musescore (free open source WYSIWYG music sheet
program) that can import and render MIDI. Might be messy, depending on the
complexity of the music, but that's probably the same in all programs ...
Best, Robert.
__
It is wrong always, everywhere, and for anyone, to
That was my first thought too, but the OP wanted to have something like
\repeat unfold 3 { c d e f }
unfolded into
c d e f
c d e f
c d e f
and \displayLilyMusic doesn't do that. Instead it outputs
\repeat unfold 3 { c d e f }
Am 15/05/16 um 18:18 schrieb Paul:
On 05/15/2016 09:01 AM, Da
Hi Gianmaria,
if you use Frescobaldi, there's a "Import Midi" function in the File
Menu. In principle, if you produce a midi file from your original ly
file, you should be able to reimport the music fully unfolded.
The problem is, I've never used this function, and a quick trial just
now did
> On 27 Mar 2016, at 01:30, David Raleigh Arnold wrote:
>
> On Sat, 26 Mar 2016 20:42:39 +0100
> David Kastrup wrote:
>
>> Jason Silver writes:
>>
>>> Anyone have thoughts on how to notate a A minor add 9?
>>>
>>> I've tried this:
>>>
>>> chExceptionMusic = {
>>> 1-\markup { \super "add9
Hi Gianmaria,
In addition to the completion head engraver (David's mail), I'd pack the notes
without shift in a variable, like
variable = { a2 b2 }
And use
r4 \variable r4
or
r8 \variable r8 r4
Or whatever you'd like in the score.
Just leave out the bar checks, they'll throw warnings ...
Oh, I like that! I might just make a big band arrangement of this etude and
give that to our bandleader - I'm sure we'd practice this piece quite often.
Thanks for posting!
> On 1 Mar 2016, at 20:03, Abraham Lee wrote:
>
> Fellow Pond Dwellers,
>
> Here's a laugh for everyone today. I was b
>> If youy choose this, you need to start that first, then in Frescobaldi’s
>> Preferences -> Midi settings, choose qsynth from the pop-up list, for player
>> output.
>
> And unfortunately you need to do this setup every time, Frescobaldi doesn’t
> seem to be able to detect QSynth’s MIDI port
Hi Gregor,
your first example doesn't work because what you have in the tuplet is
in fact not a tie but a slur. Thus, \slurDashed *does* work.
The second example does not work because ties only work between two
notes of the *same* pitch, therefore you get a warning about c not being
tied to
You're very welcome!
Just one thing - although in this case it seems not really neccessary,
it's good practice to reply to the list, mainly so that others can see
that the problem has been solved. Otherwise, someone else, not realising
that you already have a solution, might invest time in loo
Hello Joe,
It should work fine if you add this to the \with - statement of your
ossia staff:
\override BarLine.allow-span-bar = ##f
Best,
Robert
Am 27/01/16 um 01:53 schrieb Joseph N. Srednicki:
Hello:
I am engraving an organ piece in which I want to add an ossia staff
above a measure to
wer functionality. It is in a different encoding and doesn't contain
some necessary metadata.
HTH,
Abraham
On Tue, Jan 26, 2016 at 12:24 PM, Robert Schmaus [via Lilypond] <[hidden
email] > wrote:
Hi Malte,
sorry for the late reply - I wasn't at my computer after my mail
y
counts as "same path" in this case.
There are two files: LilyJAZZ.otf and LilyJAZZText.otf
I haven't changed anything else (like conf files etc).
Am 25/01/16 um 21:38 schrieb Malte Meyn:
Am 25.01.2016 um 21:20 schrieb Robert Schmaus:
Unfortunately, it doesn't work ... LP v2
l, and try to get rid
of the after-break accidentals ...
Thanks again,
Robert
Am 25/01/16 um 10:21 schrieb Malte Meyn:
Am 25.01.2016 um 10:00 schrieb Robert Schmaus:
One more thought: My original approach of simply \include-ing LilyJAZZ should
be the standard way of using it. Which mak
Hi Malte,
Thanks for the reply!
That sounds very good, actually - I'll give it a try tonight.
Best, Robert
> On 25 Jan 2016, at 10:21, Malte Meyn wrote:
>
>
>
>> Am 25.01.2016 um 10:00 schrieb Robert Schmaus:
>>
>> One more thought: My origi
I do that?
Best,
Robert
> On 24 Jan 2016, at 23:33, Urs Liska wrote:
>
>
>
>> Am 24.01.2016 um 23:01 schrieb Urs Liska:
>>
>> Am 24. Januar 2016 22:56:56 MEZ, schrieb Robert Schmaus
>> :
>>> Dear Lilyponders,
>>>
>>>
Hi Simon,
thanks for your repy - I'll keep that in mind as a last resort if I
can't get any other solution to work ...
Cheers,
Robert
Am 24/01/16 um 23:22 schrieb Simon Albrecht:
On 24.01.2016 22:56, Robert Schmaus wrote:
If it can't be fixed easily, how can I turn off the a
onight ...
Best,
Robert
Am 24/01/16 um 23:33 schrieb Urs Liska:
Am 24.01.2016 um 23:01 schrieb Urs Liska:
Am 24. Januar 2016 22:56:56 MEZ, schrieb Robert Schmaus :
Dear Lilyponders,
I usually engrave jazz lead sheets using LilyJazz, and I've noticed the
following odd behaviour: I
Dear Lilyponders,
I usually engrave jazz lead sheets using LilyJazz, and I've noticed the
following odd behaviour: If I tie a note across a manual line break, and
the note has an accidental, then the LilyJazz font is not applied to the
accidental of the continued note after the line break.
Th
Hi Nils,
Add
\override Beam. breakable = ##t
before the break in the second example. That should do it ...
Best, Robert
__
The cure for a fallacious argument is a better argument, not the suppression of
ideas.
-- Carl Sagan
> On 23 Jan 2016, at 11:51, Niels wrote:
>
> Dear Lilypon
Hi Kieren and Ponders,
I’m very detail-oriented, so things that others might consider “little” often
drive me quite crazy. =)
Well, "little" is the wrong expression - "not painful enough to invest
the time" is closer to the truth.
Quite possibly that is easy to fix though
Should be.
Yes, that's true - I guess that never bothered me ... until now, that is, now
that you mention it, thank you very much.
Quite possibly that is easy to fix though - I'll look into that asap.
Maybe I should add that, while I like producing aesthetically pleasing lead
sheets, my first priority h
,
>
>> it involves the (fantastic) LilyJazz package which was created by Thorsten
>> Hämmerle some time ago.
>
> Why are the alterations in the chord names not LilyJazz?
Well, now that you mention it, they might well be. It's been quite some time
since I worked on that. What I *am* sure of is
ush above the staff like
> traditional chords? The 8, is it part of a multi rest?
>
>
>
>> 18. jan. 2016 kl. 11.40 skrev Robert Schmaus :
>>
>>
>> --
>> Note beforehand: I'm sending this from a phone, and I can't control if the
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