2014-03-12 10:17 GMT+01:00 Urs Liska :
> Am 05.03.2014 19:38, schrieb Paul Morris:
>
>> Hi Urs,
>> You might take a look at these as examples, if you haven't already:
>>
>> https://www.kickstarter.com/projects/opengoldberg/open-
>> goldberg-variations-setting-bach-free
>>
>> https://www.kickstarte
Hi,
i was cc'ed, so despite my "official" absence i'll reply :-)
2014-03-01 12:01 GMT+01:00 Urs Liska :
> Hello LilyPond users,
>
> LilyPond's declared claim is "automated engraving", and we're often
> talking about how exceptionally good its default results are. But we're
> also often talking a
2011/2/10 Ben Finney :
> Howdy all,
>
> My reading of the notation reference suggests that LilyPond can
> automatically place separate voices onto separate staves, by pitching
> those voices differently.
>
> How can this be done for separate rhythm voices? I want separate voices
> (sometimes three
2011/2/16 Disc Magnet :
> This is the code:
>
> \version "2.12.3"
> \score {
> \new PianoStaff <<
> \set PianoStaff.midiInstrument = "acoustic grand"
> \tempo 4 = 120
> \new Staff {
> \relative c' {
> c d c b
> a c d c
>
2011/2/12 Trevor Daniels :
>
> Jan Warchoł wrote Saturday, February 12, 2011 9:25 AM
>
>> I agree too, but in my opinion it's a less important problem than the
>> one marked in red in the attachment. (However, it was present in
>> 2.12.3 too).
>> The natura
2011/2/10 Trevor Daniels :
>
> Keith OHara wrote Thursday, February 10, 2011 3:19 AM
>> It is looking better now in 2.13.49.
>> This two-bar example contains several difficult music-engraving issues,
>> especially if I include the enharmonic spellings and key cancellation from
>> the original editi
2011/2/7
>
> I've been thinking about this for some time. Finally it dawned on me.
> LilyPond processes text statements & produces the music notation in a PDF
> file.
> Why not reverse the process and go from PDF (e.g., scanned in), back to text?
While I'd love to see LilyPond being able to do
2011/2/1 Tim McNamara
>
> Jazz guitarist and Lilypond user here. I would call that a G(no 3rd)
I'd say that it's a Gsus chord. It means basically the same: a chord
with no third.
Usually the third is replaced by a fourth or a second:
Gsus2 = ,
Gsus4 = ,
So to me it seems perfectly natural to wri
2011/2/1 Phil Hézaine
>
> Hi,
>
> You'll find these 2 publications at:
>
> http://superbonus.project.free.fr/spip.php?article48
Thanks!
> Discussing about the license on the Free Art mailing list I was
> forgetting to write the "copyright header" inside all my files! Ough!
> Fortunately Valentin
That's interesting, thanks for the info.
I wish it would be able to import .ly files...
cheers,
Janek
2011/2/1 Johannes Feulner
> On http://www.scorio.com/ a fully web browser based scorewriter project
> has started end of last year.
>
> You can interactively enter and edit your music and creat
W dniu 31 stycznia 2011 17:06 użytkownik Carl Sorensen
napisał:
> On 1/31/11 3:04 AM, "Jan Warchoł" wrote:
>> 2011/1/24 Phil Holmes
>>>
>>> If you use
>>>
>>> #(set-accidental-style 'modern-cautionary)
>>> then you get t
Hi,
2011/1/31 Daisy A :
> Hi all,
> Hope someone can help me. I have a lilypond file that's working perfectly on a
> computer with Windows XP on it but when I drag it to the icon on Windows7 I
> get
> the following error:
>
> error: cannot open for write: /mypath/myfile.mid: No such file or direc
Hi,
sorry for the delay - i was busy making new flags for Lily.
2011/1/24 Phil Holmes
>
> - Original Message - From: "Jan Warchoł"
>
>
>> I don't agree. *Theoretically* accidental is not needed, but if it
>> would be omitted, how can you tell t
2011/1/31 Christ van Willegen
>
> Hello Nils,
>
> 2011/1/30 Nils Gey :
> > do you know the name for the music theoretical voice progression which can
> > be seen in this picture?
> > The lower voice in the second cord is higher than the higher voice in the
> > first chord. Second measure shows t
2011/1/24 Seth Williamson :
> However, as I look at LilyPond code generated by others, it's not obvious to
> me (usually near the end of a document) what each closing curly brace refers
> to.
> Am I even SUPPOSED to be able to figure that out by looking at all the
> closed curly braces, usually at
2011/1/23 Xavier Scheuer :
> On 23 January 2011 23:09, Joseph Haig wrote:
>> {
>> \time 4/4
>> aes'1( a')
>> aes'~ aes'
>> aes'( aes')
>> }
>>
>> I believe that the first and third ties are displayed incorrectly.
>> Specifically, the first tie should have a natural in front of the
>>
2011/1/23 Nils Gey :
> Hey people,
Hi man! :)
> I have vocal pieces which have all fermatas in all voices
> so that I can print each voice alone.
> But for a reduction to a 2-staff system I only want
> the Soprano and Bass fermata visible
> (top first and bottom of second staff) but not the inner
2011/1/23 Joseph Haig :
> I have (I believe) found a bug in Lilypond, and I am fairly sure what
> it is, but I would like to check with people who have better knowledge
> of music theory than I before I submit it to the bug list. In the
> following code:
>
> {
> \time 4/4
> aes'1( a')
> a
2011/1/22 David Raleigh Arnold :
> On Saturday 22 January 2011 12:52:54 James Lowe wrote:
>> Hello,
>>
>> I don't often use multiple voices in a single staff, so am a bit
>> unfamiliar and am still finding my way.
>
>> However I cannot easily see how I can take two 'voices' each from a
>> single so
2011/1/21 David Kastrup
>
> Jan Warchoł writes:
> > The ś character that you used is used in polish language, for example.
>
> That's just a bug of your mail reading software. He used the pilcrow
> sign, namely ¶ and not ś.
Oh. G
2011/1/20 Marc Hohl
>
> Am 20.01.2011 09:20, schrieb jakob lund:
>>
>> However, I am guessing that the desired output is actually
>>
>> Tochter Zion, freue dich,
>> jauchze laut, Jerusalem.
>> Sieh, dein König kommt zu dir,
>> ja, er kommt, der Friedefürst.
>> Tochter Zion, freue dich,
>
Graham,
2011/1/19 Graham Percival :
> On Wed, Jan 19, 2011 at 10:28:38PM +0100, Jan Warchoł wrote:
>> 2011/1/19 Mike Solomon :
>> > It may be worth it to add this to the issue tracker and get this fixed in
>> > one of the first 2.14 bug fixes (if not 2.14 itself) - th
.14 is out.
I suppose that's what we should do: release 2.14 and fix this issue
thoroughly soon after that.
cheers,
Janek
> Is there a way to add this to the issue tracker.
>
> On Jan 19, 2011, at 3:42 PM, Jan Warchoł wrote:
>
>> 2011/1/18 Carl Sorensen
>>>
2011/1/18 Carl Sorensen
>
> On 1/18/11 8:26 AM, "Mike Solomon" wrote:
>
> > Hey all,
> >
> > The following snippet is giving me the attached output w/ the soprano line
> > shifted way up after the line break. Is there any way to get the soprano
> > correctly aligned (w/o changing the distance be
-> vocal music -> stanzas -> Stanzas with
different rhythms.
cheers,
Janek
> On Wed, 2011-01-19 at 14:00 +0100, Jan Warchoł wrote:
> > 2011/1/19 Graham King :
> > > Thanks Ted, that works.
> > >
> > > The one remaining problem is restoring the defau
I'm using Adobe Reader on Windows XP SP3 machine.
Your pdf "glitches17.82" displays wrong indeed (however the errors in
the display are different with different zoom).
Compiling the ly gives perfect output (in attachment).
cheers,
Janek
2011/1/18 Phil Holmes
>
> Compiling the glitch.ly at 17.82
2011/1/15 Phil Holmes :
> If I use the following:
>
> {
> <<
> \new Staff = "Staff"
> \new Voice = "xMelisStaff" {
> c''4 c''4 c''4 ~ c''4 | % 1
> c''4 c''4 c''2 ~ | % 2
> c''4 c''4 ~ c''2 | % 3
> c''4 c''4 c''4 c''4
> }
> \new Lyrics \lyricsto "xMelisStaff" { La la la La la la
2011/1/14 Reinhold Kainhofer :
> To be honest, I don't understand, why the Instrument_name_engraver is not
> added to all staff group contexts by default. It is a very simple engraver, so
> it would not induce much overhead.
> From a user's point of view, if he sets an instrument name, he wants it
2011/1/14 Robert Stoddard :
> The typesetting term for this is "kerning" -- modifying the space between
> letters. A valuable tool in text setting.
> Long ago Adobe sold fonts that were continuously variable, i.e. you could
> "dial in" any degree of bold or italic. I don't recall, though, that ev
Hi all,
2011/1/13 Graham Percival
>
> On Thu, Jan 13, 2011 at 10:41:22AM +0100, Werner LEMBERG wrote:
> > > As far as I can see, there is not much more to do than just omit the
> > > warning for parallel music when the output is sensible. The extra
> > > angles for being allowed (and required) t
2011/1/8 Michael Dykes :
> I have an attached file that works very well, except (since I am not too
> terribly familiar with this template) I am not sure where & how to insert
> the commands for midi in all staves. If I can get that, then I will have
> exactly what I need. Thanks again for all the
2011/1/5 Phil Holmes :
> - Original Message - From: "Shane Brandes"
> To:
> Sent: Wednesday, January 05, 2011 12:23 AM
> Subject: Ottava horizontal shift
>
>
>> Hello all,
>>
>> This is another perplexing thing. I am trying to figure out how to
>> shift the ottava indications directly ov
2010/12/28 jacquesv :
> The problem is general.
Strange, noone replies...
Maybe it's an undiscovered fatal bug in LilyPond. Try making a bug
report (http://lilypond.org/bug-reports.html).
Unfortunately i can't help you anymore :(
Happy New Year!
Janek
2010/12/31 Ludo Beckers :
> Thanks Xavier, in a 2nd post I explained I made a mistake thinking (doh) I
> was sending my question to the Denemo list.
> So I have a .denemo file only, no .ly
> I'm pretty new to this, so I know I can see the Lilypond compilation view,
> but don't know yet how to extra
Hi,
2010/12/29 Sven Axelsson :
> Since having great success in getting an answer for my last question
> to the list, here's another:
>
> In a grace note sequence such as \grace { \small g32[ e8 d32] }, the
> gap between the stem of the e8 and the beams of the 32 notes is very
> small. Is there a t
ou can even type one tie only, say in \voiceOne and no tie in
> \voiceTwo, and Lilypind produces both ties anyway). So I dismissed this
> approach and (with some help from this mailing list) use the solution found
> in my snippet.
>
> Regards
> Jürgen
>
>
>
> Am 28.
Hi Jurgen,
the strange coloring interested me, but your snippet failed to produce
any output on my computer... Also it collapsed into a continous stream
of characters (see below) which renders it totally unreadable :(
Perhaps something is wrong with your e-mail client?
cheers,
Janek
2010/12/28 J
Hi,
I have additional useful information :) Please add
\revert Score.SpacingSpanner #'packed-spacing
to your "global" variable, too. You'll notice that spacing of notes
sung to word "Thee" (right before Alleluia) improves dramatically!
cheers,
Janek
2010/12/27 J
Hi,
2010/12/28 Peter Buhr :
> I want to change the size of the chord names, as in:
> \override ChordNames #'font-size = #-1
> but I can't find the grob name to do this.
It's
\override ChordName #'font-size = #-1
(without the s at the end)
Things like this can be found in Internals Reference,
http
l words is quite normal. Dont
> worry for that, you will find it in many editions also before
> computer-engraving. I looked at theses Alleluias and they are totally
> ok.
>
> Greetings,
>
> Francois
>
> 2010/12/27, Jan Warchoł :
>> Hi,
>>
>> i found somethin
Hi,
i found something that may be helpful to you: there are some strange
gaps in the output, for example after "because He hath" in first
system, or inside "Alleluia"s (like in the third system). They became
obvious when there is no lyrics (try compiling the attached code).
I suppose they appear b
2010/12/27 jw. Verhagen :
>
> 2010/12/22 Jan Warchoł
>>
>> 2010/12/21 jacquesv
>> >
>> > I have the same problem.
>> > The problem came after the update of Lilypond form 2.13.4 to 2.13.5.
>> > Returning to Lilypond 2.13.4 the problem is
2010/12/21 jacquesv
>
> I have the same problem.
> The problem came after the update of Lilypond form 2.13.4 to 2.13.5.
> Returning to Lilypond 2.13.4 the problem is over.
> Now I cannot use Lilypond 2.13.5 or higher.
Doesn't Phil answer work for you also?
on 18 December 2010 Phil Holmes worte:
2010/12/22 Mike Solomon
> 1) svgdance.svg (best viewed in something that's not Internet Explorer -
> click on the notes and/or accidentals and see what happens!)
>
Cool! Thanks for sharing :)
cheers,
Janek
PS i opened it in Google Chrome and only the d flat was animated - when i
clicked on f s
hi,
2010/12/19 Ludo Beckers :
> I guess I asked this question because I'm not sure whether or not I should
> first learn Lilypond syntax and then see if I want/need to use tools besides
> it.
I recommend doing so. I'm not a very skilled user yet, but it appears
certain to me that you'll better un
Hi,
2010/12/18 Ludo Beckers :
> Just wondering, has there ever been a poll about how many Lilypond users
> work with a certain specific tool.
> Is the majority in this group using denemo, frescobaldi, lilypondtool or
> other tools?
I am a Windows user, so i can't use Frescobaldi.
I tried Denemo b
Hi,
2010/12/18 Orm Finnendahl :
> the fingering of columns is placed outside the ottava bracket in the
> following example:
>
> \version "2.13.43"
>
> \new Staff { \relative c''' {
> \override OttavaBracket #'outside-staff-priority = #20
> \override OttavaBracket #'staff-padding = #60
> \ov
2010/12/16 James :
> Is it easy to display those nice lines around the bounding boxes by
> adding a \paper { } variable?
>
> I can only find
> \paper { annotate-spacing = ##t }
> Which gives the arrows/values.
you have to use this:
#(ly:set-option 'debug-skylines #t)
(in top-level).
I don't know
2010/12/16 MING TSANG :
> Hi, Janek:
>
> Thank you for the solution. That means I need to tune up after the score
> sheet is completed for the large score.
> Is there a parameter that will put the bar number just above the staff / bar
> line?
You can use
\override Score.BarNumber #'outside-sta
2010/12/16 -Eluze :
>
> using Score.BarNumber might help!
Silly me :) of course i should have used Score.BarNumber.
So, Ming, here is the final solution: add
\once \override Score.BarNumber #'outside-staff-priority = ##f
before every bar number that should be below the slur.
You can also use
quot;treble"
> \tempo 4 = 118
> \TimeKey
> \new Voice = "Sop" { \voiceOne \SopMusic }
> \new Lyrics \lyricsto "Sop" { \VerseOne }
> \new Lyrics \lyricsto "Sop" { \VerseTwo }
> >>
> >>
> >
You need to create a tiny example of your problem (see
http://lilypond.org/tiny-examples.html), or else the chance of getting help
is (very) small.
In my case the file failed to compile at all (i'm running latest development
version, 2.13.43) so i don't even know if i can help you (i don't have the
2010/12/15 Michael Ellis >
> Jan Warchol wrote "I don't know how it could be done, and i strongly
> recommend not doing
> this. Separating different types of content is in my opinion very
> beneficial"
> I agree that separating content is useful. As you point out, it allows one
> to easily recom
2010/12/14 Valentin Villenave :
>
> BTW: A French guy has made a special font for jazz-like chord names:
> http://sites.google.com/site/jpgzic
>
> Thought I'd share it with you guys :)
Thanks, it's really jazzy and looks like an interesting alternative
for default sans :)
2010/12/14 Marc Mouries
> - Original Message - From: "craigbakalian"
>
> To: "Phil Holmes"
> Cc:
> Sent: Tuesday, December 14, 2010 6:54 PM
> Subject: Re: More about min-systems-per-page
>
>> It is my music. There is no need of copyright? But, there is nothing
>> tiny about this example. It is a multi-docume
Hi,
2010/12/14 Michael Ellis :
> Is there a clean way to enter a phrase followed by the corresponding notes
> in a \relative block? The example given in the docs,
>
> {
> \time 3/4
> \relative c' { c2 e4 g2. }
> \addlyrics { play the game }
> }
>
> is fine for a small example, but it gets m
Hi,
please send all messages also to the mailing list (use "reply to all")
- that way everyone, not only me, can participate in solving your
problem.
2010/12/13 Sepand Shahab :
> Hi,
>
> Thanks very much for the responses, and sorry for my incomplete posting.
>
> the .png can be found here:
>
> h
Hi,
2010/12/13 MING TSANG :
> (1) Where do I code the \set midiInstrument = ?
>
> (2) I want to set each voice (S, A, T, B) with different midi -instrument.
> How can I code it?
Take a look at this example:
\new ChoirStaff <<
\new Staff = soprano {
\new Voice = soprano
2010/12/10 James :
> Hello
>
> On 10/12/2010 07:43, Jan Warchoł wrote:
>>
>> Seriously though, have you considered changing the default font for
>> chords?
>
> Oh yes, but only to make it smaller, I prefer mine '12% smaller' than
> default, but the &#x
Hi,
2010/12/11 Jon W :
>
> Hi. I wrote a program in C that finds the solutions, if any exist, to a
> compositional problem specified in the command line. One of the output
> formats is lilypond. Some of the solutions involve clusters that lilypond
> does not display very well
I'm not familiar wit
Hi all,
2010/12/10 Marco Correia :
> Thanks!
>
> I can't believe that this is seen as a low priority enhancement...! This
> completely renders lilypond unusable for the task I need it, which is to serve
> as a printer for computer generated music. The output is not ugly - it is
> plain wrong!
I a
Hi,
2010/12/10 Sepand Shahab
>
> Dear list members,
>
> I'm having a problem with tuplets displaying correctly in certain situations
> but
> not in others. for example, the following works fine on its own:
>
> \time 4/4
> c32 c c16
> \times 8/7 {c16 c c c c c32 c c16}
> \times 7/6 {c c c c c c }
2010/12/10 James Lowe
>
> Hmm..that video was only slightly more annoying than a bouncing ball over
> lyrics...for those that want to 'show me the money'...it all starts with
> LilyPond at about 2:11.
>
> Although he obviously doesn't like the 'sans' Font for Chords
I don't like it too, it doe
2010/12/7 Br. Athanasius Pelletier
> If you click on the link below you will see what I want to accomplish.
> http://bayimg.com/JaBeOaADd
A scanned original to compare - that's good!
Well, it looks like the score i posted in my previous mail has the correct
structure. There are still rhythm err
2010/12/6 jakob lund
> if you create more staves inside << >>, they run in parallel for the
> length of the piece, rather than starting after one another. Maybe you
> need something like this? (you still have to fix the alignment
> properly)
>
> \score {
> <<
>\new Staff { \oneTwo \three \fo
2010/12/4 Nick Payne :
>
>> Lilypond makes this easy:
>> \set fontSize = #-2
>> It affects beam size, stem width and height, note head size, accidental
>> size, and markup font size, nothing else, probably making it the ideal
>> solution for you :)
>
> No, that doesn't shorten the stem length. You
Hi,
2010/12/5 Br. Athanasius Pelletier
>
> I am formatting "Peace Prayer of St. Francis".
>
> I am doing ok with verses one and two which share the same music but verses
> three and four each have different music and I am not sure how to make them
> work.
>
> \version "2.13.35"
> [lots of code]
2010/11/25 Steve Yegge
>
> I bit the bullet and went through all 100-odd guitar music publications
> I've
> collected over the years, from publishers around the world on every
> continent,
> across multiple genres (although admittedly mostly classical and South
> American). The set includes many
2010/11/21 Marc Mouries :
>
> thanks Ted, that could do it. The tricky part though is that Bach uses a
> half-bar every other measure.
> I ttried this but got 2 issues:
> 1) 5.0 is not the normal height of the bar line. Would you know what it is?
I suppose it's 4.0 (5 lines in a staff -> 4 staffsp
Hi,
2010/11/17 Paul Thompson
>
> I am setting a document up in 4/4, and all is well (thanks, Xavier, for your
> help).
>
> In 2 cases, measures get set up as if they are 3/4, and only 3 beats are set
> into the measure.
> How can I determine what is causing this issue? Measures before and afte
2010/11/14 David Kastrup
> Valentin Villenave writes:
>
> > On Sun, Nov 14, 2010 at 12:38 PM, David Kastrup wrote:
> >> Means a tie, as indicated by the user.
> >
> > Oh. So, setting tieWaitForNote would disable the "automatic-slurs"
> > feature?
>
> They would be mutually exclusive, and both o
Hi,
2010/11/11 Carlo Stemberger :
> Hi,
> how can I obtain the correct syllabification?
>
> http://img132.imageshack.us/img132/5413/schermataminuitchretien.png
>
> https://github.com/Stemby/open-
> scores/blob/master/AdamCantiqueDeNoel/minuit_chretiens.ly
>
> (see lines 95--97 and 156)
You have t
2010/11/10 Valentin Villenave
> On Tue, Nov 9, 2010 at 11:07 PM, Jan Warchoł
> wrote:
> > please, don't post such vulgar jokes here.
> > In my opinion it's a shame for the project.
>
> Then I'm very ashamed to say I found it to be rather hilarious... :)
2010/11/9 Christ van Willegen
>
> Why don't Horn players get a second date? (...)
please, don't post such vulgar jokes here.
In my opinion it's a shame for the project.
Jan
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mail
2010/11/9 David Kastrup :
> Xavier Scheuer writes:
>> BTW as a musician, I would not know how to play such scores where some
>> players have more notes (beats) to play than other in the same
>> measure...
>
> They don't.
>
>> Are we supposed to wait the last one that has the higher overflow?
>> Ar
o changes in it. You should be able to do the rest by yourself.
> I am sorry, but am somewhat confused as to where this should go. Thanks for
> all your time & patience.
You are welcome :)
Good luck,
Janek
On Mon, Nov 1, 2010 at 7:22 PM, Jan Warchoł <
> lemniskata.bernoulli
2010/11/3 Keith E OHara
> On Tue, 02 Nov 2010 09:19:32 -0700, Jan Warchoł <
> lemniskata.bernoulli...@gmail.com> wrote:
> As for me the attached settings work quite well. In particular your Lyric
>
>> spacing settings didn't produce good results when lyrics were c
Hi,
sorry it took so long... Looks like it's not possible to achieve some
results that i wanted only with changing default values for spacing
algorithm.
As for me the attached settings work quite well. In particular your Lyric
spacing settings didn't produce good results when lyrics were centered
2010/11/1 Michael Dykes
> On Mon, Nov 1, 2010 at 3:57 AM, Jan Warchoł <
> lemniskata.bernoulli...@gmail.com> wrote:
>
>> 2010/11/1 Michael Dykes
>>
>> I have a score for some of my Liturgical Music I am working on, & need the
>>> bass to have a C
2010/11/1 Michael Dykes
> I have a score for some of my Liturgical Music I am working on, & need the
> bass to have a C (2nd space-bass clef) quarter note, *and *two eighth note
> C's (the first 2nd space, and the second, middle C) to show to options for
> the bass which then continues over the n
2010/10/25 Mike Solomon
> Hey lilyponders,
>I forget if I sent this out or not - sorry in advance for any double
> postings! A score I wrote using the graphics notation package that I
> developed for Lilypond will have its UK premiere on the 4th of December in
> Canterbury and its French pre
Hi,
2010/10/19 Valentin Villenave
> On Tue, Oct 19, 2010 at 11:43 AM, Jan Warchoł
> wrote:
> > (...) Lily places all related dynamics at the same vertical position
> level
>
> Er, it seems that we're already doing that
Not exactly that. This example illustrates
2010/10/21 Javier Ruiz-Alma
> Hello Dear Gurus,
> Lilypond is correctly engraving this score in .pdf, which has some
> sections of single-staff polyphony. However, the MIDI playback on my PC
> plays one voice only. I'm ignorant to where the problem is. Is
> my lilypond syntax incorrect? I
2010/10/20 Valentin Villenave
>
> 2010/10/20 James .
>>
>> (...)
>> \version "2.13.35"
>>
>> RH = \relative c'' {
>> \repeat unfold 30 { a8 a a a }
>> }
>>
>> LH = {
>>\clef bass
>>\repeat unfold 30 { a8 a a a }
>> }
>>
>> \score {
>>\new PianoStaff
>><<
>> \chords { f1*5
2010/10/19 James
>
> On 19/10/2010 10:01, Jan Warchoł wrote:
>
>> However, in my opinion (and i'm an amateur, judging only by my personal
>> taste about readability) there should be more space after (...)
>
>
> While all these suggestions are perfectly reaso
2010/10/19 Cordilow
> In most music I see out there, I've noticed that related dynamics (and
> often
> markup) are usually parallel (such that if you drew a horizontal line, it
> would meet both at the same vertical position). In fact, I'm hard pressed
> to
> think of a situation where they're no
2010/10/19 Keith E OHara
>
> The defaults are :
> Staves within a group are spaced 9 staff-lines apart (from centerline to
> centerline).
> After the last staff in a group, the next staff is placed 10.5 staff-lines
> below (centerline-to-centerline).
> After a staff that is not in a group (like pe
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