Hello list, hello Sarah,
You wrote:
> Ok. I had to get rid of some a naturals that it thought were errors.
> when I play c minor scale on the piano I often use a flat not a
> natural.I think this was what might have been tripping me up. I'll
> have to listen to this and see. No pun intended. lol!
Can you use variables to do what you want? or maybe first second and third
endings? Just throwing the idea out there.
Take care.
On Mar 1, 2013, at 9:54 PM, Evan Driscoll wrote:
> How do you deal with music where there is a lot of repetition of a group
> of measures, but where the dynamics or o
How do you deal with music where there is a lot of repetition of a group
of measures, but where the dynamics or other instructions (e.g.
pizz/arco) differs between repetitions?
For instance, take Holst's Mars (*cough*). The LilyPond docs have a nice
snippet for being able to generate the "bah-bah-
On 02/03/13 16:16, Evan Driscoll wrote:
Can I get a text spanner (e.g. for "rit.") below the staff? For example,
modify the following (adapted from the reference manual 1.8.1):
\relative c' {
\override TextSpanner #'(bound-details left text) = "rit."
b''1\startTextSpan
e,\st
Can I get a text spanner (e.g. for "rit.") below the staff? For example,
modify the following (adapted from the reference manual 1.8.1):
\relative c' {
\override TextSpanner #'(bound-details left text) = "rit."
b''1\startTextSpan
e,\stopTextSpan
}
I'm using Lilypond 2.16.2.
E
Ok. one more question for the night then I'll be done with this for tonight as
I want to at least get the 2 violin parts written then work on viola, cello
and bass tomorrow and sunday.
I will be having divici parts for the second violin parts. I know odd but there
you go. I tried the text thin
Ok. I had to get rid of some a naturals that it thought were errors. when I
play c minor scale on the piano I often use a flat not a natural.I think this
was what might have been tripping me up. I'll have to listen to this and see.
No pun intended. lol!
All of you rock!
On Mar 1, 2013, at 3:56
Cool. I still want to write this out by hand though so I can learn myself how
to do this. The more I learn and see what I'm ding wrong the more that I will
end up learning at the end and the farther I hopefully will go. He wants this
scored for string section not piano though. and I might have
The piece is almost all quarter notes except for those pesky dotted quarter 8th
patterns on beats 3 and 4. I can conduct it fine, if I had to lol! So how do I
fix that unexpected '!' even though I know it's correct? It is on that e
natural. It has to be. as we are temparerly modulating in to g f
Yeah I did that. and it seems to have worked, but hat one measure it is still
complaining even though it is correct. I hate this piece lol! Ah well. I'll get
this done.
On Mar 1, 2013, at 2:43 PM, Matthew Collett wrote:
> On 2/03/2013, at 11:29 am, Sarah k Alawami wrote:
>
>> There are a fla
On 02/03/13 09:44, Sarah k Alawami wrote:
Hey thanks for your explanation. it is helping a bit. how ever I think it is
still complaining about this measure
d4 e! g4. f8 e
If I recall though it is
d, e natural, g, f, e flat. so Do I need to mark it as an e flat at the end of
that measure, the
Am 01.03.2013 23:44, schrieb Sarah k Alawami:
Hey thanks for your explanation. it is helping a bit. how ever I think it is
still complaining about this measure
d4 e! g4. f8 e
If I recall though it is
d, e natural, g, f, e flat. so Do I need to mark it as an e flat at the end of
that measure
On Fri, Mar 1, 2013 at 11:44 PM, Sarah k Alawami wrote:
> Hey thanks for your explanation. it is helping a bit. how ever I think it is
> still complaining > d4 e! g4. f8 e
>
> If I recall though it is
>
> d, e natural, g, f, e flat. so Do I need to mark it as an e flat at the end
> of that measu
2013/3/1 Noeck :
>
>
> Am 01.03.2013 22:56, schrieb Jethro Van Thuyne:
>> In the mean time: is there a way for me to resolve this issue without
>> using Inkscape to move the tremolo around? Can the vertical position
>> of the tremolo be set manually?
>>
>> Jethro
> You could move the tremolo beam u
Hey thanks for your explanation. it is helping a bit. how ever I think it is
still complaining about this measure
d4 e! g4. f8 e
If I recall though it is
d, e natural, g, f, e flat. so Do I need to mark it as an e flat at the end of
that measure, the error I get is unexpected '!' and I think
On 2/03/2013, at 11:29 am, Sarah k Alawami wrote:
> There are a flat and a naturals and stuff all over the place so if I just
> write
> g4 a g4. f8 e4 |
>
> How will it know to write an a flat not an a natural?
It won't. 'a' means A-natural. If the note is actually an A-flat, then you
need
Am 01.03.2013 23:29, schrieb Sarah k Alawami:
k. I think it's starting to click a bit. but for the naturals and stuff do I
still mark them? I don't' want this piece to sound a mess if I ever get a
chance to hear it lol!
Ok so how will lily pond know the difference between the 3 minors? There a
k. I think it's starting to click a bit. but for the naturals and stuff do I
still mark them? I don't' want this piece to sound a mess if I ever get a
chance to hear it lol!
Ok so how will lily pond know the difference between the 3 minors? There are a
flat and a naturals and stuff all over the
> 1. Is this a default behavior of ottava? I recall v2.14.0 don't have
> this behavior.
Yes, this is what ottava (8va) means: These notes should be played
(should sould) an octave higher than written. As you write the notes in
LilyPond as they sound, they are written lower, if ottava is set.
> 2
Wonderful, thank you!
Jethro
Noeck (01 Mar 2013 @ 23:04)
Am 01.03.2013 22:56, schrieb Jethro Van Thuyne:
In the mean time: is there a way for me to resolve this issue without
using Inkscape to move the tremolo around? Can the vertical position
of the tremolo be set manually?
Jethro
You coul
Am 01.03.2013 22:56, schrieb Jethro Van Thuyne:
> In the mean time: is there a way for me to resolve this issue without
> using Inkscape to move the tremolo around? Can the vertical position
> of the tremolo be set manually?
>
> Jethro
You could move the tremolo beam upwards (or left) in the mea
In the mean time: is there a way for me to resolve this issue without
using Inkscape to move the tremolo around? Can the vertical position
of the tremolo be set manually?
Jethro
Federico Bruni (27 Jan 2013 @ 10:54)
Il 27/01/2013 10:46, m...@mikesolomon.org ha scritto:
On 26 janv. 2013, at 21:5
Sarah k Alawami writes:
> Ok. I know how to notate the sharps and flats but I might have missed
> in the big manual how to notate naturals and there are a lot of them
> in this piece.
I think I understand your problem. You think that aes writes a flat,
and bis writes a sharp. This is _not_ how
Am 01.03.2013 21:23, schrieb Sarah k Alawami:
Ok. I know how to notate the sharps and flats but I might have missed in the
big manual how to notate naturals and there are a lot of them in this piece.
For anyone familiar with the chopin prelude in c minor right hand and possibly
left hand ther
Yeah until I get comfortable with all of that I think I'll just write them in
and trust the user to know that the bar after that should not have an
accidental unless indicated.
Thanks.
On Mar 1, 2013, at 1:29 PM, Noeck wrote:
>
> Am 01.03.2013 21:29, schrieb Jethro Van Thuyne:
>> If you want
Sarah k Alawami writes:
> Yeah true. Im one of those people who need to pencil in every single
> one and I'm sure my instructor might say the same thing. I would hope
> most of them though are somewhat familiar with this piece even though
> they might not be be able to play it.
You don't need
Am 01.03.2013 21:29, schrieb Jethro Van Thuyne:
> If you want to force the display of an accidental, you can append
> an exclamation mark to your note, like this:
>
> e4 f e4. des8 c4 | d!4 e
> You can also put the natural (or sharp or flat) sign between brackets,
> by using the question mark:
wjm writes:
> Greetings David,
> I have fiddled a bit with your code
> \score {
> { c'4 c' c' c' }
> \addlyrics
> { \footnote #'(-2 . -2) \markup "text"
> \markup Mu- sic is nice }
> }
>
> and have come up with this:-
>
> \version "2.17.12"
> music = \relative c'
> {
> c d e g
> f g
Greetings David,
I have fiddled a bit with your code
\score {
{ c'4 c' c' c' }
\addlyrics
{ \footnote #'(-2 . -2) \markup "text"
\markup Mu- sic is nice }
}
and have come up with this:-
\version "2.17.12"
music = \relative c'
{
c d e g
f g g a
b c2.
}
words = \lyricmode {
\footno
Am Freitag, den 01. März 2013 um 19:20:25 Uhr (-) schrieb Phil Holmes:
>
> Checkout glissando on:
>
> http://lilypond.org/doc/v2.15/Documentation/notation/spanners
Thanks and sorry for the noise. I should have found that myself...
___
lilypond-use
Yeah true. Im one of those people who need to pencil in every single one and
I'm sure my instructor might say the same thing. I would hope most of them
though are somewhat familiar with this piece even though they might not be be
able to play it.
Thanks all. Onward and upwards.
On Mar 1, 20
yeah I looked in the articulation sections and was a bit confused. I'm just
learning right now via the tutorial but i"m sure all of this will come
naturally no pun intended at some point lol!
Thanks. It's time to do some piano picking to see if I have the notes right.
lol!
On Mar 1, 2013, a
Am 01.03.2013 21:29, schrieb Jethro Van Thuyne:
If you want to force the display of an accidental, you can append
an exclamation mark to your note, like this:
e4 f e4. des8 c4 | d!4 e
You can also put the natural (or sharp or flat) sign between brackets,
by using the question mark:
e4 f e4.
If you want to force the display of an accidental, you can append
an exclamation mark to your note, like this:
e4 f e4. des8 c4 | d!4 e
You can also put the natural (or sharp or flat) sign between brackets,
by using the question mark:
e4 f e4. des8 c8 | d?4 e
Jethro
Sarah k Alawami (
Ok. I know how to notate the sharps and flats but I might have missed in the
big manual how to notate naturals and there are a lot of them in this piece.
For anyone familiar with the chopin prelude in c minor right hand and possibly
left hand there are a bunch of naturals. How do I notate them
On 02/03/13 01:00, Hilary Snaden wrote:
Is there a way of making LilyPond insert a blank first page if the
page breaker starts content on page 2? It's a major pain adding a page
once the PDF has been created.
This gives a blank first page:
%=
\header { }
\pageBreak
\markup \null
- Original Message -
From: "Orm Finnendahl"
To:
Sent: Friday, March 01, 2013 7:07 PM
Subject: spanners not showing up
Hi,
sorry, if that has been discussed before.
In the following example, there are two glissandos with an end arrow
between each f and g, but only the second one i
On 1 mars 2013, at 20:07, Orm Finnendahl
wrote:
> My questions:
>
> 1.: Is there a direct way to enforce lilypond to always print those
>signs and adjust its spacing accordingly (I'm aware that I could
>use a hidden second voice with eigth notes to enforce more
>horizontal space, b
Hi,
sorry, if that has been discussed before.
In the following example, there are two glissandos with an end arrow
between each f and g, but only the second one is showing up. This is
obviously due to lilypond's spacing decisions, not leaving enough
space for the first gliss sign (see attached p
Hey thanks for the help. Ok so I just update the notes in the example wight he
notes int eh exercise my teacher gave me and I could if I wanted to put a
divici in each part if I wanted them to split? I don't think they will need to
split that much I don't want to create a violin 2 staff just fo
Oops,
and now with the example:
global= {
\time 4/4
\key c \major
}
violin = \new Voice \relative c'' {
\set Staff.instrumentName = #"Violin 1 "
c2 d
e1
\bar "|."
}
viola = \new Voice \relative c' {
\set Staff.instrumentName = #"Viola "
\clef alto
e2 d
c1
\bar
I'm still not 100% sure if I understand you fully.
Is it correct that you found the template here:
http://www.lilypond.org/doc/v2.16/Documentation/learning/string-quartet
And that you could use it except for the wrong instruments?
Then you have very little to do: just change the instrument nam
On 03/01/2013 06:17 PM, Guy Stalnaker wrote:
Is it possible to modify the brace from a GrandStaff or the positioning of the
brace for the PianoStaff version so that it is more like the B&H engraving? I
know the example from the LP documentation is acceptable (the Peter's Edition of
the Bach is en
For the section that talks about building a score from scratch:
http://lilypond.org/doc/v2.15/Documentation/learning/building-a-score-from-scratch
The author chose to construct a Piano Staff + single staff score. That
results in three staves, with the top two "connected" by a brace and the
bot
PMA wrote:
Kieren MacMillan wrote:
Hi Peter,
An optimist believes that we are living in the best of all conceivable
worlds. A pessimist _knows_ it.
Yes! Got me wondering -- How might one fit
the realist in here (without loss of pithitude)?
I thought the same thing… What I came up with is t
Kieren MacMillan wrote:
Hi Peter,
An optimist believes that we are living in the best of all conceivable
worlds. A pessimist _knows_ it.
Yes! Got me wondering -- How might one fit
the realist in here (without loss of pithitude)?
I thought the same thing… What I came up with is this:
An
Am 01.03.2013 17:05, schrieb PMA:
bobr...@centrum.is wrote:
An optimist believes that we are living in the best of all conceivable
worlds. A pessimist _knows_ it.
--
David Kastrup
NICE!
___
lilypond-user mailing list
lilypond-user@gnu.org
https
Hi Peter,
>>> An optimist believes that we are living in the best of all conceivable
>>> worlds. A pessimist _knows_ it.
>
> Yes! Got me wondering -- How might one fit
> the realist in here (without loss of pithitude)?
I thought the same thing… What I came up with is this:
An optimist believ
bobr...@centrum.is wrote:
An optimist believes that we are living in the best of all conceivable
worlds. A pessimist _knows_ it.
--
David Kastrup
NICE!
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/l
On Mar 1, 2013, at 4:47 AM, James Harkins wrote:
> Zenaan Harkness freedbms.net> writes:
>
>> David, thank you so, so much!
>
> Oh, I thought enough bytes had been spilt on this subject already.
>
> IMO, this entire discussion is the result of misreading François's comment.
> "It's working wel
>An optimist believes that we are living in the best of all conceivable
>worlds. A pessimist _knows_ it.
>--
>David Kastrup
NICE!
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Is there a way of making LilyPond insert a blank first page if the page
breaker starts content on page 2? It's a major pain adding a page once
the PDF has been created.
--
Hilary
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.
A new four-shape (Sacred Harp style) tune book has been released in
the last couple of weeks. Its name is Shenandoah Harmony
(www.shenandoahharmony.com). I mention it here because every one of
the 350-odd tunes in the book was newly engraved using Lilypond. There
are lots of good things to say abou
Jan Nieuwenhuizen writes:
> Urs Liska writes:
>
>>> I'm probably pissed a lot more than she was that this was likely a
>>> smart choice for her to make.
>>>
>> That would be a wonderful story if it wasn't so sad :-(
>
> The best, most wonderful stories, are all sad. It's just that
> Hollywood wi
Urs Liska writes:
>> I'm probably pissed a lot more than she was that this was likely a smart
>> choice for her to make.
>>
> That would be a wonderful story if it wasn't so sad :-(
The best, most wonderful stories, are all sad. It's just that Hollywood
will find a way to pervert most beautiful
Am 01.03.2013 12:27, schrieb David Kastrup:
An ex of mine studied Romance Language and Literature with a minor in
...
I'm probably pissed a lot more than she was that this was likely a smart
choice for her to make.
That would be a wonderful story if it wasn't so sad :-(
Jan Nieuwenhuizen writes:
> David Kastrup writes:
>
>> Starting scene of Macbeth. But at any rate, I perceive a shift in
>> educational systems to award degrees that have at best a weak
>> correlation with being competent in the certified field of expertise.
>> There is much stronger pressure on
Zenaan Harkness freedbms.net> writes:
> David, thank you so, so much!
Oh, I thought enough bytes had been spilt on this subject already.
IMO, this entire discussion is the result of misreading François's comment.
"It's working well for me in Windows" somehow turned into "advocacy," but... to
David Kastrup writes:
> Starting scene of Macbeth. But at any rate, I perceive a shift in
> educational systems to award degrees that have at best a weak
> correlation with being competent in the certified field of expertise.
> There is much stronger pressure on teachers and professors to have
>
Nick Payne writes:
> On 01/03/13 16:33, Nick Payne wrote:
>> See attached.
>>
>> \version "2.17.13"
>>
>> \relative c'' {
>> \tupletSpan 8 \tuplet 3/2 { g8 fis e }
>> }
>
> Forget about it. My bad. In the score where I encountered the output, I
> forgot that I had changed from tuplets using si
Zenaan Harkness writes:
> On 2/27/13, David Kastrup wrote:
>> Kieren MacMillan writes:
>>
>>> David,
>>>
Then it would seem that many of us have forgotten
what brought LilyPond to them in the first place.
>>>
>>> No — some of us just have a sense of balance and tolerance.
>>
>> Sounds
On 2/26/13, Jan Nieuwenhuizen wrote:
> james writes:
>
>>> Could you please be more aware and more careful about advocating the use
>>> of non-free operating systems?
>>
>> Does this mean we shouldn't mention that we use non-free operating
>> systems? Or ask questions, comments about non-free oper
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