Brilliant - thank you so much! I look forward to the files.
Ben
Antonio Gervasoni wrote
> Ben wrote:
>
>> Would it be possible to see the ly file for that PDF? :)
>
> Hi Ben,
>
> Yes, of course! The problem is that it is not just one file. There are
> more than 20 files involved. :-)
>
> T
-
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> At least on Ubuntu, LilyPond supports OpenType glyph substitution
> and glyph positioning -- something I use quite heavily since I
> typeset scores in Church Slavonic -- at least the ccmp, rlig, kern,
> mark, and mkmk features work without any problems (though there
> seems to be no way to acces
>> What i meant is: i would feel sorry if i couldn't use LilyPond's
>> new, unique, custom-designed professional font to engrave polish
>> national anthem or any other polish song because someone decided
>> that polish language is not important enough to be supported.
>
> Polish is like Czech a b
>> [...] it doesn't change the fact that it should be possible to
>> typeset scores in practically any language, if LilyPond wants to be
>> 'for everyone’.
>
> Covering European languages including all the eastern ones is a
> straightforward task. Cyrillic is non-trivial unless you have be
> trai
Ben wrote:
> Would it be possible to see the ly file for that PDF? :)
Hi Ben,
Yes, of course! The problem is that it is not just one file. There are more
than 20 files involved. :-)
The file for the complete score includes a file containing the metrics,
another one for special definitions, one
I'm sorry but this does not work. The "man" icon only shows:
Onscreen Keyboard
High Contrast
Screen Reader
How should I proceed?
-
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Would it be possible to see the ly file for that PDF? :)
Antonio Gervasoni wrote
> At this point I think it might be good to give everyone reading this
> thread an idea of what I meant with my first post. I just put in my
> Dropbox the full score I've been working on for the past months. It is no
I found I had loaded Lilypond on my Vista machine some time ago. 2.14.0
My file with the whole-note tremolo compiles ok there. So, I'll print out
my Violin file there. Thanks for the help.
RDL
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On Wed, Jan 9, 2013 at 8:27 PM, Eben Sorkin wrote:
>
> Polish is like Czech a bit tricky because it has shapes that needs special
> treatment and thought. The most obvious are the slashes and ogoneks (Ł ł ą Ą
> etc. ). The use of w and other diagonals is different and requires extra care
> as w
On Jan 9, 2013, at 5:03 PM, Janek Warchoł wrote:
> Hi Werner,
>
> first of all, let me assure everyone that the last thing i want is a
> heated argument.
> I'll try to be brief:
>
> On Wed, Jan 9, 2013 at 10:00 PM, Werner LEMBERG wrote:
>> Hello Janek!
>>
>> [...]
>> I'm a pianist, and I know
On Jan 9, 2013, at 4:05 PM, Urs Liska wrote:
> Am 09.01.2013 22:00, schrieb Werner LEMBERG:
>>
>> I'm a pianist, and I know Chopin very well and like him a lot, but I
>> have *never* heard or played a song written by him.
> I have two complete recordings of Chopin's songs, one of them published
It had occurred to me in the past that lilypond user digests were maybe too
small, but I didn't mention it as it hasn't reached the point of becoming
an inconvenience. Now... overnight, I got 11 digests in a span of about 6
hours.
When I sign up for a list in digest mode, I expect 1-3 messages in
Jim Long writes:
> On Wed, Jan 09, 2013 at 03:33:27AM -0800, Eluze wrote:
>> thanks, Jim
>>
>> added to the tracker as
>> https://code.google.com/p/lilypond/issues/detail?id=3092&thanks=3092&ts=1357730898
>>
>> another - not perfect - workaround is using less chordnames than there are
>> notes:
El 09/01/2013 21:05, "Antonio Gervasoni" escribió:
>
> Urs wrote:
>
> > From those options I'd prefer Google over Facebook. Not less scary, but
> > I'd consider Google more as a platform for actually _work_ together
> > (although this might be strictly emotional ...)
>
> I couldn't think of Facebo
El 09/01/2013 22:00, "Werner LEMBERG" escribió:
> #87 ChapíSpanish (?) (21)
Yes, Spanish. Covered by Latin-1.
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Am 09.01.2013 14:09, schrieb Joseph Rushton Wakeling:
On 01/08/2013 09:35 PM, Urs Liska wrote:
During the development of a musical edition some others and me
created the base
for a kind of LilyPond toolkit library.
...
This sounds like it would be a very useful tool for lots of people,
and I
> What i meant is: i would feel sorry if i couldn't use LilyPond's
> new, unique, custom-designed professional font to engrave polish
> national anthem or any other polish song because someone decided
> that polish language is not important enough to be supported.
So what about the people from, s
>> What i meant is: i would feel sorry if i couldn't use LilyPond's
>> new, unique, custom-designed professional font to engrave polish
>> national anthem or any other polish song because someone decided
>> that polish language is not important enough to be supported.
>
> The way crowd funding wo
>> #1 VerdiItalian (3020 szenical runs)
>> #2 Mozart German/Italian (2410)
>> #8 BizetFrench (654)
>
> How many of those are "Carmen"? For the purpose of LilyPonding,
> number of _different_ performed compositions might be interesting.
OK, som
>> Beg to differ, too. A `web font' is essentially a font suitable
>> for a computer display with a (quite) low resolution. In
>> particular, such a font contains hints to intentionally distort the
>> glyph shapes, making them render fine on such devices.
>>
>> Lilypond fonts and its other graph
On 9 January 2013 16:03, Janek Warchoł wrote:
> What i meant is: i would feel sorry if i couldn't use LilyPond's new,
> unique, custom-designed professional font to engrave polish national
> anthem or any other polish song because someone decided that polish
> language is not important enough to b
On Jan 9, 2013, at 2:50 PM, Werner LEMBERG wrote:
>
>>> What's the difference between `fine' and `laser' printing?
>>
>> It is a question of the level of detail. If you are making a font
>> for laser printers you have to avoid certain characteristics in
>> shapes. The shapes have to be more gr
David Kastrup writes:
> Tablets and/or electronic ink are becoming increasingly important
> players in music.
>
> http://news.cnet.com/8301-17938_105-57546915-1/orchestra-swaps-sheet-music-for-the-galaxy-note-10.1/>
Oh, by the way: while we are using a device that has an unfavorably low
contrast
>>> Wow. This is a large project in terms of glyph coverage then. :-)
>>
>> It can evolve, starting with Latin-1 & Latin-2, for example.
>
> That makes sense.
And Latin-2 covers Polish also...
Urs writes:
> > Sorry to say, but this is utter nonsense. It's a matter of fact
> > that from an i
Urs Liska writes:
> Of course it is ambitious, but I'd agree that conceptually LilyPond
> should be able to typeset in any language.
Right-to-left languages are distinctly tricky.
--
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I'm using the 32-bit version of Ubuntu 12.04 ...
Here's the console output:
Processing `/home/robert/Desktop/test.ly'
Parsing...
Interpreting music... [8]
Preprocessing graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...lilypond: ../flower/inclu
Werner LEMBERG writes:
> Hello Janek!
>
>
>> ?! How are we supposed to typeset Frédéric Chopin's songs written
>> to polish lyrics, then? Or Moniuszko's operas?
>> [http://en.wikipedia.org/wiki/Stanis%C5%82aw_Moniuszko#Operas]
>>
>> As a Pole i feel seriously discriminated - after all, isn't L
Werner LEMBERG writes:
Is it for the web too?
>>>
>>> No.
>>
>> Beg to differ. Formatting for electronic display of music is one of
>> the more important application areas for LilyPond.
>
> Beg to differ, too. A `web font' is essentially a font suitable for a
> computer display with a (qu
Am 09.01.2013 22:05, schrieb Urs Liska:
Am 09.01.2013 22:00, schrieb Werner LEMBERG:
I'm a pianist, and I know Chopin very well and like him a lot, but I
have *never* heard or played a song written by him.
I have two complete recordings of Chopin's songs, one of them
published by the Deutsche
Am 09.01.2013 22:00, schrieb Werner LEMBERG:
I'm a pianist, and I know Chopin very well and like him a lot, but I
have *never* heard or played a song written by him.
I have two complete recordings of Chopin's songs, one of them published
by the Deutsche Grammophon. So they are existent.
Regard
Hello Janek!
> ?! How are we supposed to typeset Frédéric Chopin's songs written
> to polish lyrics, then? Or Moniuszko's operas?
> [http://en.wikipedia.org/wiki/Stanis%C5%82aw_Moniuszko#Operas]
>
> As a Pole i feel seriously discriminated - after all, isn't LilyPond
> supposed to provide "mu
Am 09.01.2013 20:58, schrieb Antonio Gervasoni:
Urs wrote:
Well, the risk may be that it is a case of immediate enthusiasm which
might fade away
when there aren't immediate results ;-)
Yes, I am aware of that! So I have already decided that I will definitely
document my approach to the matter.
>>> Is it for the web too?
>>
>> No.
>
> Beg to differ. Formatting for electronic display of music is one of
> the more important application areas for LilyPond.
Beg to differ, too. A `web font' is essentially a font suitable for a
computer display with a (quite) low resolution. In particular,
Am 09.01.2013 20:07, schrieb David Kastrup:
At least with regard to chord names, the current situation is untenable.
That does not necessarily mean that a new font needs to be developed.
But one way or the other, the default look of LilyPond needs to be more
consistent and less ugly.
If one want
Am 09.01.2013 21:25, schrieb Janek Warchoł:
On Wed, Jan 9, 2013 at 8:50 PM, Werner LEMBERG wrote:
You will want someone who is sensitive to Cyrillic to Latin and who
can manage the difficulties of the dense use of diacritics in Czech
set which are significant. Is Polish relevant?
Interestingl
On Wed, Jan 9, 2013 at 8:50 PM, Werner LEMBERG wrote:
>
>> You will want someone who is sensitive to Cyrillic to Latin and who
>> can manage the difficulties of the dense use of diacritics in Czech
>> set which are significant. Is Polish relevant?
>
> Interestingly, no. There aren't any Polish o
Am 09.01.2013 20:30, schrieb Werner LEMBERG:
Actually, I would rather like to have a font which exactly clones the
old lyrics font. But this is probably me only.
This points to one problem I see with this approach: If one wanted
to create something new (or rework something existing) there would
> There is a good chance that LilyPond can do decidedly better than it
> does now without the necessity of producing new fonts, by making
> better use of currently available free fonts. I'd rather see those
> venues explored first.
Yes, certainly.
> But more importantly: _iff_ LilyPond and Feta
Urs wrote:
> From those options I'd prefer Google over Facebook. Not less scary, but
> I'd consider Google more as a platform for actually _work_ together
> (although this might be strictly emotional ...)
I couldn't think of Facebook as an alternative. GogleSites seems like a nice
one. One of t
Urs wrote:
> Well, the risk may be that it is a case of immediate enthusiasm which
> might fade away
> when there aren't immediate results ;-)
Yes, I am aware of that! So I have already decided that I will definitely
document my approach to the matter. If the collaborative effort is
successful t
On 9 January 2013 19:13, Bob Langford wrote:
> Thanks ! for the assistance.
>
> Ubuntu 12.04 LTS, Lilypond 2.14.2 and Jedit via Synaptic, Lilypond tool
> ACER 5013 notebook
>
> .ly file attached. I've commented out what doesn't work and left in the
> half-note tremolos. Too see the compil
>> What's the difference between `fine' and `laser' printing?
>
> It is a question of the level of detail. If you are making a font
> for laser printers you have to avoid certain characteristics in
> shapes. The shapes have to be more gross or brutal to reproduce
> well. If you know you want som
>> Actually, I would rather like to have a font which exactly clones the
>> old lyrics font. But this is probably me only.
>
> This points to one problem I see with this approach: If one wanted
> to create something new (or rework something existing) there would
> be _much_ discussion to do. And
>
On 9 Jan 2013, at 08:54, Werner LEMBERG wrote:
> Vern, can you give a rough estimate about the financial frame?
Yes i would generally echo what Dave and Eben have said said on costs; and note
these would be minimum costs;
> The price depends on the details of the project; mainly the number
vern adams writes:
>>
> On 9 Jan 2013, at 08:54, Werner LEMBERG wrote:
>
>> Vern, can you give a rough estimate about the financial frame?
>
>
> Yes i would generally echo what Dave and Eben have said said on costs;
> and note these would be minimum costs;
To put this into perspective: the Lil
>> The font should cover the most important languages used for
>> `classical' vocal music, especially operas. This includes Italian,
>> German, French, Czech (e.g. Dvořák), Russian (in Cyrillic),
>> English, probably Hungarian (Bartók). Today it's common that the
>> original language is typeset
Urs Liska writes:
> Am 09.01.2013 19:11, schrieb Werner LEMBERG:
> I'm rather looking for a free alternative to be shared publicly
That's what i mean. Free software needs funding too :)
On 9 Jan 2013, at 08:47, Urs Liska wrote:
>>> Precisely. It makes sense to fund a publ
Am 09.01.2013 19:37, schrieb Dave Crossland:
On 9 January 2013 12:07, Werner LEMBERG wrote:
The font should cover the most important languages used for
`classical' vocal music, especially operas. This includes Italian,
German, French, Czech (e.g. Dvořák), Russian (in Cyrillic), English,
probab
Am 09.01.2013 19:11, schrieb Werner LEMBERG:
I'm rather looking for a free alternative to be shared publicly
That's what i mean. Free software needs funding too :)
On 9 Jan 2013, at 08:47, Urs Liska wrote:
Precisely. It makes sense to fund a public resource.
If you see something close t
On Jan 9, 2013, at 1:37 PM, Dave Crossland wrote:
> On 9 January 2013 12:07, Werner LEMBERG wrote:
>> The font should cover the most important languages used for
>> `classical' vocal music, especially operas. This includes Italian,
>> German, French, Czech (e.g. Dvořák), Russian (in Cyrillic),
>> Vern, can you give a rough estimate about the financial frame?
>
> Yes i would generally echo what Dave and Eben have said said on
> costs; and note these would be minimum costs;
>
>> The price depends on the details of the project; mainly the number
>> of family styles, the character set, an
The price depends on the details of the project; mainly the number of
family styles, the character set, and the delivery schedule. Designing
a single style latin-1 font in 2 weeks is relatively expensive ($3,000
minimum) versus a 10 style family with latin 1-2-3-4 in 2 months
($10,000 min)
___
On 9 January 2013 12:07, Werner LEMBERG wrote:
> The font should cover the most important languages used for
> `classical' vocal music, especially operas. This includes Italian,
> German, French, Czech (e.g. Dvořák), Russian (in Cyrillic), English,
> probably Hungarian (Bartók). Today it's commo
That's what i mean. Free software needs funding too :)
On 9 Jan 2013, at 08:47, Urs Liska wrote:
> I'm rather looking for a free alternative to be shared publicly
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On Jan 9, 2013, at 1:07 PM, Werner LEMBERG wrote:
>
> Hello Eben!
>
>
>> One of the things to be clear about for yourself and the designer
>> you work with is what the medium you want it to work in will be.
>>
>> For example is this mainly a font for printing on paper?
>
> Yes.
>
>> Is it f
Sounds like you need to look at raising funds to have a font made to perfectly
for your needs. Or a font like Pablo's Libre Baskerville customised to your
needs. I can highly recommend this approach, it can be a great investment for
your own product. Go for it!
-v
On 9 Jan 2013, at 08:29, Ur
Impallari's Libre Baskerville, perhaps? www.impallari.com
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Shane Brandes writes:
> That bug if it still happening has been around since at least 2009. I saw
> one of my scores the other day with the faulty barlines with that date. I
> recommend using Okular it is in some ways preferable to even Acrobat
> reader.
See http://www.squirrel.nl/pub/xfer/lpev.
Werner LEMBERG writes:
> Hello Eben!
>
>
>> One of the things to be clear about for yourself and the designer
>> you work with is what the medium you want it to work in will be.
>>
>> For example is this mainly a font for printing on paper?
>
> Yes.
>
>> Is it for the web too?
>
> No.
Beg to di
Thanks ! for the assistance.
Ubuntu 12.04 LTS, Lilypond 2.14.2 and Jedit via Synaptic, Lilypond tool
ACER 5013 notebook
.ly file attached. I've commented out what doesn't work and left in the
half-note tremolos. Too see the compiler fail, comment out the half-notes
and remove % from the
>>> I'm rather looking for a free alternative to be shared publicly
>>
>> That's what i mean. Free software needs funding too :)
>>
>> On 9 Jan 2013, at 08:47, Urs Liska wrote:
>
> Precisely. It makes sense to fund a public resource.
>
> If you see something close to what you want Playfair f
Hello Eben!
> One of the things to be clear about for yourself and the designer
> you work with is what the medium you want it to work in will be.
>
> For example is this mainly a font for printing on paper?
Yes.
> Is it for the web too?
No.
> Do you want it to work well in fine printing?
EC
Ex.
global = {
\key c \major
\time 4/4
}
\parallelMusic #'(voiceA voiceB) {
c'' c'' c'' c'' | %voiceA measure 1
c' c' c' c' | %voiceB measure 1
g' g' g' g'| %voiceA measure 2
g g g g | %voiceB measure 2
}
\parallelMusic #'(voiceC voiceD) {
c'
Thank everyone very much and thank Hwaen Ch'uqi particularly for the
suggestions and the examples.
All more efficient or elegant solutions will be welcome.
Ex.
global = {
\key c \major
\time 4/4
}
\parallelMusic #'(voiceA voiceB) {
c'' c'' c'' c'' | %voiceA measure 1
c' c' c'
Precisely. It makes sense to fund a public resource.
If you see something close to what you want Playfair for example, you could ask
the designer to make a version with less contrast as Libre software and fund
that work. He probably has a lower contrast version already.
-e.
On Jan 9, 2013, at
One of the things to be clear about for yourself and the designer you work with
is what the medium you want it to work in will be.
For example is this mainly a font for printing on paper? Is it for the web too?
Do you want it to work well in fine printing? Do you only care about laser
printing
> Sounds like you need to look at raising funds to have a font made to
> perfectly for your needs. Or a font like Pablo's Libre Baskerville
> customised to your needs. I can highly recommend this approach, it
> can be a great investment for your own product. Go for it!
Indeed! I had similar id
> Impallari's Libre Baskerville, perhaps? www.impallari.com
This is indeed a beautiful font! However, a condensed shape is
missing, and this is what would be urgently needed for vocal scores
and the like.
Werner
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Am 09.01.2013 17:32, schrieb vern adams:
Sounds like you need to look at raising funds to have a font made to perfectly
for your needs.
Not really. I already have a font that suits my (personal) needs
perfectly. I'm rather looking for a free alternative to be shared
publicly
Best
Urs
O
2013/1/9 Shane Brandes :
> That bug if it still happening has been around since at least 2009. I saw
> one of my scores the other day with the faulty barlines with that date. I
> recommend using Okular it is in some ways preferable to even Acrobat reader.
In my experience, this annoying bug is gon
That bug if it still happening has been around since at least 2009. I saw
one of my scores the other day with the faulty barlines with that date. I
recommend using Okular it is in some ways preferable to even Acrobat
reader.
Shane
On Tue, Jan 8, 2013 at 5:08 AM, Carlo Stemberger wrote:
> Il 08/
Am 09.01.2013 13:48, schrieb Jan-Peter Voigt:
Hello Urs,
Am 09.01.2013 um 11:55 schrieb Urs Liska:
Am 09.01.2013 09:13, schrieb Jan-Peter Voigt:
I really would like to discuss this stuff with other ponders - but this list
should'nt be spoiled with such discussions and scare new users with in
Am 09.01.2013 17:18, schrieb Dave Crossland:
Impallari's Libre Baskerville, perhaps? www.impallari.com
While it looks very nice, judging from the samples on the web page this
font is too wide also (no significant improvement)
Thanks anyway
Best
Urs
2013/1/8 Urs Liska :
> You can have a look at
> http://lilypond.ursliska.de/notensatz/lilypond-tutorials/tackle-complex-tasks.html
> if you want.
Urs:
in
http://lilypond.ursliska.de/notensatz/lilypond-tutorials/tackle-complex-tasks/12-the-first-voice.html
should it be
onclick="openPic('ht
On 01/08/2013 09:35 PM, Urs Liska wrote:
During the development of a musical edition some others and me created the base
for a kind of LilyPond toolkit library. When the edition is finished we'll
change
that to be an open source project hosted on Github. This will consist of sets of
functionalit
karol wp.pl> writes:
>
> If you are using 2.14.2 then change
>
> to
>
> Does this work?
>
> --
> View this message in context:
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> Sent from the User mailing list archive at Nabble.com.
>
no, it doesn't.
I t
Hello Urs,
Am 09.01.2013 um 11:55 schrieb Urs Liska:
> Am 09.01.2013 09:13, schrieb Jan-Peter Voigt:
>> I really would like to discuss this stuff with other ponders - but this list
>> should'nt be spoiled with such discussions and scare new users with intimate
>> scheme-expressions ...
>> If we
Martin Tarenskeen writes:
> Hi,
>
> I find the default choice of font and fontsize for ChordNames
> extremely ugly. I know, it's a matter of personal taste.
No, it isn't. Fonts are designed for purposes. The purpose of a
running text font is to group into words as visual subunits of the
larger
If you are using 2.14.2 then change
to
Does this work?
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Martin Tarenskeen wrote
> I find the default choice of font and fontsize for ChordNames extremely
> ugly. I know, it's a matter of personal taste.
>
> But has there ever been a poll/vote among Lilypond users about this?
> I have a feeling that I am not the only one who *always* uses \override to
On 9 January 2013 12:36, martinwguy wrote:
> On 9 January 2013 06:59, Bob Langford wrote:
>> \repeat tremolo 8 { bes16 e }
>
> Hi, Can you submit a complete example score that show this behaviour
> and say which version of lilypond you are using and on which platform
Oops. It was and you did. My
On 9 January 2013 06:59, Bob Langford wrote:
> \repeat tremolo 8 { bes16 e }
Hi, Can you submit a complete example score that show this behaviour
and say which version of lilypond you are using and on which platform
(linux/windows/etc).
Thanks
M
_
thanks, Jim
added to the tracker as
https://code.google.com/p/lilypond/issues/detail?id=3092&thanks=3092&ts=1357730898
another - not perfect - workaround is using less chordnames than there are
notes:
{ aes*1*:7.5-9- q q q }
Eluze
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Am 09.01.2013 09:13, schrieb Jan-Peter Voigt:
Hello Urs, Antonio and list,
this is a great tutorial Urs.
Thanks!
I will recommend it to people whom I gave introductions and who want
to step further.
I recently introduced one guy, with plain lilypond (no scheme, no
tricks) to produce some SAT
Am 09.01.2013 04:29, schrieb Antonio Gervasoni:
Wow! I didn't expect all this enthusiasm and eagerness to collaborate...
at least no so fast!
Well, the risk may be that it is a case of immediate enthusiasm which
might fade away when there aren't immediate results ;-)
Ben wrote:
That's ve
karol wp.pl> writes:
>
> You have to use shape-tie function. First create file shape-tie.ly and paste
> the following code:
... CUT
and of course inserted a line with \include "shape-tie.ly" sorry :).
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karol wp.pl> writes:
>
> You have to use shape-tie function. First create file shape-tie.ly and paste
> the following code:
>
> Then include shape-tie.ly in your document and you can do something like:
>
> Those numbers are vector pairs (x y x y x y x y). Each pair refers to
> different contro
Am 09.01.2013 10:01, schrieb Alexander Kobel:
On 01/08/2013 12:23 PM, Urs Liska wrote:
Am 07.01.2013 10:14, schrieb Urs Liska:
Dear community,
I'd like to collect some suggestion for a replacement font for Century
Schoolbook.
Hi all,
thank you for your diverse suggestions. [...]
But I'd sti
EmilLask writes:
> Yes, but if I use \repeat ... and \unfoldRepeats
>
> it repeats one measure only.
>
> How can I repeat more than one measure in parallel mode?
\unfoldRepeats is a command working on the immediately following piece
of music. If you write
\unfoldRepeats x y z
then only x wi
Hi,
I do it by using one \score for the layout and another \score for the MIDI.
For example, see below.
Regards,
-Curt
mainRh = { [music...] }
mainLh = { [music...] }
codaRh = { [music...] }
codaLh = { [music...] }
\score {
\new PianoStaff <<
\new Staff = "rh" { \repeat volta 2 \mainRh
Yes, but if I use \repeat ... and \unfoldRepeats
it repeats one measure only.
How can I repeat more than one measure in parallel mode?
Emil
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On 01/09/2013 10:01 AM, Alexander Kobel wrote:
If you use your Google-fu, you'll find a wealth of discussion whether
or not the CorelDRAW should be avoided by professional typesetters
[...]
Also, you can have a look at the following of the Scribus project's wiki
pages:
http://wiki.scribus.n
On 01/08/2013 12:23 PM, Urs Liska wrote:
Am 07.01.2013 10:14, schrieb Urs Liska:
Dear community,
I'd like to collect some suggestion for a replacement font for Century
Schoolbook.
Hi all,
thank you for your diverse suggestions. [...]
But I'd still be pleased by further suggestions.
Hi Urs,
Am 09.01.2013 09:43, schrieb Werner LEMBERG:
4. http://arkandis.tuxfamily.org/adffonts.html
What do you think about Tribun and Romande there?
The condensed Tribun looks nice.
This is one of the fonts I intended to test more thoroughly.
I know Hirwen Harendal, author of
this font, so in case
Bob Langford wrote
> Greetings,
>
> 2.14.2
>
> 4/4 time
>
> This halts the compiler:
>
> \repeat tremolo 8 { bes16 e }
here this only halts the compiling if the default language is not nederlands
- but I am on version 2.17.9
can you provide a full example to show the problem
thanks
Eluz
>> 4. http://arkandis.tuxfamily.org/adffonts.html
>
> What do you think about Tribun and Romande there?
The condensed Tribun looks nice. I know Hirwen Harendal, author of
this font, so in case you need something special, just tell me :-)
Werner
> How does Fairplay look to you?
>
> http://www.google.com/webfonts/specimen/Playfair+Display
Thanks for the suggestion! Yes, the font looks nice, and it is quite
compact. However, I'm not too happy with the italic shape which is a
bit too ornamental for my taste (and contains too many very th
Wow...this score reminds me of why I use LilyPond for all my final engravings
- it looks stunning man, GREAT job.
Thank you for sharing!
Ben
Antonio Gervasoni wrote
> Wow! I didn't expect all this enthusiasm and eagerness to
> collaborate... at least no so fast!
>
> Ben wrote:
>
>> That'
Hello Urs, Antonio and list,
this is a great tutorial Urs. I will recommend it to people whom I gave
introductions and who want to step further.
I recently introduced one guy, with plain lilypond (no scheme, no
tricks) to produce some SATB-sheets.
As we can see in this thread, there are a lot o
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