Good evening everyone,
I am new to the language of Lilypond, so I would like to ask you for
advice that you will certainly have more experience.
To your knowledge, is it possible in a pitchedTrill to insert a chord (or
a bichord) in the position between brackets (auxiliary)? Each time I try,
L
Cheers,
> Valentin
>
> 03.02.2022 14:05:32 Rip _Mus :
>
> Good evening everyone,
>
> I am new to the language of Lilypond, so I would like to ask you for
> advice that you will certainly have more experience.
>
> To your knowledge, is it possible in a pitchedTrill to
Good evening everyone,
do you know if there is a complete reference (perhaps with tutorials) of
the use of the Scheme functions?
In the Lilypond reference, from time to time, some functions are explained,
but it seems to me that a precise reference of each Scheme function is
missing. I know that th
WOW!
This seems wonderful! Thank you very much!
Il sab 5 feb 2022, 20:30 Jean Abou Samra ha scritto:
>
> > Le 5 févr. 2022 à 20:10, Rip _Mus a
> écrit :
> >
> > Good evening everyone,
> > do you know if there is a complete reference (perhaps with tutoria
Good morning,
try:
\afterGrace g4( { a16 g16) }
The slur event must be attached directly after the note.
Rip_mus
Il dom 6 feb 2022, 08:59 Alasdair McAndrew ha scritto:
> This works:
> g4( \grace {a16 g16})
>
> making a slur which includes the grace notes. But in order to get the
> right spac
>
> but this is no good either. I'm sorry not to have included this clearly
> important detail in my first post.
>
> Alasdair
>
>
>
> On Sunday 06 February 2022 19:31:32 (+11:00), Rip _Mus wrote:
>
> Good morning,
> try:
>
> \afterGrace g4( { a16 g16
Good morning,
I want to create a modified version of the flaired hairpin stencil.
Is It possibile ti inspect the stencil, to aknowledge me about the making
of?
Thank you
Rip_mus
d-hairpin, which you’ll then find in
> output-lib.scm.
>
> Valentin
>
> Am Mittwoch, 9. Februar 2022, 09:51:42 CET schrieb Rip _Mus:
> > Good morning,
> > I want to create a modified version of the flaired hairpin stencil.
> > Is It possibile ti inspect the
Good morning\evening to everyone,
attached a little problem of mine, please let me understand (and thanks a
lot to all users that helped me with the stencil definition, maybe I forgot
to answer!):
why, after the score, the second markup goes directly on the other page?
Thanks in advance
\version
;
> Am 13.02.22 um 11:35 schrieb Rip _Mus:
> > Good morning\evening to everyone,
> > attached a little problem of mine, please let me understand (and
> > thanks a lot to all users that helped me with the stencil definition,
> > maybe I forgot to answer!):
> >
>
Hello everyone,
thanks to your many suggestions, I was able to get a little into the
perspective of modifying the stencils.
I created a stencil modification that adds a small arrow (sort of a
glissando) to the left of the note or accident.
However, I cannot understand why the ascending arrows let t
ive.org/web/20200221133054/https://www.lilypondblog.org/2013
>
> > /08/ adding-ornamentations-to-note-heads-part-1/[1]
>
> >
>
> > In there a new Event and Grob for Head ornamentation is added, which
> would
>
> > probably be better suited for your demands.
look
for a way around them.
Thanks again for everything
Rip_mus
Il lun 14 feb 2022, 16:26 David Kastrup ha scritto:
> Rip _Mus writes:
>
> > Good morning,
> > thank you, thank you very much!
> > The level of customization of lilypond seems incredible to me: I will
> ha
Hello everyone,
I have prepared a minimal example (attached) to explain my problem.
In a PianoStaff, transiently, I insert a new staff above the left hand to
create a kind of "tactus" reference (widely used in contemporary music).
I wonder how I can do to decrease the excessive distance between the
3/2 { c'8 c c } c\noBeam c\noBeam c4}
> >>
> }
> }
>
> Cheers,
> Valentin
>
> Am Sonntag, 27. Februar 2022, 12:21:27 CET schrieb Rip _Mus:
> > Dear Valentin,
> > you are such a lilypond-wizard!
> > All your solutions are great, but maybe I pref
Hello everyone,
here's a problem I am encountering:
[image: image.png]
So, with the "\change" construct put in voiceTwo, there's no automatic
kneed-beam.
Also tried to override the Beam.auto-knee-gap value, but no way to obtain
the knee.
Hope there is a way to get what I'm looking for.
Thank you
Good morning,
I would need advice.
In a score with many time signature changes (where I therefore cannot use a
stable global variable of tempo and time signature), there is a way to set
a "guide" in which to set the various time signature changes, without "
dirty "the instrumental variables?
Perhap
| d'4. | e'4~ 4. | a'1. }
>
> \new Staff << \global \part >>
>
> \layout { ragged-right = ##f }
>
> %%
>
> > 21 mars 2022 kl. 09:51 skrev Rip _Mus :
> >
> > Good morning,
> > I would need advice.
> > In a score
Hello everyone,
what are the forecasts for the release of a new stable version? Do you know
if it will be 2.24 directly or there will be some intermediate updates of
2.22?
Thank you
Rip_mus
Thanks for the reply!
It is just my curiosity.
I wonder what new features the new stable version might contain.
Of course I know this is a users mailing list, I asked why maybe someone
could know more than me
Il dom 27 mar 2022, 09:04 Jean Abou Samra ha scritto:
> Le 27/03/2022 à 08:43,
Dear Stefan,
have a look:
\version "2.22.1"
\score {
\new Staff = "voce"
{
\new Voice = "main" {
\relative c' {
<<
{c4 d e c c d e c}
\new Lyrics \with {
alignBelowContext = "voce"
}
\lyricsto "main" { Fra Mar -- ti -- no C
Good morning to everyone,
I would like to ask you if you know a way to manually define the extension
of a Stem in the case of a chord. For example, I write a chord of three
sounds, but I would like the Stem to extend only to some of them, for
example the two lowest notes, making the top note "float
suggestion? Also in different way to achive the result.
Thank you
Il dom 1 mag 2022, 21:48 Jean Abou Samra ha scritto:
> Hello,
>
>
> Le 01/05/2022 à 11:26, Rip _Mus a écrit :
> > Good morning to everyone,
> > I would like to ask you if you know a way to manually define the
&g
Thank you for your valuable suggestions!
I took the music function by Pierre-Luc and modified as follows:
artificialHarmonicMod = #(define-music-function
(stopped touched result duration)
(ly:music? ly:music? ly:pitch? ly:duration?)
Good morning,
I found this interesting snippet:
https://lsr.di.unimi.it/LSR/Snippet?id=257
that draws a box around systems.
According to you, is it possible to specify box line thickness ?
Thank you!
Rip_mus
Thank you Jean!
It works very well!
Best regards
Il dom 15 mag 2022, 11:09 Jean Abou Samra ha scritto:
>
>
> Le 15/05/2022 à 10:40, Rip _Mus a écrit :
> > Good morning,
> > I found this interesting snippet:
> > https://lsr.di.unimi.it/LSR/Snippet?id=257
> >
&g
> details.box-thickness and details.box-padding.
>
> Cheers,
> Valentin
>
>
> Am Sonntag, 15. Mai 2022, 11:09:29 CEST schrieb Jean Abou Samra:
> > Le 15/05/2022 à 10:40, Rip _Mus a écrit :
> > > Good morning,
> > > I found this interesting snippet:
>
Do you have any advice for me?
Thank you
Il giorno lun 16 mag 2022 alle ore 08:28 Rip _Mus <
ripetizioni.mus...@gmail.com> ha scritto:
> Hello Valentin,
> thanks a lot!
> This approach is also very useful and sophisticated!
> I will have to decide, sooner or later, to deepen the Sch
Good morning to everyone,
I am preparing a large orchestral work.
In my writing style, each instrument often has two voices in its staff, for
various reason (for example, each clarinet can handle two voices when
playing multiphonics trills with threshold tones, or other techniques), but
in some oth
Good morning,
I have installed the version 2.22.1, wich I used for a lot of big project.
A lot of times I tried to open terminal and run "lilypond-book" but without
success. I already add the folder "...\usr\bin" to the environmental
variabile path, in fact the command "lilypond" runs.
Someone coul
that in the folder in question there are lilypond-book and
convert-ly scripts, but they are without extension (for example * .py)
What do you think about?
Il lun 5 set 2022, 02:13 Knute Snortum ha scritto:
> On Sun, Sep 4, 2022 at 9:06 AM Rip _Mus
> wrote:
> >
> > Good morni
> --
> Knute Snortum
>
>
> On Sun, Sep 4, 2022 at 10:26 PM Rip _Mus
> wrote:
> >
> > Good morning,
> > thanks for the reply! You're right, I could have added a few more
> details.
> > The operating system is Windows 10. For using Lilypond on comma
at 8:09 AM David Wright
> wrote:
> >
> > On Tue 06 Sep 2022 at 11:19:28 (+0200), Rip _Mus wrote:
> > > Il giorno lun 5 set 2022 alle ore 19:06 Knute Snortum ha scritto:
> > > > On Sun, Sep 4, 2022 at 10:26 PM Rip _Mus wrote:
> > > > >> On Sun,
Good morning,
I noticed that if a score is exported in eps format, I'm not able to open
the eps correctly in Illustrator. It renders the staff line, but not the
other symbols included in the encapsulated font (Emmentaler, the default
one).
I'm running Lilypond 2.22.1 on Windows 10.
Is it a known is
intended to store data in
> a
> machine readable way and simply has to be parsed by AI? In fact the SVG
> output
> will not store these glyphs as font references, but will insert paths,
> getting
> rid of all dependencies to specfic font files (although I remember that
> with
&g
Good morning,
take a look:
%
\version "2.22.0"
\include "english.ly"
newHideNotes = {
\override NoteHead.transparent = ##t
\override NoteHead.no-ledgers = ##t %optional
\override Stem.transparent = ##t
}
\header { tagline = "" }
\score {
\new Staff
\with {\remove "Time_signature_engraver" }
Hi all,
could you tell me the place, within the documentation, where I can learn
more about the "after-line-breaking" property?
Thank you
rip_mus
Hello everyone,
I'm working on a function that prints a personal type of tremolo.
This function has four arguments, the first and the last are optional.
The first is actually optional, as you can see in the minimal exemple
attached. The last, instead, is problematic: if I omit it, there is an
error
Hello,
is there a way to modify a spanner to get a slow-fast trill (like the one
in the picture)?
[image: image.png]
Obviously with user-provided glyphs.
I'm trying to figure out how spanners were written to be able to at least
modify an existing one, TextSpanner or TrillSpanner, (or write one on
p
Hello,
here's one solution you can try:
%%
\version "2.24.0"
global = {
\key c \major
\time 2/2
}
upper = { \clef treble \global \relative c' {
\set tieWaitForNote = ##t
\change Staff = "lower" g8. a16 c8. e16 \clef treble
g8. a16 \change Staff = "upper" c8. ~ e16 ~ | < g e c >1
}
Hello everyone,
for three days I have been immersed in the documentation written by Mr.
Samra, on how to define a new grob, a new event and a new engraver that
takes care of engraving the new grob, following a specific command.
Attached is the first result of my studies, available to everyone. Clea
Hello,
try instrumentName = \markup \concat { B \raise #0.6 \flat " Major"}
Rip_mus
Il mar 3 gen 2023, 16:10 Matthew Pierce ha scritto:
> Yes, but I don't see a way to use "\flat" in this specific context:
>
> ...with {instrumentName = "Bb Major "}
>
> My apologies for a badly worded question
Hello,
I'm trying to define a new articulation, based on two stencils (above and
below the staff), that I wrote.
I succeeded in making two distinct articulations. However, the attempt to
create a single articulation, which chooses the stencil based on the
direction specified in the post-event, fail
Hi,
thank you for all the comments, I'll make these corrections!
Best regards
Il mar 10 gen 2023, 12:28 Jean Abou Samra ha scritto:
> Le 10/01/2023 à 08:12, Rip _Mus a écrit :
> > Hello,
> > I'm trying to define a new articulation, based on two stencils (above
> &g
Hello,
please, take a look:
%%%
\version "2.24.0"
xclefon = {
\set Staff.clefPosition = #3
\override Staff.Clef.stencil = #(lambda (grob)
(parenthesize-stencil
(grob-interpret-markup grob
Oh,
it works very well!
Sometimes I get lost in a glass of water..
Thank you!!
Il giorno dom 29 gen 2023 alle ore 12:09 Aaron Hill <
lilyp...@hillvisions.com> ha scritto:
> On 2023-01-29 1:16 am, Rip _Mus wrote:
> > in "\override #'(baseline-skip . 0.8)" I'
eses parameters).
> Version 2: Extract the actual line positions and staff space from the
> Staff
> symbol and place a symbol between all note lines
>
> Cheers,
> Valentin
>
> Am Sonntag, 29. Jänner 2023, 10:16:43 CET schrieb Rip _Mus:
> > Hello,
> > please,
Hi,
is it possible to use a repeat barline glyph(opened or closed) in a markup?
I'm trying to print it centered between two staves within a Dynamics
context.
Thank you in advance!
Rip_mus
?
Rip_mus
Il ven 3 feb 2023, 15:51 Jean Abou Samra ha scritto:
> On 03/02/2023 10:50, Rip _Mus wrote:
> > Hi,
> > is it possible to use a repeat barline glyph(opened or closed) in a
> markup? I'm trying to print it centered between two staves within a
> Dynamics context
Hello,
do you know any technique to place a markup right in the middle (X axis) of
a DurationLine Grob? (or also a textspanner).
Thank you
Rip_mus
Hello,
in the following minimal example, at the end of the first line, the barline
is missing:
```
\version "2.24.0"
\relative c' {
c1 \bar ".|:" \break
c1
}
```
Is it possible to find a simple solution to implement?
Thank you!
Rip_mus
Good morning,
is it possible to retrieve the name of the Voice and Staff contexts during
the insertion of the music (as if I wanted to use it to automatically print
the name of these contexts on a markup of a note)?
Thank you
Rip_mus
gt; '(
> (ly:grob-set-property! text-grob 'text hierarchy-
> markup)
>
> \layout {
> \context {
> \Voice
> \consists #(annotate-ctx-engraver '(Staff Voice))
> }
> }
>
> \new Staff = "the-staff" \new Voice =
Good morning everyone!
I would like to ask if you know a strategy to achieve the following result.
I'm working on an orchestral score. I'd like the two flute staves to be
shown separate when they play, while condensed when both are silent
(perhaps with a staff name showing the indication "fl. 1-2"
ion/notation/hiding-staves
>
> --
> Knute Snortum
>
>
>
> On Sun, Aug 13, 2023 at 11:44 PM Rip _Mus
> wrote:
>
>> Good morning everyone!
>> I would like to ask if you know a strategy to achieve the following
>> result.
>>
>> I'm workin
d isn't able to do this. You would need three staves, one
> each for the individual parts and on common one for both, manually assign
> music to the appropriate staves, and insert breaks where necessary.
>
> On Aug 14, 2023, at 4:18 PM, Rip _Mus
> wrote:
>
> Thank you Knute,
>
aine <
ela...@flaminghakama.com> ha scritto:
>
>
>
>> From: Rip _Mus
>> To: Lilypond-User Mailing List
>> Cc:
>> Bcc:
>> Date: Mon, 14 Aug 2023 08:43:17 +0200
>> Subject: Question about condensed score
>> Good morning everyone!
>> I wo
like to have a condensation at the second bar (that is at the
second system, where both instruments have a rest), showing only one staff.
Regarding the names of the staves, when the two flutes are split, I would
like to show the single names, while during the condensation I would like
to show the nam
p ha
scritto:
> Rip _Mus writes:
>
> > Hello,
> > please consider the following example:
> >
> > %%%
> > \version "2.24.1"
> >
> > global = {
> > s1\break
> > s1\break
> > s1
> > }
> >
> > flOne
ff \with {
instrumentName = "Flutes"
shortInstrumentName = "Fl. 1-2"
\override VerticalAxisGroup.remove-layer = 2
} \partCombine \flOne \flTwo
>>
\layout {
\context {
\Voice
\consists "Duration_line_engraver"
}
}
%%%
Il giorno lun
Hello,
does anyone happen to have an answer?
I just can't understand this behavior...
Thank you
Il mer 16 ago 2023, 08:18 Rip _Mus ha
scritto:
> Good morning everyone,
> going back to the solution written by David, I found that simply adding
> the Duration_line_engraver causes
Hello,
Thank you very much!
Il sab 19 ago 2023, 14:10 Thomas Morley ha
scritto:
> Am Fr., 18. Aug. 2023 um 21:51 Uhr schrieb David Kastrup :
> >
> > Rip _Mus writes:
> >
> > > Hello,
> > > does anyone happen to have an answer?
> > > I just can
Hello,
on mac, I want to insert this flag on compilation:
-e '(define-public part 'cello)'
But this give me an "error near unexpected token". I think that the problem
is the ' near the symbol name.
I tried enclosing in double quotation marks, as on Windows, but it is not
working.
I'm using szh on
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