Thank you so much,
you offered two similar and valid solutions!
Regards
Il giorno lun 21 mar 2022 alle ore 10:19 Leo Correia de Verdier <
leo.correia.de.verd...@gmail.com> ha scritto:
> I’m not sure I understood your question right, but I think the usual way
> to do it would be to write the ”global” variable as a sequence of tempos,
> time signatures and other events separated by spacers or skips.
>
> Something like:
>
> %%%%%%%%%%%%%%
>
> \version "2.23.6"
>
> global = { \time 4/4 \tempo "Allegro" 4 = 144
> s1
> \time 3/8 \tempo "Adagio" 8 = 76
> s4.
> \time 5/8 \tempo "" 8 = 92
> s8*5
> \time 3/2 \tempo "Vivo" 2 = 152
> s1.
> \bar "|."
> }
>
> part = { c'1 | d'4. | e'4~ 4. | a'1. }
>
> \new Staff << \global \part >>
>
> \layout { ragged-right = ##f }
>
> %%%%%%%%%%%%%%
>
> > 21 mars 2022 kl. 09:51 skrev Rip _Mus <ripetizioni.mus...@gmail.com>:
> >
> > Good morning,
> > I would need advice.
> > In a score with many time signature changes (where I therefore cannot
> use a stable global variable of tempo and time signature), there is a way
> to set a "guide" in which to set the various time signature changes,
> without " dirty "the instrumental variables?
> > Perhaps there is some suitable context for this? Or other strategies?
> >
> > Thank you very much
> >
> > Rip_mus
>
>
