number of lines in a staff from 5 -> 1?
Cheers
Matthew
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Hi all
Is there a way to specify a relative vertical offset for a tremolo? I want to
(for example) make the tremolo appear on the stem halfway between the beam and
the notehead.
I can't use StemTremolo #Y-offset as I've got tremolos on crotchets ->
demisemiquavers, and I don't particularly want t
Hi all
(Hopefully) a quick question about break autobeams and stem direction.
When I compile the following music, each embellishment that contains more than
one acciaccatura breaks both the autobeaming and the stem direction that I have
written in.
Bars 1-2 contain the music with embellishment
Trevor Daniels treda.co.uk> writes:
>Seems like the voice-context overrides have
> nowhere to go if the first note is an acciaccatura and have no effect. A
> work-around is to place all the voice-context overrides in the Staff context
> so they apply to all voices.
I did see that everything b
Mats Bengtsson ee.kth.se> writes:
> Perhaps it helps to explicitly create the Voice context as well, i.e.
> replace
> \new Staff {...}
> by
> \new Staff \new Voice {...}
>
>/Mats
>
Nope, doesn't help.
I've worked around it by using manual beaming; with that in, it all works.
Do slurs and tuplet brackets know about each other?
The following code produces a not very nice slur on the second tuplet.
Additionally, it is very sensitive to the TupletNumber Y-offsett
\version "2.10.33"
\relative c'' {
\time 2/4
\tupletUp
%\override TupletNum
Is it possible to produce a horizontal bracket over a single note? (currently on
v. 2.10.33)
I've tried playing with OttavaBracket and TextSpanner.
TextSpanner doesn't work for a single note:
{
c4\startTextSpan\stopTextSpan
}
I can't get the left edge for the ottava bracket to work. I want the
Michael Watts gmail.com> writes:
>
> Try putting the textspanners into a separate voice with spacer notes.
> IIRC a textspanner needs to start on a 'real' note, so your
> textspanner voice would need transparent noteheads and stems.
>
You can put TextSpanners on spacer note. However, then spa
Matthew gmail.com> writes:
> I can't get the left edge for the ottava bracket to work. I want there to be a
> left edge, identical to the right.
Is this an OttavaBracket bug? The program-reference doesn't say anything about
values being hardcoded.
Could it be the way th
Neil Puttock gmail.com> writes:
>
> My C++ knowledge is minimal, but unless I'm mistaken, it appears that
> the left edge is set to 0 after 'edge-height is read in
> ottava-bracket.cc (which implements the print function for
> octavations):
>
So is that a bug, or a feature?
.
Seriously, the
: do not have that many brackets
warning: conflicting note group events.
I can't start and stop an analysis bracket on the same note.
.
copy and paste I don't really care about; I'll be making up little macros to do
all of those commands for me.
Matthew
__
How's this for an ugly hack? I use octavation brackets without the text and
reset middle C so that the note doesn't change pitch.
I just need the left edge to work and it's exactly what I need.
\version "2.11.43"
%% Unison brackets
su = {
#(set-octavation 1)
When I compile my score, I get the error:
../def/master_def.ly:4:9: error: cannot find file: `note_def.ly'
Lilypond is correctly opening master_def.ly, but is then trying to open
note_def.ly in the current path, rather than ../def
Is there a way to have /inc
Matthew gmail.com> writes:
>
> Is there a way to have /include keep relative path information?
>
I've got a work around that only works because of my simple, one level directory
structure
def/master_def.ly
\version "2.11.43"
\include "../def/n
Eric Hedekar gmail.com> writes:
>
>
> AHHH, there's the problem! I should have known better!-Eric
I use Lilypondtool for jEdit -> coloured text ftw!
.
I've done that comment thing several times, but now that I've got coloured text,
it makes it a lot easier to recognise what I've done.
Bertalan Fodor organum.hu> writes:
>
> Hello,
>
> I've fixed the doc bug. Get it from:
> http://sourceforge.net/project/showfiles.php?group_id=91119
>
Hi Bert!
A (maybe) related question...
Is there anyway to turn off autocomplete, add my own items to the autocomplete
list or to make the s
Please help me. I have tried to import in LilyPond some files in MIDI or ETF
format. I've used command line; when I write the command, an error message is
displayed; sometimes I'm told that the file is not specified. Can you give me
an exemple very clear of how to write the command. Let's consid
Not wanting to type a long \override command in every staff I want a caesura, I
tried defining a command to shorten things for me :) . This is what I've tried
so far:
caesura = {
\override BreathingSign.text = \markup { \musicglyph
#"scripts.caesura.straight" }
\breathe
\override BreathingS
On 02/05/2014 09:36 PM, Paul Scott wrote:
> On Wed, Feb 05, 2014 at 09:17:53PM -0800, Matthew wrote:
>> Not wanting to type a long \override command in every staff I want a
>> caesura, I
>> tried defining a command to shorten things for me :) . This is what I've
>>
2008/5/21 Jon <[EMAIL PROTECTED]>:
> \time 4/4
> \set Staff.timeSignatureFraction = #'(12 . 8)
Is there any reason why you're using a 4/4 time signature, but setting
it to be equal to 12/8?
Why not just use \time 12/8 in the first place?
--
Matthew Rowles
- Be Alert.
2008/5/21 Jonathan Siddle <[EMAIL PROTECTED]>:
> Matthew,
>
> For whatever reason when I was trying it earlier, it didn't want to parse
> correctly. Always the simplest thing...thank you very much.
>
> Jon
maybe you wrote /time 12/8? I've
rks in the wild...
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lilypond --png score.ly creates a full page image, lilypond -dpreview
score.ly uses only the first line of the score (as it says in the
documentation), but it is cropped to the music margins.
Cheers
Matthew
--
Matthew Rowles
- Be Alert. Australia n
file processed by
lilypond --png myfile.ly
produces a full page output. I can't find any other mentions of PNG
specfic options in the docs.
I am using 2.11.45.
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li
2008/6/23 Francisco Vila <[EMAIL PROTECTED]>:
> Graham has explained it perfectly in the docs, moments ago. Use
> -dbackend=eps and --png this way:
>
> lilypond -dbackend=eps -dno-gs-load-fonts -dinclude-eps-fonts --png myfile.ly
Well, I wouldn't have guessed that!
I'll give it a bash when I get
2008/6/30 plasmacarwash <[EMAIL PROTECTED]>:
>
> Hi People
>
> Tonite at approx. 8:30 PM and 8:35PM EST USA. I tried twice to search the
> online manual but got a "The server at lsr.dsi.unimi.it is taking too long
> to respond" firefox message. :teeth:
>
> Is there a sticky somewhere about this?
>
last whole note
> E in the file attached.
Have a look at 1.1.3 of the notation reference
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Ottava-brackets#Ottava-brackets
--
Matthew
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> r4 r r
> }
>
> Thanks!
>
> P.S. I'm using version 2.10.33.
>
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>
>
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- B
Hi people -
I'm having some real trouble trying to control the space lilypond
places between my piano staves in a piece I'm working on. In lilypond
2.10 the following override could be used, but I believe it has now
been removed in 2.11:
\override VerticalAlignment #'forced-distance = #7
Does a
I want to create a page of music with two short pieces on one page, with a
title
over each piece. Is lilypond-book the only way to do it?
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2008/4/30 Valentin Villenave <[EMAIL PROTECTED]>:
> 2008/4/29 Matthew <[EMAIL PROTECTED]>:
>
>
> > A (maybe) related question...
> >
> > Is there anyway to turn off autocomplete, add my own items to the
> autocomplete
> > list or to make th
global-staff-size 14) just on it's own?
I know that I use that line in my own music. I'm pretty sure I just
whack it on the line after \version
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2008/5/6 Stan Mulder <[EMAIL PROTECTED]>:
> Kieren MacMillan sympatico.ca> writes:
>
> > (lilypond example snipped)
>
> That looks like it works. I think the notes should be smaller though so the
> drummer knows they are only cues.
>
Try the \tiny tag..
How do you adjust note spacing?
Matt Huff
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t-file-name ": old relative compatibility was not use
d."
error: failed files: Yahweh.ly
I had a glance at the file, but did not see anything obviously wrong.
Any ideas?
-- Matthew Pe
Hi all,
I am a new user of LilyPond and I am currently writing a program that
transforms scores expressed in a piano-roll-like format into LilyPond
scores, for the purpose of typesetting/printing.
In the source format, music is expressed (like Midi, I suppose) as
strings of notes with absolu
of the basic conventions that
seem to be inferred from Lilypond, such as argument, etc.
Thanks for any possible help,
Matthew Thibeault
Snippet from sight singing (I would like a composer header to appear
at the end of each line, which currently does not happen):
\version "2.6.0&
I am a new user to Lilypond, and can't get the titles or footers to
appear correctly in the PDF output. Instead, it displays a series
of "r"s and "p"s and commas. Even the Lilypond tagline at the
bottom appears this way. I am using Windows. Did I install
some font file incorrectly? Thanks for
ms in the future.
MattOn 5/29/06, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
What version of LilyPond did you install?Also, what Windows version do you have?(Please answer to the mailing list) /MatsQuoting Matthew Leerberg <[EMAIL PROTECTED]
>:> I am a new user to Lilypond, and can
ng a negative indent length).
I'm using lilypond 2.10.12 and MiKTeX 2.5 on WindowsXP.
Can anyone please help?
Many, many thanks!
Wayne Matthew Syvinski
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surrection, O Christ" our Sa -- vior \bar "|"
The an -- gels in Hea -- ven sing. \bar "|"
En -- a -- ble us on earth \bar "|"
to glo -- ri -- fy Thee in pur -- i -- ty of heart. \bar "|"
}
\score
{
<<
\new Voice = "upper"
{
\autoB
OK, I have reduced the test case and eliminated dependence on custom package
liturgix. The music still indents.
Here is the LaTeX file (pascha.latex):
\documentclass[letterpaper,12pt]{article}
\usepackage{pslatex}
\usepackage{multicol}
\usepackage{graphicx}
\setlength{\parindent}{0in}
\oddside
quot;
\set Staff.midiInstrument = "trumpet"
% phrase 1
bf4 d f4. d8 | ef g r4 r2 | f4 bf bf4. c8 | a f r4 r2 | \bar "|."
}}
#(set-global-staff-size 14)
\book
{
\score
{
\new Staff \soloTrumpet
}
\score
{
\new Staff \soloTrumpet
}
?
\score
{
\new Staff \soloTrumpet
\header{title = "Title"}
}
}
Thanks for any help in advance,
Matthew
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I have a 4 bar passage that repeats 5 times (i.e., ||: <4 bars> :|| x
5) with no alternate endings. I'm engraving this with the "repeat
volta" syntax, specifying that it's played 5 times, yet the output
only has the standard double bars (meaning play twice). Can lilypond
somehow automatically li
As an exercise in learning to write lilypond scheme extensions, I've been
trying to write a music-function that, given an EventChord or
SequentialMusic, will return the passage in octaves, so c would return . I've run into a problem, though.
When I run the following:
\version "2.10.20"
\relativ
Fantastic, I'm finally starting to 'get' what relative does. Thanks.
On 4/15/07, Carl Sorensen <[EMAIL PROTECTED]> wrote:
Matthew Hanna gmail.com> writes:
>
> As an exercise in learning to write lilypond scheme extensions, I've
been
> trying
>
duplicate this.
Also, is there a way to break every 4 measures automatically without
manually inserting \break?
Thanks,
Matthew Schulkind
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How can I squish ChordNames and Staffs closer together than they
willingly want to go?
I have tried:
\set Staff.minimumVerticalExtent = #'(0.2 . 0.2)
\override SeparatingGroupSpanner #'padding = #'0.2
and
\set ChordNames.minimumVerticalExtent = #'(0.2 . 0.2)
Yet I still can't squish them as mu
2.
which when I think about it, is probably technically correct, but also
probably superfluous.
-- Matthew Peltzer
-- [EMAIL PROTECTED]
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I remember it was *something* like:
#if 0
%lots of music
#endif
%buggy music being worked on
...but I can't figure out the exact syntax
-- Matthew Peltzer
-- [EMAIL PROTECTED]
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On Wed, 09 Mar 2005 17:18:29 -0800, Graham Percival <[EMAIL PROTECTED]> wrote:
> On 9-Mar-05, at 4:39 PM, Matthew Peltzer wrote:
>
> > I'm fairly certain I've seen this in the user docs or on this list,
> > but I can't seem to find out how to temporial
I'm attempting to typeset a piece which has multiple parts (SATB),
each of which have two verses of lyrics. I can't get the lyrics to
align at all with the notes, either via \addlyrics or by manually
specifying the duration of each syllable. I'm pretty new to Lilypond,
pardon if I'm missing s
c4. g c16 b' c d
e16 d e f g4 g'4 r
R1
}
}
\score {
\music
}
\score {
\music
\midi {
%do I put things in here to make
% the output a snare drum?
}
}
--
Matthew Rowles
- Be Ale
4?
It may be due to the way the 32nd notes are (auto)beamed.
If you replace the 16. 32 notes with 16 16, the beaming comes out how
I would expect it.
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- Be Alert. Australia needs lerts.
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lilypond-
And appendix B.4 of the manual
> lists all the MIDI instrument names.
>
> Nick
>
>> -Original Message-
>> From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
>> [mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
>> Beh
riginal Message-
>> From: Matthew Rowles [mailto:rowle...@gmail.com]
>> Sent: Friday, 17 April 2009 20:51
>> To: Nick Payne
>> Cc: lilypond-user
>> Subject: Re: Pick a pitch/instrument in MIDI output
>>
>> I've read all of that.
>>
>>
2009/5/14 Stjepan Brbot :
>
> In chords for chord stop usually the following sign is used: ¬
> How to get this with lilypond?
Have you tried using the \markup command to insert the character when
you want it?
--
Matthew Rowles
- Be Alert. Australia ne
I have this code:
*\header {
title = "Rocky-rock-rock"
composer = "Matthew Hall"
meter = "1?? bpm"
piece = "Rock"
tagline = \markup {
}
}
%#(set-global-staff-size 16)
\include "english.ly"
Some macros
f <<
\new Staff = "right" { \new Voice = "melody" \melody }
\new Lyrics \lyricsto "melody" \text
\new Staff = "left" { \clef bass s1*4 }
>>
}
Best wishes,
Matthew
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oggiatura', while an unslashed one represents a
'long appoggiatura'. A slashed quaver grace note in Haydn means exactly the
same as an unslashed semiquaver one; the performer must decide from the context
whether 'long' or 'short' is intended.
Best wishes,
M
Hi,
Is it possible to get lilypond to break lines for me when using
gregorian.ly? having to add something like \bar "" \break by hand is a
bit frustrating, given lilypond normally does quite a good job of line
breaks.
Thanks,
Matthew
--
`O'-0 `O'---.
I find myself wishing for an O'Reilly style book "Hacking Lilypond". The
user guide and the reference are fine as is, but a book with some extended
examples of how to _architect_ solutions in Lilypond would be great.
I already know Scheme the language, and have a basic understanding of the
Lilypo
On Thu, Nov 29, 2012 at 2:41 PM, Olivier Biot wrote:
> On Thu, Nov 29, 2012 at 6:58 PM, Matthew Probst wrote:
>
>> I find myself wishing for an O'Reilly style book "Hacking Lilypond". The
>> user guide and the reference are fine as is, but a book with so
y #not-first-page \fromproperty #'header:runningTitle
" "
}
}
then have in the header block something like:
runningTitle = \markup{ A.Composer: \italic {A Short Title} }
If you just want to reuse the title as is, then replace 'header:runningTitle'
with
new Staff << \clef treble \new Voice = "sopranos" { \sMusic }
\new Lyrics \lyricsto "sopranos" { \verseOne }
>>
}
\score {
\new Staff << \clef treble \new Voice = "sopranos" { \sMusic }
\new Lyrics \lyrics
k even then: the
responsum mark never actually gets to the right-hand end, and the rest of the
line gets bunched up to the left.
I can get the desired _horizontal_ placement by putting \mark \markup{
\responsum } at the end of the music, but no amount of tweaking or realigning
seems able to displace this vertically from its position above the staff.
Best wishes,
Matthew
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On 17/01/2013, at 12:10 am, David Kastrup wrote:
> ly/gregorian.ly contains a predefined \responsum command. How does this
> relate to the problem discussed here?
Not at all: that simply prepends an "℟" to some text.
Best
d be more flexible: LaTeX calling
lilypond, rather than lilypond preprocessing the LaTeX source. Even then,
something like Tikz externalisation would be wanted to stop large music
excerpts being recompiled unnecessarily.
Best wishes,
Matthew
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mode { \once \override LyricText #'extra-offset = #'(2 . 0)
\markup{ \bold \fontsize #-1 "℟." } }
does the job nicely, thank you.
(But I still see no point in using the definition of \responsum from
gregorian.ly)
Best wishes,
Matthew
line
> breaks.
Or two separate scores.
Best wishes,
Matthew
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s actually an A-flat, then you
need to write 'aes' with the default 'nederlands' language setting, or whatever
the flat suffix is for the language you are using.
Best wishes,
Matthew
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On 7/03/2013, at 5:13 am, Laura Conrad wrote:
> Matthew> shortVocalName does allow multiple verses: in the lyrics,
> Matthew> wherever you say '\set stanza' also say '\set
>Matthew> shortVocalName'. You may not like the position of the
>
xtra typing but also a non-zero
chance of an odd note or two being entered in the wrong octave undetected; with
relative entry any octave error is immediately noticeable, since it propagates
through the rest of the piece.
Best wishes,
Matthew
_
less tolerable is that, if I understand things correctly, all
> the "natural" ligatures between the notes disappear and need to be indicated
> explicitly with "[" and "]" for example.
\autoBeamOn restores automatic beaming within the cadenza.
Best wishes,
Matthew
w that the
final line of each verse is to be sung twice]
Thanks,
Matthew
--
"At least you know where you are with Microsoft."
"True. I just wish I'd brought a paddle."
http://www.debian.org
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ramming error: Glyph has no name, but font supports glyph naming.
Skipping glyph U+10002AFD, file
/spare/lilypond/usr/share/lilypond/current/fonts/otf/CenturySchL-Roma.otf
continuing, cross fingers
Do I just need a more up-to-date lilypond [I have 2.12.2] , or is this
a system issue?
Many thank
Marc Hohl writes:
> Matthew Vernon schrieb:
> > M Watts writes:
> > > On 07/02/2010 09:58 AM, M Watts wrote:
> \markup { { \italic: } \hspace #-1.25 "/" \hspace #-1.25 "/" \hspace
> #-1.25 { \italic : }}
That's pretty good, although
ay that marking a part as for a (B-flat)
trumpet implies that it sounds a tone lower than written. I would be less
persuaded by the same argument made for a guitar.
Best wishes,
Matthew
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https:/
try it.
> Also, ideally I'd like the asterisk to be centered between "Lord" and "has"
> rather than attached to "has". Is there a way to make that happen?
In such situations I use:
\set stanza = \markup{"*"}
(Or more precisely
Best wishes,
Matthew
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it has done the job
for me on a number of occasions.
Best wishes,
Matthew
dualtime.ly
Description: Binary data
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re a way to tell Lilypond "from
> here to the last bar this is free do not automatically add measure bars".
\cadenzaOn will suppress the barlines (see
http://www.lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms.html#u
7; g' g' \break } >>
\addlyrics {
\one This is verse one;
\one This is line two.
\two This is verse two;
\two This is the end.
}
}
Now the stanza numbers are shown only when they change.
Why is the behaviour
esired effect (the default value is 5.5,
so 6.5 increases that by one staff-line spacing).
Best wishes,
Matthew
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\markup instead of bare strings
Yes, it works perfectly now, thank you.
> markup isn't evaluated when the identifiers are parsed.
That sounds like something to remember for future reference.
Best wishes,
Matthew
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-distance' is the
least you are willing to accept. I thought the explanation at
http://lilypond.org/doc/v2.14/Documentation/notation/flexible-vertical-spacing-_005cpaper-variables
was very clear.
Best wishes,
Matthew
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lil
ions for such things as note spacing, the possibility or desirability
of line breaks and the termination of the effect of accidentals.)
Best wishes,
Matthew
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line (or be set by 'ly:set-options')? Section 1.2 of the
Application Usage manual only offers "a few interesting options", while the
description of 'ly:set-options' in A.18 of the Notation Reference does not even
do that. Neither cross-refer
r as lilypond is concerned, whitespace *is* nothing. :)
And therefore any example containing unnecessary whitespace _is_ "an example
from which nothing can be removed".
Going into an Anglo-Saxon attitude,
Matthew
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ith the text
in which the Lilypond output is embedded.
This is Lilypond 2.14.1 on Mac OS X 10.6.8, and 'lilypond
-dshow-available-fonts' does report the presence of
family Helvetica
Helvetica:style=Regular
so the required font is present and recognised.
Evidently it is a configura
e right one.
Best wishes,
Matthew
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(/System/Library/Fonts) but not the user fonts
(~/Library/Fonts).
I added that entry, and things now work as expected, but presumably I should
expect retribution at some future point for ignoring the warning 'DO NOT EDIT
THIS FILE'.
Best wishe
nly an improvement on my current
method. Now I just need to figure out how to calculate the desired width,
given the paper size and the staff size. (I think I know what calculation
needs to be done; the question is just whether my Scheme is up to automating
it.)
#x27;ve been coding on and off for 30 years in a succession of
Basic, Fortran, C, Matlab, C++, Python and even the odd spot of assembler, but
Scheme remains quite impenetrable to me).
Best wishes,
Matthew
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d-staff-width
> }
> }
That looks uncannily identical to David's solution, apart from giving it a name
(which is a good idea). Perhaps it deserves to be a snippet?
Thanks,
Matthew
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\on-the-fly #last-page { "No more." }
}
}}
evenHeaderMarkup = \oddHeaderMarkup
}
\markup{}
\pageBreak
\markup{}
works as expected with the 'not-last-page' line commented out. What is really
going on here, and how can I get 'not-last-page' to work?
Best wishes,
Matthew
On 15/07/2011, at 4:28 pm, Nick Payne wrote:
> On 15/07/11 10:20, Matthew Collett wrote:
>> #(define (not-last-page layout props arg)
>> (if (not (book-last-page? layout props))
>> (interpret-markup layout props arg)
>> empty-stencil))
>>
>
On 15/07/2011, at 11:07 pm, Matthew Collett wrote:
> I still don't understand why I can use 'last-page' (defined in
> titling-init.ly) with no problem, but cannot use 'book-last-page?' (also
> defined in titling-init.ly) unless I redefine it myself.
Some fur
uot;No more." }
}
}}
evenHeaderMarkup = \oddHeaderMarkup
}
\markup{}
\pageBreak
\markup{}
Thanks,
Matthew
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