David,
thanks for this. I had abandoned the melismaBusy method, as it was
throwing up all sorts of artefacts (blank bars and partially-blank
bars, etc.) when applied in a polyphonic setting. And the fixes for
parts starting with rests were beginning to make the source file rather
incomprehensible
On Sun 15 Oct 2023 at 15:07:52 (+0100), Graham King wrote:
> Note to self, since this thread has risen to the status of
> documentation for me: Valentin's method is sensitive to slurs in the
> instrumental line (I suspect that the end of a slur is equivalent to
> \unset melismaBusy), so some adjus
Note to self, since this thread has risen to the status of
documentation for me: Valentin's method is sensitive to slurs in the
instrumental line (I suspect that the end of a slur is equivalent to
\unset melismaBusy), so some adjustment may be necessary.
% ~~
notes = {
On Sat, 2023-10-14 at 17:04 +0200, Valentin Petzel wrote:
> Hello Graham,
>
> there are multiple ways to solve the problem and having different
> voice
> contexts for different lyrics is surely one of the better ways to
> handle it.
> You can it do cleaner like this:
>
> % ~
Hello Graham,
there are multiple ways to solve the problem and having different voice
contexts for different lyrics is surely one of the better ways to handle it.
You can it do cleaner like this:
% ~~
instrumental =
#(define-music-function (m) (ly:music?)
#{ \cont
On Fri, 2023-10-13 at 17:52 +0200, David Kastrup wrote:
> You can just use \skip \music but you have to forego rhythmic
> alignment
> using \lyricsto .
Thanks David. That confirms what I feared.
On Fri, 2023-10-13 at 16:01 +0100, Graham King wrote:
> I'm setting a verse anthem, in which certain voices are instrument-
> only
> until the chorus, at which point they are doubled by singers.
>
> How can I include a skip of defined duration in the lyrics? \skip
> co
Graham King writes:
> I'm setting a verse anthem, in which certain voices are instrument-only
> until the chorus, at which point they are doubled by singers.
>
> How can I include a skip of defined duration in the lyrics? \skip
> counts notes or syllables,
It doesn'
I'm setting a verse anthem, in which certain voices are instrument-only
until the chorus, at which point they are doubled by singers.
How can I include a skip of defined duration in the lyrics? \skip
counts notes or syllables, but I'd like to count breves and minims, to
avoid
Thank you Valentin,
the version 2 will be VERY useful!
Thanks a lot!
Il giorno dom 29 gen 2023 alle ore 14:23 Valentin Petzel
ha scritto:
> Hello,
>
> Basically you want to scale the baseline-skip along with the staff size
> (the
> reason for this is that measurement is in glob
Hello,
Basically you want to scale the baseline-skip along with the staff size (the
reason for this is that measurement is in global staff spaces, not in layout
staff spaces).
You can achieve this in multiple ways:
Version 0: Simply use the staff space as baseline-skip
Version 1: Add a little
Oh,
it works very well!
Sometimes I get lost in a glass of water..
Thank you!!
Il giorno dom 29 gen 2023 alle ore 12:09 Aaron Hill <
lilyp...@hillvisions.com> ha scritto:
> On 2023-01-29 1:16 am, Rip _Mus wrote:
> > in "\override #'(baseline-skip . 0.8)" I'
On 2023-01-29 1:16 am, Rip _Mus wrote:
in "\override #'(baseline-skip . 0.8)" I'm trying to scale the
baseline-skip according to the part staff size (16), in fact 16/20 =
0.8. I'd like to make this snippet more generic.
I tried to point, from within the markup, to t
arkup grob
#{ \markup
\override #'(baseline-skip . 0.8)
\teeny \center-column {
\musicglyph "noteheads.s2cross"
This may be obvious to some, but I've found this construction helpful
while working on parallel pieces of music, and I thought I'd share:
\version "2.23.80"
upper = \relative c' {
c4 d e f |
}
lower = << \skip \upper \relative c {
f e
% still being worked o
>>> Now that I know to look for it, the definition of `\skip` in
>>> <https://lilypond.org/doc/v2.23/Documentation/notation/available-music-functions#index-_005cskip-5>
>>> does describe this behavior. But I would never have found this on
>>> my own.
&g
Le 16/02/2022 à 06:04, Werner LEMBERG a écrit :
In recent versions, like version 2.23.6 which you are using, you
can use
\skip \musicA
which is nicer syntax-wise and plays well with \unfoldRepeats.
Now that I know to look for it, the definition of `\skip` in
<https://lilypond.org/doc/v2
>> In recent versions, like version 2.23.6 which you are using, you
>> can use
>>
>> \skip \musicA
>>
>> which is nicer syntax-wise and plays well with \unfoldRepeats.
>
> Now that I know to look for it, the definition of `\skip` in
> <https
On 2/15/22 14:22, Jean Abou Samra wrote:
In recent versions, like version 2.23.6 which you are using, you can use
\skip \musicA
which is nicer syntax-wise and plays well with \unfoldRepeats.
Now that I know to look for it, the definition of `\skip` in
<https://lilypond.org/doc/v2
I’m sorry if this has come across in the wrong way. English is not my native
language, so sometime I do not get the tone right and sound ruder than I
intended. I did by no means indent to reprimand you for your legitimate
question.
With the amazing Jean’s comment #skip-of-length should
On 2/15/22 14:22, Jean Abou Samra wrote:
Le 15/02/2022 à 20:19, Joel C. Salomon a écrit :
… seem not to play nicely together.
In recent versions, like version 2.23.6 which you are using, you can use
\skip \musicA
which is nicer syntax-wise and plays well with \unfoldRepeats.
Thank you
On 2/15/22 14:38, Valentin Petzel wrote:
15.02.2022 20:20:02 Joel C. Salomon :
… seem not to play nicely together.
Well, how should they? At the point the skip-of-length is evaluated the repeats
are not yet unfolded. To achieve what you want we could have some mechanics
where skip events
Le 15/02/2022 à 20:19, Joel C. Salomon a écrit :
… seem not to play nicely together.
―Joel
\version "2.23.6"
musicA = \fixed c'' \repeat volta 2 { c d }
musicB = \fixed c { a b }
music = {
\musicA
\musicB
}
dynamics = {
<>\f
#(skip-of-length musicA)
Well, how should they? At the point the skip-of-length is evaluated the repeats
are not yet unfolded. To achieve what you want we could have some mechanics
where skip events could have an element property, and have the handling be done
by the engraver.
Valentin
15.02.2022 20:20:02 Joel C
… seem not to play nicely together.
―Joel
\version "2.23.6"
musicA = \fixed c'' \repeat volta 2 { c d }
musicB = \fixed c { a b }
music = {
\musicA
\musicB
}
dynamics = {
<>\f
#(skip-of-length musicA)
<>\p
#(skip-of-length musicB)
Hi Lucas,
I would like to thank you again. The NullVoice advice has been most
valable. In the meantime I have written a couple of other songs, where
NullVoice spared me much work.
This advice is highly appreciated.
Thanks again.
Best Bernhard
Am 23.05.2021 um 15:33 schrieb Lukas-Fabian Moser:
On Sun, May 23, 2021 at 8:00 AM Lukas-Fabian Moser wrote:
>
> Hi Bernhard,
>
> > What I did not find was NullVoice. Even while it can be found by google,
> > the term does not seem to appear in the German documentation for unknown
> > reasons.
>
> The German documentation is lagging behind a bit.
Hi Bernhard,
What I did not find was NullVoice. Even while it can be found by google,
the term does not seem to appear in the German documentation for unknown
reasons.
The German documentation is lagging behind a bit. Of course everybody
(me, you, ...) would be invited to help improve them, b
Le 23/05/2021 à 16:49, Bernhard Kleine a écrit :
Am 23.05.2021 um 15:33 schrieb Lukas-Fabian Moser:
\version "2.21.1"
\language "deutsch"
<<
\new Staff \with { \clef bass }
<<
\new Voice = bassMain \relative {
\time 3/4
fis( h,) e
r a a,8 r
r4 a' a,8 r
Am 23.05.2021 um 15:33 schrieb Lukas-Fabian Moser:
> \version "2.21.1"
> \language "deutsch"
>
> <<
> \new Staff \with { \clef bass }
> <<
> \new Voice = bassMain \relative {
> \time 3/4
> fis( h,) e
> r a a,8 r
> r4 a' a,8 r
> }
> \new NullVoice = bassAlter
Hi Bernhard,
Am 23.05.21 um 10:40 schrieb Bernhard Kleine:
I have another problem with the score I presented lately:
There is a different start for stanza 2 as shown in the attachment. I
donot know how to code this. The MWE is attached, too.
Actually, that is not a MWE (_minimal_ working exam
I solved it to some degree as you can see in the attachment. When the
"1. Mädel" und "gib acht" are horizontly aligned this problem would be
solved. My knowledge of Liliypond is not deep enough to do so.
Any help welcome. Maybe there are other solutions, but with "res
\tweak stencil #bend-glissando-print
\glissando
{ c''2. \bendGlissando
\once \override NoteColumn.glissando-skip = ##t
e'4 gis'1 }
Best regards,
Jean
u...@gnu.org
>
> You can reach the person managing the list at
> lilypond-user-ow...@gnu.org
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of lilypond-user digest..."
> Today's Topics:
>
>1. Re: can bend
On 2020-10-26 10:56 pm, Aaron Hill wrote:
On 2020-10-26 10:54 pm, Aaron Hill wrote:
On 2020-10-26 7:37 pm, 98123981293 1293812397123 wrote:
Hi list,
I usually use the following snippet to handle glissandi across hidden
noteheads:
glissandoSkipOn = {
\override NoteColumn.glissando-skip
On 2020-10-26 10:54 pm, Aaron Hill wrote:
On 2020-10-26 7:37 pm, 98123981293 1293812397123 wrote:
Hi list,
I usually use the following snippet to handle glissandi across hidden
noteheads:
glissandoSkipOn = {
\override NoteColumn.glissando-skip = ##t
\hide NoteHead
\override
On 2020-10-26 7:37 pm, 98123981293 1293812397123 wrote:
Hi list,
I usually use the following snippet to handle glissandi across hidden
noteheads:
glissandoSkipOn = {
\override NoteColumn.glissando-skip = ##t
\hide NoteHead
\override Accidental.transparent = ##t
\override NoteHead.no
Hi list,
I usually use the following snippet to handle glissandi across hidden
noteheads:
glissandoSkipOn = {
\override NoteColumn.glissando-skip = ##t
\hide NoteHead
\override Accidental.transparent = ##t
\override NoteHead.no-ledgers = ##t
}
is it possible to implement something
entation/internals/timesignature
> Cheers,
> Pierre
>
> Le sam. 13 juin 2020 à 01:01, Paolo Prete a écrit :
>
>> Hello,
>>
>> How can I modify the horizontal gap between the clef or time signature
>> and the first note/chord/pause/skip in the bar?
>>
>> Thanks!
>>
>
odify the horizontal gap between the clef or time signature and
> the first note/chord/pause/skip in the bar?
>
> Thanks!
>
Hello,
How can I modify the horizontal gap between the clef or time signature and
the first note/chord/pause/skip in the bar?
Thanks!
Am Sa., 30. Nov. 2019 um 19:43 Uhr schrieb Paolo Prete :
>
> Hello,
>
> given a note/rest/chord/skip-event is there a way to display the name of its
> staff? I need to check if it belongs to staff "UP" or "DOWN" of a piano-staff.
> W
Hello,
given a note/rest/chord/skip-event is there a way to display the name of its
staff? I need to check if it belongs to staff "UP" or "DOWN" of a
piano-staff.What if I use map-some-music() function?
(map-some-music (lambda (evt) (
dn't.
> If I wanted
> the extender to include the d4, I would (should) have written the
> extender as "__ _". And for some reason that I can't find explained
> in the Notation RM, LilyPond evidently assumed that that ("__ _") is
> what I had writte
On 10/8/19 1:58 PM, Kieren MacMillan wrote:
Hi Patrick,
I don't understand why the extender includes the d4 in the third measure.
Because you didn’t tell it to stop extending. ;)
I thought the single "__" initiated an extender that ended either at the
end of the current note, in the case of
Hi Patrick,
> I don't understand why the extender includes the d4 in the third measure.
Because you didn’t tell it to stop extending. ;)
> Is there a way to shorten it to the tied c1 in the second measure?
How’s this?
%%% SNIPPET BEGINS
\version "2.19.83"
music = \relative c' {
c1 ~ c1
Consider the following snippet:
\version "2.19.83"
music = \relative c' {
c1~ c1
d4 e f g }
words = \lyricmode { Tra __ \skip 1 la la la }
\score { \new Staff \music \addlyrics \words }
The output is (also attached):
I don't understand why the extender in
Greetings All,
If I am understanding correctly, a baseline-skip unit of #1 is
equivalent to one staff space, and a \vspace unit of #1 is equivlent
to three staff spaces. What is the default baseline-skip setting in a
simple \markup context, and what is the baseline-skip unit in a
\column? Where
Mahalo. I'll have a go at your suggestions.
J.
On 7/16/19 20:32, Aaron Hill wrote:
> On 2019-07-16 7:52 pm, John Helly wrote:
>> Aloha.
>>
>> I have a guitar and vocal song with 6 stanzas and a chorus and outro
>> with lyrics. I would like to jump to the chorus after the 2nd and 4th
>> stanzas a
On 2019-07-16 7:52 pm, John Helly wrote:
Aloha.
I have a guitar and vocal song with 6 stanzas and a chorus and outro
with lyrics. I would like to jump to the chorus after the 2nd and 4th
stanzas and return to the 3rd and 5th, respectively, coming out of the
chorus. Since I'm not formally train
Aloha.
I have a guitar and vocal song with 6 stanzas and a chorus and outro
with lyrics. I would like to jump to the chorus after the 2nd and 4th
stanzas and return to the 3rd and 5th, respectively, coming out of the
chorus. Since I'm not formally trained in notation, I don' t know how
this shou
Hi Aaron (et al.),
Thanks to your "trim-descenders" function, the output is as follows:
The carets all line up — because the text baselines do — WITH NO INDIVIDUAL
TWEAKS REQUIRED! Taking tweak-and-recompile time into account, that probably
saves me an hour over the course of engraving a scor
Hi Aaron,
> Your issue is that the padding between staff and markup is using the bottom
> extent, not the baseline, hence it looks off.
Exactly. And this is generally true of markup/text, I’ve found.
> You might just want to clip the descenders on offending lines.
Interesting! That works well
On 2018-11-17 9:05 am, Kieren MacMillan wrote:
Hi Aaron,
Ah, but the 7 and 5 in that font in fact have descenders. The
baseline is not the same as the bottom extent of a glyph.
Yes — we’re saying the same thing. =)
Oh, I'm a dumb dumb.
Your issue is that the padding between staff and mar
Hi David,
> Have you tried using staff-padding ?
Yes. Here’s the same code with #'staff-padding = #3:
In this case, that’s a Beam the Fingerings are set above, which is itself *far*
above the actual Staff. So #'padding is being applied, and we’re nowhere near
close enough for #'staff-padding
Hi Aaron,
> Ah, but the 7 and 5 in that font in fact have descenders. The baseline is
> not the same as the bottom extent of a glyph.
Yes — we’re saying the same thing. =)
> For reference, what is the font you are using?
Alegreya.
Thanks,
Kieren.
Kieren Mac
Kieren MacMillan writes:
> I assume the padding is using the lower edge of the glyph outline
> (i.e., the blue box) to align; and that perfectly matches the output
> as seen. What I *want* is the ability to set text/markup padding to
> the *baseline*. It doesn’t ever seem to be possible, which fo
On 2018-11-17 8:50 am, Kieren MacMillan wrote:
Here’s a screenshot from the actual score I’m trying to engrave, with
your function in place (minus the text duplication):
Notice that the triangles of each figure are as hoped/expected… but
the *actual baseline of the glyph* is not being honoured c
Hi Aaron,
WOW! Thanks for this. So interesting.
Recall that earlier in the thread, I said "Bonus points if [the fix] handles
lowercase numerals"? ;)
Here’s a screenshot from the actual score I’m trying to engrave, with your
function in place (minus the text duplication):
Notice that the tr
large value for baseline-skip, then the spacing really
is how you describe.
Consider this extravagantly contrived example:
\version "2.19.82"
#(define-markup-command (show-baseline-skip layout props args) (markup?)
#:properties ((baseline-skip 0))
(let* ((stencil (interp
Hi Thomas,
Thanks for trying.
I really don’t understand why Lilypond’s text handling is so fussy. It should
be easy for the user to say “lines in a multi-line markup must be exactly
*this* far apart [regardless of individual glyph height]” — in fact, it should
be the default.
Cheers,
Kieren.
Am Sa., 17. Nov. 2018 um 12:03 Uhr schrieb Thomas Morley
:
> Default \center-column does not adjust baseline-skip according to the
> grobs font-size.
> Below I wrote 'center-column-fontsize-adjusted-baseline-skip' (you
> should probably rename it, lol), which does
to accomplish this?
Default \center-column does not adjust baseline-skip according to the
grobs font-size.
Below I wrote 'center-column-fontsize-adjusted-baseline-skip' (you
should probably rename it, lol), which does so. Modeled after how
\fontsize deals with baseline-skip.
> Bonus poi
#1
\override Fingering.stencil = #(lambda (grob)
(let ((text (ly:grob-property grob 'text)))
(grob-interpret-markup grob
(markup #:text
Thomas Morley writes:
> I'm tempted to create a patch along these lines.
> Though, there is no other usage of 'music-clone' in our code-base, afaict.
> It's far to useful to risk someone deletes it lateron regarding it as
> unused function.
Its functionality is rather similar to ly:music-deep-co
Am Mi., 24. Okt. 2018 um 16:00 Uhr schrieb David Kastrup :
>
> Thomas Morley writes:
>
> > Am Mi., 24. Okt. 2018 um 01:07 Uhr schrieb David Kastrup :
> >>
> >> Thomas Morley writes:
> >>
> >> > Am Di., 23. Okt. 2018 um 23:54 Uhr schrieb David Kastrup :
> >> >
> >> >> So you should figure out what
Thomas Morley writes:
> Am Mi., 24. Okt. 2018 um 01:07 Uhr schrieb David Kastrup :
>>
>> Thomas Morley writes:
>>
>> > Am Di., 23. Okt. 2018 um 23:54 Uhr schrieb David Kastrup :
>> >
>> >> So you should figure out what your comparison as equal is supposed to be
>> >> doing in the first place.
>>
Am Mi., 24. Okt. 2018 um 01:07 Uhr schrieb David Kastrup :
>
> Thomas Morley writes:
>
> > Am Di., 23. Okt. 2018 um 23:54 Uhr schrieb David Kastrup :
> >
> >> So you should figure out what your comparison as equal is supposed to be
> >> doing in the first place.
> >
> > Yep, that's the culprit.
>
Thomas Morley writes:
> Am Di., 23. Okt. 2018 um 23:54 Uhr schrieb David Kastrup :
>
>> So you should figure out what your comparison as equal is supposed to be
>> doing in the first place.
>
> Yep, that's the culprit.
>
> So the question is how to find the last rhythmic event of a
> music-expres
Am Di., 23. Okt. 2018 um 23:54 Uhr schrieb David Kastrup :
> So you should figure out what your comparison as equal is supposed to be
> doing in the first place.
Yep, that's the culprit.
So the question is how to find the last rhythmic event of a
music-expression and place <>\stopTextSpan right
Thomas Morley writes:
> Although it needs further testing I already found a glitch I really
> can't explain or cope with: Sometimes, when the TextSpanner is
> attached to skip-events, ending them gets confused. It sometimes can
> be cured, if the skips are devided, i.e. s2 be
n the TextSpanner is
attached to skip-events, ending them gets confused. It sometimes can
be cured, if the skips are devided, i.e. s2 becomes s4 s4.
So why
And how to fix the function, which is inspired by our endSpanners-function.
Here the code:
\version "2.19.82"
endTextSpanners =
s
> would have helped).
>
> In a 20 pt score, the default font size will be 11 pt and the default
> baseline-skip will be 3 staff spaces (set in paper-defaults-init.ly).
> Within a \wordwrap block (or anything comparable), this baseline-skip will
> apply.
>
>
> Between two
Hi Hwaen,
I get your point (although a minimal example for demonstration purposes
would have helped).
In a 20 pt score, the default font size will be 11 pt and the default
baseline-skip will be 3 staff spaces (set in paper-defaults-init.ly).
Within a \wordwrap block (or anything comparable
Greetings All,
Is there a place in any of the manuals that documents baseline-skip -
its default setting, for example? I find that vertical spacing of text
is negatively affected in \wordwrap blocks, where spacing within the
block is larger than expected and the final wrapped line interferes
with
2017-10-06 9:36 GMT-04:00 Malte Meyn :
> \override Beam.breakable = ##t
Good to know.
Thanks :-)
--
Pierre-Luc Gauthier
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Am 06.10.2017 um 14:57 schrieb Pierre-Luc Gauthier:
At first, just reading your reply, I thought it would(could) break
systems at *any* note but there seems to be another rule that prevents
breaking inside a beam.
Yes, beams over barlines prevent a line break, but if you wanted you
could cha
Hi Malte,
> Am 05.10.2017 um 20:54 schrieb Pierre-Luc Gauthier:
>> I peppered bars (e.g: \bar "") at most beam breaks in the cadenza
2017-10-06 2:39 GMT-04:00 Malte Meyn :
> Do you know
> \set Score.barAlways = ##t
> and
> \set Score.defaultBarType = ""
> ? These combined set an e
Am 05.10.2017 um 20:54 schrieb Pierre-Luc Gauthier:
I peppered bars (e.g: \bar "") at most beam breaks in the cadenza thus
enabling LilyPond to brake lines correctly at all "possible" places (I
have different editions (letter, big-letter, tablet, score, etc) so
manual line breaking is unaccepta
Am 05.10.2017 um 16:51 schrieb Pierre-Luc Gauthier:
How can I scale a music expression to the size of another music expression?
e.g. (pseudocode based on \scaleDurations)
\scaleDurations (fraction-of resulting-scale over music-to-be-scaled)
music-to-be-scaled
Have a look at
https://lists.gn
c Gauthier
%
\version "2.21.0"
cadenza = \relative c' {
\override Beam.auto-knee-gap = #0
c8[ c'' d,, b'' e,, a' f,] |
}
solo = \relative c' {
c8 d e f g a b c |
\cadenza |
c8 d e f g a b c |
}
others = \relative c'{
ees8 f g aes bes c d ees
Hi Simon,
> You mean one command for use in markup and music? That’s not possible,
> because markup commands have a different namespace in that \huge is
> translated to #:huge in the Scheme ‘markup’ macro, which is then translated
> to make-huge-markup. (Which is also why define-markup-command
On 07.06.2017 19:44, Kieren MacMillan wrote:
Is it*really* not possible to have just one "huge" command, which is used wherever
"\huge" makes sense?
You mean one command for use in markup and music? That’s not possible,
because markup commands have a different namespace in that \huge is
tra
Hi David,
> This isn't the \huge you are using in markups.
Oy.
1. Thanks for clearing that up. I'll see where that leads me.
2. Is it *really* not possible to have just one "huge" command, which is used
wherever "\huge" makes sense? In the 20 years I've programmed (in different
languages and
Kieren MacMillan writes:
> Hi David,
>
> The docs (1.8.2 Formatting text) say
>
>>> Known issues and warnings
>>> Using the font sizing commands \teeny, \tiny, \small, \normalsize,
>>> \large, and \huge will lead to inconsistent line spacing compared
>>> to using \fontsize.
>
>
> I'm trying to ge
Hi David,
Thanks for the quick response.
>> Is there an equivalent command for baseline-skip?
>> I know about \override #'(baseline-skip . 13), but I believe that's
>> only for overriding the "current" markup?
>
> {
> c1-\markup \column { a b
Hi David,
The docs (1.8.2 Formatting text) say
>> Known issues and warnings
>> Using the font sizing commands \teeny, \tiny, \small, \normalsize, \large,
>> and \huge will lead to inconsistent line spacing compared to using \fontsize.
I'm trying to get my head around the various situations and
Kieren MacMillan writes:
> Hi David,
>
> Thanks for the quick response.
>
>>> Is there an equivalent command for baseline-skip?
>>> I know about \override #'(baseline-skip . 13), but I believe that's
>>> only for overriding the "cu
Kieren MacMillan writes:
> Hello all,
>
> If I want to change the font size of all markup "from this point on", I can
> use
>
>\set fontSize = #5
>
> Is there an equivalent command for baseline-skip?
> I know about \override #'(baseline-skip . 13),
Hello all,
If I want to change the font size of all markup "from this point on", I can use
\set fontSize = #5
Is there an equivalent command for baseline-skip?
I know about \override #'(baseline-skip . 13), but I believe that's only for
overriding the "current
Yes, this works very nicely in my original score. Thank you, Simon and
David, for the explanation and correction.
Edward
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or making the combined lyrics
>>match the melody.
>
> Unfortunately, the technique of nesting \new Lyrics is from an example
> in our very own manuals, as Edward pointed out in the other subthread.
Including a \lyricto around both? The problem is that then a \skip 1 is
only "equa
aff {
\new Voice = "melody" {
\relative {
a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
}
\new Lyrics \lyricsto "melody" {
Not re -- peat -- ed.
The first time words.
}
\new Lyrics \lyricsto "melod
On 17.06.2016 21:47, David Kastrup wrote:
Edward Usher writes:
A question on the following MWE:
\version "2.18.2"
\score {
<<
\new Voice = "melody" {
\time 3/4
c'4 c'4 c'4 | c'4 c'4 c'4 | c'2. |
}
\n
Edward Usher writes:
> A question on the following MWE:
>
> \version "2.18.2"
> \score {
> <<
> \new Voice = "melody" {
> \time 3/4
> c'4 c'4 c'4 | c'4 c'4 c'4 | c'2. |
> }
>
7;4 c'4 c'4 | c'4 c'4 c'4 | c'2. |
}
}
}
\new Lyrics \lyricsto "melody" {
<<
{ a \skip 1 c }
\new Lyrics {
\set associatedVoice = "melody"
a b c d
}
>>
}
>>
}
%%%
whic
Hi Edward,
On 17.06.2016 20:48, Edward Usher wrote:
A question on the following MWE:
\version "2.18.2"
\score {
<<
\new Voice = "melody" {
\time 3/4
c'4 c'4 c'4 | c'4 c'4 c'4 | c'2. |
}
\new Lyrics \lyri
A question on the following MWE:
\version "2.18.2"
\score {
<<
\new Voice = "melody" {
\time 3/4
c'4 c'4 c'4 | c'4 c'4 c'4 | c'2. |
}
\new Lyrics \lyricsto "melody" {
<<
{
2016-05-07 21:58 GMT+02:00 Thomas Morley :
>>> http://lsr.di.unimi.it/LSR/Item?u=1&id=1036
> I'll let it unapproved for few more days in case somebody comes up
> with further suggestions.
>
> Thanks a lot for review.,
> Harm
Approved.
Cheers,
Harm
__
2016-05-07 15:17 GMT+02:00 David Nalesnik :
> Hi Harm,
>
> On Sat, May 7, 2016 at 5:52 AM, Thomas Morley
> wrote:
>> 2016-05-07 10:53 GMT+02:00 Peter Gentry :
>>
>>> Could I sugeest that the range data is input in the individual music file
>>> rather than the procedure so that the procedure rema
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