On Wed, 8 Jan 2025 at 07:26, Walt North wrote:
>
> What would be the correct way to code something that has a short
intoduction followed by stanzas that have singer names specific for each
stanza?
>
> The MWE starts with an example from the documentation and then adds an
intro. If I comment out t
On Thu, 2 Jan 2025 at 07:10, Walt North wrote:
>
> I use lilypond to enter music notes, chords, and lyrics and use those
> to create different handouts for different musicians. For those that
> receive melody lines I can insert breath marks.
>
> The rhythm guitarist just wants lyrics and chords.
On Thu, 26 Dec 2024 at 20:21, Епишин Василий Ильич
wrote:
>
> Thank you for the quick answer, Xavier!
>
> I'm sorry I didn't specify. I need a connection between voices. In
> Staff arpeggio connecting automatically. In TabStaff it doesn't.
>
> \version "2.25.16"
>
> voice = \relative{
> \v
On Thu, 26 Dec 2024 at 18:57, Епишин Василий Ильич
wrote:
>
> Hello!
>
> \version "2.25.16"
>
> Can't find any information about connection arpeggios in TabStaff. Is
> it impossible to connect?
Hello,
If you have more than one TabStaff and put them in a GrandStaff (or alike),
you can connect arp
On Tue, 17 Dec 2024 at 14:45, tran li wrote:
>
> After I completed a score, I found that the default layout created by
LilyPond is not satisfactory. I would like to modify some aspects of my
layout, but doing that all manually can be extremely exhausting and create
even weirder layout effects whil
On Wed, 11 Dec 2024 at 11:59, Owen Le Blanc wrote:
>
> Thank you, Xavier. This now works as I would expect. But isn't that
> a bug? Should bar disappear if you add it explicitly?
Well, you added 2 \bar commands at the same time (for Lilypond), which is a
line break.
So only the last one was co
On Wed, 11 Dec 2024 at 10:55, Owen Le Blanc wrote:
>
> Actually Timothy's suggestion doesn't seem to work. I also noted that
> I wasn't using the latest stable version, and so updated. It fails
> with both. See attached.
Hello,
Don't use the \bar commands. Only \section and \repeat volta. Oth
On Wed, 4 Dec 2024 at 11:55, Dimitri Sykias wrote:
>
> "How can I adjust the distance between a main measure and an ossia
measure?
> Here is the code for the ossia part:
Hello,
You can change VerticalAxisGroup.staff-staff-spacing for the ossia staff.
And for your issue instead of using \new Staf
On Thu, 14 Nov 2024 at 13:37, Mats-Olof Liljegren wrote:
>
> Hello! I have a strange issue that’s a bit off-topic, perhaps. When I
render to PDF, everything looks fine on my computer and in printouts. But
when I import the PDF into ForScore on iPad, I get strange discolorations.
See the attached i
On Sun, 10 Nov 2024 at 23:58, Maria Kireva wrote:
>
> Thank you very much, Xaver. I tried this and and it works for this
bookpart but the next bookpart starts with the wrong page number witch is
the next pagenumber of the previous bookpart. How can I fix this?
Hello,
The following code does work
On Sun, 10 Nov 2024 at 22:51, Helly, John wrote:
>
> Aloha.
>
> I'm trying to change the TabStaff clef font (the word 'Tab') to something
like Courier rather than the script-like font that's the default. I've
found how to change the color (as below) but I'm having trouble figuring
out how to chan
On Sun, 10 Nov 2024 at 22:24, Maria Kireva via LilyPond user discussion <
lilypond-user@gnu.org> wrote:
>
> Dear Lilypond user,
>
> I would like to set up custom page numbers in my lilypond file for the
different bookparts so that the second bookpart starts at page number one.
How can I achieve tha
On Thu, 7 Nov 2024 at 21:46, Paul Scott wrote:
>
> Thank you for your reply, Xavier,
>
> I don't know enough to know how to override Score.coda.MarkFormatter. I
> might be able to figure part of it from the code I was given to change
> the D.C al Coda string. I don't know where to put the override
On Thu, 7 Nov 2024 at 17:45, Paul Scott wrote:
>
> 2.25.21
>
> I know how to change the D.C. al Coda text with the \repeat segno
structure.
>
> How do I change the coda sign that tells where to jump to the coda to
> "To Coda [codasign]?"
Hello,
Not sure I understand exactly what you want.
Try t
On Tue, 5 Nov 2024 at 19:43, l t wrote:
>
> Does anyone know where to find the DeLusse, Capriccio and Capriccio Light
fonts, which are categorized at elbsound as "Alternative Lilypond Font" ?
> It isn't among the others at https://github.com/OpenLilyPondFonts
Hello,
Apparently they were made by
On Tue, 5 Nov 2024 at 00:34, Ben Bradshaw wrote:
>
> I'm just inserting a single system of music into a worksheet, but the
system has four staffs. The staffs are just a bit too squishy for my liking.
Hello,
Please keep the list in cc (reply to all).
According to the documentation of lyluatex the
On Thu, 31 Oct 2024 at 23:29, Ben Bradshaw wrote:
>
> Hello,
> I'm struggling figuring out how things like paper variables and stuff
work inside lyluatex. I say in the usage manual that there's a fancy
\newcommand for linebreaks, but I haven't been able to figure out how to do
system spacing. When
On Thu, 31 Oct 2024 at 04:46, Walt North wrote:
>
> Is there anyway to require a minimum measure length for chordmode?
When there is a Staff I use the trick to add transparent multi-measure
rests with minimum-length.
I was surprised to see that it seems to work with ChordNames as well if
"Multi_m
On Wed, 30 Oct 2024 at 10:34, Achard Jean Pierre wrote:
>
> Hello .
> My question is in the topic. I can add the date automatically but what
about the file name?
> Is it possible?
> Does anyone have an idea?
Hello,
I guess the following thread could help.
https://lists.gnu.org/archive/html/lilyp
On Fri, 18 Oct 2024 at 15:42, Lucas Cavalcanti wrote:
>
> Hello! Is it possible to insert instrument names and cue names to staves
nested inside OneStaff?
Hello,
\layout {
\context {
\OneStaff
\consists Instrument_name_engraver
}
}
I don't know why this engraver is not included in O
On Fri, 18 Oct 2024 at 12:48, David Sumbler wrote:
>
> One of these 2 solutions would almost certainly work for me, if only I
could get the basics sorted out. But after a lot of experimentation, I
cannot get one header on page 1 and another on page 2. Clearly I am doing
something fundamentally w
On Tue, 15 Oct 2024 at 21:54, Xavier Scheuer wrote:
>
> Ah, my bad, I remembered the other way around.
> At least the old syntax gives the expected output.
Sorry for the multiple messages within a short period of time.
You can have the expected output and use the new syntax if yo
On Tue, 15 Oct 2024 at 21:48, Nikolai Hedler wrote:
>
> The current documentation states that \alternative outside is the older
syntax; I guess I'll keep doing it that way.
Ah, my bad, I remembered the other way around.
At least the old syntax gives the expected output.
Kind regards,
Xavier
On Tue, 15 Oct 2024 at 21:35, Nikolai Hedler wrote:
>
>
Hello,
Use the new syntax with the \alternative block outside of the \repeat volta
block.
Kind regards,
Xavier
On Mon, 30 Sept 2024 at 01:13, Walt North wrote:
>
> Is it possible in someway to get some sort of markup behavior in
chordmode? They are cases where I want to add a remark for the rhythm
guitar player for one reason or another for some chords.
>
> Simple minded example below. For a staff note I
On Tue, 24 Sept 2024 at 16:41, David Sumbler wrote:
>
> The best solution I have come up with is adding \autoPageBreaksOff at the
start of each Score block, and adding \noPageBreak between markup items
etc. which come outside of the Score block. So far, this seems to be
working.
Hello,
You coul
On Tue, 24 Sept 2024 at 21:53, David Sumbler wrote:
>
> I am having difficulty with the new repeat structure. The code below
> produces the result I want except that the repeat should only be 2 bars
> long. In other words, the ":|." bar line at the end of the inner
> repeat should come at the en
On Mon, 23 Sept 2024 at 21:32, Colin Baguley wrote:
>
> Hi
> Thank you for trying - but I've just copied and pasted your code - and it
still doesn't do the parentheses.
> I've attached the PDF I get ..
Hello,
\override ChordName.parenthesized = ##t
Kind regards,
Xavier
On Sun, 22 Sept 2024 at 22:20, Paul Scott wrote:
>
> How can I make this happen in one staff with all the stems down?
Hello,
Or use \partCombine, it's not clear what you are after.
instrumentOne = \fixed c'' { \partCombineUnisono e8( f~ \partCombineChords
f2.) }
instrumentTwo = \fixed c'' { e8(
On Wed, 18 Sept 2024 at 12:57, David Sumbler wrote:
>
> Thank you both for your help. I'm still struggling with one thing,
though. I want "D.C." at the end of the 'B' section, rather than "D.C. al
Fine". The best thing I have managed so far was to put \jump "D.C." at the
end, but of course that
On Tue, 17 Sept 2024 at 21:12, Walt North wrote:
>
> Is this possible? I have a case where I want to have a Chord and Lyrics
sheet with some occasional hints to Guitar player on melody fills scattered
here and there. The lilypond docs show examples with Staff but not with
Lyrics.
Hello,
That's
On Tue, 17 Sept 2024 at 17:03, Knute Snortum wrote:
>
> Here's what I came up with:
Hello,
Actually there is a property for the fine bar type.
\set Score.fineBarType = "||"
and you don't need to put explicitly the \bar "||" at Fine.
Kind regards,
Xavier
On Tue, 17 Sept 2024 at 01:39, Dimitri Sykias wrote:
>
> How can I reduce the vertical spacing between the lines in a
auto-footnote?
>
> I attempted the following code to reduce the spacing:
>
> \auto-footnote \italic “1.” \wordwrap \small { \override #'(line-spacing
. 0.8) footnote text. }
>
> Ho
On Thu, 12 Sept 2024 at 15:53, wrote:
>
> I'm still hoping for a response to this, if only to confirm whether others
> see the change in behaviour and that it's not something unique to my
> installation. I'm pretty sure that what 2.25.19 is doing is wrong.
Hello,
Could be linked to
https://gitl
On Tue, 10 Sept 2024 at 20:09, Richard Cookson <
richardcookson.3rdpla...@gmail.com> wrote:
>
> Hi,
>
> I am writing some percussion parts (orchestral, not kit) which require a
number of changes of instrument. I would like to change from one instrument
to another without starting a new staff. I hav
On Tue, 10 Sept 2024 at 17:04, Walt North wrote:
>
> Is there any way to do this? What follows is a made up example. I have a
melody that may be shared across different string instruments.
>
> I'd like to be able to reuse the melody notes and not repeat that for
each instrument. The different ins
On Tue, 10 Sept 2024 at 02:50, Kieren MacMillan
wrote:
>
> Hi Dimitri,
>
> > How can I reduce the space between the bracket and the first barline?
>
> %%% SNIPPET BEGINS
> \version "2.25.11"
>
> \new ChoirStaff
> \with { \override SystemStartBracket.extra-offset = #'(0.5 . 0) }
Hello,
Althoug
On Tue, 3 Sept 2024 at 06:28, Walt North wrote:
>
> Thanks.
>
> It didn't work when I tried (comparing an empty Staff line to an empty
TabStaff line) so thought maybe there was some different syntax for
TabStaff. In any case it's not a big deal - I can work around it. I find
that Lilypond usuall
On Mon, 2 Sept 2024 at 20:56, Paul Scott wrote:
>
> How do I remove the "tr" from a TrillSpanner or is there an object that
> is just the wavy line? I thought I had done this before but I didn't see
> it in NR 1.3.3 or snippets.
Hello,
\override TrillSpanner.bound-details.left.text = ""
If you
On Mon, 19 Aug 2024 at 02:14, Laurie Savage wrote:
>
> Hi,
>
> I'm trying to set up lyrics to start on the upbeat of beat 4 in bar four
of a song (calling the anacrusis bar 0). I succeeded but I'm very puzzled.
Hello,
Sorry but it is difficult to try to help you.
You do not give the complete cod
On Mon, 19 Aug 2024 at 01:51, Karim Haddad wrote:
>
> Hi
>
> I know there is a simple solution for this but cannot find it.
>
> When applying \override Beam.positions in order to raise the beam of a
grouped rythm above the first staff:
>
> 1) it doesn't overlapp the first staff
> 2) an extra space
On Sat, 3 Aug 2024 at 17:17, Vlado Ilić wrote:
>
> So i need something like in the first picture, on coda i have different
time signature than the one before the jump so i need to mark time change
just before the jump. Also related, in the second image i need to mark time
and key change before jum
On Fri, 26 Jul 2024 at 02:11, Fennel wrote:
>
> Setting staff-affinity = #DOWN should mean that the brackets appear above
the staff instead of below, right?
Hello,
staff-affinity is used for spacing purposes.
Use alignAboveContext, as explained in NR 5.1.7 Context layout order
https://lilypond.o
On Mon, 15 Jul 2024 at 14:26, Masaki, Akikazu <
masaki-0.56714...@zeus.eonet.ne.jp> wrote:
>
> Hello,
>
> \set Timing.baseMoment seems not to work in the latter half of a measure.
> Is it a bug, or some setting is missing?
>
> %
> \version "2.24.3"
> {
>\set Timing.baseMoment = #(ly:mak
On Mon, 15 Jul 2024 at 09:18, Werner LEMBERG wrote:
>
> If you use `\abs-fontsize`, you get a font size (in markups) in points
> regardless of the selected staff size.
Hello,
And the default text font size is 11pt for a default staff size (20pt), as
documented by Werner in NR 1.8.2
https://lilyp
On Thu, 11 Jul 2024 at 22:10, Tom Brennan wrote:
>
> Hi all
>
> When using `\magnifyStaff #2/3`, I'm seeing weird transitions between the
staves of a `StaffGroup`. For example,
>
> (snip)
>
> The question is, is this a bug or expected behavior? Is there a
workaround to get that barline to snap to
On Mon, 8 Jul 2024 at 21:31, bobr...@centrum.is wrote:
>
> I have been looking for a way to use music glyphs in inline text,
specifically in a lilypond-book document. I want to write "the note should
be Bb and not C#" but I want to use a flat and a sharp and not a lower
case 'b' and an octothorp
On Wed, 26 Jun 2024 at 10:42, Alexander Kobel wrote:
>
> So, first question "simply" is: Does anyone know a way to produce a
ChoirStaff bracket at the beginning of measure 2? ;-)
Hello,
See
https://lists.gnu.org/archive/html/lilypond-user/2023-07/msg00189.html
Kind regards,
Xavier
On Wed, 26 Jun 2024 at 08:11, Jeff Olson wrote:
>
> Thanks, David!
>
> That works even for the case where there is no explicit Staff (just a
bare TabStaff). Excellent!
>
> But I still had to remove my \tabFullNotation command to avoid an
implicit TabStaff.
>
> Is there an alternative place (outsi
On Mon, 27 May 2024 at 06:09, Cameron Horsburgh
wrote:
>
> Hi folks,
>
> I'm writing a resource for beginner musicians, and many of the early
exercises I'm writing don't use staff lines (Lilypond's 'easy play' feature
is very useful here!)
>
> One problem I have--it's very difficult to distinguish
On Sat, 25 May 2024 at 18:53, mpk wrote:
>
> Hi,
> Could anybody help me to individually adjust the Vaticana staff-size,
> please?
Hello,
\score {
\new VaticanaScore {
% etc.
}
\layout {
#(layout-set-staff-size 18)
}
}
\score {
% normal score
}
Kind regards,
Xavier
On Fri, 24 May 2024 at 10:57, Kenneth Flak
wrote:
>
> Thanks! That almost did the trick. The only thing that's not working is
that connecting beam between the two quintuplets. See attached screenshot...
Hello,
\set subdivideBeams = ##t
And then either, for 2.24:
\set baseMoment = #(ly:make-mo
On Tue, 21 May 2024 at 20:38, Werner LEMBERG wrote:
>
> This information should probably be added to the NR, together with an
> example. Can you prepare a patch (or even an MR) or formulate
> something that I can then massage accordingly?
Hi Werner,
Actually this is already in NR 1.1.3 Clef
(no
On Tue, 21 May 2024 at 19:42, Knute Snortum wrote:
>
> It's probably easier to see in the MWE and screen shot I've attached. So
is there a way to get rid of the bass change clef indicator in the first
ending?
Hello,
\once \set Staff.explicitClefVisibility = #end-of-line-invisible
before your \b
On Tue, 21 May 2024 at 16:04, Aaron Hill wrote:
>
> It is interesting how we interpreted the clef and key signature
> differently when trying to recreate the image. You did manage to the
> squeeze in the forte, which I did not.
Yes, I thought exactly the same thing when I saw your answer. In fac
On Tue, 21 May 2024 at 15:42, Jun Tamura wrote:
>
> Hello,
>
> Could someone give me a pointer for this?
>
> This is a quite popular notation for bowed string instruments. I’m almost
certain that I saw a way to achieve this before but could not find it this
time.
Hello,
\relative c' {
\key bes \
On Tue, 14 May 2024 at 15:43, Giles Boardman
wrote:
>
> Thanks again Xavier. You are very patient - I have just sat down at my
up-to-date computer and the difference between the versions' functionality
is enormous. If I'd realised, I would have bitten the bullet and had fewer
questions and taken u
On Tue, 14 May 2024 at 14:44, Giles Boardman
wrote:
>
> Hello Kieren/Xavier,
>
> I wasn't going to be picky per Kieren's ** but ...
>
> ... using Xavier's code (override
Score.RehearsalMark.self-alignment-X = #LEFT) I have a whole page of music
and the tunes are in different keys,
On Tue, 14 May 2024 at 12:43, Giles Boardman
wrote:
>
> The \mark command is centred. Can text be formatted to be left aligned
(and smaller)? Is there an initialisation parameter I can change to set its
default alignment?
Hello,
Please consider upgrading, version 2.18.2 is over 10 years old.
Cur
On Wed, 8 May 2024 at 19:35, Paul Scott wrote:
>
> Yes. Does one of those include phrasing slurs?
Hello,
For phrasing slurs you need to add phrasing-slur-event to the list.
FYI the default value of quotedCueEventTypes is in IR 2.1.31 Score
https://lilypond.org/doc/v2.25/Documentation/internals
On Fri, 3 May 2024 at 12:43, Richard Shann wrote:
>
> In earlier versions of LilyPond I avoided the use of \repeat percent 2
> {} syntax by overwriting the stencil for a whole bar rest:
>
> \version "2.20.0"
> { c c c c
> \once \override MultiMeasureRest.stencil =
#ly:multi-measure-rest::percent
On Fri, 26 Apr 2024 at 16:46, Eric Benson wrote:
>
> I see. How hard would it be to write a Scheme function that would copy a
melody variable and remove the text marks, or in fact everything other than
the note values, which are all I want in the NoteNames variable? That would
be preferable to ent
On Mon, 22 Apr 2024 at 21:48, Kenneth Wolcott
wrote:
>
> Hi;
>
> I've made a simple mistake but I can't figure out what I did wrong.
>
> At bar #36 the first text spanner starts. I think that's correct. But
> the piano articulation should be a bar earlier? But that also seems
> correct. How ca
On Sun, 21 Apr 2024 at 20:44, Gian Paolo Renello
wrote:
>
> Your right, thanks. I noticed it and changed as well in my code, but the
problem won't solve (see previous mail about the context)
Hello,
The Lyrics should come after the \new Voice = "sopranoVoice".
If you get an error please send a m
On Wed, 17 Apr 2024 at 21:53, Pierre-Luc Gauthier
wrote:
>
> Hi there,
>
> Is this a known bug ?
>
> The \showStaffSwitch indication seems uneasy about page breaks.
Hello,
It might be another instance of #6684, which itself is apparently a
duplicate of #6551.
https://gitlab.com/lilypond/lilypond
On Fri, 29 Mar 2024 at 22:31, Knute Snortum wrote:
>
> This looks like a very old bug that LilyPond has. Basically, if you have
a grace note starting a measure in one staff, you have to have one on all
staves, even if it's just a spacer. So adding this to the melody will fix
the problem:
Exactl
On Tue, 26 Mar 2024 at 17:05, bobr...@centrum.is wrote:
>
> Is there a way to omit the key signature at the end of a line in this
case?
Hello,
Well, here *it is* key cancellation.
\override Staff.KeyCancellation.break-visibility = #all-invisible
Kind regards,
Xavier
On Mon, 25 Mar 2024 at 22:19, bobr...@centrum.is wrote:
>
> I want to remove a key change from the ends of lines/systems. I am *not*
referring to just key cancellation, which I do also want. I mean, at the
end of a line the new key should not appear before the new line. I haven't
worked it out.
On Sun, 24 Mar 2024 at 17:14, David Sumbler wrote:
>
> I haven't used Lilypond for a while, but I have currently got v.2.24.1
>
> I started a new, very small, project today, but I can't compile
anything. Thinking I must have forgotten even the basics of writing
Lilypond files, I tried a few of my
On Wed, 20 Mar 2024 at 19:47, Paul Scott wrote:
>
> 1. How can I cause an individual page other than the last page of a
> score to have ragged-bottom?
Hello,
I don't think this is possible.
Personally I would produce 2 different PDFs and then split and merge the
pages as desired.
> 2. How can I
On Wed, 20 Mar 2024 at 04:48, Ben Bradshaw wrote:
>
> Hello,
> I think I must not be understanding how the StaffGrouper works. I'm doing
a score with instrument and piano accompaniment, and have the piano music
in a PianoStaff. I'm trying to get more space between the solo staff and
the piano staf
On Tue, 19 Mar 2024 at 16:08, Ralph Palmer
wrote:
>
> Hello, again!
>
> This list has been a great help on numerous occasions.
>
> I have a new problem - how to combine staccato with tremolo. I'm
> attaching an example from the score I'm trying to transcribe. The
> problem is similar to
>
> Adding
On Tue, 19 Mar 2024 at 13:57, Peter Mayes wrote:
>
> Being relatively new to this forum, I suspect I am not the first person
> to ask this.
>
> And it is more out of curiosity than necessity.
>
> But does anybody have lilypond code to engrave the famous B.A.C.H. motif
> in the attached image?
Hel
Hi Jean,
Are you adding this to the LSR?
I don't know if it would make sense to add it to the documentation as well,
personally I don't engrave scores that would use this.
Best regards,
Xavier
On Wed, 13 Mar 2024 at 09:55, Jean Abou Samra wrote:
> Mahalo, X. I am using the naturalizeMusic func
On Wed, 13 Mar 2024 at 04:51, John Helly wrote:
>
> Aloha.
>
> Here's an MWE to exhibit the issue.
>
> I have a flat note (bes) that I want to transpose down 4 half-tones to
F#. However, when the transpose is applied, the result is Gb. I
understand that a flat note was the initial value so maybe
On Mon, 4 Mar 2024 at 11:05, achar wrote:
>
> Thank you for the answer. Label form may not be the correct translation.
We could say "diagram" for guitar.
> See an example attached. Good day. jean-Pierre
> It would save me time.
> Does anyone have any ideas or is this simply impossible?
> Thank you
On Wed, 28 Feb 2024 at 12:07, Peter Mayes wrote:
> As a beginner at Lilypond, I was looking for a way to achieve this. I
started just saying c4^"III" or similar. I then modified that to use
\markup to shrink the text. But if there is a more "natural" way of adding
these fingering marks, I would b
On Tue, 27 Feb 2024 at 17:28, Peter Mayes wrote:
>
> Almost certainly a fairly trivial question: in bar 3, how to put the "L"
mark above the note, but below the slur?
Hello,
Should the "L" mark really be considered as a Fingering object? Because as
you currently define it, it's a TextScript.
Sho
On Mon, 26 Feb 2024 at 22:13, Gerardo Ballabio
wrote:
>
> Thanks. It says this -- but it works:
>
> programming error: No spacing entry from BarLine to `cue-clef'
> continuing, cross fingers
Ah yes, I hadn't paid attention to that. In that case, let's add a spacing
entry between BarLine and cue-c
On Sun, 25 Feb 2024 at 22:35, Xavier Scheuer wrote:
>
> By the way I would not remove the cue end clef. This is also standard
practice: to "close" the cue clef (back to playing instrument clef).
Actually in your example I would move the cue end clef to the end of the
bar (just be
On Sun, 25 Feb 2024 at 21:36, Gerardo Ballabio
wrote:
>
> It does, thank you.
> Any ideas for the other question (how to move the cue clef after the bar
line)?
Hello,
Add this before the \cueClef (I only moved the cue-clef after staff-bar):
\once \override Score.BreakAlignment.break-align-order
On Tue, 13 Feb 2024 at 12:48, Mariya Kireva wrote:
>
> Dear Xavier,
>
> thank you very much for your answer. Do you know if I can set the lyrics
size precise in pt?
Hello Mariya,
Please keep the lilypond-user mailing list in Cc (Reply to all).
I found this in the archive:
https://lists.gnu.org/a
On Tue, 13 Feb 2024 at 10:20, Mariya Kireva wrote:
>
> Hello all,
>
> it is possible to set up the staff size in lilypond precise in cm or mm?
Hello,
Do you want to set the global staff size so that you have a precise staff
height and scale everything (note heads, stems, texts, titles) according
On Wed, 31 Jan 2024 at 15:12, Robert Garrigos wrote:
>
> Hi all,
>
> My first post in this list.
>
> Is there a way to accomplish this?
>
>
> the bar line across the staff is broken to enable the text to be more
visible
Hello,
Sure, use the whiteout property.
In this case you will need to put th
On Fri, 19 Jan 2024 at 13:46, Adrian wrote:
>
> Thanks for the reply, and apologies for not replying to all. However,
>
> \override Lyrics.LyricsText.font-name = "Font Name"
>
> returns the following warning:
>
> warning: not a grob name, `LyricsText'
>
> and doesn't alter the font.
Sorry, my bad
On Fri, 19 Jan 2024 at 01:42, Adrian wrote:
>
> How would you change the font of the lyrics?
>
> \override LyricsText.font-name = "Font Name"
>
> doesn't work yet throws no error. At the moment, I haven't found a method
to identify the name of the object to style or the name of the style
property
On Thu, 18 Jan 2024 at 21:26, Stu McKenzie wrote:
>
> I often use Lyrics to provide sticking.
Hello,
That would have been my suggestion as well, especially if you want the
sticking to be horizontally aligned.
> The lyrics are below the staff, but this can be changed. Personally, I've
had diffic
On Thu, 11 Jan 2024 at 14:43, Bernhard Kleine
wrote:
>
> Dear all, happy new year!
>
> Ich have a separate dyn line for the dynamics, but the lines there are
> to thin. How to change it?
Hello,
\override Hairpin.thickness = #1.5
Adapt value according to your liking (default value is 1).
Actuall
On Sun, 7 Jan 2024 at 21:35, Joel C. Salomon wrote:
>
> Reposting for clarity as to what I’m asking.
>
> In the second case below, instead of the slur attaching to the specific
note, it moves vertically—I assume, to avoid collision with the duration
dot. (Though it’s interesting that a tie does n
On Mon, 20 Nov 2023 at 05:15, Abe Raher wrote:
>
> p.s. This story ended oddly.
>
> I uninstalled ghostscript and then installed ghostscript 10.02.0.
>
> I pinned that version.
>
> Still got the error ...
>
> Uninstalled lilypond.
>
> Reinstalled lilypond – this required unpinning ghostscript.
>
>
in `\bookparts`)?
Hello,
If you add ragged-last-bottom = ##f in your \paper block you have the same
result with bookpart
Kind regards,
Xavier
--
Xavier Scheuer
level instead of PianoStaff.
Here it seems to "merge" the rests from your left and right staff.
Kind regards,
Xavier
--
Xavier Scheuer
ver it does not work for \cresc as
> c4^\parendyn\cresc
> creates an empty () mark.
>
> Is there a way to extend the above macro to work with \cresc and \decr
> as well?
I have found LSR #1097
https://lsr.di.unimi.it/LSR/Item?id=1097
Kind regards,
Xavier
--
Xavier Scheuer
.break-visibility = #end-of-line-invisible
barNumberVisibility = #(every-nth-bar-number-visible 1)
}
}
Kind regards,
Xavier
--
Xavier Scheuer
ed question with a minimal example.
Add
\once \override Staff.BarLine.bar-extent = #'(-2 . 3)
after your Staff.StaffSymbol.line-positions.
Kind regards,
Xavier
--
Xavier Scheuer
f-grouped-staves
Cheers,
Xavier
--
Xavier Scheuer
the second and third control points of the slur as shown
below,
> but this does not seem to be a realistic solution.
Hello,
I guess Lukas-Fabian's "VShapeSlur" could be a good starting point.
https://lists.gnu.org/archive/html/lilypond-user/2020-09/msg00129.html
Cheers,
Xavier
--
Xavier Scheuer
less-than-fortunate side effects.
>
> (snip)
>
> Is there an elegant way to adjust this to the larger staff size?
Hello,
Use #(set-global-staff-size 26) instead ?
Cheers,
Xavier
--
Xavier Scheuer
easure rests
Cheers,
Xavier
--
Xavier Scheuer
tor }
% 150% in X and Y, change to your convenience
Or change the definition of slashSeparator, which is
slashSeparator = \markup {
\center-align
\vcenter \combine
\beam #2.0 #0.5 #0.48
\raise #0.7 \beam #2.0 #0.5 #0.48
}
% from ly/titling-init.ly
Cheers,
Xavier
--
Xavier Scheuer
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