On Tuesday May 25 2004 04:50, LEGRAND Jean-Marc wrote:
> Hi again !
> I'd like to put a markup dot like this :
>
> s4_\markup {\raise #20.0 \musicglyph #"dots-dot"}
>
> so that it appears on the same line as an a2 just before. But the dot
> appears below the staff, even after my \raise #20.0.
_\ma
On Tuesday May 25 2004 10:14, Thorkil Wolvendans wrote:
> Hi Ed & everyone!
>
> At 19:17 24-5-04, you wrote:
> >I haven't ever seen, or heard of, triplets going over a bar line (except
> > when I got Lilypond to do it on my school assignment by mistake).
>
> I attached an example from the book "Mus
On Monday May 24 2004 06:34, Arvid Grøtting wrote:
> Mats Bengtsson <[EMAIL PROTECTED]> writes:
> > - It's also a good habit to write one bar per line in the input
> >file.
>
> This is often cited as a good habit, but it's one I always break these
> days.
>
> Me, I prefer writing one line of th
On Monday May 24 2004 06:54, Mats Bengtsson wrote:
> From a mathematical point of view, shouldn't the bar line
> occur exactly at the same spot as the middle note of the triplet or
> 7-tuplet?
Actually I think it falls within the note; it would have to be expressed with
a note tied over the bar.
On Monday May 24 2004 05:13, Joerg Anders wrote:
> Hi all!
>
> Please excuse a rather music theoretical question:
>
> Is it possible a triplet oversteps the measure end ?
>
> Regard this example:
>
>
> \notes\relative c' {
> \clef violin
> \time 4/4
> g'8 b2 \times 2/3 { g4 a b } f
On Tuesday May 18 2004 00:52, Arthur Baum wrote:
> I have Lilypond 2.2.0. Is there a way to change key signatures in the
> middle of a piece (for example, from A major to E-flat major) without
> printing cancelling naturals?
>
> I just want three flats to be engraved at the start of the new bar, bu
On Saturday May 15 2004 13:47, you wrote:
> Hi.
> I have LilyPond 1.6.5. installed (Cygwin) and have tried it for the first
> time. Look nice, spent quite some time to get things working out. I have
> some questions, things I'm not able to find out how to 'implement'.
That is quite old now and u
On Sunday May 2 2004 00:42, KazakVA wrote:
> I want download whole music book LilyPond in html file, but can not find
> where and do not know the order download. That on основном put there is
> tried download, but there music files in format html no. Thank you one,
> will help in this question. Ver
On Sunday April 18 2004 23:10, Michael Welsh Duggan wrote:
> In the following fragment:
>
> << e1 \\ { c4 d e f } >>
>
> When played by a pianist (which I should emphasize, I am not), the e4
> should interrupt the e1 so that it sounds like:
>
> << e2 \\ { c4 d e f } >>
>
> What the midi output curr
On Monday April 19 2004 07:16, Mats Bengtsson wrote:
> It seems that you use version 2.2, which includes new support
> for exactly this situation with different number of syllables
> in different verses, using the ignoreMelismata property.
> See
> http://lilypond.org/doc/v2.2/Documentation/user/out
On Thursday April 15 2004 14:11, Steve Shorter wrote:
> On Thu, Apr 15, 2004 at 06:48:34PM +0200, Mats Bengtsson wrote:
> > Your example works fine with version 2.2 (after running
> > convert-ly --from=2.0.0). However, if I were you, I would
> > use the padding property of the DynamicLineSpanner ob
On Wednesday April 14 2004 12:21, Roland Goretzki wrote:
> Hello list,
>
> I wrote:
> > Unfortunately, in one piece this double-repeat-barline appears at page
> > break, and what happens, is the following:
>
> Excuse me, it's not the page break, which causes the broken barline, but
> the line break
On Sunday April 11 2004 12:26, Roland Goretzki wrote:
> Hello list, hello Edward,
>
> You wrote:
> > On Sunday April 11 2004 09:54, Roland Goretzki wrote:
> > > [ ... ]
> > >
> > > b
> > > ~
> > > #
> > >
> > > Meanwhile I did this cunstruct with text-markups, but this seems to be
> > >
On Sunday April 11 2004 09:54, Roland Goretzki wrote:
> Hi,
>
> I wonder, if it is possible to determine, if there are alterations of
> the notes above or/and below e.g. turns and pralls.
>
> For example, with the following key-signature
>
> \key e \minor
>
> there would be a note a with a turn
On Monday March 29 2004 14:49, Matthias Kilian wrote:
> Hi,
>
> is there a clean way to set dynamics (\f, \p, \mf, ...) in parentheses
> while keeping the original semantics? \markup works, but then the
> Dynamic_performer won't see it. That's bad when you're creating MIDI
> files for acustic proof
On Thursday March 25 2004 15:53, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > At least in 2.1.34, it certainly splits into several lines, however
> > I'm afraid that raggedright doesn't do exactly what you expect,
> > especially it's not similar to what you get with \raggedright in
> > L
On Tuesday March 23 2004 07:01, KEVIN ZEMBOWER wrote:
> Kieren and Erik, thank you for your kind and quick answers. I'll look
> forward to v2.3 which might contain this solution, and volunteer to be a
> beta site to test the web functionality.
>
> Thanks, again.
>
> -Kevin
>
> >>> Kieren Richard Ma
On Sunday March 21 2004 16:25, James Fay wrote:
> In a line of music with a different key signature each measure (music
> theory quiz), is there a way to prevent naturals from showing up in each
> new key signature.
I don't know if there is a way to suppress displaying the naturals in
keysignatu
On Sunday March 21 2004 13:16, Roland Goretzki wrote:
> Hello list, hello Edward,
>
> You wrote:
> > On Sunday March 21 2004 10:09, Roland Goretzki wrote:
> > > (Furthermore the most of these notes in my mind, but I think, that
> > > it wouldn't be legal, if I would typeset it by my mind wi
I get a lot of 'programming error: Infinity or NaN encountered while
converting Real number; setting to zero. (Continuing; crossing fingers)'
messages sometimes in the Chompin piece I've been typesetting. I think it
could be related to grace notes when they are in some tight measures, but the
On Sunday March 21 2004 10:09, Roland Goretzki wrote:
> Hello,
>
> I spent a lot of time on the website of mutopia, but couldn't find the
> answers to some questions, so I ask here, because here are some
> mutopia-writers on this mailing-list, aren't they?
>
> I want to typeset the studies op. 10 a
On Thursday March 18 2004 20:57, Walter Hofmeister wrote:
> On 3/18/04 11:23 AM, "Bertalan Fodor" <[EMAIL PROTECTED]> wrote:
> > I think the question is to achieve something like this:
> >
> >
> > G
> > C F -o- -o- C
> >
> > o-o--o--
> >
On Thursday March 18 2004 14:33, David Bobroff wrote:
> http://lilypond.org/doc/v2.1/Documentation/user/out-www/lilypond/Grace-note
>s.html#index-acciaccatura-395
Shouldn't the .ly file under 'Internally, timing for grace n'... have the 4th
'time point' as (2/4,-2/16) rather than (2/4,-1/8)? To me
On Thursday March 18 2004 03:12, Mats Bengtsson wrote:
> This is actually documented in the notation maunual:
> http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Pitches.ht
>ml#Pitches
>
> /Mats
So it is; interesting how I missed those details while reading the page
before. I d
On Thursday March 18 2004 09:11, Joerg Anders wrote:
> Hi all!
>
> I wanted to learn more about the "wonder of beaming"! I hoped
> LilyPond could help me. But it is difficult to
> find a rule. How many notes are grouped ? It has to do with
> the time signature. But how ? The more examples I test t
On Wednesday March 17 2004 10:48, Mats Bengtsson wrote:
> > On the topic of ambiguities, es and ees both are e-flat; I haven't seen
> > it documented or used so I avoid it myself. it it normal, correct, and
> > acceptable for proper style?
>
> It's probably just included for completeness. For peopl
On Wednesday March 17 2004 06:38, Mats Bengtsson wrote:
> Edward Sanford Sutton, III wrote:
> > On Tuesday March 16 2004 10:45, Mats Bengtsson wrote:
> >>A single grace notes without a slur but with a slash is trivial to
> >>obtain, see
> >>http://mail.gnu.or
On Tuesday March 16 2004 21:52, [EMAIL PROTECTED] wrote:
> Now that I have Lilypond working, I have been running it
> through some prove out tests. I want to begin learning how
> to write music and would love to have an excellent open
> source notation system. One of the things that jumps out at
On Tuesday March 16 2004 10:45, Mats Bengtsson wrote:
> A single grace notes without a slur but with a slash is trivial to
> obtain, see
> http://mail.gnu.org/archive/html/lilypond-user/2004-02/msg00122.html
Is there a doc somewhere that would have told me that a grace note with a slur
has to go
On Monday March 15 2004 05:06, you wrote:
> > I meant notated and was thinking something along the lines of stacked
> > dynamics like lyric stanzas (or like you were mentioning) might be a way
> > it is professionally done; I was guessing. Is there a LilyPond way?
>
> Lookup the section on text m
On Wednesday March 10 2004 12:23, David Raleigh Arnold wrote:
> On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote:
> > Is there a preferred way to have two different dynamics in a
> > section of music to indicate that it is played at one level the first
> >
Maybe a LilyPond bug; I don't know when that call is made.
Should this be documented or fixed? I hope this helps; the following does
'make it work' by making the two stafflines once again line up:
lowerOne =
\notes \relative c {
\voiceOne
\partial 8
\grace s32
r8
}
On Wednesday
On Wednesday March 3 2004 14:32, Will Oram wrote:
> I'm lilyponding a violin cadenza that spans a full page. It's
> unmeasured, so no barlines. Consequently, \break doesn't work anymore.
> I can't use \partial anymore, either. How can I break one megalarge
> cadenza passage at designated spots?
How
On Tuesday March 2 2004 13:41, [EMAIL PROTECTED] wrote:
> Hi everyone,
>
> I need help with lyrics. I am using version 2.1.0-2 in Debian Sarge
> (testing) and my lyrics are not lining up under notes. I need to know
> how to install spaces in lyrics where there are rests.
I think it is something
I have a midi file that I have tried to import that was given to me in ees
major. It imports with the flatted notes respelled as the enharmonic sharps.
Should this also be controlled by the -k flag of midi2ly, is there some other
parameter I am overlooking, or is this just something I need to
Is there a preferred way to have two different dynamics in a section of
music to indicate that it is played at one level the first time and at the
next level the second time?
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailm
On Tuesday March 2 2004 06:36, David Bobroff wrote:
> In this scenario I'm also getting occasional color confusion as well,
> but I have not been able to reproduce it intentionally. Someone else
> has remarked about the "string" color continuing where it should not
> have.
Using emacs 21.3.2, I ha
On Monday March 1 2004 03:03, Vaclav Smilauer wrote:
> is it possible, withoud dirty postscript tricks, to typeset vertical
> bracket and vertical slur (see attachment)?
\arpeggioBracket might be useful for what you are doing. look under the
arpeggio section of the manual if I remember right. slur
On Sunday February 29 2004 16:51, Hans Forbrich wrote:
> Nothing wierd about it. The program opened reads the user's address book,
> composes a new email to random people on the address book and make them
> appear to be from other random people from te address book.
Worms also scan disks for files
On Sunday February 29 2004 04:46, Nicolas Sceaux wrote:
> Sat, 28 Feb 2004 12:22:57 -0800, Doug a dit :
> > Also having problems with the \tempo colliding with the fingering
> > marks. Again, see below for source.
> >
> > And, if that's not enough (enough already!), I'd like to have some
> > m
The following link has virus details to what I suspect has been flooding
lilypond email lists lately. I am only assuming since I have no up to date
antivirus system to test them against right now. Confirmations appreciated.
Reading the following page can help educate windows users about the v
41 matches
Mail list logo
