Maybe a LilyPond bug; I don't know when that call is made.
Should this be documented or fixed? I hope this helps; the following does
'make it work' by making the two stafflines once again line up:
lowerOne =
\notes \relative c {
\voiceOne
\partial 8
\grace s32
r8
}
On Wednesday March 3 2004 23:00, Doug Asherman wrote:
> Hello:
>
> I'm having a problem with the \acciaccatura when used as the first note
> of a measure in a PianoStaff. With the acciaccatura in, I get a treble
> staff that has a treble clef, key signature, time signature, the
> acciaccatura, a time signature, then the start of the regular notes.
>
> In the bass staff, I get a treble clef, time signature, bass clef, key
> signature, then the start of the notes.
>
> The lilypond source is attached below. Even comments like "You're doing
> something stupid -- check out http://www.etc.etc...."; would be welcome.
> Well, as long as they're relevant.
>
> Thanks for any help.
>
> Doug
>
>
> Global = \notes { \time 2/4 \key g \major }
>
> upperOne =
> \notes \relative c'' {
> \voiceOne
> \partial 8
> %% PROBLEM: The \acciaccatura seems to mess things up
> %\acciaccatura a'32 \stemDown g16\mf( fis32 g)
> % comment out the line above, uncomment the following line, no problem
> \stemDown g'16\mf( fis32 g)
> }
>
> lowerOne =
> \notes \relative c {
> \voiceOne
> \partial 8
> r8
> }
>
> % set up the whole piano context
> piano = \context PianoStaff <<
> \new Staff <<
> \Global
> \clef treble
> \context Voice = one \upperOne
>
> \new Staff <<
> \Global
> \clef bass
> \context Voice = one \lowerOne
>
>
>
> \score {
> \notes {
> \piano
> }
> \paper {}
> }
>
>
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