baseline-skip seems to do the job:
||
Found here: LilyPond snippets: Tweaks and overrides
<https://lilypond.org/doc/v2.23/Documentation/snippets/tweaks-and-overrides>
Regards,
Curt
On 6/20/2024 5:00 PM, Fennel wrote:
Hi all,
Getting this behavior when trying to put fingerings in
replace larger chunks of LilyPond code?
It would also help to know what operating system environment you are
using. The answer may be to make a copy of the whole tree and run a
search/replace utility recursively on all the files.
Regards,
Curt
On 3/6/2024 10:56 AM, Michael Winter via LilyPond user
I often resolve squished ties like that by flipping the tie; e.g., using
*fis^~* to force the tie on top, or *fis_~* to force it to the bottom.
(In this case, it looks good on top, but this doesn't help if you really
want it on the bottom.)
Regards,
Curt
On 2/11/24 09:30, George wrote:
b
/2018/09/LeCheminDeFer.pdf
Cheers,
Curt
On 2/3/24 16:18, Valentin Petzel wrote:
rather than postscript you should probably use the high level path command.
This will work with other outputs than just SVG.
So instead of
\markup\postscript #"0.17 setlinewidth -1.50 1.25 moveto 0 1.0 rlineto s
Have you actually tried this? LilyPond appends ".pdf" to the output
filename (and ".midi"). If you try to make the fifo ending in ".pdf",
you find lilypond removes the fifo before writing a new file. For the
same reasons, the output file cannot be /dev/stdout. Maybe you could
write something ex
n problems don't often crop up. convert-ly
will be there if something actually goes wrong, but this remains an
annoyance for people concerned with precision.
On 7/1/2023 12:09 PM, Jean Abou Samra wrote:
Le samedi 01 juillet 2023 à 11:30 -0700, Curt McDowell a écrit :
I tend not to use convert
their working environment on my account. Using convert-ly would only
serve as a barrier to compiling my files, most of which are still on
2.18 and compile with 2.22 (I can't think of a case where something broke).
Regards,
Curt
On 6/30/2023 3:36 PM, Stu McKenzie wrote:
I'm not sure
und Bing (supposedly based on GPT-4) is much worse
than chat.openai.com, despite its ability to look up info on the web,
and often just says it can't find anything.
Regards,
Curt
On 3/29/2023 3:43 PM, Saul Tobin wrote:
I've seen some examples of other people succeeding in getting ChatGP
warning: cannot find file: `t??st.ly'
I don't know why.
Lilypond 2.20.0 works in the same environment and seems insensitive to LANG.
-Curt
On 5/21/2022 10:36 PM, David F. wrote:
No, I get the same error running lilypond from the command line:
$ lilypond --png tést.ly
GNU LilyPond 2.23.9
using a session)? I haven't found how in the docs.
Thanks!
Curt
the png and add background, used ffmpeg and other tools -- one
filthy hack after another.
It looks like I maybe should have used 60Hz framerate instead of 30Hz.
Regards,
Curt
On 1/26/2021 8:56 AM, Amelie Protscher wrote:
Dear list members,
although I'm a veteran user since 1.6.6, I've
Another way to hack it on Linux:
ln -s /dev/stdout my_file.png
lilypond --png my_file.ly | my_program
rm my_file.png
Regards,
Curt
On 8/21/2020 4:02 PM, David Wright wrote:
On Fri 21 Aug 2020 at 22:00:54 (+0200), Krystian Chachuła wrote:
Is there a way of making lilypond output the
A way to output to stdout directly (on Linux):
$ ln -s /dev/stdout foo.svg
$ lilypond -dbackend=svg -o foo music.ly
Regards,
Curt
On 5/5/2020 2:42 PM, David Wright wrote:
On Sun 03 May 2020 at 12:22:31 (+0200), Valentin Villenave wrote:
On 4/30/20, David Wright wrote:
On Thu 30 Apr
ing music
<https://www.youtube.com/watch?v=e1V4iUQWtDU> :)
-Curt
uot;) "A Medley for Orchestra"
or
subtitle = \markup \raise #1.0 \fontsize #-3 \override #'(font-name .
"Arial Black Italic") "A Medley for Orchestra"
Regards,
Curt McDowell
maybe that has been fixed already.
Thanks!
Curt
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with the new filenames of the *.otf
files (for instance, I think jazzchords.ly <http://jazzchords.ly/> needs to be
updated in one place to point to lilyjazz-chord), but I’m not sure if there
were other changes made in the updated version of those files.
Thanks,
Curt
> On Oct 10, 2017, at
Hi, I’m stumped on how to install lilyjazz on my Mac.
I cloned https://github.com/OpenLilyPondFonts/lilyjazz and installed the fonts
from otf/ and supplementary-fonts/ into FontBook. So now in FontBook, I have
the 8 “numbered” lilyjazz fonts, lilyjazz-brace, lilyjazz-chord, and
lilyjazz-text. I
es of users would be pretty savvy about keeping track of the
>differences, and perhaps able to build binaries themselves.
Curt
On Dec 10, 2013, at 5:23 AM, Mike Solomon wrote:
> Hey all,
>
> I recently e-mailed the development list about multiple concurrent
> development versio
In his initial announcement, he wrote, "At any rate, the whole LilyJAZZ issue
shall be open and free (just like Lilypond)..."
Is that not enough?
http://lists.gnu.org/archive/html/lilypond-user/2013-03/msg00647.html
Curt
On Dec 8, 2013, at 5:05 AM, Federico Bruni wrote:
> 2
On Dec 2, 2013, at 3:07 PM, SoundsFromSound wrote:
> Urs Liska wrote
>> Am 02.12.2013 23:34, schrieb Curt:
>>> I've written perl scripts that generate lilypond snippets to include in
>>> Anki decks for self-study of jazz theory. There's all kinds of cra
are you doing
that involves using J in this manner?
I've written perl scripts that generate lilypond snippets to include in
Anki decks for self-study of jazz theory. There's all kinds of crazy
programming people can do with Lilypond.
Curt
__
Here's an example that numbers pages with prime numbers. ;-)
Ok, that was just for fun. Here's also a version that skips a specific list of
page numbers.
(IMHO, it would still be better to figure out how to embed your graphic pages
within Lilypond using eps!)
-Curt
From
Is it considered "bad behavior" to open up a github repository with Thorsten's
contribution, and then apply the patches to it, for that to be considered the
source of truth?
On Oct 8, 2013, at 12:33 AM, Marc Hohl wrote:
> Am 08.10.2013 06:23, schrieb Keith OHara:
>> Thomas Morley gmail.com>
mited list, and I think you can
export to that, too. So, someone could import, add some cards, export, and
commit the diffs. I think.
Curt
On Oct 2, 2013, at 12:36 AM, Urs Liska wrote:
> Is there the notion of collaboratively working on a deck?
> I see that they are stored as SQLite f
I've made a few decks using perl scripting. One for guitar fretboard note
identification, and two for jazz theory. But not for actual lilypond
concepts/syntax - I can see how that would be useful.
On Sep 13, 2013, at 6:52 AM, Urs Liska wrote:
> Hi list,
>
> I'm curious if anybody has some
Martin, you're absolutely right, I should have included an attachment. Sorry
for the time wastage.
Ming, try this version. It's just an idea. You might need to tweak relative
positions and/or make the PostScript more elaborate to draw what you want.
Cheers,
Curt
\version "2.
ith having copies of
your tweaks library, with different version numbers in the file names.
Curt
On Sep 27, 2013, at 2:11 AM, Alexander Kobel wrote:
> Dear all,
>
> long time ago there was this thread about version controlling Lily scores,
> and much more recently Urs' excelle
p below).
Cheers,
Curt
\version "2.13.51"
\header {
title = "Mary Had a Little Lamb"
}
fishA = \markup {
\postscript #"0.5 setlinewidth 5 0 moveto -7 6 -10 -7 -0.5 3 rcurveto
stroke"
}
fishB = \markup {
\postscript #"0
that is keeping the
file descriptor open, or apache needs some clue when it's to be closed. If the
server never closes the connection, the browser will give up after a timeout
period, and only then display what it received.
Cheers,
Curt McDowell
-Original Message-
From: lil
ll in eclipse (elysium) on a 15" MacBook
Pro and loved the "coding" experience.
Thanks for all your help, I hope someone finds this useful!
Curt
~^~^~^~^
Unexpectedly hard parts of creating this score (all specific to v2.16):
- General spacing and staff sizes. I believe Lilypond by
l that said, I recognize I lack perspective - thanks for any clarifications.
Thanks,
Curt
On Apr 26, 2013, at 7:46 AM, Urs Liska wrote:
> Am 26.04.2013 16:39, schrieb Paul Morris:
>> On Apr 26, 2013, at 8:59 AM, Urs Liska wrote:
>>
>>> in order not to let this discussion
measure numbers. I wish I'd
found it sooner!
Cheers,
-Curt
-Original Message-
From: lilypond-user-bounces+lilypond=fishlet@gnu.org
[mailto:lilypond-user-bounces+lilypond=fishlet@gnu.org] On Behalf Of Urs
Liska
Sent: Tuesday, April 09, 2013 4:26 AM
To: lilypond-user@gnu.org
Su
l should be used for some major new functionality
rather than
to patch up one detail case.
The problem you mention seems to be covered by nesting one \relative X { ...
} inside
another. It appears the treatment of X is still absolute when nested.
Regards,
Curt
a.de> wrote:
Hi Curt,
I would definitely use #2 and #3 alternatingly, depending on the
context.
What I like especially about #3 are the alternating stem
directions, which immediately tell me (as a pianist, not as a
typographer) your idea. Ma
est to leave the fingering off. Especially
> since after a certain point of skill you could navigate passages with
> different fingerings with equal advantage.
>
> Shane
>
> On Mon, Jan 28, 2013 at 11:06 PM, David Nalesnik
> wrote:
> Hi Curt,
>
> On Mon, Jan 28,
Thanks, it looks like the minimum-Y-extent is working nicely! Is there a similar setting for adding horizontal padding? minimum-X-extent didn't seem to do anything.As for markup, at the bottom of this email (below quoted material) is an example. (I took out the inlay stuff for brevity.) I'm try
taves).
Thanks!
Curt
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any particular students I have - I'm going to make an Anki
flashcard deck to help people (including me) learn the guitar fretboard in
general. First B's and C's, then E's and F's, and then filling in the rest.
Curt
On Nov 23, 2012, at 5:27 AM, Eluze wrote:
>
Hi, I'm thinking of generating guitar fret diagrams to drill note names for beginning guitar, and I've gotten this far:Can anyone think of a way to put the fretboard inlay markers in there? Either on the diagram, or as labels above or below the fret diagram in the right fret location? dots on 3rd
Well that's just half-dim, but the other one is a good point. There are plenty
of
jazz chords with extensions that would be valuable to notate in roman numerals.
V7 #11 b9 for instance. #5, b13, whatever.
It seems like so much of this could be enabled just by allowing chord mode
to accept uppe
I'm just curious what other jazz-lead-sheet use cases that the current
snippet might not be sufficient for? That might help with making a good
feature request. :-) I've long thought that using roman numerals would
be a good spruced up "nashville notation" for helping jazz session musicians
learn
Yes, this is what I ended up using. Works pretty well, a couple of images attached. It'd be nice if lilypond supported this natively someday. Most of what I need could be accomplished just by by chord mode allowing roman numerals as well as note names. Doesn't need to support transposition sinc
ight be nice to put chord qualities on a jazz lead for
easier transposition, probably above the staff, above or alongside the existing
chord symbols.
- I am wanting to simply batch-generate a whole mess of those symbols
completely by themselves, with no staff or note a
While running a batch job to generate several chords, I found that some of them cut off the top improperly. For example, here is bdim7.ly . Yet, it seems to look fine for amin7.ly. These were generated from --png -dpreview . The source for the two files is below. Is this a bug? This was using
I've never been able to get frescobaldi working on os x. But I am enjoying the
workflow with Elysium. Outline view, pdf output as you edit, etc. Plus, since
it's an eclipse plugin, you get all the added benefits of an IDE, such as
git/svn integration and other similar things.
Cur
This worked for me (in conjunction with the snippet I mentioned): 1-\markup { \concat { \super "7" \raise #0.5 \fontsize #+2.0 "(" \fontsize #-4.0 \raise #2.0 \column { \line { \flat "9" }\line { \sharp "5" } } \raise #0.5 \fontsize #+3.0 ")" } }CurtOn Sep 9, 2012, at
For what it's worth, jazz lead sheets commonly portray this as putting the b9 on top of the #5, both inside larger parentheses. (I was notating this exact chord quality tonight, image from source pdf pasted below.) I'm not sure how to accomplish those large parentheses with \markup, but if that's
-name = "Gloucester MT Extra Condensed"
}
Switching it to Times works, but Gloucester doesn't, even though Gloucester
does work for title.
Ah well, it looks like there are plenty of other fonts I can use, that work for
time signature. I guess I learned a lot about font behavio
sh this? I thought this might be because of the Feta
font, but this docs page implies it should be possible to
switch time signature fonts:
http://lilypond.org/doc/v2.16/Documentation/notation-big-page.html#single-entry-fonts
Thanks to anyone willing to wade in these weeds. :)
essages or warnings.
Is there something extra I have to do to make lilypond see my fonts? I saw the
thing in the docs about "fondu" but that only looked relevant for the ".dfont"
system fonts on os x.
Thanks,
Curt
___
lily
On Aug 30, 2012, at 10:14 PM, Nick Payne wrote:
> On 31/08/12 15:10, Nick Payne wrote:
>> On 31/08/12 13:00, Curt wrote:
>>> For film scoring, it's common to want giant bar numbers in the middle of
>>> the score. Does anyone have ideas on how to center
pt for the
bar-number-engraver, and then giving it a very large font. It'd be just above
Violin 1 in the orchestral score. I think that way they'll be nicely aligned
vertically - I'm just not sure how to center them.
Thanks!
Curt
___
l
Hi, am I misunderstanding how vertical spacing works? I am not sure how to
make the second page of a score respect these \paper variables. The second
page has everything close to the top for me. I am referring specifically to
top-markup-spacing and markup-system-spacing.
Thanks!
Curt
Brandes wrote:
> Looks to me that the cross tie stuff lies easily under the left hand alone.
>
> Shane
>
> On Wed, Aug 29, 2012 at 3:09 PM, Curt wrote:
>
> Thank you for the perspectives! It's nice to know that it comes across
> clearly. I was afraid it might look t
On Aug 29, 2012, at 2:48 PM, David Kastrup wrote:
> Like with the previous example, I am somewhat skeptic that this will
> work under all important circumstances, but it looks like a somewhat
> feasible hack, and at least seems to do a bit more than my first
> proposal.
>
> --
> David Kastrup
On Aug 29, 2012, at 2:48 PM, David Kastrup wrote:
> Curt writes:
>
>>> On Aug 29, 2012, at 12:33 PM, David Kastrup wrote:
>>>
>>>Try
>>>
>>>\include "english.ly"
>>>
>>>\drums \with { \accepts &qu
ah-ha! Thank you David!! I'll read deeper on \with and \accepts.
Curt
On Aug 29, 2012, at 12:33 PM, David Kastrup wrote:
> Try
>
> \include "english.ly"
>
> \drums \with { \accepts "Voice" }
> {
> ss hh
re if that's the documentation's problem or my problem. :-) ).Thanks again,Curt\version "2.16.00"\include "english.ly"\drums { ss hh \clef treble \notemode { a b c }}___
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htt
Thank you for the perspectives! It's nice to know that it comes across
clearly. I was afraid it might look too cluttered but I can always also just
play with the staff spacing a bit.
Curt
On Aug 29, 2012, at 5:06 AM, David Nalesnik wrote:
> Hi Curt,
>
> On Wed, Aug 29, 2
way to notate the following figure. Hands alternating, with melody in the pinky. The pattern continues throughout the piece (with different notes). Right hand stays in the same general location, right hand wanders down an octave or so at times.Thank you,Curt\version "2.16.0"\include &
I've resolved my issue. :-)I used http://lsr.dsi.unimi.it/LSR/Item?id=739 with a couple of small differences. I swapped the parameters, and then multiplied the calculation by -2 instead of 2. Works great.Thanks everyone!Curt___
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now, while retaining the
proper position of the dynamic (centered below its note).
On Aug 22, 2012, at 10:32 PM, wjm wrote:
> Taking all that has gone before, where must Curt Siffert place his 'subito'
> text to make whatever it is he requires musically correct and meaningful?
&g
On Aug 21, 2012, at 10:47 PM, Nick Payne wrote:
On 22/08/12 14:41, Curt Siffert wrote:
Hi, I am trying to make a decrescendo end in a subito dynamic
for the next note. Not sure how to make it align. I found lots
of examples online
ution here because I'm not
100% sure what would be the best way to notate this. Any suggestions? Three
tries appended below.
Thanks :)
Curt
\relative c'' {
\time 3/4
d2.\mf\> |
a2-\markup{ \italic \tiny subito } d8\!\mf( e) |
at 2:03 PM, Johan Vromans wrote:
> Curt Siffert writes:
>
>> Hi, as a songwriter that sings/plays, I often want to put together
>> rough lead sheets that communicate chords/lyrics/structure as a
>> memory aid, or to give to backup musicians.
>
> Aren'
out putting lyrics to devnull. But if I
switch to a hideNotes approach, I get a "note-column has
no direction" warning.
Thanks, I'd love to submit this as a snippet once it's improved
a bit.
Curt
\version "2.15.43"
\language "english&qu
Sounds like the opposite of melisma. You want the words to track the
notes. In melisma it's multiple notes per syllable. Here he might
have multiple syllables per note. Which will sometimes happen in the
case of multiple verses written under a melody line. (Although there
is usually
Hi, I'm thinking about learning lilypond as a really fast way to come
up with jazz lead sheets like the ones
in my fake books.
I'm so used to the cool-looking handwritten fonts for chord symbols,
though. Is there a way to make that
happen for lilypond? Or, less importantly, the handwritten
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