Well that's just half-dim, but the other one is a good point. There are plenty of jazz chords with extensions that would be valuable to notate in roman numerals. V7 #11 b9 for instance. #5, b13, whatever.
It seems like so much of this could be enabled just by allowing chord mode to accept upper and lower case roman numerals as well as pitch names. That's not the same use case (and probably not the same solution) as multi-row functional theory analysis below the staff, but I think it is a plenty valuable feature for lilypond to support. On Nov 21, 2012, at 3:44 PM, David Nalesnik <david.nales...@gmail.com> wrote: > On Wed, Nov 21, 2012 at 5:35 PM, David Nalesnik > <david.nales...@gmail.com> wrote: > >> I was thinking of chords like a Cm7b9 and the like. > > Well, that's an awful chord. I meant Cm7b5 which the example shows.. > > -David. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
