For what it's worth, jazz lead sheets commonly portray this as putting the b9 on top of the #5, both inside larger parentheses.  (I was notating this exact chord quality tonight, image from source pdf pasted below.)  I'm not sure how to accomplish those large parentheses with \markup, but if that's solvable, you could always customize the chord symbol as shown in this snippet:


It would be some markup after this:
<c e gs bf df'>1-\markup { ... }



On Sep 9, 2012, at 1:15 AM, Jim Long wrote:

I'm having the problem illustrated in the attachment, the
collision of the markup for the second and third chords in the
ChordNames staff.  If this is a bug, is there a simple workaround
I can use until the collision issue is addressed?

Thank you!

Jim


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