don't need for
the score for the improvisation parts. It only needs to look good, and
that it does, as usually ...
Thanks and have a good night,
Robert
Am 10.07.18 um 22:54 schrieb David Kastrup:
Robert Schmaus writes:
Dear Ponderers,
I'm setting up a custom drumStyleTable as described in
s could be included in the documentation - I'll try to do
that the next days and send it to ... well, I'll find that out, too.
Thanks again everyone!
Good Night,
Robert
Am 11.07.18 um 00:22 schrieb Torsten Hämmerle:
Robert Schmaus wrote
The improvisation switch works well if one c
Might be the same thing as here:
http://lilypond.1069038.n5.nabble.com/Curious-thing-about-ties-td196616.html
> On 26 Jul 2018, at 12:37, Thomas Morley wrote:
>
> Hi,
>
> please consider the following example:
>
> \version "2.19.82"
>
> \relative c'' {
> f,1
> r4 b~ b8 a b4~
> b8 a b2.
>
Ming,
That would be
g : m7.5- / f
or alternatively
g : min7.5- / f
Cf here:
http://lilypond.org/doc/v2.18/Documentation/notation/common-chord-modifiers
Best,
Robert
> On 12 Jan 2017, at 04:26, MING TSANG wrote:
>
> dear lilyponders,
>
> I transcribe a score, I encounter Gm7(b5)/F and d
That's because there is none.
> On 12 Jan 2017, at 04:55, MING TSANG wrote:
>
>
>
>
> dear lilyponders,
>
> I have the following snippet but I cannot see the difference between F1:maj
> and F1:maj7
> Help is appreciated.
>
> God bless nImmanuel,
> Ming
>
>
>
> \version "2.19.54"
> \l
Hi Amir,
I'm not sure if I understand your last sentence correctly - did you
mean, \makeCluster doesn't do what you need in general, or did you mean
that you need to apply \makeCluster over several staffs?
If you meant the latter, that is no problem. \makeCluster does work over
several syst
Dear List,
this is not about Lilypond, so technically, I'm actually asking the
wrong list. But I'm pretty sure there's someone who can help me here ...
I'm using Frescobaldi 2.18 on a Mac OS 10.12.3.
So far, never had any problems. But now, completely out of the blue,
Frescobald won't start u
t 21:45:05.998738 +0100 Frescobaldi QObject::startTimer: QTimer
can only be used with threads started with QThread
default 21:45:05.998986 +0100 Frescobaldi QObject::startTimer: QTimer
can only be used with threads started with QThread
default 21:45:06.18 +0100 Frescobaldi QObject::startTimer: QTime
Just a thought - you apply the SpacingSpanner modifications to context
\Score ... did you already try to apply those to context \ChordNames
instead? That *does* change something, but I'm not sure if it is what
you want ...
Cool analysis, by the way!
Best,
Robert
Am 15/03/2017 um 01:11 schrie
Am 15/03/2017 um 14:54 schrieb Adam Spiers:
On 15 March 2017 at 13:45, Robert Schmaus wrote:
Hi Adam,
you're right ... I might have changed something else. Anyway, applying the
overrides to the Score seems to be the correct way.
I tried your file. Maybe you'll have to insert
There is a technique to make the flag smaller in general:
\override Flag.font-size = #-2
for instance. That what you're looking for?
Best, Robert
> On 8 Apr 2017, at 16:43, Joseph N. Srednicki wrote:
>
> Hello:
>
> See the example below.
>
> Is there a technique to shorten the tail of an
>
>> my score becomes integrated with the email addresses etc when I go to send
>> or print.
>
> ... but perhaps that is because the PDF is sitting on your desktop
> rather than in the filesystem. Do you need to drag it into a folder?
There's nothing special about the desktop ... it's just a f
I couldn't agree more!
> On 3 May 2017, at 03:30, Andrew Bernard wrote:
>
> Come on guys. Lilypond is not named Lily, the app is not developed by Apple,
> Apple is not stealing anything, and it has nothing to do with music engraving.
>
> Lilypond is not a brand and not a trademark. It's open
On 5 May 2017, at 07:35, Michael Gerdau wrote:
> Anybody remembering apple sueing apple records for trademark infringement?
Aaand we're back with some good old conspiracy theories and household paranoia.
I distinctly remember Apple Corps (i.e. The Beatles) suing Apple Inc (i.e.
Apple) for c
On 5 May 2017, at 07:35, Michael Gerdau wrote:
> Anybody remembering apple sueing apple records for trademark infringement?
Also, if I recall correctly, the lawsuit wasn't about trademark infringement at
all. I think Apple Corps had an understanding with the newly founded Apple Inc
that the
Please cool down and stop overreacting.
Well your statement, which - very possibly without any bad intention -
turned around the historical facts, so admirably matched that notion
that occasionally pops up also on this list ... namely that notion that
everything proprietary is an attack on
Check this link in the LSR:
http://lsr.di.unimi.it/LSR/Item?id=969
It descibes how to create coloured backgrounds for markup. If you simply
make that background white, it might be just what you want ... if the
markup is set on top of everything else at least.
Best,
Robert
Am 06.05.17 um 1
Hi Wilhelm,
Just a stab in the dark (I'm not in reach of LP right now):
Context "staff" does not seem to exist at all.
Does
\new Staff = "staff" ...
Solve the problem?
Also, I'm not sure if the Lyrics contexts should be inside the staff context or
rather outside of it ... and in the desired s
I code \stemUp for for the second group. It works but all subsequent
stems are all UP. How can I stop the \stemUp for next measure onward?
You can "release" the stems again with \stemNeutral.
But I'm not sure if you should use \stemUp in the first place. Maybe you
should actually use \voi
Hi Charles,
how good of you to send a summary of this thread. I was very interested
in it as you wrote the first mail but couldn't reply right away. And
when I could, the thread had already grown so huge, I just could not
keep up all posts.
So it might well be that what I write has already bee
My advice: go over your file (I only looked at it superficially) and
pepper it with bar checks and - in this case probably more importantly -
bar *number* checks. Then you should find your misplaced repeat block ...
Here's the manual:
http://lilypond.org/doc/v2.19/Documentation/notation/bars.e
Am 29.05.17 um 15:28 schrieb Carl Sorensen:
I had not heard of quartic chords before reading this email (as I've
mentioned before, I'm a music novice). It was very interesting for me to
study quartic chords.
But in my web search and following links, I never found anything that
approached a no
Hi Peter,
if you use Frescobaldi for writing your music (and I very much can
recommend that!!), it has a lot of such things built in.
http://www.frescobaldi.org/index.html
Best,
Robert
Am 14.06.17 um 12:02 schrieb pe...@chubb.wattle.id.au:
Hi Folks,
Lots of older music is written in
Hi Andrew,
It's not the bar number check that breaks the MM rest, it's the separation of
s1. * 17 into pieces of 9 and 8 measures that does.
Why don't you insert the check at bar 18 and keep use s1. * 17 - that should be
ok also.
Best, Robert
> On 13 Jul 2017, at 02:20, Andrew Bromage wrot
Hi,
I can't imagine there's any problem at all with having a \break within
an "ottava-zone". have you tried it?
and should it be obvious what the grace spacer is for?
Best,
Robert
Am 07.09.17 um 18:01 schrieb Caagr98:
I currently do it with the code below. It works, but it feels wrong. Is
I forgot to specify what kind of break I meant... I don't mean
> a line break, but stopping the current bracket and starting a new one.
> Without the grace spacer, the two brackets are merged into one.
>
>> On 09/07/17 18:42, Robert Schmaus wrote:
>> Hi,
>> I can
Dear List,
This doesn't belong here, strictly speaking, but I don't get any answers
from the Frescobaldi list.
I'm looking for the place where Frescobaldi would store its preference
files, namely the session informations etc.
The reason for this is that I can't open Frescobaldi anymore (since
gt;
> 2017-10-11 14:23 GMT+02:00 Robert Schmaus :
>> I'm looking for the place where Frescobaldi would store its preference
>> files, namely the session informations etc.
>
> The preference file should be org.frescobaldi.frescobaldi.plist in
> ~/Library/Preferences/.
&
Dear Ponderers,
I need to remove text scripts in certain situations from the voices.
Text scripts are engraved by the Text_engraver, so I tried to remove
that from the voice, like this:
--
\version "2.19.65"
\score {
\new Staff \new Voice \with { \remove Text_engraver } { c'1-"Text
Hi Kieren,
I believe you're right!
Thanks a lot,
Best, Robert
> On 14 Oct 2017, at 21:39, Kieren MacMillan
> wrote:
>
> Hi Robert,
>
> I believe you’re looking for
>
>\with { \omit TextScript }
>
> Hope that helps!
> Kieren.
>
>
> Kieren MacMillan, com
Hi Karlin,
> But anyway, is anyone else using Thunderbird, and never having any
> lost messages at all?
I do, and I haven't ever lost a message to this (or indeed any) list.
Sometimes it took a while for it to show up but I doubt that's anything to do
with TBird.
> If so, is your email provide
Actually, I (not a drummer as well but a bassist, so close enough ...) would
suggest not to translate this at all. I've never played with a dummer (german
speaking) who didn't call a rim shot "rim shot". I've never heard of a
"Randschlag" or indeed any German word for this percussive element ...
I think R8*6 would be 6 bars of full measure rests in a musical segment in 1/8
time ...
> On 1 Dec 2017, at 14:41, Robert Murdoch wrote:
>
> What about R8*6 and R8*9 for 6/8 and 9/8, respectively?
>
>
> ___
> lilypond-user mailing list
> lilypond-us
Hi Gianmaria,
if you use Frescobaldi, there's a "Import Midi" function in the File
Menu. In principle, if you produce a midi file from your original ly
file, you should be able to reimport the music fully unfolded.
The problem is, I've never used this function, and a quick trial just
now did
That was my first thought too, but the OP wanted to have something like
\repeat unfold 3 { c d e f }
unfolded into
c d e f
c d e f
c d e f
and \displayLilyMusic doesn't do that. Instead it outputs
\repeat unfold 3 { c d e f }
Am 15/05/16 um 18:18 schrieb Paul:
On 05/15/2016 09:01 AM, Da
There's a program called Musescore (free open source WYSIWYG music sheet
program) that can import and render MIDI. Might be messy, depending on the
complexity of the music, but that's probably the same in all programs ...
Best, Robert.
__
It is wrong always, everywhere, and for anyone, to
Hi John,
I'm not an iOS programmer, but fwiw, I remember a discussion about this
topic from some years back.
One thing that came up is that, in iOS, it's not possible (i.e.,
allowed) to build a iOS lilypond app which is then called from some
separate text-editor app. Thus if anything, one wo
In the OP's defense: I believe Sam wasn't talking about the \prall glyph but
the in-staff symbol just to the left of the A note head that looks a bit like a
tied letter c. What it is, however, I don't know ... maybe just that - the
letter c?
__
It is wrong always, everywhere, and for any
Not sure if that's also acceptable, but what *does* work is use of
simultaneous voices:
\version "2.19.44"
\new Voice <<
{ a }
{ b\p }
>>
Am 14/09/16 um 14:49 schrieb David Kastrup:
Menu Jacques writes:
Hello folks,
Just for a try:
\version "2.19.44"
\relative { }
It could be coincidence, but there's a Windows error code of just that number:
http://www.tenforums.com/general-support/9872-file-system-error-1073741819-a.html
__
It is wrong always, everywhere, and for anyone, to believe anything upon
insufficient evidence.
-- William Kingdon Clifford
>
Hi Jaques,
This could simply refer to ghost notes, usually written with x note heads ...
Best,
Robert
__
It is wrong always, everywhere, and for anyone, to believe anything upon
insufficient evidence.
-- William Kingdon Clifford
> On 19 Oct 2016, at 17:40, Menu Jacques wrote:
>
> Hell
Hi everyone,
I've never used implicit voice assignment and I doubt I will start with it now.
But since there's no real need for the ordering of voices _in the code_ to
match the vertical arrangement of the _engraved_ notes (and isn't that also,
what Lilypond is all about? You specify the inpu
Am 28/10/16 um 11:01 schrieb David Kastrup:
Robert Schmaus writes:
Hi everyone,
I've never used implicit voice assignment and I doubt I will start with it now.
But since there's no real need for the ordering of voices _in the
code_ to match the vertical arrangement of the _engra
Dear Ponderers,
I've got the following question about a problem involving bar number
checks and repeats. When I'm engraving a bigger project, I find it
useful to employ bar number checks. I also find it very useful to use
the technique of having seperate layout and midi score blocks, the
latt
Not much of a trick.
\set Score.ignoreBarChecks = ##t
Ah, great - thanks David!
barNumberCheck =
#(define-music-function (n) (integer?)
(_i "Print a warning if the current bar number is not @var{n}.")
(make-music 'ApplyContext
'procedure
(lambda (c)
Am 09/11/16 um 11:35 schrieb David Kastrup:
Robert Schmaus writes:
Not much of a trick.
\set Score.ignoreBarChecks = ##t
Ah, great - thanks David!
barNumberCheck =
#(define-music-function (n) (integer?)
(_i "Print a warning if the current bar number is not @var{n}."
David,
thank you for your fantastic work. I'm happy to hear about your new
position - I hope it will be (at least) as interesting as - I think -
your work on LilyPond has been. I'll miss your regular and always
insight- and helpful (and at times very humorous) contributions to this
list!
It
Dear Ponderers,
something I just came across while pondering away: in the following
snippet, there are two ties across barlines.
%
\version "2.19.35"
\score {
\relative c'' {
| a2 r8 a8 ( a ) b ~
| b2 r8 b8 ( a ) b ~
| b2 r2
}
}
%
> On 14 Nov 2016, at 21:22, Hans Åberg wrote:
>
>
>> On 14 Nov 2016, at 21:09, Robert Schmaus wrote:
>>
>> I've wondered why in the first instance, the tie is a down-tie, while in the
>> second it's an up-tie (see attached screenshot). Is there a
> On 14 Nov 2016, at 22:27, Brian Barker wrote:
>
> At 21:09 14/11/2016 +0100, Robert Schmaus wrote:
>> something I just came across while pondering away: in the following snippet,
>> there are two ties across barlines.
>> [...]
>> I've wondered why in
Good morning everyone,
> On 15 Nov 2016, at 02:30, Andrew Bernard wrote:
> I know lilypond strives to do as much good layout as it can without requiring
> tweaks, but this seems a step too far.
I can fully agree with the first part of your statement - for my needs, LP has
always been perfect!
such outdated OS that
>> I dual booted the device with Manjaro Linux. Didn't run like a new machine,
>> but still worked flawlessly and was able to use up-to-date programs, record
>> 8 audio tracks in reaper and run some shenanigans in OBS.
>>
>>
>>
> still worked flawlessly and was able to use up-to-date programs, record 8
> audio tracks in reaper and run some shenanigans in OBS.
>
>
>
>
> Em seg., 21 de jul. de 2025, 15:59, Robert Schmaus via LilyPond user
> discussion escreveu:
>> Dear Lilypond communi
Dear Lilypond community,
I have a strange question (if one could call it a question at all).
I've been using Lilypond in the past quite intensively to write Jazz
Music - mainly lead sheets and bigband scores. Also (for those who
remember) I took part in Urs Liska's "Das Trunkne Lied" Project. N
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