Just one general comment for the moment: I'd rather propose longer than
shorter subsections. I think that there already is too much fragmentation
at some places for the moment, which means that you never get the chance
to see the full picture as a reader. We shouldn't expect a user to keep
reading
Graham Percival wrote:
+ 6.6.2 Stems
Currently, this subsection has nothing to do with polyphony.
Furthermore it is layout specific, and should therefore be postponed.
I have _always_ hated this section. I remember trying -- and failing
-- to find a home for it when I did
;d have to rewrite this whole section (and that would be a pity).
Graham, what do you think?
Valentin
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Graham Percival wrote:
There are two solutions for this:
1) Don't split HTML by into subsections; have one html page per section.
2) Merge many subsections. For example,
6.1 Pitches
6.1.1 Writing pitches(includes 6.1.1, 6.1.2, 6.1.3, 6.1.4, and
6.1.5 in the latest proposal)
6.1.2 Oct
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Phone: (+46)
Neil Puttock wrote:
To add a dissenting voice, I don't think this is LSR-worthy, in my
humble opinion.
Surely it's clear from the postfix-style syntax for manual beaming
that the right square bracket should directly follow the note which is
to be at the end of the requested beaming, i.e.
yPond will still do the same thing (if I don't install the bundled
GIMP/GTK).
Thanks!
- Mark
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Valentin Villenave wrote:
2007/9/11, Neil Puttock <[EMAIL PROTECTED]>:
Well, I'm no programmer, so that could explain why I've never given it a
second thought.
Still; you're used to write
(inside parentheses), and not
outside( parentheses)
aren't you? :)
The problem is, as Mat
Jay Hamilton wrote:
That would then leave the following separate books:
* Learning Manual (4 or 5 chapters)
* Notation Reference (25 chapters)
* Page Layout (handful of chapters)
* Program Usage (6 chapters)
* Program Reference (15 chapters)
I don't see the point of splitting in
Cheers,
Reinhold
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Valentin Villenave wrote:
2007/9/13, Vít Reichel <[EMAIL PROTECTED]>:
thanks for your reply but this is not what I want. I need in general 2
independently spaced staves in a system that have a common barline at the end of
every system. I know this is technically not clean but for this mode
, not all
rehearsal marks.
Greetings
Henning
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Graham Percival wrote:
Michael Rasmussen wrote:
With the footnote saying "This behavior may be changed if desired; see
Changing defaults for details."
When one clicks through to Changing defaults the method is not listed
there.
Presumably, I'll find it.
a) How does one have the key signatur
Looks great! A few minor details:
- In Rhythms, I would like to rearrange the order a bit, to put the most
common aspects at the top. For example:
1.2 Rhythms
1.2.1 Writing rhythms
+ Durations
+ Augmentation dots
+ Tuplets
\sans command only works within \markup
commands. So I cannot say "\sans" at the beginning of the document to
make everything appear in a Sans font.
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I've added a new example in the LSR, showing this solution (for version 2.10
it turns out that also the time signature is playing a trick here), see
http://lsr.dsi.unimi.it/LSR/Item?u=1&id=325
I also send the corresponding example as a bug report (or feature request).
The setting of Staff.explic
Valentin Villenave wrote:
2007/9/14, Vít Reichel <[EMAIL PROTECTED]>:
There is no need for compressing music as the number of eighth notes in both
staves is the same. The problem is that I would need regular intervals between
the sixteenth notes.
Oh, I understand now! This is indeed
Dominic Neumann wrote:
Okay, that works good. I also added
\override StanzaNumber #'font-family = #'sans
for the stanza numbers to be in the same style.
But for consictency I´d like to have some other fonts also being Sans,
e.g. the font of the volta brackets. I couldn´t find something about
it
Dominic Neumann wrote:
Thank you for you hint. I´ve read section 9.3 and also found the
program-reference.
But in VoltaBracket I couln´t find a property to set to font(-family).
I only found the font-encoding property, but this doesn´t help me by
now.
The list of properties only shows the pr
#x27;ve created in Notepad.
help!
Nick
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Hans Aberg
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+1D19D for the half
Pralltriller, and adding U+1D1A0 for the half mordent. So the question
becomes:
Can ornaments like \prall be created using Unicode characters?
Hans Aberg
On 14 Sep 2007, at 17:08, Mats Bengtsson wrote:
These symbols correspond to one symbol each in the LilyPond font, so
}
\new Lyrics \with {
fontSize = #-2
\override StaffSymbol #'staff-space = #(magstep -6)
}
\lyricsto "discantus" {
Sanctus sanctus
}
>>
-
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Hans Aberg wrote:
Yes, that is the idea - I am using UTF-8 files in Xcode (Mac OS X
10.4.10). I have also found a Unicode font Euterpe that does it
correctly:
http://openfontlibrary.org/media/files/Eimai/191
I also found (replies in the Unicode mailing list) some other Unicode
fonts, but
Valentin Villenave wrote:
There was a discussion involving these terms a few months ago:
http://lists.gnu.org/archive/html/lilypond-user/2006-12/msg00468.html
Somebody, IIRC, proposed to create a \triplet keyword to make triplets
creation easier (of course, like many "user ideas" in opensource
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Ruth Roland wrote:
I recently switched to Lilypond 2.11.28-1
and now everything I typeset ends up with
an extra set of rehearsal marks. For instance,
if I ask for circled barnumbers, then whenever
I put "\mark \default" I end up with two circled
barnumbers, one above the other.
What mi
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Trevor Daniels wrote:
Mats
Many thanks - this works perfectly!
Could I have discovered this for myself from the
documentation?
Partly, but not entirely.
space-alist is not mentioned in the 2.10
User Manual, and although space-alist is shown as one of the
standard settings for BreathingSig
I hope you have remembered to send it also as a bug report, since
the current behaviour is clearly a bug.
/Mats
Quoting Adam James Wilson <[EMAIL PROTECTED]>:
Hi Valentin,
I added snippet to LSR under the title:
"How to compress full-measure rests (e.g. "R4") in a compressMusic
block in
Quoting Trevor Bača <[EMAIL PROTECTED]>:
One concern: is Ravel mutopia-worthy? How long has he been dead? I
hate to ask, but... :(
Ravel died in 1937 but the Sonatine was finished earlier, in 1905
(http://en.wikipedia.org/wiki/Sonatine_%28Ravel%29). Isn't copyright
something like 75 years max
The accent symbol, just as the note heads, clefs, other articulations
and many other things, are typeset using a special font that's included
with LilyPond (see appendix "The Feta font" in the user manual). This
font does not include any bold face versions of the symbols, so that's
why you don't
Quoting Jack Cooper <[EMAIL PROTECTED]>:
I've been having a problem generating multimeasure rests within
leadsheets, and until recently I made no serious attempt to figure
out what was going on. What I finally noticed is that lilypond
doesn't generate multimeasure rests when I use the chordname
Quoting fedge <[EMAIL PROTECTED]>:
Hello,
I'm new to using Lilypond, and Finale for that matter. I'm trying to decide
which is better.
So far, what I like about Lilypond is that I seem to be able to do just
about anything I want ... except this: I like the \box option around a text
markup, bu
As others have pointed out, it's much easier to provide a relevant
answer if you include some .ly code that you tried yourself.
Using the example in the manual (section "Text marks") as a starting
point, you can certainly move around the D.S using padding, for example:
\version "2.10.0"
\relat
Quoting Trevor Daniels <[EMAIL PROTECTED]>:
Most of the _concepts_ associated with lyrics need to be
introduced in the Learning Manual, as they are pretty well
all needed whenever lyrics need to be set. But only the
minimum number of technicalities should be covered; all
alternative methods and
Quoting Kieran Coulter <[EMAIL PROTECTED]>:
Hi,
I am planning on starting a method book series for lilypond.
I am curious what the general format is for mixing various fonts and
styles, pictures, and lilypond exercises and pieces to play.
With lilypond-book, you can insert LilyPond examples
If you haven't had LilyPond installed on this machine earlier, I hope
that you have tried to log out and log in again after the installation,
otherwise there are some settings of environment
variables that Windows hasn't noticed yet.
/Mats
Quoting Gilles THIBAULT <[EMAIL PROTECTED]>:
I
Quoting Gilles THIBAULT <[EMAIL PROTECTED]>:
If you haven't had LilyPond installed on this machine earlier, I hope that
you have tried to log out and log in again after the installation,
otherwise there are some settings of environment
variables that Windows hasn't noticed yet.
The environ
Quoting Gilles THIBAULT <[EMAIL PROTECTED]>:
The environment variable "path" in Windows doesn't require a reboot (or
log
in/out).
Are you sure?
I have done a little test like this :
- create new directory : c:\test
- add this directory to system environnement "path"
One solution is to make all the exercises as separate lines of the same
\score and use the rehearsal mark mechanism for the numbering.
Here's an example:
\version "2.10.33"
#(set-default-paper-size "letter")
newexample = {
\break
% Force a time signature at the top of the new example
\time
Quoting Charles Gran <[EMAIL PROTECTED]>:
If I'm creating a sheet of short rhythms [ex below], do I meed to use
\RhythmicStaff for each rhythm, or can I do something globally?
Nothing that would simplify the input. What you can do is to remove
the explicit \score{...}, i.e. each separate examp
Quoting Francisco Vila <[EMAIL PROTECTED]>:
2007/9/29, Graham Percival <[EMAIL PROTECTED]>:
According to some bug reports (specifically about shifted lyrics with
devnull), devnull is not the proper solution to use.
Oh. I've seen it (your last comment is only two days old). I see this is
not
Based on your latest email to the mailing list, it seems that the
problem here is that you are using some kind of WIKI with embedded
LilyPond support to process your code, instead of using LilyPond
directly.
Since I have no idea about how this specific web server works, I am
just speculating h
Quoting Graham Percival <[EMAIL PROTECTED]>:
Sorry, I read it too quickly. The results are a little bit better if
you use \line instead of \fill-line, but I agree that there's still
too much space between the elements.
You don't need the explicit \line{...}. The horizontal space is due
to th
Quoting Joe Mc Cool <[EMAIL PROTECTED]>:
Newbie, sorry.
Version 2.11.33
In the final part of this tune, the 1st alternative prints fine, but
the second one has the bars all screwed up. The first g4, is on a bar
of its own !
Please see the end of section "Repeat syntax" in the manual for vers
Quoting Maximilian Albert <[EMAIL PROTECTED]>:
> In the example, I have also changed the vertical alignment, to
> make it look better. You may want to try \general-align #Y #DOWN
> instead.
... or even some value in between like \general-align #Y #-0.2 so as
to make the text appear at about the
Quoting Martijn Vromans <[EMAIL PROTECTED]>:
Hi all,
There's a question here about the piano template with centered dynamics. I
never used this template but it seemed quite fashionable to have centered
dynamics. However, it appears somewhat strange. First of all there are two
score blocks. Is t
Kieran,
Can you provide some hints on how to make this even easier
to find in the manual? If you read the section on "Creating
MIDI files", it says "The tempo can be specified using the \tempo
command within the actual music, see Metronome marks."
and if you follow the link to Metronome marks,
Quoting Graham Percival <[EMAIL PROTECTED]>:
Mark Knoop wrote:
Yes, it's a good idea. +1 to "N.B." instead of "Warning" though.
Everybody likes N.B., so I'm happy to change that... but does
everybody understand the term? I'm thinking of somebody with a shaky
understanding of English.
Of
Quoting Kieran Coulter <[EMAIL PROTECTED]>:
Hi Mats,
I think it belongs here,
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Creating-MIDI-files#Creating-MIDI-files
Where it mentions how to set the default tempo (which I assume is the
global tempo for most pieces that don't change
Quoting Trevor Daniels <[EMAIL PROTECTED]>:
2) Do you still need to add the global default
tempo in the MIDI block if you do this?
Yes, I believe this is still necessary - it was in LP 2.8.
It isn't necessary in LP 2.10 and as far as I can remember it was not
necessary in 2.8 either.
Quoting Joseph Wakeling <[EMAIL PROTECTED]>:
Reinhold Kainhofer wrote:
You can achieve this by using parallel music (i.e. music expressions inside
<< ... >>):
\relative c' {
c,4.(\p e8 g c d \setTextCresc e)\<
<< {f2(\!} {s4 s4\turn} >> g4 f)
}
The two expressions in {..} inside the <<..>> wi
Bryan Stanbridge wrote:
Seumas McX wrote:
This is probably something really simple, but I'm trying to compile the
following file and I get a lot of errors (including not recognizing
"\notes"
as a command). I'm guessing it's an installation error and probably
something obvious - can anyone p
Please search the mailing list archives for more information in this
issue, for example
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00265.html
and
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00305.html
/Mats
Quoting Givaldo de Cidra <[EMAIL PROTECTED]>:
Hi,
I a
he f2:
<< { f2( } \new Voice { \hideNotes d4 d4\turn \unHideNotes } >> g4 f ) |
}
% Parallel staff during the first two measures
\new Staff { \repeat unfold 8 c4 }
>>
}
\layout{ragged-right = ##t indent = #0 }
/Mats
Quoting Joseph Wakeling <[EMAIL PROTECTED]>:
Your line
\context Lyrics = C \lyricsto tenorVerse \textVerseA
happens already from the beginning of the piece, whereas the line
\new Lyrics = "C" {s1}
which the former line refers to, happens (time-wise) after the intro.
The following version of the \score block, works as you would expec
I hope you have done a logout/login after you installed LilyPond
(maybe it's even enough to start the command prompt after the installation).
/Mats
Quoting Philippe Hyafil <[EMAIL PROTECTED]>:
Bonjour,
je souhaiterais utiliser midi2ly mais quand je le rentre en ligne de
commande,
windows me
Quoting Stan Sanderson <[EMAIL PROTECTED]>:
On Oct 9, 2007, at 11:51 AM, steve berthiaume wrote:
could someone point me to where can i find the answer to this:
a note at the end of a repeat section needs to be tied back to the
first note of the section
thanks,
-steve (2.10.20)
possibl
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;) is not shown below
the staff. You can see the situation in jpg here:
http://picasaweb.google.com/zoltank/Lily
How can I solve this?
Zoltan
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apse-height = #1
\override SystemStartBar #'collapse-height = #1
}
}
\score{
\context ChoirStaff <<
\context Staff=soprano <<
\sop
>>
>>
}
End %
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Ed Ardzinski wrote:
>Yes your method does work well for a normal "Staff", but I can't seem
to get it to work with
>a "ChordNames" staff. I can't seem to apply Dynamics to a chord name(?)
Again, this is preference, but I really don't like the midi outputs
that come from a chordnames sta
I have now made a fix that should appear in version 2.11.35.
/Mats
Mats Bengtsson wrote:
This problem has been brought up a few times in the mailing lists, see
http://lists.gnu.org/archive/html/lilypond-devel/2007-07/msg00028.html
Since nobody has reacted since those emails, I will try to
istinfo/lilypond-user
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{1 } }
}
\new StaffGroup <<
\new Staff { \clef "G_8" \frag }
\new TabStaff { \frag }
>>
Thanks a lot,
PLS
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Graham Percival wrote:
It was originally written this way, but I would rather keep all the
links in the @seealso section at the bottom. If we absolutely must
include some links in the main text, I suppose we could... but I am not
(yet) convinced that this is one such case.
Why move a hypertex
r it.
Thanks-
Stan
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\bar "|"
\mark \default
\clef treble
c'4 c'4
}
Should this be filed as a bug?
Best,
Adam
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sion \music
\new StaffGroup \keepWithTag #'strings \music
\layout { }
\midi { }
}
The problem is when I compile score.ly I get an error about unexpected >>.
This of course comes from the line -- \tag #'woo
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Graham Percival wrote:
There are two options to this:
1) Gather everything about MIDI into one section (currently 4.3) and
mention everything there:
Currently LilyPond MIDI support includes
Dynamicsyes
Repeatsno, unless \unfoldRepeats is used
Articulationsno
Textno,
obal \transpose f c
\partcombine
\hornFThree \hornFFour >> }
>>
>>
}
% score.ly
\include "piece.ly"
#(set-global-staff-size 14)
%\set Score.skipBars = ##t
\score {
\new StaffGroup \woodwinds
\new StaffGroup \brass
\layout
then align to staff bars for the rest of the
system), and 2) to be able to explicitly modify the break-align symbol
for the Clef in each Staff at any position in the score.
On 10/19/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
The bug has already been reported, see
http://code.google.c
That's (kind of) a feature! The new handling of vertical placement in
version 2.11
will only move the rehearsal marks when absolutely necessary, in
contrast to earlier
versions. It admittedly looks a bit funny in this particular example,
but the intention
is to avoid collisions with the clef sym
o 4 = 100
\key re \major
\clef treble
la'8 la si si |
}
8< --- SNIPPET --- >8
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;normal"
play style indications or at least hints how to do this?
Thanks
Luc
Mats Bengtsson schrieb:
That's (kind of) a feature! The new handling of vertical placement in
version 2.11
will only move the rehearsal marks when absolutely necessary, in
contrast to earlier
versions. It ad
hould appear soon.
(It turns out to be related to the bug report
http://code.google.com/p/lilypond/issues/detail?id=445&can=1&start=400 )
/Mats
Luc wrote:
I would be happy to get all the notes on the same height - also those
with different beams, brackets, stems and slurs!
Luc
Mats Beng
ing and
suppress key signatures in transposed parts?
Thank-you
Nick Didkovsky
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staffII gives correct
output.
Searching the archive I found my own question (22 Feb 2007) regarding
the same problem in a different context (with chord symbols) and the
solution by Mats Bengtsson, but this does not help me here.
Thank you,
Thomas
LilyPond 2.11.34
Windows XP SP2
--
\version
Dominic Neumann wrote:
There are - at least - two ways.
The quick and dirty one is to substitute the _ _ _ by \repeat unfold
20 { \skip 1 }
(where 20 should be the number of notes).
The more elegant way can be found here:
http://lists.gnu.org/archive/html/lilypond-user/2007-03/msg00190.html
Graham Percival wrote:
Currently, we have
3 Changing defaults
* 3.1 Automatic notation
o 3.1.1 Automatic accidentals
o 3.1.2 Setting automatic beam behavior
Should we keep the material 3.1 in here, or move it into Pitches and
Rhythms?
I definitely think these belo
6/8 s4 s s s s}
\new Staff = "lower" \new Voice {\clef bass \bass }
>> }
}
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>
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Arvid Grøtting wrote:
I do use lyrics, and the settings to use depends on the usage. There
really isn't a way that I can think of for Lilypond to automatically
set the stretching properties of a Lyrics context.
(If there was a way to specify that a Lyrics context should be aligned
to *multip
however, I tried many different configuration, also
scheme music functions, nothing worked. Does anybody have an idea?
Thanks!
ALEXander.
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Ro
d] e[ f] e[ d]
}
Thanks
Hugo
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SE-100 44 STOCKHOLM
Sweden
Ole Schmidt wrote:
I read "Divisi Lyrics" over and over but I'am afraid I don't
understand it. There are two different voices at one point and on
this point there are two different lyrics assigned. How can I use it
for my problem?
What I primarily had in mind was the second example in t
Ole Schmidt wrote:
I'am a bit shy to out my ignorance...
what I'am missing (maybe I overlooked it) is an overview (maybe a sort
of tree?) of how the
all the terms:
\score
\new Staff
\new Voice
\VoiceOne
\VoiceTwo
\oneVoice
are (hieracial) related and how their encapsulation (<< >> and
What LilyPond version do you use?
I don't have the time now to make dummy definitions of all your
variables, so I have not done any trial and error. However, I would
first try something along the lines of
\score {
<<
\new ChordNames {
\germanChords
\set chordChanges = ##t
\akk
r4 r g8
r4 r c8
}
>>
}
}
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=
Mats Bengtsson
Signal Proces
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Mats Bengtsson
Signal Processing
Signals, Sensors and Syst
Graham Percival wrote:
Ooo, I really like "Editorial notation". Anybody object?
Is it "Editorial notation" or rather "Editorial annotations" (or maybe
these two
alternatives have so similar meaning that it doesn't matter)?
To me "editorial notation" gives the impression that it's something
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