Hi all,
I'm trying to get the frameEngraver3.ly code from this aleatoric notation
thread going on Lilypond 2.16.0-1, and I get the following errors:
GNU LilyPond 2.16.0
Processing `frameEngraver.ly'
Parsing...
frameEngraver.ly:27:1: error: GUILE signaled an error for the expression
beginning here
Whoa --
It's marvelous to see such a detailed response to my question.
Most importantly, frameEngraver4 works! I will study the differences
between 3 and 4 to see what changed.
As mentioned, it seems to me that the best course of action would be to
make dynamic spanner creation a high developmen
Hi there,
Three trill questions for you experts:
1) I'm having trouble spanning some notes with a trill spanner when the
first spanned note has a bass clef mark attached and the trill spanner has
a specified pitch in parentheses --
When my staff looks like,
\new Staff {
\pitchedTrill
\c
Hi David,
This is a very help description. Maybe you could describe for me: I see
both the box duration as a spacer duration and the line duration as
"extender length," in what seem to be unitless units.
Here is an addition -- although I'm not sure if it's an improvement -- that
might be importan
Hi there,
I'm trying to get my parenthesized trill notes to stop colliding with ties,
and I think there are a couple things I can learn by solving this problem.
First, I can't tell why the collision is happening -- is there a best
practice for figuring out why elements collide?
Second, I know th
sing other collisions.
thanks for your advise,
Jeff
On Sat, Nov 17, 2012 at 6:28 AM, Nathan wrote:
> On Fri, Nov 16, 2012 at 9:23 AM, Jeffrey Trevino <
> jeffrey.trevi...@gmail.com> wrote:
>
>> Hi there,
>>
>> I'm trying to get my parenthesized trill notes to stop
Hi there,
Is it normal for the pitched trill spanner to always display an accidental
for its parenthesized pitch, even if the parenthesized pitch is natural and
doesn't need one? Is there a way to override this? I'm finding it immensely
frustrating to get at any of the attributes of this parenthes
frustrate you,
Jeff
On Tue, Nov 20, 2012 at 11:13 AM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> 2012/11/20 Jeffrey Trevino :
> > Hi there,
> >
> > Is it normal for the pitched trill spanner to always display an
> accidental
> > for its parenthesized
Hi Orm,
It might not be the best way to go, but one solution is to override the
Y-offset of the Script object. I added this override into "pfeilzwei" in
the code below, and it works just fine on my machine:
pfeileins = {
\once \override NoteHead #'stencil = #ly:text-interface::print
\once \o
ox's arrow?
best,
Jeff
On Thu, Nov 15, 2012 at 2:10 PM, David Nalesnik wrote:
> Hi Jeffrey,
>
> On Wed, Nov 14, 2012 at 1:05 AM, Jeffrey Trevino
> wrote:
> > Hi David,
> >
> > This is a very help description. Maybe you could describe for me: I see
> both
>
I don't know how the Scheme is working here, so maybe you can try out two
of these in parallel and let me know if it's working for you.
best,
Jeff
On Sat, Nov 24, 2012 at 8:10 AM, David Nalesnik wrote:
> Hi Jeffrey,
>
> On Sat, Nov 24, 2012 at 9:58 AM, Jeffrey Trevino
> wrot
Hi all,
It's good to know how to do this. For metric notation, I found that it's
also useful to stop the duration line before the barline, instead of
continuing it to a subsequent notehead, if the following note is in the
next bar:
#(define flat-gliss
(lambda (grob)
(let ((left-Y (assoc-get
on a staff, but maybe there's another paradigm that someone
with more experience might recommend as an alternative to this model.
thanks for all your help,
Jeff
On Wed, Nov 28, 2012 at 2:41 PM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> 2012/11/28 Jeffrey Trevino :
> >
ng better on the Scheme front, though, with some
> of the recent improvements in integration between Lilypond markup and
> Scheme code.
>
> On Thu, Nov 29, 2012 at 10:51 AM, David Nalesnik > wrote:
>
>> Hi Jeffrey,
>>
>> On Wed, Nov 28, 2012 at 11:52 PM, Paul Morris
>
Hi there,
Could someone please show me a short, working example of an .ly that sets
the spacing between the title and the first system? I was about to give it
a shot myself, until I saw, under "known issues and warnings" for version
2.16,
"The titles (from the \header block) are treated as a syst
."
Well, which is it? Is the title treated as a system, or not?
J
On Wed, Dec 5, 2012 at 1:39 PM, Jeffrey Trevino
wrote:
> Hi there,
>
> Could someone please show me a short, working example of an .ly that sets
> the spacing between the title and the first system? I was about to
PPS -- alright, I've found how to manipulate the spacing as I wanted;
however, it would be nice to hear a resolution to the above contradiction,
if one exists. J
On Wed, Dec 5, 2012 at 1:44 PM, Jeffrey Trevino
wrote:
> ... curious -- there's also this, in section 4.1 (spacing i
Thanks, everyone. That's exactly the solution I found, yes. J
On Wed, Dec 5, 2012 at 2:00 PM, Nick Payne wrote:
> On 06/12/12 08:39, Jeffrey Trevino wrote:
>
>> Hi there,
>>
>> Could someone please show me a short, working example of an .ly that sets
>> th
ng.
thank you,
Jeff
On Sun, Nov 25, 2012 at 5:19 PM, David Nalesnik wrote:
> Hi Jeffrey,
>
> On Sat, Nov 24, 2012 at 11:47 AM, Jeffrey Trevino
> wrote:
> > Hi David,
> >
> > Yes, I think it's reasonable to confine the frame to a single line, even
> > t
How will this impact users who receive the list in digest mode each week?
(I don't get it this way, so I don't know)
Jeff
On Mon, Dec 17, 2012 at 11:37 PM, Werner LEMBERG wrote:
>
> >> Given that, does anyone have any suggestions to how behave nicely
> >> for list members like Harm when imag
Dear Mikey,
Some chunk of this time might be usefully spent writing a crystal clear,
step-by-step Scheme tutorial that explains how to create custom engravers
and grobs, query position information of objects in the process, and use
these in-line in lilypond code. Thanks for asking and happy holiday
Hi David,
I just saw this fix. Thanks for spending so much time tweaking this. Maybe
there's a way it can be integrated into the Lilypond code, since you've
spent so much time developing it. I'll be using it in a score soon.
cheers,
Jeff
On Tue, Dec 11, 2012 at 3:04 PM, David Nalesnik wrote:
>
i Jeff,
>
> On Sat, Jan 12, 2013 at 11:37 AM, Jeffrey Trevino <
> jeffrey.trevi...@gmail.com> wrote:
>
>> Hi David,
>>
>> I just saw this fix. Thanks for spending so much time tweaking this.
>> Maybe there's a way it can be integrated into the Lilypon
"So what's the sanest course with regard to new articulations?"
>From the perspective of contemporary music, the sanest course is to provide
basic utilities for drawing arbitrarily complex symbols in specified
locations, which Lilypond sort of does/doesn't have.
On Mon, Jan 21, 2013 at 12:59 AM,
PS disregard "in first system" in the subject -- for a moment I thought
this was the case, but it happens regardless of a chord's position
On Thu, Jan 24, 2013 at 8:47 PM, Jeffrey Trevino wrote:
> I think I've found a default behavior that could use a little work:
>
hi there,
I like the "change staff" interface for switching staffs and beaming across
them. Is there a similar interface available for chords, which allows the
user to specify that certain higher or lower notes should be drawn on a
different staff? I would find this much easier to use than the "cr
er like they are in staff lines. What would you want?
>
> --
> Phil Holmes
>
>
>
> - Original Message -
> *From:* Jeffrey Trevino
> *To:* lilypond-user
> *Sent:* Friday, January 25, 2013 4:47 AM
> *Subject:* ledger line crash with very high notes in fi
t 3:26 AM, Phil Holmes wrote:
> - Original Message - From: "Xavier Scheuer"
> To: "Jeffrey Trevino"
> Cc: "lilypond-user"
> Sent: Friday, January 25, 2013 10:50 AM
> Subject: Re: change staff for component notes of chord
>
>
>
&g
e notes of a
chord...)
cheers,
Jeff
On Sat, Jan 26, 2013 at 12:10 PM, Keith OHara wrote:
> Jeffrey Trevino gmail.com> writes:
>
> > the accidentals should be moved to the left to avoid collision with the
> ledger
> lines.
>
> Yes, the ledger lines are discontinu
Hi,
It should be pointed out that it's a common notational practice to hide the
unused non-center keys in fingering diagrams; this behavior is idiomatic.
(Although there's no reason why that means you can't display all the keys,
as you want.)
just sayin,
Jeff
On Mon, Jan 28, 2013 at 2:27 AM, Elu
Hi Paul,
A great trick! It looks like beaming and slurring across staffs works well
with this technique, which is marvelous. This could be the way to go, but I
need to figure out a few more things with this paradigm before I can use it:
Is there a way to attach a "treble^8" clef at the beginning
Hi there,
I've got a rogue tuplet bracket trying to span notes on the note side
instead of the beam side, and I'd like to specify that the tuplet bracket
should always be on the beam side. Internals tell me that I need to
set ly:tuplet-bracket::calc-direction
equal to -1, but I'm not sure what the
fSymbol #'line-positions = #'( -10 -12 -14 -16 -18 )
\override Stem #'no-stem-extend = ##f
\time 3/8
a,, c a c])
}
On Wed, Jan 30, 2013 at 2:35 PM, Jeffrey Trevino wrote:
> Hi there,
>
> I've got a rogue tuplet bracket trying to span notes on the note side
>
Hi there,
I'm curious about the behavior of chords that tie partially to other chords.
Why does the tie go from the C to nothing here, when it should go from e to
e?:
\version "2.17.0"
\language "english"
\new Staff{
4
4
}
Things display correctly when the lower note doesn't need a ledger lin
Hi Michael,
Do you still want legible accidentals? In that case, you might just invent
an alternate notation that gives you exact horizontal spacing by
eliminating all traditionally placed accidentals and places them over the
notes instead.
or something,
Jeff
On Wed, Feb 6, 2013 at 12:57 PM, Mic
Hi there,
Could you please share the fingering catalogue code with the list, so that
we can make similar diagrams for the other instruments? It would be useful
to include a set of these in the documentation some how, come to think of
it.
cheers,
Jeff
On Wed, Feb 6, 2013 at 1:42 AM, James Harkins
Hi there,
I'm having trouble grasping how a horizontally spanning custom markup can
reliably correspond to the graphic space occupied by several notes, aside
from lots of trial-and-error coordinate tweaking.
I'd like to do something like,
my_horizontal_markup = #'(eleventy_lineto_commands)
\new
a yes or no question for y'all --
Is there a way to hide the ledger lines for a single notehead? I see that
it's possible to override a ledger lines stencil at the level of staff
context, but I don't see how to do it for a single notehead.
thanks,
Jeff
_
Hi there,
How can I manually adjust the space between a barline and the first note in
the bar? I'm using proportional spacing with some grace notes attached to
the first note in the bar, and the grace notes are colliding with the
barline (because proportional spacing is putting the first note wher
engraver for a main note, without turning off the engraver for its attached
grace notes?
thanks for your help,
Jeff
On Thu, Mar 15, 2012 at 11:54 PM, m...@apollinemike.com <
m...@apollinemike.com> wrote:
> On Mar 16, 2012, at 7:16 AM, Jeffrey Trevino wrote:
>
> > Hi there,
Hi there,
I'm rendering some dense notation, and there are lots of collisions between
beams, stems, dynamics, tuplet numbers, and tuplet brackets. I'd like to be
sure I'm aware of best practices with two questions:
1) What are the global actions I should take to keep this from happening
upon rend
, Jun 25, 2012 at 2:14 PM, David Kastrup wrote:
> "m...@apollinemike.com" writes:
>
> > On 25 juin 2012, at 23:02, Jeffrey Trevino wrote:
> >
> >> Hi there,
> >>
> >> Is there a straightforward way to change a notehead glyph without
>
Hey all,
I'm a bit confused by the relationship between InstrumentName and
ShortInstrumentName. In the internals reference, the former seems to be an
autonomous layout object, but ShortInstrumentName is somehow a property of
this first object -- or? I hope someone can clarify what's going on for me
Hi there,
I'd like to indicate that string instruments will need to re-bow during a
very long note, through a common symbol: A downbow followed immediately by
an upbow, appearing over a single note. (I guess string players might find
this obvious from the duration of a note, but I'm copying a scor
Eluze! Exactly. Thank you so much. But the two symbols are overlapping with
one another. How do you think I should make sure that the upbow symbol
isn't drawn on top of the downbow symbol? J
On Mon, Sep 3, 2012 at 3:33 AM, eluze wrote:
>
> Jeffrey Trevino wrote
> >
> >
Hi there,
I'm having trouble finding the correct overrides to change rehearsal mark
formatting. I'd like to change the font name used for the marks, as well as
the amount of white space between the number and the drawn circle or box
(so that there is more white space between the number or letter a
Thanks, Eluze and David! It looks just how I want it now. J
On Mon, Sep 3, 2012 at 6:20 PM, David Nalesnik wrote:
> Hi Jeffrey,
>
> On Mon, Sep 3, 2012 at 7:40 PM, Jeffrey Trevino
> wrote:
> > Eluze! Exactly. Thank you so much. But the two symbols are overlapping
> with
&g
Hi there,
How can I change the vertical order of articulation marks? I'd like tenuto
lines to be closest to notes, and accents further away, but I can only get
the reverse order. I see script priority in the docs, but it seems that
articulation marks would have equal script priorities -- right? I'
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