"So what's the sanest course with regard to new articulations?"

>From the perspective of contemporary music, the sanest course is to provide
basic utilities for drawing arbitrarily complex symbols in specified
locations, which Lilypond sort of does/doesn't have.

On Mon, Jan 21, 2013 at 12:59 AM, David Kastrup <d...@gnu.org> wrote:

> Werner LEMBERG <w...@gnu.org> writes:
>
> >> I'm not sure if this the right place to ask this, but I'd be willing
> >> to send somebody some money via Paypal to add the so-called "Haydn
> >> turn" (reversed turn with vertical slash) to Lilypond.
> >
> > Please provide a scan (or a link to it) of such a symbol which you
> > consider as good-looking..
> >
> >> I have no idea how much work this would take and what the going rate
> >> for a feature like this is.
> >
> > If an existing symbol can be reused, implementing this is rather
> > straightforward, and a few hours of work will do.  A design from
> > scratch probably needs three or four times as long.
>
> By the way: how is the relation to other music fonts?  If we invent a
> new articulation, music fonts from other sources will not know about it,
> or we won't know about what they have.  And even if we puzzle
> articulations together from pieces, they won't fit together just the
> same in other music fonts.
>
> So what's the sanest course with regard to new articulations?  This is
> not really related to this particular addition, but it generally makes
> me wonder.
>
> --
> David Kastrup
>
>
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-- 
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Jeff Treviño
PhD Candidate in Music Composition
@ the University of California, San Diego
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E-mail: jeffrey.trev...@gmail.com
Web: www.jeffreytrevino.com
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