e4 f2.~ f2.~ f2.\fermata
}
Thanks,
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
.~ f2.~ f2.\fermata
}
Thanks,
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Graham Percival gmail.com> writes:
> Have you tried using manual beams? [ ]
>
> Cheers,
> - Graham
>
Thanks, that worked. I should have thought of that!
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lis
Just what I needed!
It'll be a lot of work, but I think I can see exactly what you mean. Basically,
each system will have a LOT of staves, but most will be invisible, most of the
time.
Wonderful. Thank you!
Jeff
jeff_epst...@yahoo.com
---
MY BOYS!!!
-
I'm trying to post a crash report.
It seems all my messages are getting bounced from the list server.
??
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
lypond you didn't mention : neovim + nvim-lilypond-suite by
Martineau Simon.
https://github.com/martineausimon/nvim-lilypond-suite
This plugin blow my mind !
Is there someone who experienced it and feel the same enjoyment ?
Happy to be a part of your community again, cheers.
Jeff Lagoutte
ttle longer and read and learn from you.
Jeff
On 02/05/2024 19:29, lilypond-user-requ...@gnu.org wrote:
Send lilypond-user mailing list submissions to
lilypond-user@gnu.org
To subscribe or unsubscribe via the World Wide Web, visit
https://lists.gnu.org/mailman/listinfo/lilypo
for that.
And his maintenance will evolve, for sure.
Here is some more about Simon.
https://github.com/martineausimon/lilypond-lib
Jeff
On 02/05/2024 22:16, lilypond-user-requ...@gnu.org wrote:
Send lilypond-user mailing list submissions to
lilypond-user@gnu.org
To subscribe or unsub
Archlinux with nvim-lilypond-suite
Bien à vous
Jeff
On 03/02/2025 20:04, lilypond-user-requ...@gnu.org wrote:
Send lilypond-user mailing list submissions to
lilypond-user@gnu.org
To subscribe or unsubscribe via the World Wide Web, visit
https://lists.gnu.org/mailman/listinfo
ve it
answered / solved so quickly. I don't have to wait for the next
version of the program to see if my concern had been addressed.
Thanks again,
Jeff.
On 26-Sep-07, at 5:34 AM, Mats Bengtsson wrote:
Quoting fedge <[EMAIL PROTECTED]>:
Hello,
I'm new to using Lilyp
Names ... so
that I can turn them off?
Thanks for you help,
Jeff.
On 13-Oct-07, at 3:51 AM, Martial wrote:
Hi,
Maybe is it a best simple way
but :
Two score
One with only layout {}
the second with only midi {}
%%-
%Dynamics are need
Mute = { d'&#x
re some other way to mute the MIDI from the ChordNames?
Thanks again for everyones help,
Jeff.
On 15-Oct-07, at 9:52 AM, Mats Bengtsson wrote:
Ed Ardzinski wrote:
>Yes your method does work well for a normal "Staff", but I can't
seem to get it to work with >a "C
ragged-last-bottom = ##t
Would that make a difference?
Jeff.
On 7-Nov-07, at 5:48 PM, Wilbert Berendsen wrote:
Op woensdag 7 november 2007, schreef fedge:
Hi,
At the end of my piece, the last staff has two bars (measures). With:
ragged-right = ##f
The 2 measures are too STRETCHED out
small. I ended up with finding a different
place to break the pages.
Maybe I should note that each system contained a ChordNames, one
regular Staff, and another
"special" Staff which had a linecount of 0. I had wondered if that
last Staff might be confusing
the vertical spacing.
ulations up and down, not
from left to right.
thanks,
--
jeff covey
http://jeffcovey.net/
signature.asc
Description: Digital signature
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
on Sat, Jun 11, 2005 at 11:09:58AM +0200%, Nicolas Sceaux said:
> \markup { \musicglyph #"scripts.mordent"
> \hspace #0.3 \musicglyph #"scripts.turn" }
that didn't work, but it did work when i used "scripts-mordent" and
"script
on Sat, Jun 11, 2005 at 09:01:14PM +0200%, Mats Bengtsson said:
> Please always specify what LilyPond version you use both when asking
> questions and providing answers, to avoid these kind of confusions.
ah, sorry.
thanks,
--
jeff covey
http://jeffcovey.net/
signature.asc
Descr
on Mon, Jun 13, 2005 at 03:26:35PM +0200%, Wolfgang Zocher said:
> I'm trying to make mp3's from the midi-files generated by lilypond using
> timidity and lame.
this has always worked for me; does it not for you?:
timidity -Ow -o foo.wav foo.midi
lame foo.wav foo.mp3
sincerely,
I've only been working with Lilypond for a couple months, but I haven't been
able to figure this out by the manual. I'm using version 2.6.4-5 for
Windows.
I use Lilypond for engraving congregational hymns. Almost all the songs
are in
4-parts, and have the 3 verses followed by a single chorus. A
contents out to latex for processing and sticks the results back into the
lilypond output? if it can't be done now, is it a feature worth sponsoring?
sincerely,
--
jeff covey
http://jeffcovey.net/
signature.asc
Description: Digital signature
___
li
on Tue, Mar 21, 2006 at 09:39:18AM -0800%, Graham Percival said:
> \word-wrap or \justify. See "Overview of text markup commands". It's a
> 2.7-only command, though.
ok, something to look forward to! :)
thanks,
--
jeff covey
http://jeffcovey.net/
signature.asc
here some hidden command line switches that might do it? -- Jeff SmithComputer Science Dept.
University of Saskatchewan
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Is there anybody out there who's dealt with this problem and is
willing to share their secrets?
--
Jeff Smith
Computer Science Dept.
University of Saskatchewan
___
lilypond-user mailing list
[EMAIL PROTECTED]
http://lists.gnu.org/mailman/listinfo/lilypond-user
MySource.latex
latex MySource.tex
bibtex MySource
latex MySource.tex
dvips -Ppdf -G0 -o MySource.ps MySource.dvi
ps2pdf MySource.ps
Any suggestions?
--
Jeff Smith
Computer Science Dept.
University of Saskatchewan
___
lilypond-user mailing
, and get some
nice results faster as well.
Thanks TONS,
Jeff
--
Jeff Maxson
[EMAIL PROTECTED]
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
eighth-note} = 60"
in the manual...could someone provide the code for a quarter-note? I
kludged one, but it doesn't look pretty.
what a great program....
Thanks for any help,
Jeff
--
Jeff Maxson
[EMAIL PROTECTED]
___
Lilypond-user
hey, all!
you may remember me as someone who used to post here about 30 years
ago or so. other tasks have drawn my attention for some time, so i
set my lilypond mail aside to catch up on later, and, well...
jeff@mouse % ls -lh ~/mail/incoming/gnu-music
-rw---1 jeff jeff 13M Dec 4 17
esn't put one under it.
what should i do?
thanks,
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 41
,
--
++
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
||
| 1... 2... 3... 4... 5... 5... 5... 5
manual years ago. :)
--
++
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
||
|hello I am doing an art project for school what I
n lily?
thanks,
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
||
|i have registered and joined you at ladies corner,but you di
me text
at the top of the first invention to show how much space is being
wasted. how can i convince the music that it's just as worthy as the
text? :)
thanks,
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox
le "/usr/bin/lilypond-book", line 271, in _calc_linewidth
w = self.get_paperwidth() \
TypeError: unsupported operand type(s) for -
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
|
on Tue, Feb 05, 2002 at 11:32:22PM +0100%, Mats Bengtsson said:
mats> What Python version do you use?
2.1.1+
--
++
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8
hanks!
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
||
|ii had aproblem with linux terminal yesterday.i cant enter s a t te
don't you want to use lilypond-book for this? look at what i'm doing
here:
http://jeffcovey.net/music/scores/bach/inventions/complete/
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 41
s?
thanks,
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
||
|Caution! Don't mistake! This
mata")
how can i fix this?
thanks,
--
++
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
||
|
y when the piece is in the original key as in your
mats> case.
well, if i'd been the first to call it that, i'm sure i'd feel just
awful right now.
--
++
| jeff covey [EMAIL PROTECTED] ht
-- _ -- _ -- _ ja,
is there a way i can say to lily, "a melisma lasts from this note
to this note. compute the distance and tastefully insert hyphens
at regular intervals."? i'm sure it would do a much better job
than i do. :)
thanks,
--
+---
does no one have any answers about this?
(http://mail.gnu.org/pipermail/lilypond-user/2002-May/001382.html) i
was hoping to fix these problems before i submitted it to mutopia.
thanks,
--
++
| jeff covey [EMAIL
ing lists, only with
the software you're using. use procmail to filter your lilypond mail
into a separate folder, then view it with a mua like mutt that can
organize messages into threads.
--
+----+
| jeff covey [EMAIL P
to
it and the results.
thanks,
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
||
|The corect location to go too. An find a living condition in a f
s just cool. :)
--
+----+
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-869-8088 |
||
| smoking camel cigarettes |
| and f
4 e <<
\override Stem #'direction = #UP
{ g4 c4 }
\\
\teeny
\override NoteColumn #'force-hshift = #1.7
\override Stem #'direction = #DOWN
\override Stem #'length = #4
{ g8 g8 c4 }
>>}
}
\addlyrics { do t
I have been playing with LilyPond on and off for a while now. I'm a programmer
and musician, so I feel like I have a head start. But it's--impressive--heavy
duty stuff. I'm still really doing only the basics with LilyPond.
Anyway, I arrange acapella music. I want to get away from arranging by penc
I did NOT cross off the word "impressive" in my original post! I meant to
emphasize it with em-dashes. I don't understand the syntax here yet.
Also, here's the fixed link to the "after" picture:
http://jeffyepstein.com/posts/merge_parts_question/after.jpg
__
Thank you for the helpful information, Kieren. I will look carefully at
the polyphony documentation.
I think my question came across differently than I intended. What I
want is NOT for LilyPond to programmatically determine the best
layout for each system. Rather, *I* want to tell Lily Pond tha
> >>> Phil Holmes philholmes.net> writes:
> And anyway, I only said "Um"
It was an angry Um! :)
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
(FYI: I am a programmer, non-GUI Java, but am new to scheme.)
In section 6.4.3 in the pdf Notation Reference manual (v 2.12.3), there's a
markup function written in scheme. In that fashion, I've successfully created my
first scheme function:
#(define-markup-command (mBox layout props s_boxTex
I should say that I only want the box-padding setting to be overridden for this
one markup-call to \box. Perhaps I should be using \once or \tweak or something
related...but I don't think it changes the basic question.
___
lilypond-user mailing list
lil
Carl Sorensen byu.edu> writes:
> [...] \displayMusic function missed a quote that you need in your argument
list--note that it should be
> #:override '(box-padding . 0.5) not
> #:override (box-padding . 0.5)
Excellent. Thank you!
> Could you please file a simple bug report at bug-lilypond gnu
Phil Holmes philholmes.net> writes:
> Is it a known feature that using the font sizing commands \teeny, \huge,
> etc., leads to inconsistent line spacing when compared with using fontsize?
%{
As this was posted, I happened to be researching just this topic.
I'm trying to use the below sch
output to work.
Is there some utility to combine staves for midi playback?
Regards,
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
> Hmmm, can't spot anything missing at
> the moment.
>
> Here's the entire test file.
>
> http://pastebin.com/pSu6Asge
>
Hi Alex!
Another noob here... Take a look at line 133. Looks like
you're missing a closing quote.
Regards,
Jeff
I am looking for some LilyPond users who happen to also have an iPhone (or
iPod Touch or iPad), to volunteer to be beta testers.
I have written a iPhone-LilyPond-input tool which will be released at the end
of
the year. To avoid hopes getting too high: It does not check your LY code for
errors,
pplication bundle), but I confirm
> that I didn't include PortMIDI in the bundle.
> I'll take care of this as soon as possible.
>
Ah, that's great to hear! Looking forward to it. Thanks for your help.
--
Jeff
___
lilypond-us
On Monday, May 19, 2014 6:50:31 PM UTC+2, Davide Liessi wrote:
> The main problems are:
> - PortMIDI is not included in the bundle, and even if it is included
> (with the appropriate option of py2app) Frescobaldi cannot see the
> MIDI ports provided by SimpleSynth or FluidSynth;
>
What about
On Tuesday, May 20, 2014 2:46:08 PM UTC+2, Marnen Laibow-Koser wrote:
Or just communicating with the QuickTime synthesizer directly?
>
Sure, whatever works. (I just thought the combination I mentioned sounded
better.)
> That may not be a bad idea. But then how would you handle Lilypond
> u
On Tuesday, May 20, 2014 4:19:34 PM UTC+2, Davide Liessi wrote:
> I did not say that it is impossible to bundle a working PortMIDI with
> Frescobaldi
>
I know. My suggestions were only a related tangent. Your current
predicament got me thinking is all. I didn't mean to add any distractions
fr
ardcoded to look for something in "/opt/local" (MacPorts) and
was throwing an error when it couldn't find it.
So, success according to my experience. Thanks for your efforts.
Regards,
--
Jeff
___
lilypond-user mailing list
lilypo
I am trying to modify header fonts for the requirement of a publisher.
I would rather not use text markup commands in the header, as it's not
simple to change multiple works at the same time.
I would much rather put the style changes in an external file, so they can
all be changed at the same tim
hing else I need to do to tell lilypond that I am re-definng
bookTitleMarkup?
--
This signature file intentionally left blank.
On Thu, Oct 2, 2014 at 3:38 PM, tisimst wrote:
> On Thu, Oct 2, 2014 at 4:16 PM, Jeff Harris [via Lilypond] <[hidden email]
> <http://user/SendEmail.jtp?type=node&
Thank you. In the paper block actually makes it easier to add to multiple
files as I just need to add it to my letterpaper.ly.
Off to scour the documentation for all the overrides!
On Thu, Oct 2, 2014 at 5:49 PM, Abraham Lee
wrote:
> On Thu, Oct 2, 2014 at 6:34 PM, Harris, Jeff wr
Any idea when a Lion release of Lilypond will be ready for testing?
--
Jeff Kopmanis
Monroe Big Band: http://monroebigband.com
Soul Kitchen: http://soulkitchencooks.com
http://pickle-review.blogspot.com
http://saxessories.blogspot.com
** Go Green and leave this email on the Screen
Do I send crash reports to this list?___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
compiling (Cmd+R) on the mac. It silently
fails.
2) If you uncomment out the lines indicated and comment out the lines following
it will compile (2 places in the file).
3) if you remove the music after the problem areas, keeping the voice structure
intact, it will compile.
Any help apprecia
f I offend. I'm just a
straight-shooter, that's all (and a newbie to this list).
Best regards,
Jeff
- Original Message -
From: David Kastrup
To: Janek Warchoł
Cc: lilypond-user@gnu.org
Sent: Thursday, May 24, 2012 12:53 PM
Subject: Re: Video recording of LilyPond talk at
re are a limited number of people who have the
knowledge and skills to maintain a fork. That argument, it seems to me has
limited traction, though.
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
(say, 5$)
> nobody might be interested in forking it.
All of the donations I've made to open source projects have been in the $25
range.
> And actually, releasing source for free but binaries for fee makes
> some sense.
Agreed. Especially on platforms where build envi
Tim McNamara wrote;
> On May 24, 2012, at 1:00 PM, Jeff Barnes wrote:
>>
>> Wouldn't your time be more wisely spent trying to get corporate sponsors? I
>> see a lot more success stories in the open source world where a corporation
>> donates developers to proje
David Kastrup wrote:
> Jeff Barnes writes:
>
>> I don't think that's necessarily applicable to Lily. The end
> product
>> being distributed is paper (or perhaps a pdf file). I don't think the
>> GPL extends to that, does it?
>
>
This snippet illustrates a problem I'm having. The tie on the g is in the wrong
direction after I've finished with the voice split. How do I get the correct
tie direction? It looks like the \voices are still in scope wrt ties.
Also, why did I lose the \relative c' after the voice split?
\score
h the path of adding all sorts of things to the music
that made reading it more difficult.
I looked at the grammar at
http://lilypond.org/doc/v2.14/Documentation/notation/lilypond-grammar. Where is
\voiceXXX defined?
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
usician and learned
computer programming in my 30's. I've often remarked that music, especially
arranging and composing, is very much like developing an application (only
solo), with a well-known set of algorithms for melodic and harmonic
construction.
Regards,
Jeff
_
> From: Louis Guillaume
>> If I may start with a bit of humble philosophy, when I see a flat
>> 9 especially, I almost always conclude that the tonality will
>> include a sharp 9 as well, simply because of the dissonance that
>> would result from having the flat 9 competing against an
>>
> From: Joseph Rushton Wakeling
>
>On 30/05/12 02:12, Han-Wen Nienhuys wrote:
>> One of the problems of LilyPond is that C++ had very poor support for
>> things we desperately need: reflection, automatic memory management
>> and callbacks.
>
>How about D?
Also, consider Qt. It has all of the abo
> From: Tim McNamara
>
> On Jun 4, 2012, at 8:30 AM, Jeff Barnes wrote:
>>> From: Joseph Rushton Wakeling
>>>
>>> On 30/05/12 02:12, Han-Wen Nienhuys wrote:
>>>> One of the problems of LilyPond is that C++ had very poor support
> for
>
> From: Tim Roberts
>
> Jeff Barnes wrote:
>> While I'm sensitive to David's request to end the discussion for
> now, there are some misconceptions about Qt that need addressing.
>
> That's not entirely clear.
I don't think starting from here i
get a response.
If it takes longer than 5 or 10 minutes to authorize a new user to post, a
warning should be put in the welcome e-mail.
My .02.
Jeff
- Original Message -
> From: Tim McNamara
> To: lilypond-user@gnu.org
> Cc:
> Sent: Thursday, June 7, 2012 2:35 PM
&
;my-melody-in-lily-note-syntax.txt' | ~/bin/fourwayclose.pl | lilypond
Regards,
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
> From: Jan Nieuwenhuizen
> Jeff Barnes writes:
>
>> $ cat 'my-melody-in-lily-note-syntax.txt' | ~/bin/fourwayclose.pl |
> lilypond
>
> $ echo '{ a b c }' | LANG= lilypond -o stdin -
What's the LANG env variable for?
Surely there is a template for the "Welcome to lilypond-user" e-mail that gets
sent out that could be edited to add "Your posts will appear after the
moderator approves your subscription. This could take up to a day."
Regards,
Jeff
>
>
Will this software import MidiSoft Desktop Sheetmusic files? .mmm or Finale?
Thanks,
Jeff
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hello All:
I recently installed LilyPond 2.20.0 and it seems to be working well with
the default font. However, I'd like to use the lily jazz and chord fonts
and style sheet and have downloaded the .otf files and .ily files to do so
... but where do they go?
I put the otf files here:
Applications/
issues:
1) Do the .ily files have to go in a specific directory?
2) I copied and pasted the .ily files into separate text files (couldn't
see any way to download or install them directly from GitHub) and saved
those in the /otf directory ... are the .ily files something more than just
text?
Anyway,
o disappear if the ambitus belongs to the Staff context
(just change Voice to Staff):
\new Staff \with { \consists "Ambitus_engraver" } {
a'\laissezVibrer c'' c'
}
I don't like ghosts. Please fix.
Jeff
,
Valentin
Thanks, Valentin. Your quick(!) fixes should be all I need.
Jeff
. Or just point me to the right manual page(s).
Question (b):
My secondary question is very simple. How do you set the seed for
scheme's "random" function (used in my gen-music.ily). I'd like to get
the repeatability of a pseudo-random number generator.
TIA,
Jeff
P.S. M
On 4/5/2022 11:58 PM, Aaron Hill wrote:
On 2022-04-05 10:40 pm, Jeff Olson wrote:
Question (b):
My secondary question is very simple. How do you set the seed for
scheme's "random" function (used in my gen-music.ily). I'd like to
get the repeatability of a pseudo-ran
n combining them as one
argument.
But may I ask, why are "$@" and "#@" called 'list splicing' operators?
The same terminology is used in Perl for what appears to me to be very
different behaviors (list editing, insertion and removal), so I'd
appreciate learning why 'splicing' is considered descriptive in lilypond.
Jeff
ar, and there are no lyrics involved.
So do people have rigid rules on phrasing, or just play it by ear? What
would Elaine Gould do?
Discussion is invited.
Jeff
\version "2.22.1"
\transpose c c' {
\time 3/4
e'2.\( | %1
e'2 d'4 | %2
c'2.~\) | %3
c'
On 5/4/2022 5:58 PM, Brian Barker wrote:
At 17:30 04/05/2022 -0600, Jeff Olson wrote:
What would Elaine Gould do?
"When a final pitch is extended by a series of tied notes, it is
acceptable (and a convention) to end the slur with the first whole-bar
duration; alternatively, in cr
ly ask whether the stage "Writing Output" is
done for each bookpart or once for the whole compilation.
If you're still taking suggestions re extending-lilypond.readthedocs.io,
it might help others if each of the processing stages listed in the
Overview explicitly said how they appear in the log, since those phrases
are often familiar even to Frescobaldi users.
Thanks,
Jeff
On 6/16/2022 3:01 PM, Jean Abou Samra wrote:
Le 16/06/2022 à 01:35, Jeff Olson a écrit :
Jean,
I'm studying your "Overview of LilyPond’s inner workings"
(https://extending-lilypond.readthedocs.io/en/latest/intro.html#overview-of-lilypond-s-inner-workings-and-how-you-mig
tten in 25.4 as a literal.
BTW2, I've similarly been unable to access the paper variable page-count
within a music function.
Thx,
Jeff
--
\version "2.18.2"
\paper{
page-count = #1
%#(set-paper-size "a4") %uncomment to test specific paper size
#(set-paper-size
-size commands that would interfere has to be commented out. I
think Harm's solution would help lots of frustrated Mutopia people who
tear their hair out over trying to make the exact same source file
generate satisfactory output on two different paper sizes.
Thx again,
attached (e.g. slurs and beams on the same notes under the barre).
Reminds me of Alice's Restaurant
<https://en.wikipedia.org/wiki/Alice%27s_Restaurant> "... with circles
and arrows and a paragraph on the back ... explaining what each one was
...". We just don't want our creations "... to be used as evidence
against us". :-)
Jeff
Staff to span staves only at the end
of each system?
See attached MWE-ChoirStaff-end-bars.ly
Jeff
\version "2.22.1"
\header {
tagline = ##f
}
global = {
\key c \major
\time 4/4
}
soprano = {
a'1 b'
\bar "|."
}
alto = \relative {
\global
% Music f
shed in 1916 by Germanistische Presse,
New York. All 99 songs in the book follow this convention.
Jeff
1 - 100 of 196 matches
Mail list logo
