Re: ly:pitch and string

Hello David, thanks, that’s exactly the kind of brief and elegant solution I was hoping for. Yours, Simon Am 11.10.2014 um 16:52 schrieb David Kastrup: Simon Albrecht writes: Hello, consider the following setup: %% \version "2.19.12" newTonic = d newTonicS

Re: automatic fingering annotation

Hello David, Am 12.10.2014 um 16:34 schrieb David Nalesnik: Hi Erik, On Sun, Oct 12, 2014 at 2:35 AM, erik flister > wrote: hi- i'm writing some software that generates .ly files and want to offer the option to automatically add (woodwind) fingering

Re: Can I make a TextScript occupy no space, potentially colliding?

Am 12.10.2014 um 18:21 schrieb Richard Shann: In this code I put a large letter A above the music. If I uncomment the tweak the letter A is moved elsewhere, but it still takes up space at the top of the score. If I uncomment the override, I don't get the space back. \version "2.18.0" \score {

Re: ly:pitch and string

Hello Paul, Thanks for your help in improving the helper functions; however, ‘inverting’ string-append and cond seems to be based on a misunderstanding. It needs to be %% \version "2.19.12" \language "deutsch" pitch-to-key-string-german = #(define-scheme-function (parser locat

Re: Slash Chords

Am 13.10.2014 um 22:45 schrieb keith Luke: How do you get LilyPond to display "slash chords" in the chord name? I'm trying to print C Maj 7/Bb and D/F# in my scores. documents chord names notation. Side note, also to ot

Re: A solution I've invented for a SATB choir

Hello Vincenzo, interesting idea. It might increase organisation expenses, though, if you have to provide two different scores instead of just one full score. Another way to save vertical space is the one used in the 19th century complete editions of Mendelssohn, Schumann, and many other compar

Re: Scheme function to affect a compound music expression?

Hello all, I tried to write such a function, but failed at the point you’ll see in the attachment. I’d like to learn how this can be made to work ;-) … The problem is in extracting the list from SequentialMusic’s 'element property. And I suspect it has to do with the following question: With

Re: text above

Hello Bernhard, Am 24.10.2014 um 13:36 schrieb Dr. Bernhard Kleine: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 The following code has some errors: The tenor lyrics should above the system. See comments below. The \mf should be moved here a little to the left to have more space for the

Re: Point and click off by one after markup

Am 24.10.2014 um 13:59 schrieb Richard Shann: On Fri, 2014-10-24 at 11:15 +0200, Helge Kruse wrote: Thank you for your response. I think you should not added control characters like newline to the markup text. yes, perhaps that is the case - I assumed any white space was acceptable, but it seem

Re: Tags in Lyrics

Hello Noeck, hello everybody, at least you can save a lot of typing from v2.18 on: Am 24.10.2014 um 09:25 schrieb Noeck: Hi, when I write choir pieces I like to have one song text for all voices and to use tags. Often, the differences are only whether there is an extender line or not \tag "A"

Re: Tags in Lyrics

Am 24.10.2014 um 21:48 schrieb Thomas Morley: 2014-10-24 21:19 GMT+02:00 Simon Albrecht : [...] I tried to, but somehow an extender line inside a music function body gives a syntax error and I’ve got no clue how to circumvent that. You’ll find the current function attached. Can anyone help

Re: Tie results in strange error

Am 25.10.2014 um 16:04 schrieb Dr. Bernhard Kleine: c1~ | (c4 < d g, > e d c2 h~ h < a c, > gis) Hello Bernhard, it helps a lot if you post compilable examples (that is, complete .ly files), and best in an attachment so mailing systems can’t mess up anything. However: the ( for the slur must c

Re: Tags in Lyrics

schrieb Thomas Morley: 2014-10-25 14:46 GMT+02:00 Simon Albrecht : Am 24.10.2014 um 21:48 schrieb Thomas Morley: 2014-10-24 21:19 GMT+02:00 Simon Albrecht : [...] I tried to, but somehow an extender line inside a music function body gives a syntax error and I’ve got no clue how to circumvent

Re: Unresolvable rest collision?

Am 27.12.2014 08:27, schrieb Jayaratna: Just a few days ago I had to correct the following incipit: In the original the longae rests at the beginning of the piece indicate that the Modus Longarum is imperfect, thus:

Re: glissando to a nearby modified pitch doesn't always work inside a triplet

Am 27.12.2014 21:41, schrieb list_lilypond: I'm new here and don't know if I can send attachments, Yes, you can send attachments, and it’s a good thing to do, at best a (compilable) .ly file (see http://www.lilypond.org/tiny-examples.html) and a small png (or pdf) image, since it makes understa

"\\[" as music function – stack overflow

Hello, when I start to compile the attached file, lily takes a long time for parsing and then exits with Microsoft’s "stack overflow/stack exhaustion" error code. I tested this with lily 2.19.8 and .15 and on both Windows and Ubuntu platforms with similar results. How does this come? and how

Re: \markup and gregorian.ly

Am 29.12.2014 13:53, schrieb Alicuota618: Merci Pierre, this works fine but must be inserted in all subsequent files. A job for sed... Francois 2014-12-29 4:21 GMT-05:00, Pierre Perol-Schneider : Hi François, In your layout bloc you can try to add : \override Score.SpacingSpanner.packed-spaci

Two scores in one LSR snip

Hello, I added a new LSR snippet for review: and although there are two \scores in the snippet, only the first is shown in the preview. Is this as expected? Best regards, Simon ___ lilypond-user mailing

Re: Rallentando and accelerando in MIDI

Am 30.12.2014 13:16, schrieb David Sumbler: Further to my query (below) yesterday about varying ralls and accels in midi, how do I actually get these to work at all? At the moment the articulate script is working correctly in executing trills, slurs etc. But it ignores my "rit." markings and su

Re: Lilypond generates a chord from nowhere

Am 30.12.2014 22:08, schrieb Robert Schmaus: __ In religion, faith is a virtue. In science, faith is a vice. -- Jerry Coyne On 30 Dec 2014, at 20:33, Stan Mulder wrote: Basically, I think the chord in both instances (with or without the slash notes) should be exactly the same fingerings

Re: Rallentando and accelerando in MIDI

Am 31.12.2014 00:32, schrieb David Sumbler: On Tue, 2014-12-30 at 22:04 +0100, Simon Albrecht wrote: Am 30.12.2014 13:16, schrieb David Sumbler: Further to my query (below) yesterday about varying ralls and accels in midi, how do I actually get these to work at all? At the moment the

Re: Autobeam constraints

Hello Helge, \noBeam after the third and fourth notes should do what you want. %% \version "2.18" \relative c'' { \time 3/4 \key es \major \voiceTwo as8\> c f\noBeam \voiceOne as\noBeam c f\! | } %% HTH, Simon Am 31.12.2014 10:11, schrieb Helge Kruse:

Re: Are these triple-dots of augmentation possible?

Of course this is possible with any number of dots: \version "2.19" \relative { g'2.. 8 2... 16 % or even 2 32 2.. 128 } %%% end snip %%% I don't see why there should be any problem with shiftDurations there. But if I'm right, three dots multiply the duration by 15/8... HTH, Simon

Re: What is the name of this and how to code in lily

Am 07.02.2015 um 12:20 schrieb Noeck: Hi Ming, I played a bit to reproduce the measure you sent. This was my first try to typset the upper staff: \version "2.18.2" \relative c ' { \key g \major 4 8[ ]:64---> ~ q2:32\fermata \bar "|." } However there are 3 things to notice (one o

Re: lilypond-user Digest, Vol 147, Issue 46

Hello David, begging your pardon: Did you forget the content of your actual reply? In any case, please consider what is written at the top of every digest and _edit the Subject line_. By the way: I have made good experiences with not using digest mode but receiving single messages and having th

Re: Problem with r2. in two voices

Am 08.02.2015 21:32, schrieb Kevin Barry: On Sun, Feb 8, 2015 at 2:03 PM, Cynthia Karl > wrote: But I don't want to make it visually that there are two voices here, I want to make it visually explicit that there is a single voice. That's why each voice has i

EB Garamond font-series

Hello list, I just re-installed the incredibly beautiful EB Garamond font from , but apparently Lily can’t find the bold font series. Can anyone tell me where to search for a solu

Re: EB Garamond font-series

Hello everybody, then it seems I have been deceived by the fact that there is a separate file for each bold, italic and bold italic in the .zip provided via the download link I sent along. Thanks for the information. Still, I wonder: I tried it out even in leafpad (ubuntu's simple text editor)

Re: How do I create vertical space between staff lines

Am 12.02.2015 01:26, schrieb Stan Mulder: I have created a lead sheet with Intro, Chorus and Ending. It's all one continuous song, but I want to separate with white space the staves of the Intro from the Chorus, and I want to separate the Chorus from the Ending. So I would end up with three disti

Re: skip in 5/8

Am 12.02.2015 00:53, schrieb Jay Hamilton: Thanks to both of you, where in the manual is this? Jay On 2015-02-11 09:21, Shane Brandes wrote: Apologies R1*5/8*15 will do it. I misread the beats as measur

Re: Scheme problem?

Am 12.02.2015 um 17:00 schrieb takumi ikeda: Hi Kevin, Thank you for your reply. But the part of "(if (= UP dir) -0.5 0.5)" seems to not working... BTW, How can I learn the syntax like "(ly:duration-log (ly:music-property music 'duration))"? I found the documentation lilypond.org/doc/v2.19/Docum

Re: How to encapsulate TextSpanner?

Am 12.02.2015 um 22:48 schrieb Kevin Barry: On Thu, Feb 12, 2015 at 9:25 PM, H. S. Teoh > wrote: I've tried various ways of doing this -- putting the commands in a variable, using various Scheme make-script / make-music constructs, etc., but lilypond

Re: How to encapsulate TextSpanner?

Am 12.02.2015 um 23:40 schrieb Kevin Barry: On Thu, Feb 12, 2015 at 10:32 PM, H. S. Teoh > wrote: Why doesn't it work when I use \override instead of \tweak? I think \override doesn't work because it gets between the note and \startTextSpan (which always h

Re: global marks

Hello, I usually don’t write this in the \score block, but instead define a music function like global = #(define-music-function (parser location mus) (ly:music?) #{ << \helper \relative { \key as \minor \time 9/16 \partial 8. \autoBeamOff $mus } >> #})

Re: lilypond-user Digest, Vol 137, Issue 62

Hello Patrick, first thing: _Please_ mind the advice given with every single digest and edit the subject line so the e-mail may be correctly sorted into the thread where it belongs. I also find it quite annoying to receive e-mails with such cryptic subjects as this. Am 14.02.2015 18:18, schr

Re: \articulate command doesn't handle {c4 4}

Hello, the support for standalone durations was one of the first (and most important?) changes made in 2.19 (see . But indeed, it seems to be a bug if \articulate can't handle them. Yours, Simon Am 15.02.2015 15:26, schrieb Cyn

Re: Git/Lilypond workflow

Am 15.02.2015 21:19, schrieb RomanticStrings: What is the benefit of using Git? I understand that it keeps track of changes, so you can check your log and even retrieve previous versions(?). I use my home MacBook Pro and my work (sacred music director) PC laptop, and I have both a Dropbox and

Re: bar number for \partial 4

Am 16.02.2015 15:55, schrieb MING TSANG: Hi, lilyponder, (1) I am transcribe a score that it count the \partial 4 measure as bar #1. How to achieve this. (1) This is contradicting both musical logics and general usage, so why not change it? Of course I don't know your reason to keep so close t

Re: bar number for \partial 4

Am 16.02.2015 16:13, schrieb MING TSANG: Thank you. Yes I did try the snippet and did not find any sample. What snippet? An example of what? The Notation Reference is often the first place to go. Yours, Simon Immanuel, Ming. On Monday, February 16, 2015 10:09 AM, Simon Albrecht wrote

Re: Strange "d.g." notation

ould this therefore be a German-Italian composite meaning "col 8va bassa"? In a viola part? With that fast notes? Certainly not. Yours, Simon Albrecht ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Staffs extending past the end of music

Hello Tyler, 1. sorry for being an incorrigible nitpick, but the plural of “staff” is “staves” ;-) 2. It’s exceedingly difficult to understand your problem without an example. Could you please send one? At best an attached .ly file (if it’s included in the message body, it might suffer inappro

Re: Staffs extending past the end of music

OK. I think what you want is \RemoveEmptyStaves, to be inserted in \layout{ \context{ \Staff \RemoveEmptyStaves } } HTH, Simon Am 17.02.2015 01:21, schrieb Tyler A Stank: On 02/16/2015 06:09 PM, Simon Albrecht wrote: Hello Tyler, 1. sorry for being an incorrigible nitpick, but the

Re: How to increase the distance between systems?

Hello Kaj, you'd want to search the notation reference for "Flexible vertical spacing between systems". It's the \paper variable system-system-spacing that needs to be adjusted. HTH, Simon Am 18.02.2015 15:34, schrieb Kaj: I have tried to find in the manuals180 how to increase the distance

Ambitus placement

Hello together, I like to use the Ambitus_engraver in choral scores, but I often find it confusing to read, since the ambitus is printed before everything else, although its meaning depends on both clef and key signature. From the manuals or some snippet I took the idea to \set Staff.key-signa

Re: Ambitus placement

c } \layout { \context { \Staff \consists "Ambitus_engraver" } } } On Mon, Feb 23, 2015 at 1:27 PM, Kevin Barry <mailto:barr...@gmail.com>> wrote: On Mon, Feb 23, 2015 at 12:32 PM, Simon Albrecht mailto:simon.albre...@mail.de>> wrote:

Re: Ambitus placement

, schrieb Simon Albrecht: Thanks a lot, Kevin. That did it. I further modified it to avoid the programming error: No spacing entry from Item to `time-signature' and included the other entries present in the default, so it now reads as in the attachment. Best regards, Simon Am 23.02.2015

Re: Intel Mac OS X 10.8.5 - LilyPond Prefs

Hello Peter, are you referring to Frescobaldi? Lilypond, being a command line program, doesn’t have a GUI nor any menus, in which entries could be greyed out… In case you do mean Frescobaldi, please send a report via the option provided in its Help menu. Yours, Simon Am 24.02.2015 um 19:02

Re: Intel Mac OS X 10.8.5 - LilyPond Prefs

Am 24.02.2015 um 20:09 schrieb Kieren MacMillan: Hi Simon, are you referring to Frescobaldi? Lilypond, being a command line program, doesn’t have a GUI nor any menus, in which entries could be greyed out… He’s talking about “Lilypad” (or whatever they call the minimal editor that comes with

lyric-word regression

Hello David, (hello list,) unfortunately through some change between versions 2.19.8 and .15 your very useful lyric-word-compressor code ceased to work. It exits with an error stating that ‘value # must be of type ’ (written from memory). Could you please help with this? Thanks in advance, S

Re: lyric-word regression

The usual mistake… and once again with attachment ;-) Am 25.02.2015 um 09:35 schrieb Simon Albrecht: Hello David, (hello list,) unfortunately through some change between versions 2.19.8 and .15 your very useful lyric-word-compressor code ceased to work. It exits with an error stating that

Re: Bug in articulate.ly

Am 28.02.2015 um 20:11 schrieb H. S. Teoh: On Fri, Feb 27, 2015 at 05:14:09PM -0800, Flaming Hakama by Elaine wrote: [...] I've recently been using lilypond with articulate.ly to produce midi versions of pieces and have to say that, despite its limitations, I've been getting results that are not

Re: A measure with R1 and text

Am 01.03.2015 um 23:07 schrieb Dave Higgins: Text over a multi-measure rest is centered. Is there a more elegant solution to not center it then the one below? << { R1 } \\ { s4^\markup \left-align "text" } >>. Easy: { R1-\tweak self-alignment-X -1 -"text" } In case you want to use an overrid

lyricWordEngraver enhancement proposal

Hello David, hello list, upon proofreading my latest larger lily project I had an idea for enhancement of your lyricWordEngraver: it would be very useful to have a \compressWord command, which is entered before a lyric syllable and then makes the following word be engraved as single string wit

Re: connect arpeggio down

Am 02.03.2015 um 06:16 schrieb Helge Kruse: I have a problem with connecting arpeggio. The arrow of \arpeggioArrowDown or -Up vanishes when I connect the arpeggios of two staves. You can reproduce it with the example below. Comment out the connectArpeggios line and you see arrows. Is this a kno

Re: connect arpeggio down

Am 02.03.2015 um 21:42 schrieb Helge: Am Mon, 02 Mar 2015 12:16:17 +0100 schrieb Simon Albrecht : upperHarpII = \relative c'' { Or, as an override: \override PianoStaff.arpeggio.arpeggio-direction = #-1 This results in an error: warning: not a grob name, `arpeggio' So sorry,

Re: connect arpeggio down

And, by the way: quite inconsistently, the bug list can be addressed by bug-lilyp...@gnu.org, not lilypond-bug. Am 02.03.2015 um 22:41 schrieb Simon Albrecht: Am 02.03.2015 um 21:42 schrieb Helge: Am Mon, 02 Mar 2015 12:16:17 +0100 schrieb Simon Albrecht : upperHarpII = \relative c'&#

Re: lyricWordEngraver enhancement proposal

Am 02.03.2015 um 23:59 schrieb David Nalesnik: Hi Simon, On Sun, Mar 1, 2015 at 6:17 PM, Simon Albrecht <mailto:simon.albre...@mail.de>> wrote: Hello David, hello list, upon proofreading my latest larger lily project I had an idea for enhancement of your lyricWordEng

Re: staffSize music function unreliable at LP v2.19.16

Well, there’s reason enough to redirect this to bug-lilypond, isn’t it? Somehow, Mozilla Thunderbird messes up the code examples, so I can’t do so well. Perhaps the OP’s and Harm’s first mails in the thread, respectively, should suffice for illustration. ~Simon Am 03.03.2015 um 23:01 schrieb

Re: staffSize music function unreliable at LP v2.19.16

Hello, a possible workaround would be to insert \layout { \context { \Voice \override Stem.neutral-direction = #'() \consists "Melody_engraver" } } It computes the stem direction for neutral-position (i.e. normally the center staff line) and here also the wrongly fl

Re: exercises book

Hi Carlo, I don’t get what exactly is the problem you have. Normally you would have one score for each exercise, and each score has << %\new ChordNames \chords \new StaffGroup \with { instrumentName = "647" } << \new Staff \music \new TabStaff \music >> >> And normally lily will choose a perfec

Re: Dynamics with Capitals

Hello Stephen, you will find this documented at and in the thereupon following section, New dynamic marks. However in brief: Usually, in the classical engraving style, which stood model for Lily

Re: Ex Book (was: exercises book)

Stephen, it is helpful if you basically retain the original subject, so mailing software will recognise as belonging to the thread. This increases comfort for the list subscribers. Re: etc. don’t matter, also sometimes it makes sense to change the subject and include the former one within (was:

Re: exercises book

Am 05.03.2015 um 00:00 schrieb Carlo Vanoni: Hi Simon, thanks for the answer. You’re very welcome. Well, your code helped me. In fact, my problem was that I was not sure I can create multiple \score {}. See for more infor

Re: [OT] We need LilyPond office space...

See ;-) One might redirect him there, but IIUC there have been fruitless attempts already to do so… Best, Simon Am 05.03.2015 um 03:17 schrieb James Harkins: ... if only so that Brian Ferneyhough can visit: http://www.finalemusic.com/blog

Re: Fixed width measures

Hi Andrew, I tried some things with some success: if there are only two bars per line and ther is no indent, the bars are _almost_ the same width. I don’t have any idea why this is imprecise, though. HTH, Simon P.S. I also did some reformatting to the code, which in my eyes much improves th

Re: [OT] We need LilyPond office space...

Am 05.03.2015 um 08:27 schrieb Urs Liska: Am 5. März 2015 08:22:11 MEZ, schrieb Simon Albrecht : See <http://lilypondblog.org/2014/05/independent-meters/> ;-) One might redirect him there, but IIUC there have been fruitless attempts already to do so… Not really. I tried to comment

Re: Fixed width measures

Am 05.03.2015 um 09:21 schrieb Urs Liska: Am 05.03.2015 um 08:34 schrieb Brian Barker: At 11:37 05/03/2015 +1100, Andrew Bernard wrote: I have asked this question on the list in the past, but no solution seems to be available. The topic is fixed width measures. I have contemporary music that

Dynamics negative Y-offset

Hello everybody, in the attachment you’ll find an example for a function which I use to make dynamics slightly overlap with staff lines for saving space. It used to work up to 2.19.8, but now (tested with 2.19.15 and .16) negative values of Y-offset remain without effect inspite of outside-st

Fwd: Re: Dynamics negative Y-offset

16:09:27 - Von:Phil Holmes An: Simon Albrecht Narrowing this down a bit, the change occurred between 19.12 and 19.14, and the failure to tweak happens whether the tweak is applied via the function or directly: \score { { c'-\tweak Y-offset -1 \f } \layout { \context { \

Re: Fwd: Re: Dynamics negative Y-offset

Typo there… Am 05.03.2015 um 17:12 schrieb Simon Albrecht: I assume it was an oversight that you didn’t include the list… This also shows that there is no link to any alignment changes, which happened earlier (around 2.10). 2.19.10 of course. Yours, Simon Weitergeleitete

Re: Produce a paper block from Scheme function

Hi Urs, I don’t quite see your problem. I’m using such functions without. Since multiple \paper blocks are combined in a rather sensible way, there’s no problem with just having the function output an entire \paper block and use it on top level, regardless of any other \paper blocks (except if

Re: Produce a paper block from Scheme function

PS: Am 06.03.2015 um 17:32 schrieb Urs Liska: Hi all, I don't even know where to start with this, and looking around in the documentation doesn't get me started either. Considering multiple \paper blocks see . What would

Re: ANN: Frescobaldi 2.18

Hello, for whatever reason I keep running into problems whenever I try to upgrade Frescobaldi (or install it on another machine). This time, I downloaded the .tar.gz bundles of both frescobaldi 2.18 and python-ly 0.9.1 into ~/Frescobaldi/, unpacked them and installed them following the instruc

Re: ANN: Frescobaldi 2.18

Sorry, should have mentioned that this is on Ubuntu 14.10. Am 09.03.2015 um 10:22 schrieb Simon Albrecht: Hello, for whatever reason I keep running into problems whenever I try to upgrade Frescobaldi (or install it on another machine). This time, I downloaded the .tar.gz bundles of both

Re: Please help

Hello anonymus, everything is alright with your code, except for one thing: the lines beginning with (at least one) ";" must not be broken, since they are comments; they serve as explanations to any human reading the code, but the program ignores them. However, commenting out with ";" only wor

Re: [Frescobaldi] Re: ANN: Frescobaldi 2.18

Am 09.03.2015 um 12:05 schrieb Peter Bjuhr: On 2015-03-09 11:41, Simon Albrecht wrote: Hello, for whatever reason I keep running into problems whenever I try to upgrade Frescobaldi (or install it on another machine). This time, I downloaded the .tar.gz bundles of both frescobaldi 2.18 and

Re: Please help

PS. Did you send the message three times or did it only arrive three times? Am 09.03.2015 um 14:40 schrieb magohq: Nothing has changed Key signature alternatives are still not on these lines. The fis in bass clef is on the 4th line,not on the fifth as the key treble. All the characters have to m

Re: Please help

Am 09.03.2015 um 14:40 schrieb magohq: Nothing has changed Key signature alternatives are still not on these lines. The fis in bass clef is on the 4th line,not on the fifth as the key treble. All the characters have to move down one line. OK, now I see your problem. You should always post example

Re: Starting music at an arbitrary bar

Hi Martin, see . showFirstLength and showLastLength should do what you want. Yours, Simon Am 14.03.2015 um 22:02 schrieb J Martin Rushton: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 GNU LilyPond 2.18.2 TiMidi

Re: book parts and page breaks

Am 15.03.2015 um 14:23 schrieb Francesco Petrogalli: Hi, is there a way to avoid page breaks when creating a new \bookpart? No, there isn’t. Actually, having a page break inbetween is most of the point of having multiple bookparts. What’s more, each bookpart may have its own \paper block, whos

Re: book parts and page breaks

d exercise } \markup \fill-line { \null "L’altra tonalità…" \null } \score { etc. HTH, Simon I hope I made my point clear now, thanks for any help! Francesco On Sun, Mar 15, 2015 at 1:42 PM, Simon Albrecht wrote: Am 15.03.2015 um 14:23 schrieb Francesco Petrogalli: Hi, is th

Re: Enhancement: command line option to transpose N halftones up or down

Hello Michael, I think this question is more appropriate for the -user list. Since I usually call lily from inside frescobaldi, my solution to this has been defining a variable for the resulting pitch: \version "2.18" newTonic = des music = \relative { c' } \score { \transpose c \newTonic

Re: Enhancement: command line option to transpose N halftones up or down

Am 16.03.2015 um 17:43 schrieb Michael Schuerig: On Monday 16 March 2015 11:26:30 David Nalesnik wrote: Am 16.03.2015 um 15:02 schrieb Michael Schuerig: I've only been using LilyPond for a rather short time, so far mostly for engraving short snippets transposed into several keys for practicing.

Re: Dynamics context vs. dynamics in staff

Am 17.03.2015 um 20:13 schrieb Noeck: Hi Kieren, thanks for your reply. I know this issue you linked and for sure a real solution would be best. I have a few follow-up questions: - Can you point me to the edition engraver? - How do you move dynamics? extra-offset or X/Y-offset? I ask because

Re: getting parts of the system start barline invisible

Am 18.03.2015 um 02:14 schrieb Zoran Kesic: Hi, Although relatively new to Lilypond, I was able to find solutions to my needs so far, thanks to this forum and fantastic supporting documentation for Lilypond. However, there is one thing that is driving me mad and I was hoping someone would be ab

Re: Using multiple tags

Am 18.03.2015 um 14:42 schrieb Anton Curl: Hi everyone! I like using tags in my scores but it becomes complicated: I want to use tags for: - layout or midi - score or part - first / second / third / fourth time a variable is used I could always use removeWithTag, but - for the third case it's

Re: Messiaen-style ties?

Am 22.03.2015 um 22:12 schrieb Kieren MacMillan: Hi Trevor (et al.), (One last thought: Messiaen's notation might be conceptually equivalent to a type of "reverse" l.v. indication. That might help provide a name for the feature should it ever find its way into LilyPond.) Yes… LaissezVibrer

Re: Messiaen-style ties?

Am 22.03.2015 um 21:48 schrieb tisimst: Trevor, Try something like \repeatTie True, this gives quite the desired output, but it would make sense to have this as a 'style option to Tie rather than using different musical input in the first place. So I’d support an enhancement tracker issue an

Re: lilypond-user Digest, Vol 148, Issue 144

Hi Bill, only for policy: If you have the digest mode turned on, please always edit your subject line (i.e. "Re: ") if you’re replying, so it becomes apparent to what your reply refers and so that it may be sorted into the thread by software. Thank you, Simon PS. Only lilypond-user@gnu.org

Re: Narrow down search of Lilypond documentation to English

Am 21.03.2015 um 15:38 schrieb Colin Tennyson: For Lilypond the reference documentation is the one in english. Besides that translated versions of the documenation are available (in various states of completeness). The Lilypond website uses a naming system: Example: English version: http://lilyp

Re: Narrow down search of Lilypond documentation to English

Am 23.03.2015 um 02:10 schrieb Colin Tennyson: Colin Tennyson wrote: so anyone who wants to create Lilypond files has to master english anyway. Simon Albrecht wrote: You have to learn the English command names, indeed, but it’s by no means necessary to read the source code for creating any

Re: Cue notes included in ambitus

I forwarded this to ly-bug. ~ Simon Am 23.03.2015 um 15:36 schrieb Patrick Karl: Consider the following snippet: \version "2.19.17" music = \relative c'' { \clef treble \new CueVoice { \set instrumentCueName = "Bass" } \cueDuringWithClef #"Bass" #DOWN #"bass"R1 g4 a

Re: layout-set-staff-size: will it ever be fixed?

Am 23.03.2015 um 21:53 schrieb Nikolai Hedler: I see that this may have been worked on in 2.19 as Issue 216 ; can someone update me as to th

Re: rendered pdf files

Hello Stephen, sounds interesting, but I don’t think there’s any way of judging this without any examples (code and output). Yours, Simon Am 24.03.2015 um 03:31 schrieb Stephen MacNeil: the files when i compiled on my linux box render a more compressed look then those on my friends windows?

Re: Notes in voiceone corrupt voicethree after voice splitting?

Am 24.03.2015 um 19:39 schrieb st...@linuxsuite.org: Howdy! I have reduced a multivoice structure that is part of a composition to a simple five bar example of voice splitting. I need 4 voices, and then I need one voice to split. Each bar shows a different behaviou

Re: Notes in voiceone corrupt voicethree after voice splitting?

Am 24.03.2015 um 21:15 schrieb st...@linuxsuite.org: Ok, I reduced the problem to one bar, and the black harmonics.. Everything works except the notes are changed in voicethree and voicesix to black harmonics. Well, basically you’re asking for it. \H is defined as an

Re: Problem with repeat alternative endings that contain lyrics and leading rests

Am 25.03.2015 um 10:01 schrieb Nathan Ho: On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen wrote: Dear List, The LilyPond notation reference, section 2.1.2, (http://www.lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics) contains the following example of how to use lyrics

Re: Creating new context: 3 Questions

Hi Robert, I’m not really into the topic, but I have two remarks: Am 25.03.2015 um 14:50 schrieb Robert Schmaus: Hi Ponderers, I have tried a couple of times now but can't get this to work. Maybe someone sees my mistake ... [snip] So my first question is: why doesn't this work? My second q

Scheme void function problems

Hello, I’m experimenting with an implementation of automatic tagline language selection and currently have two problems with the void function \language that I adapted from music-functions-init.ly: – I can’t get the first, optional argument to work; it needs to be explicitly given or Lily will

Re: Scheme void function problems

Hello, thanks a lot for your thoughts, David. Am 25.03.2015 um 16:33 schrieb David Nalesnik: Hi Simon, I can't judge whether this is getting closer to you want, but maybe my observations can help. On Wed, Mar 25, 2015 at 9:17 AM, Simon Albrecht mailto:simon.albre...@mail.de>

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