Hello Helge,
\noBeam after the third and fourth notes should do what you want.
%%%%%%%%%%%%%%%%%%
\version "2.18"
\relative c'' {
\time 3/4 \key es \major
\voiceTwo as8\> c f\noBeam
\voiceOne as\noBeam c f\! |
}
%%%%%%%%%%%%%%%%%%
HTH, Simon
Am 31.12.2014 10:11, schrieb Helge Kruse:
Sorry, hit the send key too early.
The documentation about beams
(http://lilypond.org/doc/v2.19/Documentation/notation/beams) suggests
that you can enabel and disable automatic beaming in the measure. In
the following example I expected the last three notes to have the stem
up like in a voiceOne context:
\version "2.18.0"
\relative c'' {
\time 3/4 \key es \major
%% need stem up
as8\> c f
%% neeed stem down
as c f\! |
}
So I placed the corresponding voice commands and added \autoBeamOff to
interrupt the beaming for two notes:
\relative c'' {
\time 3/4 \key es \major
\voiceTwo as8\> c \autoBeamOff f
\voiceOne as \autoBeamOn c f\! |
}
But the result isn't convincing. The beam is added for f and as
altough it should be possible inside the measure. Finally I managed
the score with disabling the automatic beaming for the whole measure.
But why is this necessary? Is the doc not exact?
\relative c'' {
\time 3/4 \key es \major
\autoBeamOff
\voiceTwo as8[\> c] f
\voiceOne as c[ f]\! |
\autoBeamOn
}
Best Regards
Helge
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