Re: Single staff polyphony and NullVoice

On Sun 10 Nov 2024 at 22:46:54 (-0800), Walt North wrote: > You mention deferring interpretation. I'm not familiar with that and I > haven't found information on that in the docs. Can you point me? > > "you would still need to defer polly's interpretation" s/interpretation/evaluation/ might be

Re: Single staff polyphony and NullVoice

You mention deferring interpretation. I'm not familiar with that and I haven't found information on that in the docs. Can you point me? "you would still need to defer polly's interpretation"

Re: Single staff polyphony and NullVoice

e piano sees. > > In this case I'm using single staff polyphony for a section for the > piano. What is happening is the nullvoice is not applying to the > polyphonic notes. > > Do I need to put the polyphonic notes in a completely separate > variable in order to not have

Re: Single staff polyphony and NullVoice

wrote: > Typically I use variables for reuse to create one sheet for piano and one > sheet for rhythm guitar. I would hide the staff from guitar player with > nullvoice (saving paper space). The lyrics are aligned with the melody the > piano sees. > > In this case I'm using

Single staff polyphony and NullVoice

Typically I use variables for reuse to create one sheet for piano and one sheet for rhythm guitar. I would hide the staff from guitar player with nullvoice (saving paper space). The lyrics are aligned with the melody the piano sees. In this case I'm using single staff polyphony for a se

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

On Fri, Oct 29, 2021 at 4:53 PM Lukas-Fabian Moser wrote: > > I'll probably keep the \noBeam rather than the \autoBeamOff, since I'm > > trying to faithfully reproduce the original, as much as I can. > Non sequitur (I think). > > Consider: > > \version "2.22" > \language "english" > > \relative

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

Again, much thanks. I would not have known this without your post. The Documentation page you reference clearly shows use of the "older" type of temporary polyphonic context and in the text explicitly mentions its use for lyric continuation. Yet doing so does require the use of \skip1 in lyrics

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

On Fri, Oct 29, 2021 at 3:51 PM Lukas-Fabian Moser wrote: > > Hi Kevin, > > Am 29.10.21 um 21:03 schrieb Kevin Cole: > > First, I'm using LilyPond v. 2.20.0. (I often seem to end up at 2.18 > > and 2.21 when searching for documentation -- though explicitly > > changing the URL to 2.20 works.) > Ye

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

I'll probably keep the \noBeam rather than the \autoBeamOff, since I'm trying to faithfully reproduce the original, as much as I can. Non sequitur (I think). Consider: \version "2.22" \language "english" \relative {   \time 3/4   \key d \major   d'8\noBeam d e16( fs) g8\noBeam a\noBeam fs

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

Whoa! What is this magic you're doing Master Moser?? - I made sure that the bf4. on "days" stays in the voice called melody. There are various ways to do this; I chose a "modern" way using \voices and \\ inside << >> which allows to automatically add a "second" voice This is a techni

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

Am 29.10.21 um 22:14 schrieb Guy Stalnaker: Whoa! What is this magic you're doing Master Moser?? - I made sure that the bf4. on "days" stays in the voice called melody. There are various ways to do this; I chose a "modern" way using \voices and \\ inside << >> which allows to autom

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

On Fri, Oct 29, 2021 at 3:37 PM Guy Stalnaker wrote: > Kevin, > > You're encountering an known situation with polyphonic contexts like this > one. A change in 2.20.x modified how lyrics are calculated in these > polyphonic contexts. You need to manually add to the *lyrics* \skip1 to > position

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

Hi Kevin, Am 29.10.21 um 21:03 schrieb Kevin Cole: First, I'm using LilyPond v. 2.20.0. (I often seem to end up at 2.18 and 2.21 when searching for documentation -- though explicitly changing the URL to 2.20 works.) Yes, that's a bit of a nuisance. Second, I guess I'm not sure what you mean by

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

th lyric extenders. I've looked at: https://lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics#polyphony-with-shared-lyrics but the example isn't quite helping, since the way the book told me to do the voices in the melody appears to be different from the way the page a

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

On Fri, Oct 29, 2021 at 3:03 PM Kevin Cole wrote: > > Hi Lukas, > > First, I'm using LilyPond v. 2.20.0. (I often seem to end up at 2.18 > and 2.21 when searching for documentation -- though explicitly > changing the URL to 2.20 works.) > > Second, I guess I'm not sure what you mean by a compatibl

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

Hi Lukas, First, I'm using LilyPond v. 2.20.0. (I often seem to end up at 2.18 and 2.21 when searching for documentation -- though explicitly changing the URL to 2.20 works.) Second, I guess I'm not sure what you mean by a compatible example: I thought that's what I provided. But the URL below is

Re: Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

le, but if all else fails, "compilability" is more important than "shortness", at least in my book.) The problem is that I don't quite understand how to deal with lyric extenders. I've looked at: https://lilypond.org/doc/v2.18/Documentation/notation/techniques-

Trying to get the hang of "Polyphony with Shared Lyrics" section of the manual.

core { << \new Staff \with {midiInstrument = #"violin"} { \melody } \addlyrics { \words } >> } The problem is that I don't quite understand how to deal with lyric extenders. I've looked at: https://lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-

Re: Dynamics context doesn't work with polyphony(?)

Hi Aaron, thank you for your reply. I’ll try that later. Perhaps I should consider having a separate dynamics variable in the long run though. Potential issues like this could be so avoided by simply changing the problematic line of code. That would also allow me to have both the “normal” dynamics

Re: Dynamics context doesn't work with polyphony(?)

On 2020-09-11 1:56 am, Martín Rincón Botero wrote: Hello, sorry to bother again. I've been further exploring the Dynamics context. I just noticed that when there's a polyphonic passage, not only dynamics don't align anymore, but also \remove engravers fails to do its job. Is this a bug or is t

Dynamics context doesn't work with polyphony(?)

Hello, sorry to bother again. I've been further exploring the Dynamics context. I just noticed that when there's a polyphonic passage, not only dynamics don't align anymore, but also \remove engravers fails to do its job. Is this a bug or is there any other engraver I should remove from the Dynami

Re: Lyrics in polyphony with ties in second voice

On Mon, Sep 30, 2019 at 6:06 PM Carl Sorensen wrote: > > > > > *From: *Flaming Hakama by Elaine > *Date: *Sunday, September 29, 2019 at 9:41 PM > *To: *Lilypond-User Mailing List > *Subject: *Lyrics in polyphony with ties in second voice > > > > > Hi. &g

Re: Lyrics in polyphony with ties in second voice

From: Flaming Hakama by Elaine Date: Sunday, September 29, 2019 at 9:41 PM To: Lilypond-User Mailing List Subject: Lyrics in polyphony with ties in second voice Hi. I'm hoping someone can help me figure out how to notate this. I am creating a lead sheet that has vocal line with l

Re: Lyrics in polyphony with ties in second voice

I'm not sure why you'd want that, but oh well... %%% Start \version "2.19.83" words = \lyricmode { One, two and three four } melody = \relative c'' { \time 3/4 g2. | g8 a f2 ~ | 2. | e2. \bar "|." } harmony = \relative c' { \time 3/4 \voiceOne s2. | 2. _~ | 2. | s2.

Re: Lyrics in polyphony with ties in second voice

On Mon, Sep 30, 2019 at 7:57 AM Knute Snortum wrote: > Here's one way to do it: > > %%% Start > \version "2.19.83" > > words = \lyricmode { > One, two and three four > } > > melody = \relative c'' { > \time 3/4 > g2. | > g8 a f2 ~ | > 2. | > e2. > \bar "|." > } > > harmony = \relati

Re: Lyrics in polyphony with ties in second voice

g someone can help me figure out how to notate this. > > I am creating a lead sheet that has vocal line with lyrics. Some sections > have just the melody, and other sections have harmonies under the melody. > > In general, I have been having success using this pattern for going i

Lyrics in polyphony with ties in second voice

d out of polyphony, while keeping the lyrics associated with the melody: melody = \relative c'' { c1 << { \voiceOne d } { b1 } >> | \oneVoice e1 | } However, there is one phrase where I can't figure out how to make it work, which is when the second voice contains t

Re: Re: DrumVoice Polyphony and MIDI

On Thu, 2019-08-29 at 09:53 +0200, Mats Bengtsson wrote: > I can confirm that the problem appears in 2.18.2, but seems to have > been  > fixed in 2.19, several years ago. As has already been stated many > times  > on this list, there's no reason whatsoever to avoid the "unstable"  > version 2.19.83

Re: Re: DrumVoice Polyphony and MIDI

Sorry, I pushed "Send" before finishing. Here comes the correct version of the email. On 2019-08-28 13:14, Stefano Antonelli wrote: On Wed, 2019-08-28 at 09:01 +0200, Federico Bruni wrote: Il giorno lun 26 ago 2019 alle 20:08, Stefano Antonelli ha scritto: That is not always a convenient fo

Re: Re: DrumVoice Polyphony and MIDI

On 2019-08-28 13:14, Stefano Antonelli wrote: On Wed, 2019-08-28 at 09:01 +0200, Federico Bruni wrote: Il giorno lun 26 ago 2019 alle 20:08, Stefano Antonelli ha scritto: That is not always a convenient format for working with drum parts though.  I would like to be able to use a syntax more l

Re: DrumVoice Polyphony and MIDI

On Wed, 2019-08-28 at 09:01 +0200, Federico Bruni wrote: > Il giorno lun 26 ago 2019 alle 20:08, Stefano Antonelli  > ha scritto: > > > > That is not always a convenient format for working with drum parts > > though.  I would like to be able to use a syntax more like the > > following: > > > > t

Re: DrumVoice Polyphony and MIDI

Il giorno lun 26 ago 2019 alle 20:08, Stefano Antonelli ha scritto: That is not always a convenient format for working with drum parts though. I would like to be able to use a syntax more like the following: test = \drummode { << { \voiceOne cymc4 cymc4 cymc4 cymc4 } { \voiceOne s4sn

DrumVoice Polyphony and MIDI

Greetings List, I'm trying to understand why one syntax results in MIDI output, while another syntax does not.  I'm new to lilypond and clearly missing something. Below is the working case: tagCymbals = \drummode { \voiceOne   cymc4 cymc4 cymc4 cymc4 } tagDrums =   \drummode { \voiceTwo   s4

Re: Fingering position in polyphony face to sharp glyph. Bug?

Thomas Morley-2 wrote > this weekend I'll have not much time and I'll be completely offline > next week for holidays. No need to hurry, Happy Holidays ;) (oh no, that was politically correct and is restricted Christmas time use only). Thomas Morley-2 wrote > In my initial testing I experienced

Re: Fingering position in polyphony face to sharp glyph. Bug?

2018-08-11 15:00 GMT+02:00 Torsten Hämmerle : > Thomas Morley-2 wrote >> I tried to Y-center the Fingering-stencil. >> >> Though, with the example below the result is not all that convincing. >> […] >> Additionally, if fingeringOrientations contains 'left or 'right a >> FingeringColumn is built at

Re: Fingering position in polyphony face to sharp glyph. Bug?

Thomas Morley-2 wrote > I tried to Y-center the Fingering-stencil. > > Though, with the example below the result is not all that convincing. > […] > Additionally, if fingeringOrientations contains 'left or 'right a > FingeringColumn is built at Staff-level, so the 'snap-radius-property > comes int

Re: Fingering position in polyphony face to sharp glyph. Bug?

Thomas Morley-2 wrote > […] > \mark "Fingerings right" > \set fingeringOrientations = #'(right) > […] Hi Harm, When setting fingeringOrientations to #'(right), the occasional collision of fingering and dots are a result of dots moving vertically away too far from their noteheads. In

Re: Fingering position in polyphony face to sharp glyph. Bug?

Simon Albrecht-2 wrote > I created one and tried to include all the analyses yet presented. > ; Thanks, Simon. I think makes sense trying to improve the fingering placement step by step. And everything that can get ...Orientations (fingeringOr

Re: Fingering position in polyphony face to sharp glyph. Bug?

Hi Harm, Yes, fingerings are quite a large construction zone (and right hand fingerings or string numbers as well). Issue 3692 hasn't been solved yet, and your examples show that there is also a general dot collision problem for right fingerings. When increasing snap-radius, fingerings may overla

Re: Fingering position in polyphony face to sharp glyph. Bug?

On 02.08.2018 12:10, Torsten Hämmerle wrote: I think this should get its own tracker issue. I created one and tried to include all the analyses yet presented. Best, Simon ___ lilypond-user mail

Re: Fingering position in polyphony face to sharp glyph. Bug?

2018-08-02 12:10 GMT+02:00 Torsten Hämmerle : > Simon Albrecht-2 wrote >> I went to the issue tracker so this doesn’t get lost – it seems to be >> related to or a subset of >> ;. > > Hi Simon, > > While the descriptive title "Fingering collisio

Re: Fingering position in polyphony face to sharp glyph. Bug?

Simon Albrecht-2 wrote > I went to the issue tracker so this doesn’t get lost – it seems to be > related to or a subset of > ;. Hi Simon, While the descriptive title "Fingering collision with accidentals" of issue 3692 more or less describe

Re: Fingering position in polyphony face to sharp glyph. Bug?

On 31.07.2018 18:12, Torsten Hämmerle wrote: David Kastrup wrote A feature of the placement algorithm and a bug of the character design maybe? The sharp glyph design looks OK to me: left: fingering and accidental skyli

Re: Fingering position in polyphony face to sharp glyph. Bug?

David Kastrup wrote > A feature of the placement algorithm and a bug of the character design > maybe? The sharp glyph design looks OK to me: left: fingering and accidental skylines taken from the example (stave removed)

Re: Fingering position in polyphony face to sharp glyph. Bug?

Torsten Hämmerle writes: > Schneidy wrote >> The first fingerings are independently positioned while the second >> integrate the accidental sign to calculate the padding. >> This happend with sharp glyph only. >> I guess it has something to do with upper 'Y-extent from the fingering -- >> not fro

Re: Fingering position in polyphony face to sharp glyph. Bug?

Schneidy wrote > The first fingerings are independently positioned while the second > integrate the accidental sign to calculate the padding. > This happend with sharp glyph only. > I guess it has something to do with upper 'Y-extent from the fingering -- > not from the glyph(?) --, however I did n

Re: \textLengthOn in polyphony and over MultiMeasureRests

Urs Liska writes: > Am 29.07.2018 um 16:35 schrieb Trevor Bača: > > Hi Urs, hi Torsten, > > I've followed both parts of this thread with interest, especially since I > only > recently discovered the magic empty chord <> construct. > > Urs, Torsten's results for the multimeasure rest example

Re: \textLengthOn in polyphony and over MultiMeasureRests

Am 29.07.2018 um 16:35 schrieb Trevor Bača: Hi Urs, hi Torsten, I've followed both parts of this thread with interest, especially since I only recently discovered the magic empty chord <> construct. Urs, Torsten's results for the multimeasure rest example are reproducible like this: %%%

Re[2]: \textLengthOn in polyphony and over MultiMeasureRests

Urs, you wrote 30/07/2018 11:07:44 Hm, I thought I finally had the solution, based on ideas from an earlier post by you and the one by Trevor: \new Staff \relative { << { \override Staff.NoteColumn.X-offset = 10 c''2 c } \new Voice { <>^\mar

Fingering position in polyphony face to sharp glyph. Bug?

Hi List, please consider the following example: \version "2.18.2" % or 2.19 << \clef "G_8" \time 2/4 { \set fingeringOrientations = #'(left) | % mes.7 8 fis a } \\ { \set fingeringOrientations = #'(left) | % mes.7 8 a, %% uncomment the following li

Re: \textLengthOn in polyphony and over MultiMeasureRests

Am 30.07.2018 um 11:36 schrieb Urs Liska: Hi Torsten, thanks for these explanations. Am 29.07.2018 um 19:22 schrieb Torsten Hämmerle: Trevor Bača-2 wrote Torsten, how are you achieving the text centered above the pair of half notes in the original example (ie, in the measure top-headed wit

Re: \textLengthOn in polyphony and over MultiMeasureRests

Hi Torsten, thanks for these explanations. Am 29.07.2018 um 19:22 schrieb Torsten Hämmerle: Trevor Bača-2 wrote Torsten, how are you achieving the text centered above the pair of half notes in the original example (ie, in the measure top-headed with "Minima")? Try as I might, I can't get it!

Re: \textLengthOn in polyphony and over MultiMeasureRests

Hi Trevor, Am 29.07.2018 um 16:35 schrieb Trevor Bača: Hi Urs, hi Torsten, I've followed both parts of this thread with interest, especially since I only recently discovered the magic empty chord <> construct. Urs, Torsten's results for the multimeasure rest example are reproducible like t

Re: \textLengthOn in polyphony and over MultiMeasureRests

Trevor Bača-2 wrote > Torsten, how are you achieving the text centered above the pair of half > notes in the original example (ie, in the measure top-headed with > "Minima")? Try as I might, I can't get it! Hi Trevor, You've got me there! ;) Standard \textLengthOn will push away neighbouring no

Re: \textLengthOn in polyphony and over MultiMeasureRests

Hi Urs, hi Torsten, I've followed both parts of this thread with interest, especially since I only recently discovered the magic empty chord <> construct. Urs, Torsten's results for the multimeasure rest example are reproducible like this: %%% BEGIN %%% { \version "2.19.82" \textLengthO

Re: \textLengthOn in polyphony and over MultiMeasureRests

Urs Liska-3 wrote > (markup in voice one will push the music in voice two) Yes, but that's only natural: (0) \textLengthOn affects any neighbouring objects and will even push away the surrounding notes etc. (1) TextScript.self-alignment-X ist set to #CENTER and in combination with \textLengthOn

\textLengthOn in polyphony and over MultiMeasureRests

Hi, as a follow-up to my previous thread about text formatting (http://lists.gnu.org/archive/html/lilypond-user/2018-07/msg00395.html) (of which I'll soon post the results, I hope) I ran into some problems handling \textLengthOn. The following snippet shows two things: \textLengthOn is a glo

Re: Attaching lyrics to intermittent vocals with polyphony

On 07/23/2018 05:11 AM, Thomas Morley wrote: If you want a 5-voices-polyphony (and no chords) you need \voiceFive. I see no problem here. Thanks, Harm! No problem there — just wondering if that was the best approach. Sure looks like it. Probably you could initiate all 5 voices in this

Re: Attaching lyrics to intermittent vocals with polyphony

2018-07-23 3:46 GMT+02:00 Christopher R. Maden : > On 07/22/2018 09:37 PM, Christopher R. Maden wrote: >> >> tl;dr: interrupted five-voice polyphony — how to attach lyrics, and still >> get proper polyphonic engraving, in 2.18.2? > > > Naturally I found the (an?) ans

Re: Attaching lyrics to intermittent vocals with polyphony

On 07/22/2018 09:37 PM, Christopher R. Maden wrote: tl;dr: interrupted five-voice polyphony — how to attach lyrics, and still get proper polyphonic engraving, in 2.18.2? Naturally I found the (an?) answer after posting... http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices

Attaching lyrics to intermittent vocals with polyphony

tl;dr: interrupted five-voice polyphony — how to attach lyrics, and still get proper polyphonic engraving, in 2.18.2? I had a call-and-response arrangement with three response parts, and assigned lyrics to the responses like so: << { \new Voice = "response&

RE: Why is there no auto beaming in temporary polyphony?

Carl, Welcome, any time! Mark -Original Message- From: Carl Sorensen [mailto:c_soren...@byu.edu] Sent: Tuesday, April 10, 2018 7:37 PM To: Mark Stephen Mrotek ; lilypond-user@gnu.org Subject: Re: Why is there no auto beaming in temporary polyphony? On 4/10/18, 8:10 PM, "Mark St

Re: Why is there no auto beaming in temporary polyphony?

On 4/10/18, 8:10 PM, "Mark Stephen Mrotek" wrote: I have no explanation, just a solution \version "2.19" \new Staff = "right"{ \clef treble <<{e''8 f'' s4} \\ {a'4 b'4} >> c'' b' | \voiceOne e''8 f'' b'4 c'' b' } Mark O

RE: Why is there no auto beaming in temporary polyphony?

x27; b' } Mark -Original Message- From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Carl Sorensen Sent: Tuesday, April 10, 2018 6:46 PM To: lilypond-user@gnu.org Subject: Why is there no auto beaming in temporary polyphony? < I&

Why is there no auto beaming in temporary polyphony?

< I'm not top posting When I use temporary polyphony with the double backslash construct, autobeaming is not working for me. %%% \version "2.19" \new Staff = "right"{ \clef treble <<{e''8 f''} \\ {a'4} >> b'4 c&

Re:DynamicLineSpanner.staff-padding in temporary polyphony

> -- Forwarded message -- > From: Thomas Morley > Subject: Re: DynamicLineSpanner.staff-padding in temporary polyphony > 2018-04-04 7:30 GMT+02:00 Flaming Hakama by Elaine < > ela...@flaminghakama.com>: > > > >> > >> I am not top post

Re: DynamicLineSpanner.staff-padding in temporary polyphony

2018-04-04 7:30 GMT+02:00 Flaming Hakama by Elaine : > >> >> I am not top posting > > > > HI. > > Please let me know if you can answer this question. > > I am using temporary voices to set horizontal dynamic spacing. Which works > fine. > But the side effect is that the dynamics in the second voic

DynamicLineSpanner.staff-padding in temporary polyphony

> > I am not top posting HI. Please let me know if you can answer this question. I am using temporary voices to set horizontal dynamic spacing. Which works fine. But the side effect is that the dynamics in the second voice don't obey DynamicLineSpanner.staff-padding How can I get the dynamic

Re: Lyrics "polyphony"

Hi Trevor (and David), Am 20.03.2018 um 15:54 schrieb Trevor: Hi Urs, you wrote 20/03/2018 11:32:30 I've come across the need to temporarily split lyrics into two "stanzas" (in repeated sections). The code I am confronted with does this by using some kind of polyphony cons

Re: Lyrics "polyphony"

Hi Urs, you wrote 20/03/2018 11:32:30 I've come across the need to temporarily split lyrics into two "stanzas" (in repeated sections). The code I am confronted with does this by using some kind of polyphony construct, but this ends up creating a new \Lyrics context that is

Re: Lyrics "polyphony"

On Tue 20 Mar 2018 at 12:32:30 (+0100), Urs Liska wrote: > Hi, > > I've come across the need to temporarily split lyrics into two > "stanzas" (in repeated sections). > > The code I am confronted with does this by using some kind of > polyphony construct, but

Lyrics "polyphony"

Hi, I've come across the need to temporarily split lyrics into two "stanzas" (in repeated sections). The code I am confronted with does this by using some kind of polyphony construct, but this ends up creating a new \Lyrics context that is added below the lowest staff inst

Re: tie polyphony

Mats Bengtsson writes: > On 2018-01-24 11:56, David Kastrup wrote: >> Letting the main voice continue.  Cf >> \version "2.19.80" >> \fixed c' >> \new Voice = "main" { >>r4 a( b d' >>\voices "main",2 >><< { \voiceOne 4) 4 4 4 \oneVoice} \\ c1 >> >> } >> > Interesting feature! Don't for

Re: Re: tie polyphony

Thank you to everybody for the help. David and Andrew solutions work well. Best regards, g. On 24 January 2018 at 13:00, Mats Bengtsson wrote: > > > On 2018-01-24 11:56, David Kastrup wrote: > > Letting the main voice continue. Cf > >> \version "2.19.80" >> \fixed c' >> \new Voice = "main" { >

Re: Re: tie polyphony

On 2018-01-24 11:56, David Kastrup wrote: > Letting the main voice continue.  Cf \version "2.19.80" \fixed c' \new Voice = "main" { r4 a( b d' \voices "main",2 << { \voiceOne 4) 4 4 4 \oneVoice} \\ c1 >> } Interesting feature! Don't forget to add it in the Changes document. Also, it'

Re: tie polyphony

Gianmaria Lari writes: > Hello, > > In the following code > > \version "2.19.80" > \fixed c' { > r4 a b d' > << {4 4 4 4} \\ c1 >> > } > > ... I would like to tie the "a" with the very first chord 4. How I > can do it? Letting the main voice continue. Cf \version "2.19.80" \fixed c' \new V

Re: tie polyphony

Hi all, might it be the case that your are encountering a similar issue to one I posted a couple days ago (there, on the question of phrasing slurs in multi-voice staves that cross over single-voice ones); namely, that are trying to extend a slur across different contexts, so it fails. On Wed, Ja

Re: tie polyphony

Of course you are right! I was talking about slur not tie! Anyway I'm not able to make any slur in that context. This is what I tried: \version "2.19.80" \fixed c' { r4 a\( b d' << {4\) 4 4 4} \\ c1 >> } g. On 24 January 2018 at 09:40, Marc Hohl wrote: > Am 24.01.2018 um 09:31 schrieb G

Re: tie polyphony

Am 24.01.2018 um 09:31 schrieb Gianmaria Lari: Hello, In the following code \version "2.19.80" \fixed c' {   r4 a b d'   << {4 4 4 4} \\ c1 >> } ... I would like to tie the "a" with the very first chord 4. How I can do it? That's not a tie then. IIUC, you'll need a phrasing slur for this

tie polyphony

Hello, In the following code \version "2.19.80" \fixed c' { r4 a b d' << {4 4 4 4} \\ c1 >> } ... I would like to tie the "a" with the very first chord 4. How I can do it? Thank you, Gianmaria ___ lilypond-user mailing list lilypond-user@gnu.org h

Re: retrying in and out polyphony

\time 4/4 >> c4 c8 bf af gf >> --- >> 1 >> >> \time 3/4 >> < e g! c >2 \> < d! f b! >4 | < e g c >4. < f a >8 /mp >> >> Mike Dean >> >> On Tue, Dec 19, 2017 at 7:03 PM, Carl Sorensen >> wrote: >> >>

Re: retrying in and out polyphony

p > > Mike Dean > > On Tue, Dec 19, 2017 at 7:03 PM, Carl Sorensen wrote: > >> >> >> From: Mike Dean >> >> Measures 1,3,5 are chords, while measures 2,4,6 has the temporary >> polyphony and trying to fit what I want to do into the example i

Re: retrying in and out polyphony

/mp Mike Dean On Tue, Dec 19, 2017 at 7:03 PM, Carl Sorensen wrote: > > > From: Mike Dean > > Measures 1,3,5 are chords, while measures 2,4,6 has the temporary > polyphony and trying to fit what I want to do into the example is a > struggle... > > I use \stemDown t

Re: retrying in and out polyphony

From: Mike Dean Measures 1,3,5 are chords, while measures 2,4,6 has the temporary polyphony and trying to fit what I want to do into the example is a struggle... I use \stemDown to put the stem down and merge it with the chord: { \clef bass \time 3/4 << \rela

retrying in and out polyphony

Since the png pix is too big.. I am engraving a manuscript I wrote a number of years ago, and am having problems conceptualizing temporary polyphony (2.18 manual, pages 159-160) Link: https://drive.google.com/file/d/0ByAN66y33JJGOHhodExjWjQ5OExFVHJpWmhpenpoZERvQV84/view?usp=sharing Measures

Re: Kneed beams in single staff polyphony

mari+lilyp...@mailbox.org writes: > Hi, > > the following example shows three bars with should all show the eighth > notes as in bar 1 with kneed beams. But I could not get it working in > single staff polyphony environment (bar 2 and 3), neither automatically > nor manually. C

Kneed beams in single staff polyphony

Hi, the following example shows three bars with should all show the eighth notes as in bar 1 with kneed beams. But I could not get it working in single staff polyphony environment (bar 2 and 3), neither automatically nor manually. Can someone give me a hint please what to do. Thanks, Mari

Re: Trouble with Polyphony

Thanks. The tweak commands work well. I still can't figure out what's throwing the failure, except I think it has something to do with the staff changes I'm using in the rest of the piece. On May 27, 2017 5:10 AM, "Thomas Morley" wrote: > 2017-05-27 5:06 GMT+02:00 Jon Arnold : > > I'm trying to

Re: Trouble with Polyphony

2017-05-27 5:06 GMT+02:00 Jon Arnold : > I'm trying to print a note simultaneous to a rest but have the rest be in > normal \oneVoice position. (This is to illustrate a harp muffle of a single > note.) > > This is basically how I'm doing it (minus the complicated code of replacing > the stem glyph)

Re: Trouble with Polyphony

On 05/27/17 05:06, Jon Arnold wrote: I'm trying to print a note simultaneous to a rest but have the rest be in normal \oneVoice position. (This is to illustrate a harp muffle of a single note.) This is basically how I'm doing it (minus the complicated code of replacing the stem glyph):

Trouble with Polyphony

I'm trying to print a note simultaneous to a rest but have the rest be in normal \oneVoice position. (This is to illustrate a harp muffle of a single note.) This is basically how I'm doing it (minus the complicated code of replacing the stem glyph): << { r8 } {\tiny \stemDown \omit Flag bes,,8} >

Re: Detecting polyphony from stencil-override

e sort of >> callback for the decision-making when it isn't. Except that the >> callback might already have been called and replaced with a >> direction. So it's a bit shaky. > > Hm, I'll have to try figuring out what that means. > Can that discern between a

Re: Detecting polyphony from stencil-override

estion before but probably from the wrong >> perspective. >> >> I'm overriding a stencil have to make a decision depending on the >> situation of being in a single voice or a << { } \\ { } >> polyphony >> construct. >> >> Any pointers? I assum

Re: Detecting polyphony from stencil-override

verriding a stencil have to make a decision depending on the > situation of being in a single voice or a << { } \\ { } >> polyphony > construct. > > Any pointers? I assume this has something to do with contexts but I'm > not really there yet. Bad idea. At the time

Detecting polyphony from stencil-override

situation of being in a single voice or a << { } \\ { } >> polyphony construct. Any pointers? I assume this has something to do with contexts but I'm not really there yet. Best Urs -- u...@openlilylib.org https://openlilylib.

Re: color in polyphony

Mario Moles writes: > Hello guys! You can color a single note in ? If you use \override NoteHead.color = #red b> error happens. If you don't want to learn too much new (or want to use one of the shortcut commands for creating an override), you can convert an override (which holds at one or more

Re: color in polyphony

In data mercoledì 9 novembre 2016 07:59:41, Jan-Peter Voigt ha scritto: > Hi Mario > > in this case use the \tweak command: > > { } > > HTH Jan-Peter Oh! Good! Thanks a lot! :)-- /oiram/bin/selom/ /Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni./ /MIB-kernellinux-tes

Re: color in polyphony

Hi Mario in this case use the \tweak command: { } HTH Jan-Peter Am 09.11.2016 um 07:56 schrieb Mario Moles: Hello guys! You can color a single note in ? If you use \override NoteHead.color = #red b> error happens. Thanks -- oiram/bin/selom Da ognuno secondo le proprie capacità ad ognun

color in polyphony

Hello guys! You can color a single note in ? If you use error happens. -- /oiram/bin/selom/ /Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni./ /MIB-kernellinux-tester/ http://mariomoles.altervista.org/[1] Linux[2] MIB[3] Lilypond[4] Frescobaldi[5] Rosegarden[6]

Re: \RemoveEmptyStaves + 8 part polyphony

On 11/05/16 01:07, Dirk Koopman wrote: On 11/05/16 00:38, Kieren MacMillan wrote: Hi Dirk, Is there any way of controlling which part of a score has \RemoveEmptyStaves active and which not? showMMRs = { \set Staff.keepAliveInterfaces = #'( rhythmic-grob-interface multi-measur

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