In this multi-voice context, I'm not sure where to put the hairpin
decrescendo to not generate a warning
Mike Dean
On Tue, Dec 19, 2017 at 11:36 PM, Mike Dean <dean...@aquinas.edu> wrote:
> So far , it has helped!
> In this construct, though, do I need to put the meter change in each part
> of this system (4/4 in measure 6, 3/4 in measure 7)
> (English accidentals used)
> <<
> \relative c' {
> \once \stemDown c2. | c4. bf8 af bf |
> \once \stemDown c2. | c4. bf8 af bf |
> \once \stemDown c2. |
> }
> \\
> \relative c {
> <e g>2.\pp (| <df f>2.)-> \mp \> |
> <e? g>2.\pp (| <df f>2.)-> \mp \> |
> <e? g>2.\pp
> }
> >>
> Next two measures
> \time 4/4
> c4 c8 bf af gf
> ---
> <df f>1
>
> \time 3/4
> < e g! c >2 \> < d! f b! >4 | < e g c >4. < f a >8 /mp <e g> <d f>
>
> Mike Dean
>
> On Tue, Dec 19, 2017 at 7:03 PM, Carl Sorensen <c_soren...@byu.edu> wrote:
>
>>
>>
>> From: Mike Dean <mike.d...@aquinas.edu>
>>
>> Measures 1,3,5 are chords, while measures 2,4,6 has the temporary
>> polyphony and trying to fit what I want to do into the example is a
>> struggle...
>>
>> I use \stemDown to put the stem down and merge it with the chord:
>>
>> {
>> \clef bass
>> \time 3/4
>> <<
>> \relative c' {
>> \once \stemDown c2. |
>> c4. bes8 aes bes
>> } \\
>> \relative c {
>> <e g>2.( |
>> <des f>2.)
>> }
>> >>
>> }
>>
>>
>> HTH,
>>
>> Carl
>>
>>
>>
>>
>
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