Carl: Thanks!
I finished the engraving of the piano score of "Jesus Paid It All",
although I still haven't solved starting and ending hairpins in
simultaneous voices as of yet (I think that it may not start outside of of
such a section and end inside it)....
Mike Dean
On Wed, Dec 20, 2017 at 12:33 AM, Mike Dean <dean...@aquinas.edu> wrote:
> In this multi-voice context, I'm not sure where to put the hairpin
> decrescendo to not generate a warning
>
> Mike Dean
>
> On Tue, Dec 19, 2017 at 11:36 PM, Mike Dean <dean...@aquinas.edu> wrote:
>
>> So far , it has helped!
>> In this construct, though, do I need to put the meter change in each part
>> of this system (4/4 in measure 6, 3/4 in measure 7)
>> (English accidentals used)
>> <<
>> \relative c' {
>> \once \stemDown c2. | c4. bf8 af bf |
>> \once \stemDown c2. | c4. bf8 af bf |
>> \once \stemDown c2. |
>> }
>> \\
>> \relative c {
>> <e g>2.\pp (| <df f>2.)-> \mp \> |
>> <e? g>2.\pp (| <df f>2.)-> \mp \> |
>> <e? g>2.\pp
>> }
>> >>
>> Next two measures
>> \time 4/4
>> c4 c8 bf af gf
>> ---
>> <df f>1
>>
>> \time 3/4
>> < e g! c >2 \> < d! f b! >4 | < e g c >4. < f a >8 /mp <e g> <d f>
>>
>> Mike Dean
>>
>> On Tue, Dec 19, 2017 at 7:03 PM, Carl Sorensen <c_soren...@byu.edu>
>> wrote:
>>
>>>
>>>
>>> From: Mike Dean <mike.d...@aquinas.edu>
>>>
>>> Measures 1,3,5 are chords, while measures 2,4,6 has the temporary
>>> polyphony and trying to fit what I want to do into the example is a
>>> struggle...
>>>
>>> I use \stemDown to put the stem down and merge it with the chord:
>>>
>>> {
>>> \clef bass
>>> \time 3/4
>>> <<
>>> \relative c' {
>>> \once \stemDown c2. |
>>> c4. bes8 aes bes
>>> } \\
>>> \relative c {
>>> <e g>2.( |
>>> <des f>2.)
>>> }
>>> >>
>>> }
>>>
>>>
>>> HTH,
>>>
>>> Carl
>>>
>>>
>>>
>>>
>>
>
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