On Mon, 2025-01-06 at 13:33 +0100, David Kastrup wrote:
> Richard Shann writes:
>
> > On Mon, 2025-01-06 at 05:44 -0500, Kieren MacMillan wrote:
> > > Hi Richard,
> > >
> > > > the tweak needs to vanish when the part is being typeset,
> > > > but I can cope with that ok.
> > >
> > > You know ab
Hi David,
> Date: Sat Aug 30 21:35:56 2003 +
>* scm/music-functions.scm (remove-tag): filter \tagged music
>expressions.
>
>* input/regression/tag-filter.ly (texidoc): new file.
>
>* lily/parser.yy (post_event): add \tag #'symbol / \tag #'(symbol1
>symbol2 .. ) etc.
>
Richard Shann writes:
> On Mon, 2025-01-06 at 05:44 -0500, Kieren MacMillan wrote:
>> Hi Richard,
>>
>> > the tweak needs to vanish when the part is being typeset,
>> > but I can cope with that ok.
>>
>> You know about the \tag system, yes?
>
> yes indeed - although it would be quite possible t
On Mon, 2025-01-06 at 05:44 -0500, Kieren MacMillan wrote:
> Hi Richard,
>
> > the tweak needs to vanish when the part is being typeset,
> > but I can cope with that ok.
>
> You know about the \tag system, yes?
yes indeed - although it would be quite possible to insert tags via
Denemo this was a
Hi Richard,
> the tweak needs to vanish when the part is being typeset,
> but I can cope with that ok.
You know about the \tag system, yes?
Cheers,
Kieren.
__
My work day may look different than your work day. Please do not feel obligated
to read or
On Sun, 2025-01-05 at 16:18 -0500, Kieren MacMillan wrote:
> Hi Richard,
>
> Maybe just tweak it to the left a little…?
Thank you - I'll use this as the starting point for a workaround - the
tweak needs to vanish when the part is being typeset, but I can cope
with that ok.
Richard
>
> %%% SNI
On Sun, 2025-01-05 at 17:25 -0500, Saul Tobin wrote:
> Hm. This is *supposed* to be the situation where \override
> DynamicText.X-align-on-main-noteheads = ##t (which is the default
> actually) saves the day. And if the \sf is attached directly to the
> chord, it does. But when it'
Hm. This is *supposed* to be the situation where \override
DynamicText.X-align-on-main-noteheads = ##t (which is the default actually)
saves the day. And if the \sf is attached directly to the chord, it does.
But when it's in a different staff context, it doesn't do anything, since
D
Hi Richard,
Maybe just tweak it to the left a little…?
%%% SNIPPET BEGINS
\version "2.24"
\layout {
ragged-right = ##f
line-width = 5\in
}
upper = {
g''4 r8
d''
d''2
}
dyns = {
s4.
s8-\tweak X-offset #-0.5 \sf
s2
}
lowest = {
g'4 e'8 r2
% g'4 e'8 c' r2
}
\score {
<<
In a large orchestral piece it was noticed that a dynamic under a note
was slightly displaced to the right. It turned out that this was
because many staffs below there was a chord with notes on both sides of
the stem (because only a semitone apart).
The dynamic was placed in a dynamics staff as
>> This works for the note heads, but if there happen to be
>> accidentals around (in my project this is the case), they remain
>> mensural style. Is there another override for this, too?
>
> How about this?
Nice! David, what do you think about converting this code into a
proper MR?
Wern
Hajo Baess writes:
> This works for the note heads, but if there happen to be accidentals
> around (in my project this is the case), they remain mensural style. Is
> there another override for this, too?
>
> Am Mittwoch, dem 24.01.2024 um 16:14 +0200 schrieb YTG 1234:
>> > I have tried an overrid
That 'manual' solution is absolutely good enough for my purpose.
Furthermore it is easy to understand and to modify if necessary. I'll
adopt it for my project.
At any rate: thank you all for your very valuable advice and hints. I
already suspected as well that \incipit is hardcoded to mensural sty
This works for the note heads, but if there happen to be accidentals
around (in my project this is the case), they remain mensural style. Is
there another override for this, too?
Am Mittwoch, dem 24.01.2024 um 16:14 +0200 schrieb YTG 1234:
> > I have tried an override ( \override
> > Staff.NoteHea
I have to try it. So far, I've used the more manual solution
available in https://lsr.di.unimi.it/LSR/Item?id=451
/Mats
On 2024-01-24 18:39, YTG 1234 wrote:
betterIncipit
=
#(define-music-function (incipit-music) (ly:music?)
Here's my attempt at this (I don't know how to check for staff-like
contexts, so I just put them all in a list). It's just \incipit but with
an additional condition and the context mods moved to \layout.
betterIncipit =
#(define-music-function (incipit-music) (ly:music?)
(_i "Output @va
YTG 1234 writes:
>> I have tried an override ( \override
>> Staff.NoteHead.style = #'default )
>
> Note heads are drawn in Voice, so you can just omit the context
> name. \override NoteHead.style = #'default
>
> The more fundamental issue here, though, is that \incipit is hardcoded
> to create a
I have tried an override ( \override
Staff.NoteHead.style = #'default )
Note heads are drawn in Voice, so you can just omit the context name.
\override NoteHead.style = #'default
The more fundamental issue here, though, is that \incipit is hardcoded
to create a MensuralStaff context. Does an
noteheads. I have tried an override ( \override
Staff.NoteHead.style = #'default ), but this does not seem to work.
Here is my code example:
\version "2.24.2"
\language "deutsch"
Incipit = \relative c'' {
\clef treble \time 4/4
\omit Sta
to collide with the staff, and disable staff-padding to allow the text to
fall down (it would fall to the correct spot if this were fingering).
One of the main issues is that disabling outside-staff-priority allows the
text to collide with the noteheads.
\version "2.24.2"
\relative c
Alternatively (as long as we do not want to parse parallel music in order) we
can use a music function like this:
%%%
\version "2.24"
typing-text = "Goddag Fru Direktör
Det meddelande du sände den andra har landat."
%When I uncomment these dynamics the text jumps
> It was not intentional, that was the actual problem. When I compiled it
> without the dynamics it came out in the same order as the input, but that was
> only a lucky coincidence then, right?
Yes.
> Do you have any suggestions for how to get them ordered?
When you need to process grobs or
Hi Jean!
It was not intentional, that was the actual problem. When I compiled it
without the dynamics it came out in the same order as the input, but that was
only a lucky coincidence then, right?
Do you have any suggestions for how to get them ordered?
Thanks!
/Leo
> 8 okt. 2023 kl. 11:2
> I am trying to put custom notation for a piece for typewriter and electronics
> together and have devised a function for merging text and rhythm. It works
> fine as long as nothing else is involved, but interferes in some way with
> scripts and dynamics. Could any of you figure how and why? (The
Dear List!
I am trying to put custom notation for a piece for typewriter and electronics
together and have devised a function for merging text and rhythm. It works fine
as long as nothing else is involved, but interferes in some way with scripts
and dynamics. Could any of you figure how and why
eamlets?
>
> MT
>
> Verzonden vanaf mijn Huawei mobiele telefoon
>
>
> Oorspronkelijk bericht
> Onderwerp: How to make the width of the beamlets cover their corresponding
> noteheads?
> Van: yuanyelele--- via LilyPond user discussion
> Aan: lilypond-user@gnu.
I don't know how. But I first would like to know why beamlets?MTVerzonden vanaf mijn Huawei mobiele telefoon Oorspronkelijk bericht Onderwerp: How to make the width of the beamlets cover their corresponding noteheads?Van: yuanyelele--- via LilyPond user discussion Aan: lil
Greetings everyone,
I'd like to implement a very straightforward beaming logic, where the width of
each beam covers its corresponding notehead. I can achieve this using \set
stemLeftBeamCount and \set stemRightBeamCount, but is there a smarter and more
automatic way to do this?
I don't care ab
Le vendredi 03 mars 2023 à 08:29 +0100, József Pap a écrit :
> Hi all,
> Is there a way to print different noteheads to the left and right side of the
> stem? I have a custom notehead stencil function already, but I can't seem to
> obtain the necessary information (i.e. whe
Hi all,
Is there a way to print different noteheads to the left and right side of
the stem? I have a custom notehead stencil function already, but I can't
seem to obtain the necessary information (i.e. whether the notehead will go
on left/right side of the stem) from the stencil's sc
Le 11/08/2022 à 14:32, Valentin Petzel a écrit :
Hello Andrew,
is there any reason for using a custom circle approximation instead of simply
using (make-circle-stencil r th #f)?
The reason why your note heads are off is that a path stencil does not have an
extent. A path cotains arbitrary drawi
Le 11/08/2022 à 13:40, Andrew Bernard a écrit :
So here is an MWE showing the start of what I want to do - make
circular unfilled noteheads, and fitting in the staff size. This is
only a start, as the set of note styles I need have many extra
doodads, so this is just to get going.
It's
)))
circ =
#(make-circle-stencil 1 0.1 #f)
insta = {
c'4 d' e' f' g' a' b' c''
}
\score {
\new Staff \insta
\layout {
\context {
\Score
% custom circular noteheads
\override NoteHead.stencil = #circa
So here is an MWE showing the start of what I want to do - make circular
unfilled noteheads, and fitting in the staff size. This is only a start,
as the set of note styles I need have many extra doodads, so this is
just to get going.
It's been a long time since I have done any Lilypond S
After some hours testing and printing out on my ink printer, this is the
colors I have landed on for now. Adjusted and tuned and all.
All colors and notes should now be easy to distinguished :) Here is the
whole file for now for colors, the colors can be seen by itself as there
are some notes ac
On Wed, Feb 10, 2021 at 11:36 PM stefano franchi
wrote:
> There must be a quick and fast solution, given Lilypond's awesome power,
> but I just can't seem to find it. The closest I got was to override
> Stem.thickness, but apparently it cannot be set to 0---a faint stem is
> printed nonetheless.
Hi Stefano,
You can use:
\hide Stem
---
James Correa
Composer - guitarist - sound designer
http://www.jamescorrea.net
http://wp.ufpel.edu.br/labcomp/
Sent with [ProtonMail](https://protonmail.com/) Secure Email.
‐‐‐ Original Message ‐‐‐
On Thursday, February 11th, 2021 at 02:36, stefan
Define this
stemOff = { \omit Staff.Stem \omit Staff.Beam \omit Staff.Flag }
Then you can use
\stemOff to achieve that.
Regards!
Fer Gil
El mié., 10 de febrero de 2021 11:37 p. m., stefano franchi <
stefano.fran...@gmail.com> escribió:
> I feel very stupid, but I just spent an hour reading
I feel very stupid, but I just spent an hour reading through the manuals,
searching, and so on, and I can't find a way to make stemless notes (as
they are often used, for instance, to indicate pitch sequences in a
text-based discussion, or as an aside in a score to indicate perhaps an
uncommon sc
> Is
> https://lilypondforum.de/index.php/topic,830.msg4586.html#msg4586
> what you're looking for?
Excellent, thank you :)
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
Am Di., 26. Jan. 2021 um 08:42 Uhr schrieb Michael Gerdau :
>
> Hi list,
>
> I seem to recall I'd seen a snippet that adds vertical bars to quavers on LSR
> but can't find it anymore.
>
> Has anybody code lying around that does that?
>
> Kind regards,
> Michael
> --
> Michael Gerdau email: m...@qa
Hi list,
I seem to recall I'd seen a snippet that adds vertical bars to quavers on LSR
but can't find it anymore.
Has anybody code lying around that does that?
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public keyserver
On 2020-09-20 9:52 pm, Andrew Bernard wrote:
Using LSR 891 as a base pattern, how can you fill the path with a
colour, such as white?
ly:stencil-in-color and ly:stencil-add should help:
\version "2.18.2"
tri =
#(let ((coords '((-0.5 0) (0 -1) (0.5 0)))
(thick 0.1) (scale-x 1) (sca
Using LSR 891 as a base pattern, how can you fill the path with a
colour, such as white?
Andrew
%==
\version "2.21.6"
tri =
#(make-connected-path-stencil
'(;; path coordinates
(-0.5 0)
(0 -1)
(0.5 0)
(0 0)
)
0.1 ;; line thickness
1 ;; X-axis scaling factor
Am Do., 21. Feb. 2019 um 17:53 Uhr schrieb Vaylor Trucks :
>
> When I use a staff size larger than 20, I get a gap between the stem and the
> cross notehead, like for the ride cymbal in a drum score. Any way to correct
> this?
>
> \version "2.19.82"
> #(set-global-staff-size 23)
> up = \drummode
When I use a staff size larger than 20, I get a gap between the stem and
the cross notehead, like for the ride cymbal in a drum score. Any way to
correct this?
\version "2.19.82"
#(set-global-staff-size 23)
up = \drummode { \stemUp cymr4 }
\score { << \new DrumStaff << \up >> >> }
On 2018-09-27 10:54 pm, Federico Bruni wrote:
Il giorno gio 27 set 2018 alle 21:29, Tim Meier
ha scritto:
Hello,
unfortunately I'm not that well versed in the lillypond/scheme syntax.
What I want to do is basically this (in pseudocode):
if (noteDuration is quarter) => make noteHead blue
if
Il giorno gio 27 set 2018 alle 21:29, Tim Meier
ha scritto:
Hello,
unfortunately I'm not that well versed in the lillypond/scheme
syntax. What I want to do is basically this (in pseudocode):
if (noteDuration is quarter) => make noteHead blue
if (noteDuration is half) => make noteHead red
Malte Meyn-3 wrote
> Am 11.10.2017 um 13:29 schrieb Ben:
>> The PDF is different than the code, which I'm sure you were aware of -
>
> Not in 2.18.2, the version Brent is using as you can see from the
> \version statement.
>
>> but I just don't understand what you are looking for - the code see
Brent Annable wrote:
What I want is to get the quarter note positioned to the right of the half
note (as in the top example), but with the large and small quarter-notes
vertically aligned. Any ideas on how to achieve this?
Try replacing
<<\voiceOne {\stemDown g'4 e }
\new Voice {\voic
Am 11.10.2017 um 13:29 schrieb Ben:
The PDF is different than the code, which I'm sure you were aware of -
Not in 2.18.2, the version Brent is using as you can see from the
\version statement.
but I just don't understand what you are looking for - the code seems to
give you what you want
On 10/11/2017 6:30 AM, Brent Annable wrote:
Hello everybody. My recent message didn't get any replies so I'm
posting it again just in case.
What I want is to get the quarter note positioned to the right of the
half note (as in the top example), but with the large and small
quarter-notes vert
Hello everybody. My recent message didn't get any replies so I'm posting it
again just in case.
I'm notating some four-part harmony for organ manuals that sometimes has
optional small bass notes for the pedals. In one spot, I'm having trouble
stopping Lilypond from merging the heads of a half-note
Hi all,
Am Samstag, den 25. Februar 2017 um 17:41:15 Uhr (+0100) schrieb Urs Liska:
> Yes, but I think the issue is solved by now with Andrew's suggestion.
it is indeed. Thanks Andrew!
Yours,
Orm
--
Prof. Orm Finnendahl
Komposition
Am 25.02.2017 um 17:21 schrieb Phil Holmes:
> - Original Message - From: "Orm Finnendahl"
>
> To:
> Sent: Saturday, February 25, 2017 2:45 PM
> Subject: Re: cross-voice ties and merging noteheads
>
>
>> Am Samstag, den 25. Februar 2017 um 14:2
- Original Message -
From: "Orm Finnendahl"
To:
Sent: Saturday, February 25, 2017 2:45 PM
Subject: Re: cross-voice ties and merging noteheads
Am Samstag, den 25. Februar 2017 um 14:25:52 Uhr (+0100) schrieb Urs
Liska:
An image would be helpful to avoid misunderstandings.
Am Samstag, den 25. Februar 2017 um 14:25:52 Uhr (+0100) schrieb Urs Liska:
> An image would be helpful to avoid misunderstandings.
attached. I tried to keep the file size small. Let me know if you
need it in better resolution.
--
Orm
___
lilypond-user
Hi Orm,
Use voices. Here's a rough outline answer sketched out quickly, without
seeing the publication you refer to.
Basically you can only tie across notes in the same voice, so that clues
you in as to the way to set such music.
Andrew
== snip
\score {
\new Staff \with { tieWaitForNote = #
f' {
> <<
>{ e4. ~ 4 ~ s8 \stemDown e,,4 b8 ~ b4. }
>\\
>{ e''4.*2/3 b8 e,4 b8 ~ }
>\\
> { s4. \tieUp e4. ~ 4. ~ b4. }
> >>
>}}}
>%<
>
>In th
4. }
>>
}}}
%<
In the print,
1. the noteheads of the e of the first beat in measure 2 are merged
2. Both eigth note b on the third eigth of MM 1 and 2 are tied to the
first beat of the next measure.
I managed to merge the first not
first
notehead). And of course I'll clean up the bindings.
\version "2.19.54"
#(define (get-noteheads grob)
(if (grob::has-interface grob 'note-column-interface)
(ly:grob-array->list (ly:grob-object grob 'note-heads))
(list
t; necessary. Apart from that IIRC this is exactly the part of \shapeII
> that seems to be problematic with current LilyPond.
>
> So, before I start to actually try understanding that code I'd like to
> ask for some pointers how I could better approach the question.
>
Try:
\ve
Hi,
how can I find the coordinates of the two note heads a tie or slur is
attached to?
I need to write a new stencil for these curves and want to hook that not
to the staff origin but to the actual note heads.
There is some code in
https://github.com/openlilylib/snippets/blob/master/notation-sni
2017-01-10 13:40 GMT+01:00 :
> Hello everybody,
>
> I'm having a problem with beams when using
>
> http://lsr.di.unimi.it/LSR/Item?id=861
>
> to change the direction of noteheads of chords that are part of a tuplet.
> The beams just disappear, and If the tuplet i
Hello everybody,
I'm having a problem with beams when using
http://lsr.di.unimi.it/LSR/Item?id=861
to change the direction of noteheads of chords that are part of a tuplet.
The beams just disappear, and If the tuplet is more complex, like 14/8, it gets
really bad.
Would anybody have an
Hi Malte.
Actually the markups there were just to put something, not real issues.
Thanks anyway!
Cheers,
Pierre
2016-08-20 12:41 GMT+02:00 Malte Meyn :
>
>
> Am 20.08.2016 um 12:25 schrieb Pierre Perol-Schneider:
>
>> (case duration
((0) (grob-interpret-mar
Am 20.08.2016 um 12:25 schrieb Pierre Perol-Schneider:
(case duration
((0) (grob-interpret-markup grob (markup "0")))
((1) (grob-interpret-markup grob (markup "1")))
((2) (grob-interpret-markup grob (markup "2")))
Thank you very much David.
2016-08-20 12:20 GMT+02:00 David Kastrup :
> Pierre Perol-Schneider writes:
>
> > Typo, sorry : so, again, how can I get access to the note head when
> > duration is shorter than a fourth note ?
> >
> > \version "2.19.46"
> >
> > \score {
> > \new Staff \relative c''
Pierre Perol-Schneider writes:
> Typo, sorry : so, again, how can I get access to the note head when
> duration is shorter than a fourth note ?
>
> \version "2.19.46"
>
> \score {
> \new Staff \relative c'' { c1 2 4 8 16 32 64 128 }
> \layout {
> \context {
> \Staff
> \omit St
Typo, sorry : so, again, how can I get access to the note head when
duration is shorter than a fourth note ?
\version "2.19.46"
\score {
\new Staff \relative c'' { c1 2 4 8 16 32 64 128 }
\layout {
\context {
\Staff
\omit Stem
\omit Flag
\override NoteHead.stencil
Hi,
Please consider the following:
\version "2.19.46"
\score {
\new Staff \relative c'' { c1 2 4 8 16 32 64 128 256 }
\layout {
\context {
\Staff
\omit Stem
\omit Flag
\override NoteHead.stencil =
#(lambda (grob)
(let ((duration (ly:grob-property
: lilypond-user@gnu.org; lilypond-user-bounces+nathan=snappizz@gnu.org
Subject: Re: overlaying noteheads in different voices
On 2016-02-08 19:27, Charles O. Lawrence wrote:
> How do I get the dotted half low a in voice 2 to overlay (blot out? I
> don't know the proper terminology) the e
On 2016-02-08 19:27, Charles O. Lawrence wrote:
How do I get the dotted half low a in voice 2 to overlay (blot out? I
don't know the proper terminology) the eighth low a in voice 1?
I searched the LSR, but came up empty, probably because I don't know
the proper lilypond terminology for this nota
How do I get the dotted half low a in voice 2 to overlay (blot out? I don't
know the proper terminology) the eighth low a in voice 1?
I searched the LSR, but came up empty, probably because I don't know the
proper lilypond terminology for this notation.
\new Staff
\relative c'' {
How about
%%
\version "2.18.2"
timeKey = {
\key c \major
\time 4/4
}
tenorPart = {
\voiceOne
r2 e'8
\shape #'((0 . 0) (0 . 0.8) (0 . 0.8) (0 . 0.1)) Tie
c'4. ~ |
\once \override Voice.NoteColumn.force-hshift = #.6
c'4. r8 f'2 |
}
leadPart = {
\voiceTwo
ould be nice
to be able to tweak a different horizontal order for colliding
noteheads without specifying the distance moved. Also, I would suggest
a policy of keeping tied notes contiguous. But these would be low
priority wishes.
Cheers,
Mike O'Donnell
> --
> be readable. I would prefer to avoid a change in the voice structure,
> which would complicate the alignment with lyrics.
>
> Thanks for any ideas,
>
Here are a few ideas.
1. Reposition the noteheads:
tenorPart = {
\voiceOne
r2 e'8
\once \override NoteColu
In the following two-bar snippet, I used \voiceOne and \voiceTwo to
place Tenor and Lead vocal lines on a single staff. The Tenor has a
tied-over note, whose notehead collides at the beginning of the second
bar with the Lead note, one step away. LilyPond places the Lead note
inside of the Tenor tie
Sorry I was in a hurry few minutes ago and I simply copy/paste an old
coding.
Well, having some more time and re-reading the code I've seen some minor
things:
\version "2.19.35"
%%% Credit to the LSR => http://lsr.di.unimi.it/LSR/Item?id=82
#(define (add-gliss m)
(case (ly:music-property m 'na
Sorry, too fast:
#(define (add-gliss m)
(case (ly:music-property m 'name)
((NoteEvent) (set! (ly:music-property m 'articulations)
(append (ly:music-property m 'articulations)
(list (make-music (quote GlissandoEvent)
m)
2016-01-27 19:38 GMT+01:00 Caio Giovaneti de Barros :
Well, you can see that this code is much bigger than mine.
>
Yep, plus some copy/paste errors. So here again:
\version "2.19.32"
#(define path-gliss
(lambda (grob)
(if (ly:stencil? (ly:line-spanner::print grob))
(let* ((stenc
Well, you can see that this code is much bigger than mine. I'm a bit
uncomfortable because I don't have yet the lilypond-scheme vocabulary to
understand it.
OTOH, it has a more convenient syntax, not needing to add a \glissando
in every note. It should be a good solution for longer passages. I
Hi Caio,
How about:
\version "2.19.35"
#(define path-gliss
(lambda (handle)
(lambda (grob)
(if (ly:stencil? (ly:line-spanner::print grob))
(let* ((stencil (ly:line-spanner::print grob))
(X-ext (ly:stencil-extent stencil X))
(Y-ext (ly:stencil-extent stencil Y))
I think I got it. It's a bit of an ugly code, but works.
\version "2.19.35"
\relative c' {
\override NoteHead.stencil = #ly:text-interface::print
\override NoteHead.text = \markup { \null }
\override NoteHead.stem-attachment = #'(0 . 0)
\override Glissando.thickness = #5
\override Glissand
I'm trying to draw a suggestion for glissando in changing directions.
The ideal notation would be beamed stems without note heads connected by
glissandi. Here's what I got so far:
\version "2.19.35"
\relative c' {
\override NoteHead.stem-attachment = #'(0 . 0)
\hide NoteHead
\override Glis
Ah!
Okay so actually I was trying to slur from the preceding note (cis8), so
the following worked for me:
\version "2.18.2"
\relative {
%51%
\tuplet 3/2 { r8-\markup \italic "gesprochen" d'8 dis8 }
\tuplet 3/2 { r16 cis cis a r16 cis }
\tuplet 3/2 { cis a r16 a cis8(\glissa
For exploring tuplets (etc.) simply consult the manual
http://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#tuplets
Am 12.01.2016 22:40, schrieb Blöchl Bernhard:
cis8glissando
does not work, do not forget the "\"!
\relative c''
{
\once \hide NoteHead
a\glissando c
}
Am 12.
Am 12.01.2016 22:40, schrieb Blöchl Bernhard:
cis8glissando
does not work, do not forget the "\"!
\relative c''
{
\once \hide NoteHead
a\glissando c
}
Am 12.01.2016 22:12, schrieb Ryan Michael:
I have the following two bars:
%51%
tuplet 3/2{
r8-markup{italic "gesprochen"} d'8 dis8}
tuple
Two more remarks:
On 12.01.2016 22:12, Ryan Michael wrote:
I do the following:
%51%
\tuplet 3/2{
r8-\markup{\italic "gesprochen"} d'8 dis8}
\tuplet 3/2{ r16 cis cis a r16 cis} \tuplet 3/2{ cis a r16 a
cis8\glissando}
\once \hide NoteHead (g4\glissando
%52%
cis,2 ) r4 r8 dis'-\markup{\itali
On 12.01.2016 22:40, Blöchl Bernhard wrote:
cis8glissando
does not work, do not forget the "\"!
\relative c''
{
\once \hide NoteHead
a\glissando c
}
The original post contained the backslash – it must have been lost on
the way to you.
Yours, Simon
Am 12.01.2016 22:12, schrieb Ryan Micha
cis8glissando
does not work, do not forget the "\"!
\relative c''
{
\once \hide NoteHead
a\glissando c
}
Am 12.01.2016 22:12, schrieb Ryan Michael:
I have the following two bars:
%51%
tuplet 3/2{
r8-markup{italic "gesprochen"} d'8 dis8}
tuplet 3/2{ r16 cis cis a r16 cis} tuplet 3/2{ cis
On 12.01.2016 22:12, Ryan Michael wrote:
I would like to make a slur from the g4 of the first bar to the cis2
of the next bar
Slurs in Lilypond use postfix syntax, so you need to type { g4( cis2) }
instead of { ( g4 cis2 ) }.
HTH, Simon
___
lilypo
I have the following two bars:
%51%
\tuplet 3/2{
r8-\markup{\italic "gesprochen"} d'8 dis8}
\tuplet 3/2{ r16 cis cis a r16 cis} \tuplet 3/2{ cis a r16 a
cis8\glissando}
\once \hide NoteHead g4\glissando
%52%
cis,2 r4 r8 dis'-\markup{\italic "gliss"}
I would like to make a slur from the g4 of
UA (having gnus in its name) perhaps knows about? On other
lists, I've got used to just typing, say, 20150910160748.GB8353@alum
into google and getting the relevant postings returned.
† by context, I mean "how I would get to *see these noteheads*", not
"how I would *follow a thr
Oh, so sorry - the original message I now see was on the lilypond bug
list, not the lilypond user list to which I have incorrectly replied.
Apologies for the mistake,
Andrew
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lilypond-user@gnu.org
https://lists.gnu.org/mail
David Wright writes:
> Excuse my top-posting, but is there any context for this message?
> http://lists.gnu.org/archive/html/lilypond-user/2015-12/msg00296.html
> is no help either. It *might* be helpful to be able to see the
> Message-ID and In-Reply-To for the postings there, but the list
> adm
Excuse my top-posting, but is there any context for this message?
http://lists.gnu.org/archive/html/lilypond-user/2015-12/msg00296.html
is no help either. It *might* be helpful to be able to see the
Message-ID and In-Reply-To for the postings there, but the list
administrators seem more interested
Hi All,
I have noticed this phenomenon also. Why would it be intentional I wonder? And
if so, why not exceed the lower staff line also? What would be the purpose in
exceeding the bounds? I don’t see it adding legibility or clarity, and indeed,
small offsets like this tend to fill the perceptual
to, closepath
M, m, L, l, C, c, Z, z
Cheers,
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Custom-noteheads-stem-alignment-tp174412p174474.html
Sent from the User mailing list archive at Nabble.com.
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:40 GMT+02:00 Paul Morris :
> Schneidy wrote
> > Now I understand - font size changes won’t affect this code as it is not
> >> drawing from the font. But I am not sure what code will scale the
> >> noteheads. Do I need a separate stencil for different sizes? That’s
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