Am 25. Februar 2017 13:33:54 MEZ schrieb Orm Finnendahl
<orm.finnend...@selma.hfmdk-frankfurt.de>:
>Hi,
>
> in the example below (an excerpt of the left hand piano part of the
>Schumann Song "Mondnacht") I'd like to resemble the rendering of
>Clara Schumann's Edition in the Breitkopf&Härtel print.
An image would be helpful to avoid misunderstandings.
Urs
>
>%<----------------------------------------
>\version "2.19.48"
>
>\score {
> \new Staff \with { tieWaitForNote = ##t } {
> \clef "bass" \key e \major
> \time 3/8
> \relative f' {
> <<
> { e4. ~ <b e>4 ~ s8 \stemDown e,,4 b8 ~ b4. }
> \\
> { e''4.*2/3 b8 e,4 b8 ~ }
> \\
> { s4. \tieUp e4. ~ <b e>4. ~ b4. }
> >>
> }}}
>%<----------------------------------------
>
>In the print,
>
>1. the noteheads of the e of the first beat in measure 2 are merged
>
>2. Both eigth note b on the third eigth of MM 1 and 2 are tied to the
> first beat of the next measure.
>
>I managed to merge the first note in measure 1 by using a scaled
>dottet quarter in the second voice, but this doesn't seem to work if
>applied to simultaneous notes in voice 2 and 3.
>
>Any ideas?
>
>--
>Orm
>
>
>
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