Michael,
On Wed, Jan 27, 2016 at 10:51 PM, Michael J. O'Donnell [via Lilypond] <
ml-node+s1069038n186567...@n5.nabble.com> wrote:
> In the following two-bar snippet, I used \voiceOne and \voiceTwo to
> place Tenor and Lead vocal lines on a single staff. The Tenor has a
> tied-over note, whose notehead collides at the beginning of the second
> bar with the Lead note, one step away. LilyPond places the Lead note
> inside of the Tenor tie, which I find rather hard to read. I have tried
> \tieDown, which is a bit better but it has the tie crossing through the
> Lead stem. It seems that the best layout would have the Tenor note to
> the left of the Lead note, so that there is no interleaving of Lead
> note inside the Tenor tie. I cannot find a way to accomplish this with
> \voiceOne and \voiceTwo, nor have I thought of another layout that would
> be readable. I would prefer to avoid a change in the voice structure,
> which would complicate the alignment with lyrics.
>
> Thanks for any ideas,
>
Here are a few ideas.
1. Reposition the noteheads:
tenorPart = {
\voiceOne
r2 e'8
\once \override NoteColumn.force-hshift = #0
c'4. ~ |
c'4. r8 f'2 |
}
leadPart = {
\voiceTwo
e'2 c'2 |
\once \override NoteColumn.force-hshift = #2.3
d'2 a2 |
}
2. Change the vertical position of the tie:
tenorPart = {
\voiceOne
r2 e'8
\once \override Tie.staff-position = #3.5
c'4. ~ |
c'4. r8 f'2 |
}
leadPart = {
\voiceTwo
e'2 c'2 |
d'2 a2 |
}
3. Increase the potential height of the tie:
tenorPart = {
\voiceOne
r2 e'8
\once \override Tie.details.height-limit = #2
c'4. ~ |
c'4. r8 f'2 |
}
leadPart = {
\voiceTwo
e'2 c'2 |
d'2 a2 |
}
Take your pick.
HTH,
Abraham
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