Nathan, Thanks for pointing me in the right direction. Just what I was looking for. Many classical guitar works have this type of notation.
Charles -----Original Message----- From: Nathan Ho [mailto:nat...@snappizz.com] Sent: Monday, February 8, 2016 10:34 PM To: Charles O. Lawrence <charlesolawre...@bellsouth.net> Cc: lilypond-user@gnu.org; lilypond-user-bounces+nathan=snappizz....@gnu.org Subject: Re: overlaying noteheads in different voices On 2016-02-08 19:27, Charles O. Lawrence wrote: > How do I get the dotted half low a in voice 2 to overlay (blot out? I > don't know the proper terminology) the eighth low a in voice 1? > > I searched the LSR, but came up empty, probably because I don't know > the proper lilypond terminology for this notation. > Hi Charles, I don't advise doing this because it is possible to interpret the eighth note as dotted. But if you must, you're looking for \mergeDifferentlyHeadedOn and \mergeDifferentlyDottedOn. See http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices#collisi on-resolution Nathan _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
