Hello Stefan,
you could try to use `\markLengthOn` as explained here:
https://lilypond.org/doc/v2.25/Documentation/learning/the-textlengthon-command[1]
Cheers,
Tina
[1]
https://lilypond.org/doc/v2.25/Documentation/learning/the-textlengthon-command
signature.asc
Description: This is a
Hi Simon,
> ~$ ls -l /usr/local/share/alsa/alsa.conf
> ls: cannot access '/usr/local/share/alsa/alsa.conf': No such file or
> directory
your alsa.conf is most likely in `/usr/share/alsa/alsa.conf`. `/usr/local` is
typically used for
stuff not coming from the standard software management of your
> Hi everyone,
Hi Simon,
> =
> ~$ frescobaldi
> qt.qpa.plugin: From 6.5.0, xcb-cursor0 or libxcb-cursor0 is needed to
> load the Qt xcb platform plugin.
> qt.qpa.plugin: Could not load the Qt platform plugin "xcb" in "" even
> though it was found.
> This applicatio
Hi Fred,
> I would have preferred the latter, but it doesn’t seem possible to attach
> punctuation to a vcenter construction without playing merry hob with the
> spacing and alignment – but I suspect that I’ll be the only one to notice.
It is not too hard. You probably want to keep the lines righ
> Well, lambdas are an *essential* feature of Scheme and unavoidable if
> you want to do deeper modifications in LilyPond. In other words, they
> *are* a requirement in some circumstances and can't be avoided.
Not *necessarily*, you can actually replace lambda expressions by `(define
(...) ...)`
Hello Pondmates!
In Lilypond we have this wonderful but weird sugar function `grob-
transformer`. While this thing is nice it is also a bit awkward. For one thing
it requires specification of *what* is transformed (for else it does not know
that information. For another thing it adds a lot of sc
Hello Werner,
> Should we change this to a public function?
>
>
> Werner
I think this might prove very useful. Essentially if we define
%%%
#(define-markup-list-command (space-lines layout props mlist) (markup-list?)
#:properties ((baseline-skip 4.5))
(space-lines baseline-skip (inte
Hi RipMus,
> Would it be possible to right-align the subtitle text, broken into two
> lines, so that the second line (the one ending with 2025) is aligned to the
> right margin?
Yes, by modifying the `\justify-string` command to allow for justification:
%%%
%%%
\version "2.24.4"
#(define-markup
Hello Steven,
> Hi,
>
> I'm trying to create a script to automate certain things (setting
> instrument name, default clef, transposition) based on a custom property
> 'instrument' that is set when creating a new staff. I'm having trouble
> retrieving that property when generating the music for th
Hello Viktor,
> When I type:
>
> ...
>
> I get detached note heads (see attachment).
>
> Please help.
The reason for this is that TabNoteHeads defaults to a stem attachment point
that is centered and a bit below the head. So you just need to change the stem
attachment point:
%%%
\version "
Hello Ralph,
> Greetings, and thanks for all your help!
>
> I'm using Frescobaldi. Somehow, I moved the score off the normal
> Frescobaldi screen, and now I can't figure out how to get it back. My
> normal setup has been for a split screen with three parts: my coding on the
> left above the LilyP
Hi Helge, hi Kieren,
> 1. \consists Span_bar_engraver to the ChoirStaff (not the Staff!)
> 2. \omit it right off the top
> 3. \undo the \omit just before the final barline
alternatively consist Span_bar_engraver to ChoirStaff, default
Staff.BarLine.allow-span-bar = ##f and override Staff.BarLine
Hello Fred,
> Does LilyPond use the concept of a baseline?
in fact in some sense Lilypond is doing exactly that. The distance between two
Lyrics
contexts is goverened by
VerticalAxisGroup.nonstaff-nonstaff-spacing
of the upper context. Thi spacing itself is an alist of
#'((basic-dist
Hello Lucas,
> The compiler throws errors of "The score doesn't contain any music", even
> using the "nofragment" argument of the package's call.
judging by the log file
> /bin/sh: -c: line 1: unexpected EOF while looking for matching `"'
the lilypond command executed leads to unmatching quotes
> Hello! I'm starting a task that requires LaTeX, so I've decided to use the
> lilypond-book. I've managed to successfully use the command and compile all
> examples shown in the learning material. Now, I've found myself in a tricky
> spot: I'd like to use a Tex editor directly on the .lytex file t
Hi Kieren, hi Peter,
> Here’s the output on my end (v2.25.24, which may be the difference?):
The issue here is that `proportionalNotationDuration` is expected to be a
moment on 2.24, so this should be
proportionalNotationDuration = #(ly:make-moment 1/16)
Cheers,
Tina
signature.asc
Description
Hi Lukas,
> Example: If for some reason, the manuscript I'm copying has exceptional
> beams of 4+2+2 instead of the usual 4+4 as in the second bar of
> from Scarlatti's Partimenti (and I want to reproduce that beaming
> faithfully), I have do to:
>
> c8 c' b a e[ e'] cis'[ d']
If this beaming is
Hello Oliver,
> is there a way to include some voices into the calculation of the ambitus
> engraver for an entire staff whilst excluding others, be it named or throw
away
> voices?
you could use a custom context for selecting the voices:
%%%
\layout {
\context {
\name "AmbitusContainer"
Hello David,
> But there’s got to be a way to access these properties, right? Or is the
\book
> (\bookpart, \score) context just not available?
I think the book header is not available at time of markup evaluation. What is
available is the paper-block via layout. So what we could do is
%%%
#(
Hello Robert,
> Why NoteColumn.horizontal-shift is not working here as usual?
If you look here
https://lilypond.org/doc/v2.24/Documentation/internals/
note_002dcolumn_002dinterface[1]
you will see that `horizontahl-shift` is used only to determine the direction
to shift and
which note to shif
Hello Peter,
> 🧩 The Key Challenge
> • I want to insert each label directly in sync with the chord symbol.
> • Ideally, I’d like to overlay a semi-transparent, large, colored text
> (e.g., in red at 50% opacity).
> • The chord symbol should remain fully visible and untouched, and the
> overlay sho
Hi Robert,
> I want to move a \sustainOff horizontally but cannot find the way
The problem here is that `\sustainOff` is a so called post event, that is, a
music event that is
written after a note and then attached to this note. Else this would need to be
a music
function, so instead of
Hi Rajapreet,
> Thanks. Is there any privacy policy?
There is not, as no data is collected.
signature.asc
Description: This is a digitally signed message part.
d standards or frameworks (e.g. SOC1,
SOC2,
> MFIPPA, BILL 194, GDPR, CCPA, COPPA, etc.)?
Not relevant, since no data is collected.
I hope this has helped you answer your questions.
Kind regards,
Valentin Petzel
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Description: This is a digitally signed message part.
Hello Peter, hello Knute,
> Thank you so much, Knute, for this excellent suggestion!
>
> Using Devnull to host the melody and align lyrics without displaying the
> actual notes is exactly the kind of solution I was hoping for. This setup
> gives me the clean, rhythm-aware chord grid layout I want
Hello James,
not sure what you want to see exactly, but maybe using something like this
could do the trick:
%%%
#(define-markup-command (box-outline layout props arg)
(markup?)
#:properties ((thickness 1)
(font-size 0)
(box-padding 0.2))
(let* ((th (* (ly:ou
Hello Ad,
what you want is
\paper {
ragged-right = ##t
}
the issue with this is that it will shorten the staff. So use
\layout {
\context {
\Staff \override StaffSymbol.width =
#(lambda (grob)
(ly:output-def-lookup (ly:grob-layout grob) 'line-width))
}
}
to enforce the st
Hello Steve,
> I'm having an issue with most of the chord symbols (except for the No
> Chord) being displayed below the staff line. Obviously I've messed
> something up but I have not been able to figure it out. If someone could
> please take a look and point me in the right direction, I would a
Hello all,
> Hello,
>
> Use \balloonGrobText before a note or -\balloonText after a note within
> chords.
> Here you use the latter but not within a chord.
>
> You could write
> 4
>
> Or
> \balloonGrobText #'NoteHead #'(-2 . -2) \markup {\bold "crotchet in
> original"} c4
>
> Kind regards,
Hello David,
I agree that documentation is a bit sparse in some parts, and I do think that
the design of having to tell the font tree the current scale to be a bit weird
(as far as I see this was necessary as using set-global-staff-size would
directly adjust scale of the fonts.
But note that t
Hello Paolo,
> Given that, as Valentin noted, a new property has been introduced that
> allows code to be compiled with the old function, what is the point of
> exposing it to the user if it then corresponds to an API break?
> If it had been treated as a deprecated property I could have simply ign
Hello Raphael,
> I have raised a bug report at Ubuntu.
This is not going to get you anywhere I’m afraid. The feature missing is not a
bug, but an active decision to not include an experimental feature. Even if
you were to convince the Debian maintainers that this feature is so crucial it
has t
Hello Saul,
> The deprecated
> properties provide a way for convert-ly to modify code so it still compiles
> without requiring automatic conversions applied to potentially arbitrary
> Scheme code.
The deprecated syntax is in fact automatically converted. I just don’t get how
adding a new propert
Hello Saul,
> I don't want to speak for Dan, but I believe the objective is to get user
> code moved over to actually using exact rationals rather than moments for
> these properties, not just to allow the use of exact rationals in addition
> to moments.
This is not what I talked about. My point
Hello Paolo,
> Why has forward compatibility not been ensured for this function?
The relevant merge request is this one:
https://gitlab.com/lilypond/lilypond/-/merge_requests/2546
As you can see this one also introduces a compatibilty property
`proportionalNotationDurationAsMoment` and a conve
Hello Paolo,
> Is there a way to make this snippet compatible with all LilyPond
> versions starting from 2.19.84?
You could do something like this
```
requireVersion =
#(define-scheme-function (version then else)
(string? scheme? scheme?)
(define (list< x y)
(if (null? x)
#f
Hello Raphael,
> I am on Xubuntu 24.04. Which Cairo package am I missing?
I suppose you are using the system package for Lilypond? The cairo backend is
still experimental, so the Debian maintainers might have configured the build
to not use cairo. Try using the binary releases from the Lily
Hello David,
> How can I reposition the word "Fine" at the end of a piece? In the
> particular case I want to alter, I wish "Fine" to appear above the
> staff, not below it.
try this:
```
{
1
\override Score.JumpScript.direction = #UP
\fine
1
}
```
Cheers,
Valentin
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Descr
Hello Brian,
> Hello. I downloaded Lilypond 2.24.4 and Frescobaldi 3.3.0 onto My Mac
> Monterey OS system and had frustrating results. I plan to get a
> laptop with a Linux OS and wondered if someone could advise a LInux
> distro that has these packages or something similar.
>
> Thanks,
>
> Br
Hi Ivan,
> I imagine, somewhere I need to add something like this command:
>
> \override HorizontalBracket.direction = #UP
>
> but I cannot figure out exactly what command should be used and where.
\override changes the defaults of the context, so all grobs created at the
same time will h
Hi,
> It would be ideal if I could shorten the staff before the \break
> using something like ragged-right = ##t
maybe something like this:
```
{
4 4 4 4 | 4 4 4 4 |
\noBreak
\cadenzaOn\stopStaff
\textLengthOn s-\markup\hspace #25 \textLengthOff
\startStaff
\cadenzaOff
\break
4 4
Hello Stu,
Am Donnerstag, 30. Jänner 2025, 18:13:42 Mitteleuropäische Normalzeit
schrieben Sie:
> I processed the content and the result doesn't have the sticking under the
stems
> of the notes.
>
> The first bar is slightly to the left of the stem, and the second bar is to
the
> right of the
Hello Stu,
> I sometimes add sticking to drum scores to assist readers by showing the
> preferred hand for each stroke.
>
> I'm aware of the ability to change the horizontal position of lyrics
> using '\override LyricText.self-alignment-X'.
>
> When I use '= #LEFT', the lyric is under the notehe
> It is the default behavior, lilypond compresses the whole line. You can
> see it in the example below. I'm still confused about what the question
> is, but perhaps a handwritten example or scan from another score would help.
An even more obvious example:
```
{
\repeat unfold 32 { 8 \noBreak
Hi Ben
> After a clean install on Linux/Fedora, Frescobaldi shows on the left
> side the editor window and below that window, the log window.
> By accident, I undocked the log window. And now, when engraving a score
> the log is shown in a pop-up window.
>
> How can I restore the original view, i
Hello Walt,
> Here is a MWE.
Not quite minimal ...
> The next desired results should look the same except that only chords
> and lyrics are to be shown (don't blame me - that's what they want the
> rhythm guys).
>
> So my though was to use tag for the staff notes. And then use NullVoice
> to a
Hello David,
> turnsh = { \once \set suggestAccidentals = ##t
> \once \override AccidentalSuggestion.font-size = -3
> \once \override AccidentalSuggestion.script-priority = -1
> \once \override AccidentalSuggestion.avoid-slur = #'inside
> \once \hideNotes }
>
> { f''8-.-> d'-> \after 4. {
Hello David,
> Neither surprising nor an edge case.
I would say it is quite surprising for most users, and definitely an edge case.
It is essentially a case of `\applyContext` silently behaving differently when
the Voice context was not created yet. And even you are getting this wrong:
> That
Hello Frédéric, hello all,
> I would use a little perl or python script to do this, not lilypond.
> This is just the sort of work that perl was intended for - munging text
> files. That is fine for Linux/Mac users, on Windows it may be more
> problematical. I don't touch Windows, so although I k
Hello,
Neither Staff nor TabStaff will connect Arpeggios. In your example it looks
like
that since the arpeggio line aligns perfectly to normal staff line spacing,
making the arpeggios overlap perfectly. You can see that these are in fact two
separate arpeggios by simply removing notes in betw
Hello Werner,
> In full scores it is sometimes necessary to adjust the value of
> `afterGraceFraction` so that it harmonizes with other notes and
> rhythms. However, saying
>
> ```
> afterGraceFraction =
> ```
>
> only works at top-level according to the documentation. How can I
> change this
Hello,
> In LilyPond, the default setting of ties avoids the collision between
> ties and note flags. However I do not like how it looks and want to
> allow ties to collide with flags, so what is the simplest way to do this?
a quick way could be to tell Lilypond that the flag does not have any wi
Am Freitag, 6. Dezember 2024, 15:40:53 MEZ schrieb Steph Phillips:
> Hi all, this one's probably a simple solution, but I'm a little fuzzy on
> how to implement custom Scheme functions still.
>
> I'm working on a musical theater score, and there are lots of instrument
> changes formatted like this
Hello,
Am Dienstag, 19. November 2024, 18:05:00 MEZ schrieb Stu McKenzie via LilyPond
User List:
> The above is the original post that I sent.
> My original score was complicated, so I came up with the post that you
> replied to (with 1 error and the message).
I’m well aware of that. But your or
Hello,
> However, in Scheme, returning a value inside a loop is troublesome. I
> must first break the loop and then return the value. So what is the
> correct way of doing this?
Scheme does not really have loops. At least not in the sense you know it from
procedural languages. `for-each` is naug
Hello Stu,
here you see two messages: One is that your file did fail to compile. The other
one is a note that the version string is older than your Lilypond version, and
a suggestion that this might be the cause. From your messages you are clearly
compiling a 2.25.18 file with 2.25.21, so this
Am Dienstag, 19. November 2024, 15:22:16 MEZ schrieb Mark Knoop:
> This works, but crashes with broken hairpins:
Hello Mark,
the issue here is not the break, but the spanner ending on a multimeasure
rest, which causes in the hairpin not having a right bound. The reason for
this is that the engr
Am Dienstag, 19. November 2024, 14:41:03 MEZ schrieb Thomas Morley:
> > Though possibly this would need
> >
> > \override Hairpin.to-barline =
> >
> > #(ly:make-unpure-pure-container
> >
> >(lambda (grob)
> >
> > (let* ((right-bound (ly:spanner-bound grob RI
Am Mittwoch, 2. Oktober 2024, 00:04:17 MESZ schrieb Walt North:
> title = \markup {#name}
# tells the parser to interpret the following expression as scheme expression.
Scheme does not really care about the symbol }, so if you enter #name} the
parser will interpret the } as part of the symb
Hello Walt,
the type of function tells the parser what return type it expects from a
function evaluation. A music function has to return music (which means that
the parser will know before evaluation that some music would be there), a
scheme function any type of scheme object. A void function i
> > \paper {
> >
> > text-font-defaults = #(acons 'font-size 6 text-font-defaults)
> >
> > }
> >
> > This one has the effect of effectively prefixing any markup with
> > \fontsize #6 (or whatever). It will affect a lot of stuff though.
>
>
> It would be nice to have this at least as a snipp
Am Dienstag, 27. August 2024, 08:45:17 MESZ schrieb Werner LEMBERG:
> Setting the default staff size is straightforward, but I no longer can
> remember how to set the default text size in the 2.24.x series (and I
> didn't succeed in looking it up in the `lilypond-user` archive).
You can at the ver
Hi Michael,
the problematic line in question is
(#t (define *use-gamba-clefs* #t))
If you use set! instead of define it will work. The problem here lies probably
in the switch from guile 1.8 to guile 2. I suppose in that the context of case
changed somehow to not allow definitions.
Keep in mi
> I was hoping there was a neat trick that did not involve stubs. But if
> that is the "traditional" way of doing things
I mean, what du you want to see in the end? This sort of notation is very
common in vocal music.
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> I have a song with an intro, several stanzas, and a refrain. Each stanza
> starts on the last beat of the measure.See the attached MWE.
>
> Is there a neat way of avoiding having a repeat bar in the middle of a
> measure while preserving the stanza numbers is their proper places?
I’m a bit con
Hello Peter,
> ### My Concerns
>
> 1. **Scope of Source Code Disclosure**:
>- According to the GFDL, if I use LilyPond and LaTeX to write a book and
> sell it on Amazon, am I required to disclose the entire LaTeX source code
> of the book, or just the parts that include LilyPond code? For ins
Hello Lukas,
the reason is that you are removing the time signature, but not the \after 4*5
before that. \after is a function that takes 3 arguments: The last one is the
actual music, the middle one is what you want to put there delayed and the
first one is by how much you want to delay it.
So
Hello Walt,
the reason is that by default contexts will be ordered in order of creation.
So your intro creates the Staff, and then your first Verse will create first a
ChordNames and then a Lyrics context.
You can use the alignAboveContext context property to change this default
ordering:
\ve
Am Donnerstag, 1. August 2024, 22:36:40 MESZ schrieb Fennel:
> Hi all,
>
> I'm working on a project that involves multiple fingerings for each note,
> and shift lines or glides between some notes. Since lilypond will only
> engrave glides between notes with the same fingering, I'm using finger 5 t
Am Mittwoch, 7. August 2024, 06:53:02 MESZ schrieb Lucas Cavalcanti:
> Hello. I'm migrating from Guitar Pro to Lilypond and I'm trying to
> replicate something that I've always done in my scores and lead sheets:
> [image: image.png]
> I'm having a bit of a pickle while trying to recreate this score
How about this:
\new Staff <<
{b,}
\new CueVoice {
\shiftOff\stemUp
\override Parentheses.font-size = #2
\override Parentheses.stencils =
#(lambda (grob)
(list (grob-interpret-markup grob (markup #:vcenter #:center-align
#:bold "["))
(grob-interpret-markup
Am Sonntag, 21. Juli 2024, 08:12:07 MESZ schrieb Fennel:
> Valentino,
>
> Your function seems to not work for polyphonic passages as in the example
> below. Is there a fix for the function, would using \voiceOne and \voiceTwo
> explicitly for this polyphonic context make a difference?
>
Hello Fe
Hello,
Cross-staff stems do currently work by simply connecting to any stem that is on
the correct side and matches the positions. This often does not work out when
we have shifted note columns due to collision. In such cases we’d need to do
manual positioning. So I’ve written a small engraver
Adapting my previous code to work with spanners:
%
#(define (outside-staff-collecting-engraver context)
(let* ((span_up #f) (span_down #f))
(make-engraver
((initialize engraver)
(set! span_up (ly:engraver-make-grob engraver 'TextSpanner '()))
(ly:grob-set-property! span_up
Hello Fennel,
That will not work out easily. The horizontal bracket, meaning it is printed
to encompass certain NoteColumns. But you are not even creating notes, but
simply skipping. Thus there are no NoteColumns to encompass. So what you’d
need to do is to replace the skips by notes:
brackets
Hello William,
this works out totally fine. It’s just that with that very tight spacing
Lilypond’s merit algorithm cannot have the Slur go from head to head. Say if
we drastically increase the demerit for distance to the edge points:
%%%
\score {
<<
\new Staff = "a" {
\override Slur
Hello Klaus,
as the expression is quoted it is not evaluated. Rather use quasiquoting to
allow evaluation of parts of the expression:
`(baseline-skip . ,(* 0.5 4.0))
(important to have ` instead of ')
Cheers,
Valentin
Am Montag, 8. Juli 2024, 22:39:10 MESZ schrieb K. Blum:
> Dear LilyPonders,
Am Donnerstag, 4. Juli 2024, 18:52:22 MESZ schrieb Werner LEMBERG:
> >> Certainly! However, this shouldn't become part of LilyPond IMHO;
> >> it's opening a can of worms since all those sets are essentially
> >> open-ended – "why is character 'fronz with grmpf above' not part of
> >> this or that
Am Donnerstag, 4. Juli 2024, 18:41:56 MESZ schrieb Werner LEMBERG:
> > And so while I do agree that if the problem can be solved before
> > Lilypond actually matter, then great. But if this does not work out
> > to you, then nothings wrong with getting Lilypond to help you out.
>
>
> Certainly!
Am Donnerstag, 4. Juli 2024, 17:48:12 MESZ schrieb Jean Abou Samra:
> Anyhow, I persist in my opinion that facilitating the input of accented
> characters is best done at a level different than LilyPond.
I do agree only partially. Yes, if we reduce the problem of special characters
to input then
/-/issues/6725
(we can do this on a global level, but not on a grob level).
Am Mittwoch, 3. Juli 2024, 14:47:09 MESZ schrieb Valentin Petzel:
> Also for Lyrics you can then do
>
> \score {
> \new Lyrics \with {
> \override LyricText.before-line-breaking =
>
ittwoch, 3. Juli 2024, 14:31:28 MESZ schrieb Valentin Petzel:
> Hello,
>
> I’ve taken some time to create a function for decoding html-style entities.
> So instead of entering
>
> \markup { á è ç â ... }
>
> you can do
>
> \markup\htmldecode { á è ç â ... }
>
&g
Hello,
I’ve taken some time to create a function for decoding html-style entities. So
instead of entering
\markup { á è ç â ... }
you can do
\markup\htmldecode { á è ç â ... }
or
\markup\htmldecode { "á" "è" "ç" "â" ... }
or
\markup\htmldecode { &:xE1; &:xE8; &:xE7; &:xE2; ... }
(I’ve add
Hello Paul,
>\afterGrace ees2~\startTrillSpan ees1 { d16( ees) }
correct would be
ees2~\startTrillSpan \afterGrace ees1 { d16( ees) }
or
\afterGrace { ees2~\startTrillSpan ees1 } { d16( ees) }
(note that the latter one may have weird implications depending on
afterGraceFraction, e.g.:
\
Hello Phil,
when posting here please post a full and minimal working example. Else it is
much harder for us to help you. With your definitions doing
\new DrumStaff \agogo
\addlyrics \words
works quite fine on my end. So we’d need to know what you’re actually doing to
be able to understand your
Hello Joei,
Please keep the Discussion on the list unless there is good reason not to.
Lilypond has no intention of supplying implementations for each way of
notating things, especially when there is no clear standard for that. But due
to the amount of control Lilypond offers it is quite easy t
Am Mittwoch, 12. Juni 2024, 09:53:51 MESZ schrieb Johannes Roeßler:
> Hi Group,
>
> is there a way to mark one tone and semitone steps in Lilypond? Haven't
> found anything on the web,
> maybe I am using the wrong English terms?
>
> Best regards
> Joei
Hi Joei,
Maybe checkout this:
https://mus
Hello Dimitri,
> My use case is that I want to manually change the accidentals of some
> specific pitches that were re-pitched using transpose for better
> readability.
It seems to me that you are trying to use enharmonics to avoid some unnatural
transposed accidentals. Have a look at this snipp
Hello Werner, hello Fennel,
> As far as I can see, LilyPond doesn't provide a 'container line' as
> you imagine. I'm quite sure that this can be programmed in Scheme,
> but someone™ has to do that... But maybe a different, simpler
> solution can be found; let's see what other guys come up with.
>
> Ah, yes, I forgot that it is possible to extend the `props` alist.
> Thanks a lot!
>
>
> Werner
This is not exactly extending the probs, but passing additional parameters in
details. It would be great to generally have a grob property like
grob.default-properties or something, and add
Am Donnerstag, 20. Juni 2024, 07:02:48 MESZ schrieb Werner LEMBERG:
> Folks,
>
>
> is it possible to access markup properties like `baseline-skip` via
> \tweak? It is often necessary to define a markup command that gets in
> turn wrapped into a music function, and for such situations a
> tweak-l
> Thank you for this. One question: is the second clef the size of a "change
> clef" ? The reason I chose LSR 792 over 956 is the size of the second clef.
Yes. See for example
\relative c' {
%% Start with a bass clef :
\clef bass
%% Use a hidden grace note:
\once\hideNotes\grace c64
> The word "segno" in Italian really just means "sign" - any sign.
> English-speaking musicians may assume that it always means the specific
> slashed-S sign often used for musical repeats, but even in the musical
> context that assumption is not always true because of the possibility of
> more tha
> and this is the rather hacky one using hidden grace notes - my
> searching skills are sadly lacking evidently :(
>
> Richard
Trust me, the other one is even more hacky ... It essentially fakes the
appearance of the real clef and draws a new clef glyph into the TimeSignature
grob.
Did a draft
Hello Richard,
usually for this I’d simply use grace notes to create a timestep separation
between two clefs:
{
\clef bass
\once\hideNotes\grace c64
\once\override Staff.Clef.X-extent = #'(1.5 . 2)
\clef treble
1
}
But then it would actually be quite easy to have this done properly by
Hello Aaron,
I would think there is little actual need to specify the size as parameter.
After all, you have the font-size proportion, using which you can control size
by \fontsize ...
You’d simply need to replace size by (magstep font-size). Alternatively if you
want to match text you could i
Hello,
Do you mean something like this:
\version "2.24.3"
\markup\line {
\circle" 1. "
\box \override #'(line-width . 40) \fill-line { "\t\musicglyh \tlsr?" } %
\rounded-box
}
\markup \vspace #0.75
Cheers,
Valentin
Am Donnerstag, 6. Juni 2024, 23:16:51 MESZ schrieb ming tsang:
> Dear Lilypo
Hello Walt,
rather than switching between staves with different tunings, why not simply
hide Staff lines if not required?
Use \stopStaff and \startStaff to change line positions. See the appended file
for details.
Cheers,
Valentin
Am Donnerstag, 6. Juni 2024, 19:25:45 MESZ schrieb Walt North:
Hello William,
the problem here is that a markup may depend on the context it is rendered in.
For example if you change font size or even font for Staff.InstrumentName then
the dimensions of the stencil will change.
You can of course render the markup using some "default" settings, as long as
Hello Kevin,
When you call a music expression like \music Lilypond will allways pass a copy
of that music object. Thus some music functions assume it is safe to modify
the original music object. So when you do
\keepWithTag ... #music
you will first remove everything tagged without v1, then eve
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