Mark, Davie, Lukas-Fabian -
This has to be the single best user discussion list of all time. Within
20 minutes I have THREE excellent responses. I have long appreciated
this community, but, really, this blows me away.
My thanks to you all!
Tom
On 4/4/21 2:38 PM, Tom Cloyd MS MA wrote
"Fight for the things that you care about, but do it in a way that will lead
others to join you." ~ Ruth Bader Ginsberg
~
Tom Cloyd, MS MA | t...@tomcloyd.com
~
https://twitter.com/Bart_Issimo>
On Google+ <https://plus.google.com/u/0/b/116379400376517483499/>
--
~
"Fight for the things that you care about, but do it in a way that will lead
others to join you." ~ Ruth Bader Ginsber
than true: not because they tell us that dragons
exist, but because they tell us that dragons can be beaten.” ~ Neil Gaiman
~~~~~~~~~
Tom Cloyd, MS MA LMHC (WA) | t...@tomcloyd.com
Psychotherapist (psychological trauma, dissociative disorders)
Sp
; the music on.
I hope I'm making more sense now!
Tom
~
“Fairy tales are more than true: not because they tell us that dragons
exist, but because they tell us that dragons can be beaten.” ~ Neil Gaiman
~~~~~~~~
?)
t.
~
“Fairy tales are more than true: not because they tell us that dragons
exist, but because they tell us that dragons can be beaten.” ~ Neil Gaiman
~~~~~
Tom Cloyd, MS MA LMHC (WA) | t...@tomcloyd.com
Psychother
ertainly do
continue after that.
Tom
~
“Fairy tales are more than true: not because they tell us that dragons
exist, but because they tell us that dragons can be beaten.” ~ Neil Gaiman
~~~~~~~
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Ceramic artist Beatrice Wood,
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--
~~~~~~~~~
"Love is the only force which can make things one without des
second time in the
history of the world, man will have discovered fire." ~ Pierre Teilhard de
Chardin
~
Tom Cloyd, MS MA LMHC (WA)
Psychotherapist (therapist, training, resear
I have to say that I like this idea a LOT. Like Urs' suggestion too. Seems
like this should just be a part of the "package" - kind of an adjunct to
the exceptional documentation that has always been a part of Lily.
Tom
(classic guitar)
On Sun, Jan 18, 2015 at 4:58 PM, Tom Cloyd w
ID to the CC list for
the issue.
Stuart
--
View this message in context:
http://nabble.documentfoundation.org/crash-crash-crash-crash-tp4106932p4107376.html
Sent from the Users mailing list archive at Nabble.com.
--
~~~~~~~~~~
re playing is NOT what is actually heard - because of the capo.
But we, as instrumentalists, get to keep our sanity. Over time, this has
certain advantages. :)
Tom
--
~~~~~~~
Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St.
On 12/31/2013 03:42 AM, Nick Payne wrote:
On 31/12/13 07:51, Federico Bruni wrote:
2013/12/30 Tom Cloyd <mailto:tomcloydm...@gmail.com>>
Now that Ly 2.18.0 is out, those of us who use Frescobaldi need
to update the manuals it refers to in its Documentation Browser tab.
No
e been working with the
http://www.lilypond.org/doc/v2.18
/usr/local/lilypond/usr/share/doc/lilypond/html/index.html [v.
2.16, previously installed]
--
~~~
Tom Cloyd, MS MA (LMHC, WA State)
On 12/30/2013 05:13 PM, David Kastrup wrote:
Noeck writes:
Am 31.12.2013 00:35, schrieb Eluze:
Tom Cloyd-2 wrote
Running convert-ly (from Frescobaldi) on a score, I get this at the top
of the code:
\version "2.17.97"
I can confirm this using version 2.18.0 (both within Frescoba
...on Kubuntu Linux 13.10.
t.
On 12/30/2013 04:35 PM, Eluze wrote:
Tom Cloyd-2 wrote
Running convert-ly (from Frescobaldi) on a score, I get this at the top
of the code:
\version "2.17.97"
Didn't quite expect THAT!
sorry I have to ask that - which version are you using
So sorry - a lapse. I'm running 2.18.0.
t.
On 12/30/2013 04:35 PM, Eluze wrote:
Tom Cloyd-2 wrote
Running convert-ly (from Frescobaldi) on a score, I get this at the top
of the code:
\version "2.17.97"
Didn't quite expect THAT!
sorry I have to ask that - which versi
ubers
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--
~~~~~~~
Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St. George, UT, U.S.A: (435) 272-3332
* << t...@t
oblem...?
Tom
--
~~~~~~~
Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St. George, UT, U.S.A: (435) 272-3332
* << t...@tomcloyd.com >> (email) << TomCloyd.com >> (website)
* Sleight of Mind blog: Sleightmind.com (mental h
lypond-user
--
~~~~~~~
Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St. George, UT, U.S.A: (435) 272-3332
* << t...@tomcloyd.com >> (email) << TomCloyd.com >> (website)
* Sleight of Mind blog: Sleightmind.com (m
obvious than this?
Just a thought.
Tom
--
~~~~~~~
Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St. George, UT, U.S.A: (435) 272-3332
* << t...@tomcloyd.com >> (email) << TomCloyd.com >> (website)
* Sleight of Min
rce, on top of the marvelous Ly! Profound thanks to all involved
Tom
--
~~~~~~~~~~~
Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St. George, UT, U.S.A: (435) 272-3332
* << t...@tomcloyd.com >> (email
org/mailman/listinfo/lilypond-user
--
~~~~~~~
Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St. George, UT, U.S.A: (435) 272-3332
* << t...@tomcloyd.com >> (email) << TomCloyd.com >> (website)
* Sleight of Mind blog: Sleightmind.com (mental health issues)
* Trauma Psych
es 8, 9 have the same problem (as does much of my score).
There appears to be NO other way to move notes out of vertical
collisions. With this barely working, what do people do?
Thanks for any help!
--
~~
Tom Cloyd
Ced
Colin,
An update -
On 08/24/2013 07:10 PM, Colin Campbell wrote:
On 13-08-24 06:36 PM, Tom Cloyd wrote:
Greetings -
I'm trying to download the current stable package, at
http://lilypond.org/unix.html.
The link go to a script, not a download package. It opens in my
browser and
On 08/24/2013 09:34 PM, Nick Payne wrote:
On 25/08/13 10:36, Tom Cloyd wrote:
Greetings -
I'm trying to download the current stable package, at
http://lilypond.org/unix.html.
The link go to a script, not a download package. It opens in my
browser and does nothing.
I'm not seen
Colin,
Thanks for your quick response, but I'm not making sense of them.
On 08/24/2013 07:10 PM, Colin Campbell wrote:
On 13-08-24 06:36 PM, Tom Cloyd wrote:
Greetings -
I'm trying to download the current stable package, at
http://lilypond.org/unix.html.
The link go to a scr
objective is to upgrade from Ly 2.16.0.1 to 2.16.2-1, Kubuntu Linux
13.04.
Thanks for any assistance on this.
t.
--
~~~~~~
Tom Cloyd, MS MA
Cedar City / St. George, Utah, U.S.A: (435) 272-3332
<< t...@tomcloyd.com >> (email) << TomCloyd.co
quot;(piece)" %{ useful only with multi-piece set given Opus
number; set flush left below meter %}
instrument = "Classic Guitar" %{ centered below the subsubtitle, and at
the top of pages (other than the first page). %}
% <* flush right *>
composer = \markup \center-column {
On 05/19/2013 01:46 AM, David Kastrup wrote:
Tom Cloyd writes:
On 05/18/2013 09:17 PM, David Kastrup wrote:
Tom Cloyd writes:
[3] I have requested that the be high "b" display as a natural
harmonic, which it does. But the other voices are also display
harmonic noteheads, whic
Thanks you, David.
To answer your question - because my ignorance of Lilypond is vast, and
I've been away from ly for a long time. It shows.
Thanks for your correction.
t.
On 05/18/2013 09:17 PM, David Kastrup wrote:
Tom Cloyd writes:
[3] I have requested that the be high "b&q
n, use \shiftOn in one of the voices
rather than overriding 'force-hshift.
Trevor
Pierre Perol-Schneider schrieb:
2013/5/18 Tom Cloyd
I'm having this problem repeatedly - in several scores
<< \stemDown
{a4\rest \once \override NoteColumn #'force-hshift = #2.0 a
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Cedar City / St. George, Utah, U.S.A: (435) 272-3332
<< t...@tomcloyd.com >> (email) << Tom
On 05/18/2013 01:24 PM, Urs Liska wrote:
To clarify:
Your original command does _not_ shift a note but (as the name tells)
a note column. When you don't specify different voices both notes are
in the same column and are shifted _together_.
HTH
Urs
Pierre Perol-Schneider schrieb:
ine otherwise.
I don't see this problem addressed in the documentation, and haven't yet
found a fix.
Any ideas?
[My full, presently incomplete (still entering it) score is here
<http://pastie.org/7926709>. The snippet above begins at l. 129.]
Tom
--
~~~
ailman/listinfo/lilypond-user
--
~~~~~~~~~~
Tom Cloyd, MS MA
Cedar City / St. George, Utah, U.S.A: (435) 272-3332
<< t...@tomcloyd.com >> (email) << TomCloyd.com >> (websit
?
Thank for any help offered!
Tom
--
~~~~~~
Tom Cloyd, MS MA
Cedar City / St. George, Utah, U.S.A: (435) 272-3332
<< t...@tomcloyd.com >> (email) << TomCloyd.com >> (
.
Tom
~~
Tom Cloyd / t...@tomcloyd.com / (435) 272-3332
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On 05/20/2012 01:07 AM, Tom Cloyd wrote:
On 05/20/2012 12:56 AM, Graham Percival wrote:
On Sun, May 20, 2012 at 08:53:05AM +0200, Janek Warchoł wrote:
On Sun, May 20, 2012 at 2:32 AM, Neil
Thornock wrote:
Not sure why nothing was mentioned on the website.
I'm not happy with this pra
s the flag string, and outputs the remainder of the line to a
temporary text file, which is then processed by some routine that can
process Markdown files. In the Ruby world, that would be the Bluecloth gem.
Hope this helps...
t.
~
Tom Cloyd, MS MA
t...@tomcloyd.com
(435) 272-
le, which is then processed by some routine that can
process Markdown files. In the Ruby world, that would be the Bluecloth gem.
Hope this helps...
t.
~
Tom Cloyd, MS MA
t...@tomcloyd.com
(435) 272-3332
St. George/Cedar City, Utah
On 05/19/2012 04:29 AM, Urs Liska wrote:
Hi li
I cannot post to the list, for some reason.
Have been a list member for years.
Can anyone help with this?
This post is being made using the resource at -
http://post.gmane.org/post.php?group=gmane.comp.gnu.lilypond.general
t.
___
lilypond-user m
tatus update re: this event, please?
t.
~~~~~~~~~
Tom Cloyd, MS MA
t...@tomcloyd.com
(435) 272-3332
St. George/Cedar City, Utah
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any other single
factor, my belief in this list was due to my have always encountered
such a list with major open source software project.
I think it's all clear now!
Tom
On 04/15/2011 03:34 PM, Graham Percival wrote:
On Fri, Apr 15, 2011 at 03:26:06PM -0600, Tom Cloyd wrote:
But here
ink.
I hope this is helpful...and now I'm back to digging around in the
website. This information surely is buried SOMEWHERE...
t,
On 04/15/2011 04:30 AM, James Lowe wrote:
Tom,
)-----Original Message-
)From: Tom Cloyd [mailto:t...@tomcloyd.com]
)Sent: 15 April 2011 07:31
)To: Jam
man to learn what he thinks he already
knows." ~ Epictetus (c.55-c.135)
~
Tom Cloyd, MS MA
Private practice Psychotherapist
St. George, Utah, U.S.A: (435) 272-3332
<< t...@tomcloyd.com>> (email)
<
inks he already
knows." ~ Epictetus (c.55-c.135)
~~~~~~~~~
Tom Cloyd, MS MA
Private practice Psychotherapist
St. George, Utah, U.S.A: (435) 272-3332
<< t...@tomcloyd.com>> (email)
<< TomCloyd.com>> (website)
<
On 04/14/2011 04:57 PM, Francisco Vila wrote:
2011/4/14 Tom Cloyd:
Thank you for volunteering! I'd love to do it, but frankly am very hard
pressed to accomplish what's already on my schedule. Ha! Once again this
file forum comes to my rescue. I'm so pleased to be here, and of
Thank you very much. I'll get to this this evening.
t.
On 04/14/2011 11:13 AM, James Lowe wrote:
Hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Tom Cloyd
)Sen
t this
this is...
T.
On 04/14/2011 11:27 AM, Francisco Vila wrote:
2011/4/14 Graham Percival:
On Thu, Apr 14, 2011 at 10:53:36AM -0600, Tom Cloyd wrote:
I seem to have made a discovery which I don't see covered in either
Lilypond's Notation Reference or the documen
aving output.
Tom
~~~~~~~~~
"It is impossible for a man to learn what he thinks he already
knows." ~ Epictetus (c.55-c.135)
~
Tom Cloyd, MS MA
Private p
he problem :)
2011/4/14 Tom Cloyd
Well (sigh), it didn't change a thing. At the first repeat I still get aural
chaos. I have posted my entire code at http://pastie.org/1794353, if you have a
moment to look at it. I really cannot seem to get my head around this midi
repeat thing, and my search
not led me anywhere. I'm stumped at the moment.
Any suggestions would be much appreciated!
Tom
On 04/13/2011 12:31 AM, Janek Warchoł wrote:
Hi,
2011/4/13 Tom Cloyd:
I want to have a PDF score with simple repeats, and a midi file in which all
repeats are taken. This is revision of a pr
olution you suggest sound really great. I'll jump to it this evening!
Tom
On 04/13/2011 09:00 AM, Nils Hammerfest wrote:
You can use Denemo for this. Choose the clefs the original has, insert the
notes just as if they were dots on lines and in the end change the clef to what
you want.
Nils
I want to have a PDF score with simple repeats, and a midi file in which
all repeats are taken. This is revision of a program file which has been
working perfectly, except that the midi evidence no repeats. I'm
achieving all engraved repeats using the/\repeat volta 2{ music}/
convention.
I'm
I have a simple problem which I've never before faced, and I'm hoping
there exists a simple solution about which someone can tell me.
I play and write music for classic guitar, so I use "\clef "treble_8""
in my scores (classic guitar sounds an octave lower than the music
notation).
I want to
the solution, however.
Can anyone help?
t,
--
~
The greatest discovery of my generation is that human beings
can alter their lives by altering their attitudes of mind.
~ William James
~~~~~~~~~
Tom Cloyd, MS MA, LMHC
tely misleading. The statement doesn't affect
between-system spacing, but WITHIN-system spacing.
This looks like a clear mis-nomer to me. Am I misunderstanding something
here?
Tom
On 04/03/2010 01:56 PM, Tom Cloyd wrote:
My mistake. The problem isn't "collisions". It's i
:
between-system-spacing = #'((space . 4) (padding . 4) (stretchability
. 4) (minimum-distance . 0))
Nick
On 04/04/10 16:48, Tom Cloyd wrote:
This is simply making me nuts. NOTHING I'm trying is having any
effect on inter-staff distance at all.
Here's the current non-working atte
ff-spacing = #'((padding . 10))
I have not been able to get much information about. It seems not to be
in the Notation manual index. I don't know what to set the padding value
to - but changing it to extreme values doesn't seem to matter, so I must
have it place wrong.
I could
nd
had no collisions to speak of. For printing header information on
every page, see section 3 of the notation reference. I even think that
odd/even page header may work in the development version, although I'm
not sure.
On 03.04.2010, at 08:34, Tom Cloyd wrote:
Have just installed de
On 04/02/2010 03:57 AM, Alexander Kobel wrote:
Dmytro O. Redchuk wrote:
У пт, 2010-04-02 у 12:14 +0200, Alexander Kobel пише:
Tom Cloyd wrote:
\once \override NoteColumn #'force-hshift = #8.0 b4-0 [...]
Hi, Tom,
IIRC, this very override only affects notes inside chords.
It should a
Have just installed developmental ver. "2.13.16" and run convert-ly on
all my scores.
I got this CLI message when running the conversion:
"Not smart enough to convert vertical spacing has been changed;
minimum-Y-extent is obsolete.
Please refer to the manual for details, and update manually.
One more small problem: the measure 20 arpeggio across all three voices
(line 174) is wiping out the bar line. Ouch! Is that fixable?
thanks!
T.
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Warmest greetings to all.
After months of joyful use of LP, I've finally stumped myself somehow.
I'm trying to shift a note to the right, in an inner voice, and getting
NO response. Have never had this problem before and cannot seem to
figure it out.
In the following complete code (running v
nse to me, and as of now my work on this score is halted. Would
appreciate any help!!!
Thanks,
Tom
--
~
Tom Cloyd
Bellingham, Washington, U.S.A
~
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se.
Tom
=> I should mention that my Ly version is "2.12.2"; ditto for documentation.
--
~~~~~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< t...@tomcloyd.com >
t see how to do this useful thing.
Can someone give me clue?
Thanks!
Tom
--
~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< t...@tomcloyd.com >> (ema
e why the problem is showing in voice
two at all, as well. The issue is with the upper voices.
THANKS for any help!
Tom
--
~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<<
27;s wrong?
Thanks!
t.
--
~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< t...@tomcloyd.com >> (email)
<< TomCloyd.com >> (website)
<< sleightmin
es too close together. On page one, this is dealt with by setting a
page break after 5 staves. But I cannot figure out how to get more space
between staves on page two. That it's the final page seems to foul
things up.
Any suggestions?
Thanks!
Tom
--
~~~~~
Drat. Just caught it, and rather by accident. All's well.
Sorry for the noise.
Tom
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I'm not figuring this out, and could use a hint as to what to look for.
My PDF output is perfect, but I get this console output:
t...@tomc-desktop:~/Music/Music_scores/Lilypond$ lilypond chorale01.ly
GNU LilyPond 2.12.2
Processing `chorale01.ly'
Parsing...
/usr/local/lilypond/usr/share/lilypond/
Martin Tarenskeen wrote:
the standard for starting a program once it's installed is to call the
program from the command-line. precompiled packages generally install to
/usr/bin, self-compiled packages to /usr/local/bin or on some
distributions to /opt/bin or /opt/local/bin.
Wherever
ses
Python. or maybe...well who knows?
At the website, user documentation starts with the assumption that
you've started the program. Not helpful.
So...can anyone clue me in?
Thanks!
t.
--
~~~~~~~~~
Tom Cloyd, MS MA, LMHC - Private prac
Tom Cloyd wrote:
After 3 months away from Lilypond, I'm back, thankfully. All updated
and sailing...right into a wall. I could really use a hint about this
current problem.
I cannot get a horizontal shift of a note, resulting in an ugly
collision. I think the problem is the &quo
ubsubtitle = \markup { "(2008.11.03) - version" \date } %centered
below subtitle
%piece = "(piece)" %{ useful only with multi-piece set given Opus
number; set flus left below meter %}
instrument = "Classical Guitar" %{ centered below the subsubtitle,
and
dvice would be welcome, Thanks.
--
~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< [EMAIL PROTECTED] >> (email)
<< TomCloyd.com >> (website)
ed below the subsubtitle,
and at the top of pages (other than the first page). %}
% * flush right *
composer = \markup \center-column {"Tom Cloyd" \small
"[EMAIL PROTECTED]" } %flush right
%arranger = "{arranger}" %flush right below composer
%opus = "{
;t tried, but one of the \shiftOn
commands might be what is needed.
Trevor
----- Original Message - From: "Tom Cloyd" <[EMAIL PROTECTED]>
To: "Lilypond"
Sent: Saturday, November 08, 2008 12:22 PM
Subject: polyphonic chaos, of sorts
Greetings. Things have been go
w the subsubtitle,
and at the top of pages (other than the first page). %}
% * flush right *
composer = \markup \center-column {"Tom Cloyd" \small
"[EMAIL PROTECTED]" } %flush right
%arranger = "{arranger}" %flush right below composer
%opus = "
ion" \date } %centered below
subtitle - and smaller font
instrument = "Classical Guitar" %{ centered below the subsubtitle,
and at the top of pages (other than the first page). %}
% * flush right *
composer = \markup \center-column {"Tom Cloyd" \small
&quo
sue addressed in the Notation reference.'
What's the solution?
Thanks!
T.
--
~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< [EMAIL PROTECTED] &g
nstructs, they appear (!).
Got it. Thanks!
t.
--
~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< [EMAIL PROTECTED] >> (email)
<< TomCloyd.com >
ack into it. Lots of work to do. I sure hope I start
seeing string indications soon. Gotta have them in this piece.
t.
Tom Cloyd wrote:
Please see code below. My requested placement of LH fingering and
string number to the LEFT of the relevant note is being respected on
in chord constructs. Als
the subsubtitle,
and at the top of pages (other than the first page). %}
% * flush right *
composer = \markup \center-column {"Tom Cloyd" \small
"[EMAIL PROTECTED]" } %flush right
%arranger = "{arranger}" %flush right below composer
%opus = "{opus}&q
's gotten into matters of organization instead of
technical problems.
Well, it you think so, it's surely the case. We (I) are near to a
practical solution. A cheery thought!
t.
~
Tom Cloyd, MS MA, LMHC - Private practice P
still have no accessible solution.
t.
Tom Cloyd wrote:
Adjunct to my previous post -
I'll admit that my Ruby programming experience biases me in the
direction of seeking simple, direct, comprehensible, heuristic
solutions. I think I may have found one -
Building on my notion of using
= ##t
\context Voice = "melody" { \melody }
\context Voice = "bass" { \bass }
>>
\layout { }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 160 4)
}
}
}
Tom Cloyd wrote:
Maybe. Probably. If I could ge
{ \bass }
>>
\layout { }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 160 4)
}
}
}
Tom Cloyd wrote:
Maybe. Probably. If I could get it to work.
The problem is that it start a new staff. I need arpeggios across voices
in arbitrary locations -
remove the Scheme hack. Thanks.
Regards,
Neil
Trevor
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--
~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapi
tive c' {
\set Staff.connectArpeggios = ##t
<<
{ 4\arpeggio 2 } \\
{ 2\arpeggio 2 }
>>
}
%
% end ly snippet
%
Tom Cloyd wrote:
Greetings!
After digging around considerably in the excellent Lilypo
re version of" \date }
[...]}
This automatically datestamps my score each time I make a change and
print a new version.
That was all I was after.
Thanks to the several folks who sent me the solution.
t.
Paul Scott wrote:
Tom Cloyd wrote:
OK, I've exhausted myself trying to solve a
end an hour someday just browsing
the Snippet List. You won't regret it. :)
Cheers,
- Graham
--
~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< [EMAIL
tle = \date
BUT, how do I do this:
subsubtitle = { "version " + \date}
I cannot find an example, and haven't been able to figure it out
empirically.
t.
--
~~~~~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
forgot this: I'm running Ly 2.11.60, on Kubuntu Linux 8.04.1
Tom Cloyd wrote:
The documentation [/Lilypond notation reference.pdf/, “3.3.3 Text
encoding”, pdf p. 318.] states that UTF-8 coding is used in Ly and
that UTF-8 hex codes can be inserted into text. An example is given,
and I sh
how to do this?
Thanks!
Tom
||
--
~~~~~~~~~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< [EMAIL PROTECTED] >> (email)
<< TomCloyd.com >> (website)
,
but...maybe I'm missing something.
Any help would be much appreciated!
Tom
--
~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< [EMAIL PROTECTED] >
-\tweak #'extra-offset #'(-0.5 . -1.5)\2
>4~
}
\\
{ \stemUp \times 2/3 { fis,8-3 ^"II" [ (g-4) e-1 ]}
\tweak #'direction #up %modifies placement of tuples
bracket
\times 2/3 {a8\rest
\set fingeringOrientations = #'(le
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