Re: Bar Fermata at end of system?

n-of-line-invisible \mark \markup { \musicglyph #"scripts.ufermata" } \bar "||" \break \time 4/4 c'1 } ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user -- -----

resetOctaveCheck cannot be removed with a tag

. Any idea where the problem lies and how I can solve it? I have also tried turning m into a music-function and redefining resetRelativeOctave before the second call to \m, but that does not work, either... Thanks, Reinhold -- -

Re: Paper size survey

so be adjusted to make A5 brochures (stapling an A4 in the middle for folding). I never regretted buying one. Best regards, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com/ * Open Tools, S

Re: Survey: Large scores

aling with "big" scores, and maybe I'd like to know what might be the biggest score anyone has successfully created with LilyPond. -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com/ * Open Too

Re: Double clef when using cueDuringWithClef with a simultaneous clef change

2015-04-09 um 13:45 schrieb Reinhold Kainhofer: Hi all, I have a piece, where the Fagotto part is written in tenor clef and after some measures rests switches to bass clef. Now, when I use \cueDuringWithClef to cue other instruments during those rests, the end of the cue notes will display two

Double clef when using cueDuringWithClef with a simultaneous clef change

? Thanks a lot, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com/ * Open Tools, Software Development, http://www.open-tools.net/ * Edition Kainhofer, Music Publisher, http://www.edition-kainhofer.com

Re: Doubled entries with partcombiner

g/mailman/listinfo/lilypond-user -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com/ * Open Tools, Software Development, http://www.open-tools.net/ * Edition Kainhofer, Music Publisher, http://www.edition-kainhofer.com/ __

Staff ends before \clef, \time and \key

bar"||" \key f \major \time 3/4 } Output PDF is attached. Any idea how to keep the staff lines alive until the key/time/clef change? Thanks, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhof

Re: Partcombine erratic behaviour

e and robust. I note that some tweaks have been added to partcombine recently, has its default behaviour become less robust? No. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Fina

Re: sophisticated SystemStartBar callback needed

displayed for the choir-only parts. Of course, it will also not be shown if the choir staff is hidden and you only have one or two soloist... Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofe

Re: Grace notes and ties in multiple voices and staves

. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhofer, Music Publisher, http://www.edition-kainhofer.com \ve

Re: For those who need new features and bug fixes...

not support the full page layout is probably missing out a huge opportunity for lilypond. After all, MusicXML is nowadays used by publishers to transfer the full score layout from one application to another. Cheers, Reinhold --

Re: Resolving "cannot resolve rest collision: rest direction notset"warnings

inter to questions here) Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhofer, Mus

Re: problem of placing "\with {\consists #numbrUP}" on lilypond code

he staff-level... Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Editio

Re: problem of placing "\with {\consists #numbrUP}" on lilypond code

csto "soprano" {\chineseLyrics} >> >> See the attached file for the full code. Notice that you have to place the \with {\nup} and \ndown where you would put the \with clause for the voice. If you want, you can leave out the \with, like I did in the alto voice above, but i

Re: lyrics to music

ice. As a (classical) singer, I have to admit, I'm always confused by the modern notation and sight-reading takes much more effort than with the traditional notation. That might, however, also be due to me being used only to the traditional notation. Cheers, Reinhold -- -----

Re: bleeding

On So., 18. Nov. 2012 18:34:46 CET, Francisco Vila wrote: > 2012/11/18 Reinhold Kainhofer : > > beam is still going on. Line breaks during beams are disallowed. > > Not exactly, > > { >    \time 2/4 >    \override Beam.breakable = ##t Doesn't that prove

Re: bleeding

makes lilypond think that a beam is still going on. Line breaks during beams are disallowed. Cheers, REinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna

Re: parser placement problem [was Re: Lyrics disappear with associatedVoice in a duet]

he event that changes the dispatcher), once the dispatching happened. In most cases, that would just be a workaround, anyway, and complicate the code a lot. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www

Re: Lilypond cheat sheat

heers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhofer, Music Publisher, http://www.ed

Re: increase vertical space

On 2012-11-03 22:32, Noeck wrote: Am 02.11.2012 01:20, schrieb Reinhold Kainhofer: On 2012-11-01 22:54, Eluze wrote: Janek Warchoł-2 wrote This may sound surprising, but there are many cases when LilyPond's vertical spacing could be noticeably improved (i admit that most of these cases

Re: increase vertical space

thing. Cheers, REinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhofer, Music Publisher, htt

Re: Lyrics Vertical Alignment

On Di., 30. Okt. 2012 19:35:42 CET, Tiresia GIUNO wrote: > But shouldn't be: "The syllable > should be ranged _right_ under the first notehead"? No, ranged left means that the left of the syllable is aligned with the left of the note (i.e. left-aligned). http://www.paratype.com/help/term/term

Re: Is it possible to change beaming from the \layout block?

ffect. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhof

Re: Lyrics Vertical Alignment

and left-aligning with the note in the second staff, since there the syllable is assigned to more than one note. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial &

Re: Reheaseals with irregular bars

is that the first full bar is supposed to be measure 1. In all other cases (i.e. inside some piece), you don't ever want to set the measure position to a negative value, as that will skip a measure in the measure count. Cheers, Reinhold -- ------

Re: What is the oldest convert-ly available?

e, you'll still need quite some time to manually adjust what cannot be cone automatically. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vi

Re: Aligning Dynamic/Expressive Marks

t point needs to be calculated explicitly. The attached file does exactly this (adapted from a LSR snippet). Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., V

Re: Documentation figured-bass

d the documentation be adapted? Apparently, yes. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuw

Re: Hairpins

ve c'' { << { c1 } { s2\> s\!} >> } or: \new Voice \relative c'' { << { c1 } { s2 s4..\> s16\!} >> } or even (and no, this is NOT the \expressivo articulation): \new Voice \relative c'' { << { c1 } { s2\< s4..\> s16\! } &g

Re: How to reserve more space for fermata mark (to prevent large vertical shifts)

lly, I have to set the extra-spacing-width to '(0.3 . 0.3) to prevent the ledger line from still shifting the fermata up. But with that settings, things work like a charm! Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.co

How to reserve more space for fermata mark (to prevent large vertical shifts)

" b c) r } Does anyone know a way to make the mark reserve more horizontal space (i.e. shift the following notes to the right) so that the fermata is placed directly above the staff? Thanks, Reinhold -- -- Reinhold Kain

Re: Lilypond-Book ignores \iffalse (How to uncomment?)

as block comments and ignore all snippets inside \iffalse: http://code.google.com/p/lilypond/issues/detail?id=2875 Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuar

Re: Articulation with parenthesis-open and with parenthesis-close?

renthesizeLeft->\> 4.-\parenthesizeRight-> | % 3 HTH, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://ww

Re: slur to 2 alternatives

ticulation, so that it is much harder later on (during the proof-reading phase) to read at a glance. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., V

Re: Text font sizes

On 17/09/2012 13:11, Urs Liska wrote: > Am 17.09.2012 12:59, schrieb Reinhold Kainhofer: >> It does not use an absolute font size. The size is relative to the staff >> size. > Thanks for this information. > Of course I realize that it is relative to the staff size. But in th

Re: Text font sizes

far and that allows to print > headers and footers _on top_ of the included pages?). The following Q&A solves that issue: http://tex.stackexchange.com/questions/50388/attached-external-pdf-file-is-not-showing-page-number Cheers, Reinhold --

Re: PDF information issues

ough!) Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhofer, Music Publisher, htt

Re: update all files with convert.ly

ere exactly you have to do some manual work Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwi

Re: lilypondfile

erfect, except it still generates a PDF file, which I don't need and I could not find an command-line option to prevent the PDF from being created. But that's what a Makefile is for: I just delete the PDF. Lilypond also has a --ps option So what you want is: lilypond -dbacken

Re: lilypondfile

are after... Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhofer, Music Publisher

Re: lilyglyphs LaTeX package

as really as simple as you describe: 1) Copy the emmentaler-*.otf files to ~/.fonts 2) run fc-cache Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuaria

Re: lilyglyphs LaTeX package

th xelatex, not with normal latex. Any idea how to make the glyphs available without using xelatex? Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vi

Re: clef change confuses manual key signature

heers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://www.kainhofer.com * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * Edition Kainhofer, Music Publisher, http://www.ed

Re: part combine double whammy

-- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial& Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilypond

Re: turning off partcombine

same staff. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial& Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 000

Re: suppress warnings

al issue is: Why is that warning supposed to be there in the first place? Shouldn't you be looking for a way to fix the underlying problem instead? Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinho

Re: Bug: lyrics vertical spacing and dynamics with extra-offset

, override the *-position. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial& Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 000

Re: tie to note inside double backslashing voicing

es, but simply placed the g2. in parallel with the spacers in the same voice (i.e. if you would use notes instead of the spacers, you would get collisions etc.) Cheers, Reinhold -- ------ Reinhold Kainhofer, rei

Re: My own Figured Bass number set, where do I start?

able, where a + or a ` is stacked onto a normal digit, clearly showing they are two different glyphs. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuaria

Re: Thinking about putting together a grant to support development on LilyPond

c research and should be funded by an industry partner instead. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * h

Re: How to place figures (from figured bass) in the second row without a first one?

lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial& Actuarial Math., Vienna Univ. of Technology, Austria * http:

Re: extenders in figured bass without a figure in front

e not the same. [...] Is there a way for producing a "real" extender line here? Use an implicit figure: http://lsr.dsi.unimi.it/LSR/Item?id=607 Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.ka

Re: Seasonal carols page

way use those files without any conditions.). Feel free to use those lilypond sources for whatever project you like. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial &a

Re: ERROR: Wrong type (expecting pair): ()

- Ursprüngliche Mitteilung - > > I've recently started getting "ERROR: Wrong type (expecting pair): ()" > when I compile the code for a rather large (5000+ lines) project, and I > have no idea how to fix it. There is no line reference, and no > indication what causes this problem Try ena

Re: (De)Crescendo hairpin touching vertical bar of the last measure in the line

Cheers, Xavier Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial& Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilypond.org _

Re: Anomalous, or Non-standard, Clefs

ch for "non-traditional", you'll get that very snippet: http://lsr.dsi.unimi.it/LSR/Item?id=248 Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actu

Re: cuenotes are not displayed (Ian Hulin)

different context. Examples are: \new Voice { ... } << { ... } \\ { ... } >> \partcombine {...} {...} Cheers, Reinhold > I have the problem, that the music of the cellopart is not quoted, although > it isn't a Pianostaff. > > 2011/10/16 Reinhold Kainhofer > > >

Re: cuenotes are not displayed (Ian Hulin)

27;' e'' f'' g'' 1 } > > > > \addQuote "right" { \right } > > anotherinstrument = { c' 1 \quoteDuring #"right" s1 c'1 } > > > > \score { \new Staff \anotherinstrument } -- -- Reinhold Kainhofer, reinh...@kainhofer

Re: Request for Engraving Suggestions

Am Montag, 26. September 2011, 23:05:02 schrieben Sie: > 2011/9/26 Reinhold Kainhofer : > > For my empty score sheet generator, I had to adjust the vertical spacing > > quite a bit, too. The default settings of lilypond simply look ugly. > > Yes they do. > Well, fixing

Re: Paper Size Default

/lists.gnu.org/mailman/listinfo/lilypond-user > > > > _______ > > lilypond-user mailing list > > lilypond-user@gnu.org > > https://lists.gnu.org/mailman/listinfo/lilypond-user -- -

Re: Request for Engraving Suggestions

ve any effect any more! Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilyp

Re: Request for Engraving Suggestions

header reserved. You can then download the lilypond file, which contains the vertical spacing variables that I'm using with lilypond 2.14. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.

Re: Apparently bogus warning with 2.15.12

or messages simply don't give us any code to try to reproduce (and then track down) the problem. Thanks, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial

Re: automatic indentation of long instrument names?

trument names? No, unfortunately, not. It would be great to have it, though. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Techn

Re: programming error: no solution found for Bezier intersection

84>) which sounds > like your problem. I guess only Mike Solomon can answer that question, since he didn't describe which problem he tries to solve with the patch... Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kai

Re: Basic LilyPond Cheat Sheet

er 9.4.2.220? No, printing is not disallowed. It is probably some incompatibility with Acrobat Reader. I can print it just fine from okular. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.

Re: Basic LilyPond Cheat Sheet

Am Montag, 12. September 2011, 14:48:51 schrieb David Kastrup: > Reinhold Kainhofer writes: > > Dear all, Sometimes it can be very useful -- in particular for new and > > not so experienced users -- to have the basic LilyPond syntax > > available compressed on one single

Basic LilyPond Cheat Sheet

while. -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesett

Re: Empty music sheet generator in LilyPond

from full orchestral score to single-staff systems). > Maybe the A3 format would also be useful (e.g. for orchestral scores). Yeah, I'll think about it. However, then I'll also have to allow more than 15 systems on a single page... Cheers, Reinhold -- -

Empty music sheet generator in LilyPond

the score (and also the preview), but the second time you choose that configuration there is no delay, because all already-created scores are cached and re-used on the server. Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kai

Re: Positioning fingering under 1st voice slur

re{ \new Staff << {a''2.^( b''4^)} \\ {s2 \once\override Fingering #'direction = #UP b'8-3( g') s4} >> \layout {} } Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainho

Re: lilypond-book download

latex). Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilypond.org signature.asc De

Re: How to evaluate 'articulations entries?

r, if given, and should do some calculations, depending on > other articulations, like 'HarmonicEvent. The articulations are a list, so you have to filter them to get the actual string numbers. Example attached, Reinhold -- -- Reinhold

Re: grace synchronization

oblem in this minimal example, it doesn't in my > piece (which includes multiple split voices, etc.). It would if you found all split voices in use. But I totally agree that it would be much better to have this fixed once and for all. Cheers, Reinhold -- -----

Re: grace synchronization

ext noted, please think though Voice 3 from above with -) Voice 5: c4 \grace e8 \clef "bass" c4 -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Un

Re: grace synchronization

On Fr., 26. Aug. 2011 23:32:39 CEST, David Kastrup wrote: > I checked around, and Rationals (which are used for time) have a > representation of -inf.  I think it would be a good start if the default > grace time component (namely when no grace is present) was not set to 0, > but to -inf, meanin

Re: Default beaming for 3/4

wever, Gould says that in many classical pieces it is okay to use c4. c8[ c c] in 3/4, because the beats are very clear. That's an exception to the rule, though, rather than the rule. Cheers, Reinhold -- ------ Reinhold Kainhofer

Re: Lilypond lobbying?

would object to fixes of the implicit context creation in LilyPond ;-) Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology,

Re: Lilypond lobbying?

it does the same, because it is apparently not in the same voice (which was only created for the c1. Wrap \new Voice aroud the <<>> to explicitly create the voice or staff and it will work: \new Voice { << c1 { s4\< s2\! s4 } >> } Cheers, Reinhold -- -

Re: Lilypond lobbying?

ike before. That's also one of the current problems iwth lilypond: The syntax changes regularly, and you need to update your scores every few months to be able to run them properly. Cheers, Reinhold -- ------ Reinhold Kainhofer,

Re: MusicXML exporter (was Re: Lilypond lobbying?)

On Do., 25. Aug. 2011 09:11:49 CEST, Mike Solomon wrote: > The issue with Finale and Sibelius exporting is user overrides.  I can > drag a markup over the last note in my score to be in the position of > the title and it'll look just fine in Finale, but LilyPond will have no > clue what to do wit

Re: MusicXML exporter (was Re: Lilypond lobbying?)

anslators that collect all events and all settings as they appear in the score. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Tech

Re: New LilyPond tutorial

he user to any non-free > documentation for free software. I consider this tutorial additional material, not core documentation, so I don't see this as an issue... Cheers, Reinhold -- -- Reinhold Kainhofe

Re: New LilyPond tutorial

eloping LilyPond, you can learn something new anyday! Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.

Re: Lilypond lobbying?

e space dimension to the experience. This allows you to create something like Dolby-surround and 3D audio effects on 18th century instruments! Haydn did something similar with his Echo double-string quartet, although that uses just two string quartets in two different rooms. Six organs can do a lo

Re: Unslurred acciaccatura?

shedGrace function): http://kainhofer.com/~lilypond/Documentation/changes/index.html In 2.14 you can copy the new definition into your own file (example attached). Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.

Re: non numbered footnotes?

separate functions for automatically numbered footnotes and for footnotes with symbols. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna

Re: creating images for web pages

g images transparent. There's no need to specify a line width (i.e. paper size) for single-line snippets, because one-line snippets are layed out with ragged-right. Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.co

Re: Why can't I \override TieColumn #'tie-configuration only \once?

On Di.,  9. Aug. 2011 01:34:02 CEST, David Kastrup wrote: > harm6 writes: > > Yes. But the Notation Reference demonstrates: > > > > \relative c' { > > 2~ > > \override TieColumn #'tie-configuration = > > #'((0.0 . 1) (-2.0 . 1) (-4.0 . 1)) > > 2~ > > } > > Where is your point?  It would sti

Re: 2.15.8 change in \cueDuring behavior?

ve c'' { \cueDuring partA #UP { R1*2 } a4 b c d } > > \score{ > \new StaffGroup << > \new Staff \notesA > \new Staff \notesB should be: \new Staff \new Voice \notesB Cheers, Reinhold -- --

Re: Multi-column text

Am Donnerstag, 4. August 2011, 00:49:11 schrieb Christopher R. Maden: > On 08/03/2011 06:07 PM, Reinhold Kainhofer wrote: > > Nope, Lilypond doesn't try to be a full text layout application. You > > cannot do multi-column text with automatic line- and > > column-breaking.

fixcc.py and variable assignments on two lines

ill NOT be indented: static char const *WARRANTY = _i ("This program is free software; you can redistribute it and/or\n" Is this really what we want? Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...

Re: Multi-column text

ond, that's why I wrote that other snippet that Harm suggested; But then decided that lilypond simply isn't capable of what I need), critical report, etc. Cheers, Reinhold -- -- Reinhold Kainhofer, Vienna University o

RE: Changing to Gonville font

On Tue, 2 Aug 2011, James Lowe wrote: I've looked at the documentation and I remember the conversation I had with our Doc Meister, normally you would do this (at least on Mac OS - which I used at the time) via a terminal and there is no 'rename' command, so when you mv folder_name new_folde

Re: multiple timesignatures

the measure length. (For dual times like 3/4 6/8 which have the same length the measure length is not a problem, but now lilypond doesn't know which automatic beaming to apply to a measure...) Cheers, Reinhold -- ------ Reinhold

Re: footer issue

Tagline header field only on last page. \on-the-fly #last-page \fromproperty #'header:tagline } } } As you can see, you need to include the tagline yourself in the footer if you want to get it printed... Cheers, Reinhold -- ----

Re: font survey: which clef do you prefer?

e original clef, but the vertical line of the third one... Cheers, Reinhold -- ------ Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vienna Univ. of Technology, Austria * h

Re: Can't get \RemoveEmptyStaffContext and \RemoveEmptyRhythmicStaffContext to work together

Can you send us a minimal example (including the staves)? Maybe the problem lies elsewhere Cheers, Reinhold -- -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial & Actuarial Math., Vi

Re: Page number offset and placement

st to add a blank [unnumbered] page to the score? No, because then the score has 5 pages and does no longer fit on one sheet... Basically, what he wants is 2-up page layout rather than booklet layout. Cheers, Reinhold -- ------

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