Can't use LSR Snippets 869 and 1008 in current versions of lilypond

m (_ "symbol ~S redefined") of (_ "symbol ~S redefined") Line 94 in my file is this: (ly:error (_ "symbol ~S redefined") symbol)) My scheme is not good enough to fix this. In any case I'd like to raise awareness that both snippets don't wor

Re: Spectacle sign

It's an available markup command, listed at https://lilypond.org/doc/v2.24/Documentation/notation/other Short version: \markup { \eyeglasses } -- Michael

Re: Spectacle sign

https://lsr.di.unimi.it/LSR/Item?id=982 HTH, Michael Mobil gesendet > Am 19.01.2025 um 14:50 schrieb Raphael Mankin : > > Is there a spectacle (watch the conductor) glyph in Lilypond? I haven't > found one. >

Re: clef - letter clefs - A, B, D, E

ut then I don't play bagpipes and know between little to nothing about their traditions. Since you wish for seven letters for the diffent notes something could be tuned to then I ask (a bit provocatively ;): Why not suggest twelve? Am 17.01.25 um 18:46 schrieb murray.macken...@forces.gc.ca:

Re: clef - letter clefs - A, B, D, E

rying to solve by these new clefs? [note I'm not disputing they might be useful, I'm just curious] Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available on request or at public keyserver

Re: LilyPond 2.25.23

210 4) into \set Score.tempoWholesPerMinuteAsMoment = #(ly:make-moment 210 4) and after that I got this warning: warning: the property 'tempoWholesPerMinuteAsMoment' is deprecated; use 'tempoWholesPerMinute' Is that a regression? Kind regards, Michael -- Michael Gerdau

Re:

technique is used to create special practice files for voices (e.g. with the practice voice being somewhat emphasised etc for those not wanting to manipulate the midi files) Best wishes Michael Mobil gesendet > Am 03.01.2025 um 07:32 schrieb David R : > >  > Hello > > I

Re: Quarter tones and MIDI

Doing this from memory (don’t take it as authoritative!) but I seem to recall that channel pitch bend is a property of Midi 2.0. You‘ll have a hard time finding a synth pre Midi 2.0 that does what you want. Kind regards Michael Mobil gesendet > Am 30.10.2024 um 23:38 schrieb

Re: How do you insert measures into scores with many parts?

for the next part and so on until you’re done. To my understanding as easy as with any WYSIWYG program. Kind regards, Michael Mobil gesendet

Proportional notation - Bar length

  }   \score {     \new RhythmicStaff { c4 }   }   \score {     \new RhythmicStaff { c4 }   }   \score {     \new RhythmicStaff { c4 }   }     }   } } Michael

Re: \include & Headers

My pleasure. Lilypond is hugely powerful and therefore at times complex. As many others on this list will confirm, there is almost nothing that can’t be done if you’re willing to go the extra mile. And a lot of things just work out of the box. Kind regards, Michael Mobil gesendet >

Re: \include & Headers

your problems but it should get you started. Kind regards, Michael Am 11.09.24 um 23:40 schrieb Dimitri Sykias: MAIN FILE — \version "2.24.4" \paper { #(define fonts (set-global-fonts #:music "emmentaler" #:brace "emmentaler" #:

Re: \include & Headers

Could you please provide a MWE (minimal working example) and not just a sketch? It’s impossible to know what the problem is otherwise. Minimal means: Remove everything that can be removed and still shows the problem. Everything literally means everything. Kind regards, Michael Mobil gesendet

Re: Multiple scores in a single document

On 9/22/2015 4:21 PM, tisimst wrote: On 9/22/2015 12:40 PM, Kieren MacMillan [via Lilypond] wrote: Hi Wol (et al.), > Multiple scores are for multiple movements of the same work. Not precisely… \bookpart will always start a new page, and sometimes you want/need to start a new piece (n.b., not

Re: Help with scheme

included files the original author uses for all his scores. My guess is these are set elsewhere when used. Kind regards, Michael Mobil gesendet > Am 21.08.2024 um 16:06 schrieb William Rehwinkel > : > > Dear Michael, > > When I change > > #(define *clefs-optio

Help with scheme

) (#t (define *use-gamba-clefs* #t)) ) insertClef = #(cond (*use-recorder-clefs* #{ \clef treble #}) (*use-gamba-clefs* #{ \clef alto #}) (*use-original-clefs* #{ \clef mezzosoprano #}) ) snip -- snip -- snip -- snip -- snip

Standard rhythms for drums or percussion. (Zlobinsky Michael)

s more specific than "Re: Contents of lilypond-user digest..." Today's Topics: 1. Re: lilyjazz fonts not working (Hans Aikema) 2. Re: lilyjazz fonts not working (Robert Garrigos) 3. Standard rhythms for drums or

Standard rhythms for drums or percussion.

Answer to:From: Zlobinsky MichaelSubject: Standard rhythms for drums or percussion.Date: Mon, 22 Jul 2024 14:19:26 +0200With the kind help of Sébastien Richard, I was able to create some examples.I still have display problems, which are probably due to a bug in the Wiki Score plugin.Since I only

Aw: Re: Aw: Re: Where can I see if there are answers.

Hi Peter,thanks for your friendly support.So the problem is still there. A programmer should have a look at the (I guess) PHP- and MySQL-code. The links should lead to the head of each thread. My e-mail answer is not the only one with a broken link. I didn't found any link in an e-mail that w

Aw: Re: Where can I see if there are answers.

Great! 👍🏻 I don't expect that this could be the Problem.Thanks!Greetings from Germany Mjchael --Gesendet mit der GMX Mail AppAm 30.07.24, 08:54 schrieb Peter Chubb : >>>>> "Zlobinsky" == Zlobinsky Michael writes: Zlobinsky> I see links like follo

Aw: Re: Where can I see if there are answers.

I don't have to https://lists.gnu.org/archive/html/lilypond-user/attachments/20240730/84a0adde/attachment.htmThat's the actual link.--Gesendet mit der GMX Mail AppAm 30.07.24, 08:54 schrieb Peter Chubb : >>>>> "Zlobinsky" == Zlobinsky Michael writes

Aw: lilypond-user Digest, Vol 260, Issue 64

Your Message wasMessage: 1Date: Tue, 30 Jul 2024 06:31:30 +0200From: Zlobinsky Michael <M.Zlobinsky@gmx.de>To: lilypond-user@gnu.orgSubject: Where can I see if there are answers.Message-ID:Content-Type: text/plain; charset="utf-8"An HTML attachment was scrubbed...URL: <ht

Where can I see if there are answers.

I see links like following in the e-mails.;But every link I try to follow open on the homepage:"No FoundThis document is not on the server."How on earth shall I find out, if there had been an answer to my question?

Standard rhythms for drums or percussion.

Hi,It's my first question via mailing list. I'm a guitarist, and I've made some educational tabs. I could use some simple standard rhythms (not to advanced, more suitable for an amateur band.)The results of my experiments are rather modest and very error-prone, as I still have to get used to everyt

Re: Windows users - Call for testing

Am 29.06.2024 um 01:10 schrieb Paul Hodges: I've compiled seven choral scores of varying complexity with no problems. My most complex instrumental scores will have to wait until I have time to update them manually - convert-ly can't cope with them. Paul Thanks for testing!

Re: Windows users - Call for testing

Am 29.06.2024 um 00:31 schrieb Jean Abou Samra: Le vendredi 28 juin 2024 à 22:22 +, bobr...@centrum.is a écrit : Michael, I'm sorry, but I don't really understand what your code does, nor do I know what to do with it in a real score.  If you want to throw a score at me using

Re: Windows users - Call for testing

Thanks, but could you give it a try on a real score? That would be very helpful! Michael Am 27.06.2024 um 15:30 schrieb bobr...@centrum.is: Tried again with the code 'massaged' by Jean.  Here's the output: $ ./bin/lilypond.exe test.ly GNU LilyPond 2.25.17 (running Guile

Re: Windows users - Call for testing

Hmm, but that looks like syntax errors in your test.ly file that are unrelated to the Guile patches. Did you forget a '#' somewhere to enter Scheme mode? Can you share your `test.ly` file? Michael Am 27.06.2024 um 13:31 schrieb bobr...@centrum.is: For what it's worth, I j

Windows users - Call for testing

bugfixes. I would really love to see it tested by Windows users before we incorporate the changes into our next development release. You can download the release here: https://drive.google.com/file/d/1yjXZ_2vUQeNi-3djbXQmyhUB_sInpxr3/view?usp=sharing Thanks, Michael

Re: Frescobaldi?

it alive. Kind regards, Michael

Re: Spacing between staves

their own \header blocks. For a bit more see: https://lilypond.org/doc/v2.24/Documentation/notation/multiple-scores-in-a-book[1] -- Michael [1] https://lilypond.org/doc/v2.24/Documentation/notation/multiple-scores-in-a-book signature.asc Description: This is a digitally signed message part.

Re: Horizontal note spacing in chant template

\voiceFour \once \override NoteColumn.force-hshift = 1.2 bf4 af4 g1 } { \voiceOne c2 c1 } >> } } This results in: -- Michael OpenPGP_signature.asc Description: OpenPGP digital signature

Re: afterGrace, glissando, and hidenotes

r4 c4\bendAfter #-2 r2 } \score { \musicOne } \score { \musicTwo } This gives: [image: image.png] -- Michael

Re: sheet music

yboard = \relative f' { \global \repeat volta 2 { r8 ges8 as bes~ | bes8 as ges e~ e8 es e8 ges~ | ges8 e es des~ des8 b des8 es~ | es8 des b bes~ bes8 as bes8 b~ | b2 } } \score { \keyboard \layout {} \midi { \tempo 4=108 } } - snip - snip - sn

Re: indicate scordatura at beginning of piece

Hi Dirck, On Fri, Apr 5, 2024 at 5:36 PM Dirck Nagy wrote: > Hello Michael! > > First of all, thank you for your patience! I don't have much computer > code experience, so i apologize if i am asking questions that are obvious > to most others. > > This custom

Re: indicate scordatura at beginning of piece

\column { \line { \circle "6" "= D" } \line { \circle "5" "= G" } } } } This will, in turn, produce: [image: image.png] -- Michael

Re: LilyPond 2.25.14

ugh. Congrats on the speed-up, developers! Definitely. For the record: real0m13,203s user0m12,789s sys 0m0,347s on my AMD Ryzen 7 7840HS Notebook with 32GB RAM on ArchLinux. Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available on request or at public keyserver

Re: LilyPond 2.25.14

e JIT compilation) real    4m4.925s user    0m0.030s sys 0m0.136s So either the env variable is not working as intended, or there is only a very small effect. At least setting `GUILE_JIT_LOG` does work, but one would have to read the source to understand the output. Michael

Re: LilyPond 2.25.14

or do we use the default value? Michael

Re: Dynamics collide with span bar (was Re: Chord names collide with span bar)

Many thanks, Aaron. So here is a cleaner MWE, with your fix: \version "2.25.13" #(ly:set-option 'debug-skylines #t) \layout { \context { \Score \override NonMusicalPaperColumn.show-horizontal-skylines = ##t } } \layout { \context { \Dynamics \consists Pure_from_neighbor_engraver \

Re: Question about voltas and repeats

{ \volta 1 { 4} \volta 2 { 4} } } } } } %\book \score { << \melody \drumpart >> } \score { \unfoldRepeats << \melody \drumpart >> } This gives two scores, with the same music. One with the repeats written with the volta structure, the second with the repeats unfolded. -- Michael

Re: Question regarding ChordNames

hackish, but what about first transposing from B flat to A sharp. *then* transposing C sharp to A? Something like: \version "2.25.13" bflat = \chordmode { bes1 } { \transpose cis' a { \new ChordNames { \bflat \transpose bes ais { \bflat } } } } -- Michael

Re: search and replace on all included files on compile

perfect thanks! Mar 6, 2024, 14:35 by lilyp...@hillvisions.com: > On 2024-03-06 10:56 am, Michael Winter via LilyPond user discussion wrote: > >> I have a programmatically generated score and am now realizing that I want >> to make a small tweak to text markups that are throu

Re: search and replace on all included files on compile

double thanks Mar 6, 2024, 14:36 by j...@abou-samra.fr: > > Try > > \version "2.24.2"\paper { #(add-text-replacements!'(("1↑" . "1")))}{ > c'^\markup "1↑" } > > Best, > > > Jean > >

Re: search and replace on all included files on compile

possible to do it through the terminal, but I am trying to avoid destructively editing the files (simply out of fear even though I could always roll back). I would be replacing only a few unicode characters, but many, many occurrences. Best, Michael Mar 6, 2024, 14:22 by pla...@fishlet.com

search and replace on all included files on compile

a 1) Is it possible to do this with a global search and replace on compile such that I do not need to edit each individual file (of which there are hundreds) manually? I could do this through the terminal, but I would rather not destructively edit the files. Thanks in advance! Best, Michael

Re: Tall bars in two-line music

org/doc/v2.24/Documentation/internals/barline for all the settings available for bar lines. -- Michael

Re: \after syntax?

e decrescendo on the following note. The second using \after to do the termination. The third uses the empty chord construct (i.e. the <> ) to attach the termination to. You are, of course, free to mix and match whichever method suits you. -- Michael

Re: dynamics in coulour

as I'm pretty sure all the grob names, contexts, end engravers are pretty much the same names. -- Michael

Re: How to to a Lyrics extender line?

> Why not > > verseC = \lyricmode { \repeat unfold 4 { \skip 8 } lu __ _ >\markup \null \repeat unfold 3 { \skip 8 } lu __ _ } Thanks Kieren, that's kind of what I was looking for :) Kind regards, Michael -- Michael Gerdau email: m...@qata.de G

Re: How to to a Lyrics extender line?

I‘d read that. Different but hacky as well and ruins MIDI. Thank you for pointing that out. Kind regards, Michael Mobil gesendet > Am 14.02.2024 um 10:55 schrieb Hans Aikema : > >  > > >>> On 14 Feb 2024, at 10:17, Michael Gerdau wrote: >>> >>

How to to a Lyrics extender line?

mple lower system bar 3) but that seems somewhat hacky and I'd like to have a better way. Is there a better way? Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available on request or at public keyserver\version "2.25.13" musicA = { \repeat unfold 2 {

Frenched score problem

meline is there. In the attached example I could kind of solve the problem by using \RemoveEmptyStaves instead, but that doesn't help in the middle of the piece. Has someone a solution to this problem? I can't imagine I'm the first to come across it. Kind regards, Michael --

Re: Numérotation des versets

t the first? If that's the case maybe try using shortVocalName, like this: \version "2.25.12" \new Staff { c' \break c' } \addlyrics { \set stanza = "1." \set shortVocalName = \markup \bold \small "1." aah aah } \addlyrics { \set stanza = "2." \set shortVocalName = \markup \bold \small "2." ooh ooh } which gives: [image: image.png] -- Michael

Re: Footnote separator line

faults to: footnote-separator-markup = \markup \fill-line { \override #'(span-factor . 1/2) \draw-hline } Copying that into the \paper block of your .ly file, you can then tweak it to whatever you desire. Simply removing \fill-line will shift the line to the left margin, leaving the length the same. -- Michael

Re: tempo marks floating number

-and-musical-symbols#index-_005crhythm One caveat to keep in mind is that \tempo entries done with \markup do not affect MIDI playback. -- Michael

Re: Segno and Coda from LilyJazz in a DrumStaff

o get through that. Other than that all has been well. So if Guile 3 isn't for you, something between 2.25.6 and 2.25.10 (I think it was .11 where Guile 3 came in) should be safe. -- Michael

Re: Help need with the "implicitBassFigures" command

FiguredBass.implicitBassFigures or, since these statements are already in the FiguredBass context, just leave the context off and make it just \set implicitBassFigures And then you should be good. -- Michael

Re: Cascade Chords

should get you a long way towards your goal.Kind regards,Michael  From: Michael Gerdau Sent: Saturday, December 30, 2023 12:57 AMTo: drtechda...@gmail.comCc: lilypond-user@gnu.orgSubject: Re: Cascade Chords When you say „cascade chord“ do you mean an arpeggio? If so then yes, Lilypond has a

Re: Cascade Chords

When you say „cascade chord“ do you mean an arpeggio? If so then yes, Lilypond has a special \arpeggio command that is simply appended to the chord that’s broken. Kind regards, Michael Mobil gesendet > Am 30.12.2023 um 03:09 schrieb drtechda...@gmail.com: > >  > Is there a spec

Re: How to put a big number in the upper left or right corner of a score?

er \unless \on-first-page \fromproperty #'header:title \unless \on-first-page \fromproperty #'page:page-number-string } } Granted, this all winds up being a fair sized chunk of code. But it's easy enough to just save it all off into an include file, where it's out of the way but accessible. -- Michael

Re: clefs, time signatures, and key signatures

Hi Werner, does the new proposed spacing mean that the time signatures are not aligned across staves any more but were before? Best, Michael

Re: Dynamics [pl|sp]acing weirdness

ng that the combo \mf\f does use musical time. That's something I don't understand. Especially since it doesn't seem to when wrapped in {}. If that's intended (and I'm not saying it isn't or can't be) I'd like to understand the reason for this (to me) in

Dynamics [pl|sp]acing weirdness

sical time which makes the \f appear 1 quaver later than I had expected. Is this behaviour expected or a bug? Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available on request or at public keyserver\version "2.25.11" music = { c'4 c'

Re: displaying `script-priority`

t-Interface: text: 4 Text-Script-Interface: script-priority: 121 #: Text-Interface: text: a Text-Script-Interface: script-priority: 128 Success: compilation successfully completed Completed successfully in 0.6". Probably better ways to go about this, but it seems to work. -- Michael

Re: text over hairpin

irpin-dynamics -- Michael

Re: Hide a note inside a drumscore

: \version "2.24.2" up = \drummode { \slurDown \grace { sn16 sn( } 4 } \score { \new DrumStaff << \new DrumVoice { \voiceOne \up } >> \layout {} } -- Michael

Re: lilypond "preprocessor"?

\theMusic } } I'm not at all familiar with ly2video, so I really have no idea if this'll be directly useful to you. But for getting the headers from an included file, this is how I do it with nearly all the music I engrave. Maybe it can serve as a starting point. -- Michael

Re: Unexpected bar boundaries with volta repeats and lyrics.

tion/lyrics-and-repeats that you may have missed: "... when one of the \alternative blocks starts with a rest, a repeat construct cannot be used around the words" Change the lyrics block to just words = \lyricmode { a b c d e } and it should behave itself a bit better for you. -- Michael

Re: clefs, time signatures, and key signatures

er bottom as it seems to be more balanced overall to me. Kind regards, Michael

Re: clefs, time signatures, and key signatures

I’ve just looked at the images and especially w/r to the Alto clef I strongly prefer the new spacing. For the others there are spots where I’m not sure it is too tight but overall the new spacing appears to be more balanced. I thus think the new spacing is better overall. Kind regards Michael

Re: Centering a word before a gap in the lyrics

ng at those two snippet pages you linked they make it seem like all three options are equivalent. Yet in the NR page I linked it says they are different. Well, I guess the important bit is you found something that does what you need, and does it in a way that you're okay with. -- Michael

Re: Centering a word before a gap in the lyrics

tiple verses) something like: \repeat unfold 15 { \skip 1} comes in handy. A bit more on using \skip can be seen here: http://lilypond.org/doc/v2.25/Documentation/notation/lyrics-and-repeats#index-_005cskip-1 and here: http://lilypond.org/doc/v2.25/Documentation/notation/invisible-rests#index-_005cskip -- Michael

Re: How do I arpeggiate across voices?

ff { \time 3/4 \new Voice { \removeWithTag #'layout \music } } \midi {} } That's the rough approach. And I'm not real sure just how close that MIDI output sounds compared to what it should be. There's bound to be a better way to do this. I just don't know what that better way might be. -- Michael

Re: How do I arpeggiate across voices?

ngraver" % Could also be done in a layout block } { \time 3/4 % Just a guess? Fixes the barcheck error \new Voice { \music } } -- Michael

Re: Books with alternative lyrics minimizing code duplication?

cumentation/notation/using-tags Short version: \keepWithTag keeps music with that tag and untagged music, while \removeWithTag keeps everything but the music with the selected tag. There's more to it than that - especially if you get into using multiple tags at the same time. But this example is simple enough that it could work either way - swap the two commented tag commands in each score to try it out, and you'll see that the output is the same. -- Michael

Re: start/stop staff

of course there are other ways to do this. Have a look at http://lilypond.org/doc/v2.25/Documentation/notation/ossia-staves and http://lilypond.org/doc/v2.25/Documentation/notation/hiding-staves for some other examples. -- Michael

Re: Cue notes above rests

wo r2 | r1 | r1 | r1 | r2 } { \voiceOne \new CueVoice { a,2~ | a4 d, g2~ | g4 e a g | f4 g } } >> \oneVoice d'2\f | } That gives the same result. Just make sure to add the \oneVoice afterward, to put everything back to the defaults. -- Michael

Re: tspan in SVG export

ry I unpack them into, but really you can put them pretty much wherever you want. -- Michael

Re: Aligning verse text?

it were all one word. And the \skip 1 is to skip over the quarter rest at the end of the first line. Lots of further explanations in the docs - for much of the basics for dealing with lyrics sections 2.1.1 and 2.1.2 of the Notation Reference will pretty much cover the basics. -- Michael

programming error: Improbable offset for stencil: -inf staff space,Setting to zero.

with 2.25.9 and 2.25.10 Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available on request or at public keyserver\version "2.25.9" \pointAndClickOff %% for smaller PDFs global = { \key bes \major \time 3/2 \dynamicUp \autoBeamOff

Re: Relative rhythms across bars for time changes?

after the line break. So depending on which way you want things handled you may or may not need to change which of the two you use. -- Michael

Re: LilyPond 2.25.10

alot, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available on request or at public keyserver

Re: LilyPond 2.25.10

ll. Not sure what the problem could be. Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available on request or at public keyserver\version "2.25.9" %% Start LSR snippet 888 %% http://lsr.di.unimi.it/LSR/Item?id=888 %LSR by Wolf Alight %=>http:

Re: LilyPond 2.25.10

The problem seems to be created by the code copied from LSR snippet 888. When the \layout{} section is commented out, everything compiles fine. So maybe it's not a lilypond problem but one of LSR snippet 888. Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys avai

Re: LilyPond 2.25.10

oss fingers programming error: Improbable offset for stencil: -inf staff space Setting to zero. continuing, cross fingers programming error: Improbable offset for stencil: inf staff space Setting to zero. continuing, cross fingers programming error: Improbable offset for stencil: -inf staff space

Re: Fermata Markup below Staff

Hi Johannes, On Sun, Nov 12, 2023 at 11:44 AM Johannes Roeßler wrote: > Hi Michael, > > doesn't work well with a choirstaff though.. > No, it doesn't, does it. I missed the part in your original post where you mentioned the choir staff bit. With a GrandStaff the span

Re: Fermata Markup below Staff

ar > "||" e2 > } > There's a code snippet in the Notation Reference that does this. It's at the bottom of: http://lilypond.org/doc/v2.24/Documentation/notation/writing-rests#caesuras -- Michael

Re: Score layout - ragged bottom and page break?

, and so forth :: } } One note - using \bookpart inserts a page break between parts, so no need for any explicit \pageBreak commands. For some more details have a look at: http://lilypond.org/doc/v2.24/Documentation/notation/multiple-scores-in-a-book -- Michael

Re: pageNumber

://lilypond.org/doc/v2.25/Documentation/notation/custom-layout-for-headers-and-footers and http://lilypond.org/doc/v2.25/Documentation/notation/conditional-markup -- Michael

Re: Repeat volta Score.startRepeatBarType & Score.endRepeatBarType

Hi Stu, On Fri, Nov 10, 2023 at 11:18 AM Stu McKenzie wrote: > Thank you, Michael, for the working example. > You're quite welcome. It seems that additional combinations of defineBarLine were added in > version 2.25. > I downloaded version 2.25.9 and found that adding

Re: Repeat volta Score.startRepeatBarType & Score.endRepeatBarType

e f } } } } which produces: [image: image.png] For details on how to define the new bar lines, see http://lilypond.org/doc/v2.25/Documentation/notation/bar-lines But basically the two \defineBarLine lines are what actually define the bars lines to use, then later on you use them as desired. The three bool values after define the behavior a beginning of line, mid line, end end of line. Those will need adjusted to your needs. -- Michael

Re: fill page

ottom = ##f in your \paper block. Have a look at http://lilypond.org/doc/v2.25/Documentation/notation/fixed-vertical-spacing-paper-variables -- Michael

Re: Score structure with alternate endings

ather peculiar) individual situation and needs. Others most certainly do things differently. It'll take time and a bunch of trial and error to figure out what you need for whatever you're doing. And then more time and more trial and error to figure out how best to go about it. It's a learning process. -- Michael

Re: Score structure with alternate endings

ging them. The number is the space measured in staff spaces. It'll probably take a bit of trial and error to find the spacing you want, but it should be fairly straight forward. -- Michael

Re: Score structure with alternate endings

statement I find it a bit easier to keep track and make sure the right numbers are getting where they need to be. Also I've added some extra space between the two alternates, might reinforce that they're only sorta kinda together but not really. Don't know if this is quite what you're after, but maybe it'll at least serve as a starting point. -- Michael

Re: function to force accidentals on a subset of notes

This is what happens for me too. I think it has something to do with all the other functions I am using.  Oct 30, 2023, 21:25 by l...@gmx.de: > > Hi Michael, > > Am 30.10.23 um 10:42 schrieb Michael Winter: > >> But I am confused about what you said. For

Re: fontsize of scripts.segno in \repeat segno

noMark.font-size -- Michael

Re: Show TacetStaff when StaffGroup empty

shortInstrumentName = "B" \RemoveAllEmptyStaves \override VerticalAxisGroup.remove-layer = 1 } \musicB >> This is based on http://lilypond.org/doc/v2.25/Documentation/notation/hiding-staves -- Michael

Re: function to force accidentals on a subset of notes

Thanks! This seems to work quite well : ) But I am confused about what you said. For me, it is posting the accidental on tied notes after line breaks. Best, Michael Oct 28, 2023, 22:40 by l...@gmx.de: > Hi Michael, > >> Thanks Lukas! >> >> This works but also force

  1   2   3   4   5   6   7   8   9   10   >