MacBook that still words; transferriing output to the 64-bit M2 machine for
midi and for printing. Yours Ian West
===
> On 7 Oct 2023, at 09:27, Hans Åberg wrote:
>
>
>> On Oct 7, 2023, at 07:43, Werner LEMBERG wrote:
>>
>>> libpaper is listed on
>&
usefulness. Pity! Another day gone from my dwindling stock. There is still
the music to play!
Ian
---
Ian West
9 Thenford Road, Middleton Cheney,
BANBURY, OX17 2NB,
Tel: 01295 713 889; (Mobile: 07474 572 588)
==
> On 5 Oct 2023, at 16:36, David Wright wrote:
>
> On Thu 0
'Stop' sign (white anulus and bar)
over the icon and does not work. Should this be explained?
Last year I downloaded MacPorts-2.7.2-12-Moneteray.pkg, but I have no idea why,
nor what it does, nor if I used it.
Ian West
---
Ian West
9 Thenford Road, Middleton Cheney,
BANBUR
Thank you both. (I may yet adapt to Frescobaldi!)
---
Ian West
9 Thenford Road, Middleton Cheney,
BANBURY, OX17 2NB,
Tel: 01295 713 889; (Mobile: 07474 572 588)
==
> On 5 Sep 2023, at 12:06, Jean Abou Samra wrote:
>
>
>
>> Le 1 sept. 2023 à 21:27,
5.8 and run LilyPond 2.18.2. It does everything I want, and is legible using
18pt font size.
But if you have a suggestion, I am willing to try it.
Yours, Ian
---
Ian West
9 Thenford Road, Middleton Cheney,
BANBURY, OX17 2NB,
Tel: 01295 713 889; (Mobile: 07474 572 588)
==
put a previously written amaryllis.ly <http://amaryllis.ly/>
file into a file with all the bin files and did get a pdf but this is no good.
I want my Lilypond.exe back. Do I have to use my old 2010 MacBook, with its
shot battery and no bluetooth?
Ian
---
Ian West
9 Thenford Road, Mid
xyqn22n2xwbvxhpz_vr4gn/T//lilypond-GPJrDg)' failed
(256)"
I suspect it is a late stage and trivial problem of writing the pdf. Perhaps
installing Adobe (or another pdf writer) would cure this. Has anyone any ideas.
Ian
---
Ian West
9 Thenford Road, Middleton Cheney,
BANBURY, OX17 2NB,
Tel: 01295 713 889; (Mobile: 07474 572 588)
==
end. Compare a wordprocessor and
setting type into a tray.
Viva Lilypond!
Best wishes, Ian West
---
Ian West
9 Thenford Road, Middleton Cheney,
BANBURY, OX17 2NB,
Tel: 01295 713 889; (Mobile: 07474 572 588)
==
> On 16 Aug 2022, at 21:41, Jean Abou Samra wrote:
>
>
&g
s messages with Sent but
> not Inbox. But if someone replies then the reply will bring the
> thread in because of the reply. Its rather confusing.
>
> I have forwarded that missing email message-id to the FSF admins and
> asked them to pl
If your MusicXML contains a literal copyright character, it's invalid XML.
Find-and-replace that to © or change it into (c) and you'll be good to go.
I've had to do that with XML output from MuseSore.
Cheers
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n my header looks like:
\header {
copyrightyear = \copyrightyear
title = \title
ismn = \ismn
}
It only works if the Guile module is added...
#(use-modules (guile-user))
Cheers!
Ian
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in
lilypond.
Cheers
Ian
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Simon: as you predicted, making the minimal example helped to isolate the
problem and expose the solution.
For posterity, my mistake was that I was trying to apply the footnote to a
chord, instead of to a note within the chord.
Thanks!
Ian
On 23.01.2017 21
I've inserted a \footnote into my score, but it doesn't do anything. Just
wondering where I might look for problems. I'm fairly new to Lilypond.
The LY source is in a private git repo but I can share it somewhere public if
anyone is willing to take a diagnostic look at it.
Gratit
THANK YOU! Beautiful. I'm learning...
On 8/29/2015 10:41 AM, Robin Bannister wrote:
\version "2.18.2"
%\include "ijr-jazzchords.ily"
%\include "lilyjazz.ily"
\header {
title = "untitled..."
composer = "Ian Rashkin"
copyright
Hi,
So, I am in the key of B flat, and one melody line has in it a beh (B
quarter-flat). When it renders, I get a natural sign followed by a
quarter-flat sign - how can I have just the quarter flat? The natural
seems redundant in this context.
Thanks.
___
thanks so much! I didn't see any way to reply to list, only a button to
reply to you. I will give this a shot. I appreciate your time.
On 7/28/2015 7:18 AM, Thomas Morley wrote:
Hi Ian,
welcome to LilyPond and the list.
Please always adress the mailing list/reply to all.
Others m
March 2015 at 13:43, Kevin Barry wrote:
>
> On Tue, Mar 10, 2015 at 12:34 PM, Ian Mackinnon
> wrote:
>
>> When using `\italic`, it seems that spaces are inserted before and after
>> the
>> formatted text. Is it possible to disable this, ie, place an italic
>>
When using `\italic`, it seems that spaces are inserted before and after the
formatted text. Is it possible to disable this, ie, place an italic character
directly next to a non-italic character?
For example, the following prints 'a b c d e f g'; would it be possible to
make it print 'ab cde fg
Thanks Urs and Peter, that's exactly what I was after!
Urs Liska openlilylib.org> writes:
> You have to know that what you describe just is no regular notation (I
> can't imagine differently articulated notes in a chord at all), so you
> have to expect a slightly irregular solution.
I've not
I'm trying to represent a harp technique where two
adjacent notes are struck at the same time and the
lower of the two is immediately dampened.
I tried to create a chord with only the first (lower)
note marked as staccato, but the output showed
the staccato dot over the second, higher note
(indica
Thanks for the info. I'll have a dig around in the scheme stuff.
Ian
On 25 November 2013 00:08, Kieren MacMillan
wrote:
> Hi Ian,
>
> (Please “Reply All”, so that a copy goes to the list and not just to the
> originator of a given email.)
>
> > that inprovisationOn/O
manual.
Thanks,
Ian
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Janek, thanks, I think you may have nit the nail on the head. I am having much
more success now! :-)Yeah, it had to be something simple... oh well.
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https
nonstaff-nonstaff spacing and all that. My
comprehension of the manual/snippets isn't always that great as my brain has
never handled text input software all that well, but there is a lot I like
about LilyPond so I am not giving up.
<>
Exac
Thanks one and all for the assistance. I ought to have clarified that the file
presents no problems as I have attached it the first two times. It only fails
when I put almost anything else in the layout block. For example if I insert
the script generously provided by Jim Long, I get error mes
is getting in the way of the changes I am trying to make to the
lyric font spacing. I have no idea what it is - can you catch anything? I'll
attach the file again just for fun.
Thanks, Ian
ps_3_southwell_1311.ly
Descripti
intentional). I am trying to work towards a generally useful template.
Thanks in advance, Ian
ps_3_southwell_1311.ly
Description: Binary data
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On 12/09/13 07:25, Hilary Snaden wrote:
> Is there a way of generating different midi outputs from a single
> Lilypond script, similar to using \book with \bookOutputName?
>
Issue 1354
Cheers Ian
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t out the flute part.
Hope this gives you some ideas to work around the restriction without
too much pain (and typing) in your big score.
HTH, Cheers,
Ian
%-
\version "2.17.25"
\language "english"
pieceSetti
see
www.github/mwitmer/LyUtil#readme.
Hope this is useful.
Cheers,
Ian Hulin
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ctually are?
Most of us on the LilyPond lists are reasonably friendly and
house-trained, and it feels more comfortable talking to a human name
than a mailbox alias.
Hope this helps,
Cheers,
Ian Hulin
On 12/05/13 17:01, David Kastrup wrote:
> g...@sdf.org writes:
>
>>>
>>>>
other ways to include the
> graphics. No problem since everything is made possible, especially
> for a programmer. Probably some combo of lilypond with make.
>
> Peace, Jim
One possibility may be to use OpenOffice/LibreOffice with the
OOOLilyPond extension to and then translate that to
h, "Fall" is
a portamento down from the notated pitch (hence "falling" off the note.
HTH
Cheers,
Ian
On 10/04/13 21:47, Federico Bruni wrote:
>
> 2013/4/10 Davide Liessi <mailto:dal...@gmail.com>>
>
>> direct
> I can't understand this
Hi Harm,
Many thanks for the work-round, I'd found this problem too a while ago,
but am only just catching up with this list.
Cheers, :-) Ian
On 22/03/13 21:27, Thomas Morley wrote:
> Hi Jan-Peter,
>
> thanks for your reply.
>
> 2013/3/22 Jan-Peter Voigt :
>> Hello
ified to
(if (recto?)
(#{...#}))
Cheers, Ian
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ighlighting and indentation with pure scheme files than
> with embedded scheme code.
>
> Is there a better way?
>
> Best regards,
>
> Reedmace Star
>
If my-scheme-defs.scm is in path my-scheme-dir
--- file master.ly
l him
direct or reply to the original thread entitled "LilyBin Launch" on
the lilypond-user mailing list.
Cheers,
Ian Hulin
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Hi James,
How about
\score {
<<
\new Staff = "tset" \relative c' { c4 b d c e d f e}
\new Dynamics {
\override TextSpanner #'(bound-details left text) = "text"
\textSpannerUp
% --
\dynamicDown
% --
s4\startTextSpan s1
ou're starting page numbering
at 1) because it's the right-hand page of a double-page spread,
verso is the left-hand page of the spread, and is generally
even-numbered.
Just a thought I had in the bath after reading this thread.
Cheers,
Ian
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OttavaBracket #'(bound-details left-broken text) = ##f ?
Cheers,
Ian Hulin
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ommand-line and type
guile> %load-path
You should see something like:
guile> %load-path
("/usr/local/share/guile/site" "/usr/local/share/guile/1.8"
"/usr/local/share/guile")
guile>
Cheers,
Ian
On 21/01/12 13:20, Damian leGassick wrote:
>
> On 21
that sorts out all the
dependencies for Poppler, PyQt4 and popplerqt4? I've not been able to
install these by hand on Ubuntu 11.10 yet, and get Frescobaldi Music
View going.
Cheers,
Ian
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Hi Stefan,
Should the \addQuote say "rigth" or "right"?
Cheers, Ian
On 15/10/11 20:46, Stefan Thomas wrote:
> Sorry, there was a mistake with "right" and "rigth". It should be
> "right" in both cases!
>
> 2011/10/15 Stefan Thomas
level classical guitar was as far as I got in
finding out about the Dark Side (string-playing).
Maybe better-informed people (Graham?) can let us know about all this.
Then we can work out what the user requirement may be.
Then we (probably Carl) can determine whether we can/should extend the
fretboard facilities to cater for it.
Cheers,
Ian
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n inverted commas. "и4"
> should do it.
>
Szelga, are you saying the Old Church Slavonic text looks OK in
musescore, but gets mangled during the export to LilyPond? If so, could
you tell us how the text should look.
Also, is the file produced by muscore enc
you have downloaded to
install Lilypond 2.13.34.
Run this command from the cmd window
lilypond
It should tell you it's running version 2.13.34.
Now try your test again.
Cheers,
Ian
>
> error: Incorrect lilypond version: 2.13.32 (2.3.22, 2.6.5)
>
> Can anyone show me how c
7;s Desktop folder?
Also, try doing this in your Jedit session in the Console pane.
cd "C:/Documents and Settings/Administrator/Desktop/LILY_POND"
Now try clicking on the LilypondTool compile button in Jedit. Are the
results any different?
Cheers,
Ian Hulin
On 24/09/10 19:56, MING TSAN
(ly:make-pitch 0 4 0))
so I can modify it with the add-flat-trill routine?
Any suggestions so I can have some reusable code to define a modified
trill are welcome.
Cheers,
Ian
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ruments are
constructed, make their own instrument in the same manner.
Very handy.
1+
Cheers,
Ian
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lace (no m before the p), likewise French
remplacement -> English replacement.
There are some other possible minor technical writing changes, but these
are nit-picks.
Cheers,
Ian
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you may need it for
completeness if you want to do a "what-state-is-the-staff-currently-in"
type enquiry in the code.
Cheers,
Ian
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book" "Lilypond".
Cheers,
Ian
On 17/02/10 20:35, Steven White wrote:
For my part I just move everything to a lillypond-user folder now and
its equivalent to me. I was fairly busy yesterday and unable to reply,
but the thread has seen a lot of activity so. Let me try.
The first two
# or 7b on note-heads, or 4^"#" 7^"b" (except use the flat-sign
for b)
Just some things to think about, HTH.
Cheers,
Ian
On 10/01/10 02:05, Carl Sorensen wrote:
On 1/9/10 12:50 PM, "pound...@lineone.net" wrote:
Original Message
;t change.
Do you have your text editors (notepad++ and lilypad) set to save using
UTF-8 encoding?
Cheers,
Ian Hulin
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d snappy so how about:
/Text Editors with Lilypond Language Support/ or
/Editors with Lilypond Language Integration/ or
/Easier Lilypond Editing/.
Cheers,
Ian
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ut in most
programs to get the e-acute.
Cheers,
Ian Hulin
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juggle
too many new concepts at once and I decided to go for the simple
approach and do what I wanted using functions.
It looks like you're made of sterner stuff than me, so if you do keep at
it and get a handle on the concepts, let us know what you've worked out
on the Frogs list,
at to a different
file name?
Tracker no is 836, Patch code is at
http://codereview.appspot.com/143055/show if you want to see what's there.
Hope this helps you to keep your Lilypond layered projects ready for
2.14. (If my patch gets through, that is).
C
Sorry all, sent this reply to devel, by mistake
Ian
--- Begin Message ---
Hi all,
Can't you use a \bookpart block to achieve the page break at the start
of a \score, too?
Cheers,
Ian
Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 19. Oktober 2009
Hi all,
Can't you use a \bookpart block to achieve the page break at the start
of a \score, too?
Cheers,
Ian
Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 19. Oktober 2009 20:09:33 schrieb Joe Neeman:
For a couple of years now, we've had Nic
Federico,
Put the \include "english.ly" call in your top-level file instead (see
below)
Cheers,
Ian
Federico Bruni wrote:
Hi Jan,
thanks for your reply.
Actually, I had tried \bookpart (see the 1st example below, in my first
email) but I have problems with \include.
If in th
50%
}
}
Chistian, may I recommend
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/Cheat-sheet#Cheat-sheet
which would help as quick reference for this sort of thing.
Cheers,
Ian
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on 3 0 4)
(make-rhythmic-location 4 0 4)))
}
}
lilypond --png scale.ly
i get a clipped eps (or so it would appear), and a full ps and png. if i leave
out the --png, i get a clipped pdf.
am i doing this wrong, or is it not possible to
name which adequately covers all these
disparate uses.
What do you guys think?
- Mark
\damped /music-expression/
with synonyms
\crosshead /music-expression/
\guitarpizz /music-expression/
Cheers,
Ian
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o set this Frog off in the right direction are
welcome.
Cheers,
Ian Hulin
Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Donnerstag, 4. Juni 2009 01:01:24 schrieb Mats Bengtsson:
See
http://lists.gnu.org/archive/html/lilypond-user/2009-02/msg00833.html
and followups fo
Note that in the previous example the music supplied as /musicexpr/
uses a \relative command. This is because \transpose does not pick up
any \relative settings you may have set up in the outer block containing
your \transpose statement. If you use \relative pitches, always code
/musicexpr/ a
were inherited from the composer's
manuscript.
Is there a slot in the documentation that covers the usage of all this
fancy slur-sign stuff (LR NR)?
Cheers,
Ian
Carl D. Sorensen wrote:
Dear LilyPond users,
I've posted a patch for approval that implements variable thickness das
Hi all,
O.K here goes, I've pruned some bits out where we were getting into
acoustics, and tweaked a few bits.
Cheer
Ian Hulin
Anthony W. Youngman wrote:
1.64 Concert pitch
The convention (standardised by ISO 16) states that A above middle C represents
the note at 440 Hertz. Th
orus has been a port to
see if they can get the old NoteEdit code running on Windows and Mac/OS,
too.
My 2p worth
Cheers,
Ian
No virus found in this outgoing message.
Checked by AVG - www.avg.com
Version: 8.0.237 / Viru
c e8 e |
c4 d e2 |
}
}
}
Shouldn't the 'e2' be rendered without a stem?
If you do this, how can the tab reader tell whether the notelength is e2
or e1?
How do you tell anyway now whether it's e4 or e2?
Cheers,
Ian
___
nd for the strings when it
represents a crotchet/quarter-note?
Cheers,
Ian
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This is just to let you know that the main link to Documentation on the
front web page needs cutting over to the V2.12.0 documentation.
Cheers,
Ian
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Chip wrote:
All the download links for 2.12--stable are broken.
Chip maybe you didn't see John Mandereau's reply to another thread.
"
Please use http://download.linuxaudio.org/lilypond/binaries/ instead
Best,
John"
Cheers, Ian
Chip wrote:
> All the download links for 2.12--stable are broken.
Chip maybe you didn't see John Mandereau's reply to another thread.
>
>Please use http://download.linuxaudio.org/lilypond/binaries/ instead
>
>Best,
>John
>
Cheers, Ian
_
so be used as the name for the .mid(i) file outputs.
Or would you want to do this with properties, e.g.
/layout {
outputfile = "foo"
}
/midi {
outputfile = "bar"
}
Just my 2p worth,
Cheers,
Ian
P.S. is there any way I could contribute to Lily if I only have a W
Hi Johan,
Johan Vromans wrote:
Graham Percival <[EMAIL PROTECTED]> writes:
It depends on why you're listening to the piece. I *do* want to
hear it clunking along, since I only ever listen to midi as a
quick "proofread" [...]
Yes, though I'd say Ian has a
g a piece with Lily. If you *really* need to abbreviate the
output, use the << and >> keys on your playback app, but lily's midi
output should give you the option of hearing the whole piece as the
notation intended..
Cheers,
- Graham
Cheers Ian
now?
How do I go about submitting this as an enhancement request?
(Btw, I know this restriction is documented in NR 3.5.4)
Cheers,
Ian Hulin
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C:/Program Files/Easy
LilyPond/LilyPond/usr/share/lilypond/current/fonts/otf/CenturySchL-Roma.otf
Cheers Ian
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with 2.11.62 like \bigger in my source file.
Looks like it's a kit build hiccup.
Cheers,
Ian Hulin
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Hi all,
I just noticed that Tom's original report of the problem used V2.10.33.
Jon answered this with a test saying it's working using V2.11.55.
Maybe this been fixed as a side-effect of other changes in V2.11
development?
Cheers,
Ian Hulin
Jonathan Kulp wrote:
Tom,
Many
Hi Kieran,
I really appreciate the spirit of the challenge, but can you correct it
as the alto flute's in G?
I think only the lines with the text markup saying (in F) need changes,
but can you repost the entire thing in case there's something I missed?
Cheers,
Ian
Kieren
on 2.11.42, mais j'ai utilisé toute
version dès 2.10.1 et le suivant marche pour moi:
\paper {
.
.
.
print-page-number = ##t
.
.
.
}
Savez-vous qu'il y a aussi une liste francophone pour Lilypond?
Salut,
Ian Hulin
Hello Jean-Marie
You said you were using version 2.8.5.
You may get b
mail has
been scanned by Netintelligence
http://www.netintelligence.com/email
Trevor,
Do we need a 2.4.4 under Fretted stringed instruments for Mandolin, or a
2.4.5 for the viols?
Cheers,
Ian
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not any polymetric stuff going on
in the piece?
4. Please implement transposing soon!
Are there any work-rounds for any of the above?
Thanks in advance for any help you can give.
Cheers,
Ian Hulin
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notes printed however many times)
(Please note I couldn't reproduce the structured headings in my mail
client, but I meain 1.4 Writing Repeats, 1.4.1 Types of Repeats
Supported, 1.4.1.1 Section Repeats etc.)
Cheers,
Ian Hulin
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lil
loon is
attached, while you may use /balloonText /if the balloon is to behave
similarly to the way an articulation does when it is attached to a note. "
The resulting English is fairly horrible but I think it puts back some
of the facts that got distilled out when the original doc
Hi Kurt,
The only other term I've heard is "octavization", which is as
ugly-sounding as "octavation". I prefer "octave transposition", which
describes exactly what is going on in your piece.
Cheers,
Ian Hulin
Kurt Kroon wrote:
I'm working on the G
X to LaTeX.
I'm very happy for lilypond to remain text based, but
I still believe the user experience could be improved.
Ian H
Manuel wrote:
Am 06/01/2007 um 22:14 schrieb Kieren MacMillan:
I totally agree: if Lilypond is to "catch on in a large way" (with
the less-geeky publi
\time 6/8
b16\pp
b\< b\fz b a a a\fz a fs fs fs\fz fs \!|
%{
No
problem with crescendo here
%}
b8\< b8
b8 b8 b8 b8 \! |
}
>>
}
\relative c' {
\keepWithTag
#'part \music
}
Is
this user error, a known restricti
ughts?
I
would post the source files, but the main one’s getting rather large.
Cheers
Ian Hulin
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_
Markus Schneider wrote:
Have you ever considered that your question has
probably been already discussed, and that showing you the right
keyword for searching is the quickest solution.
No it isn't the "quickest" solution. the "quickest" solution would
have been to just give the
I've been using lilypond to write arrangements for my vocal group.
I've done about 5 arrangements this way. I'm generally very happy
with lilypond. It does many difficult things with surprisingly little
fuss, is quick and easy to use, and produces marvellous output in
most cases. Conversely howeve
How do you specify the output file name from within
lilypond? Can you in fact do this at all? What I have in
mind is a template for producing part specific music
and learning midis for a quartet from a single lilypond file.
It would be simple enough to write multiple score blocks
in a template to
n have the software itself explain how it
should be used. Lilyponds silent exit when invoked for the first time
without arguments is extremely unfriendly given these expectations.
Best Wishes
Ian H
Joshua Koo wrote:
I see, didnt noticed that eariler.
Installers could detect if any JRE is avail
a vertical space in the output.
Best Wishes
Ian H
Hello,
I discovered lilypond not too long ago and it really is excellent. To any
developers out there, keep up the good work!
However, I have a problem that has me stumped. I searched through the
documentation and the mailing list archives, wi
nstr" {a a a r | b d d r} }
>However, I think there are bugs that prevent this, so I don't recommend it.
>
>
This method would be even better as it would allow me to turn lyrics on
and off without having to use skips or spaceholders of any kind. Do you
know if there are plans to f
b r | a a a r | b d d r }
addlyrics{ _ _ _ _ | li -- tle lamb | _ _ _ | _ _ _ }
Sometimes I feel like I am drowning in _ _ _ _ | _ _ _ _ | _ _ _ _ and
it is so easy to lose count or forget to take account of a tie and end
up with the words out of synch.
Be
ines
deserve to be called a bug? Thanks for your thought.
Best Wishes
Ian H
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