It has been practically forever since I did any serious LP work, but just
looking at you code, the ability to draw the 'dot' with the 'A' implies the
possibility of what you want IF you can a. control the vertical location of
the dot and cause it to be filled in as black. Given that, then your only
A somewhat pragmatic approach would be to use a single page suitably
subdivided if no scrolling is involved. Else use a two page solution.
The fewer pages a user has to link to the faster that person finds
what they are looking for.
--hsm
On Fri, May 7, 2010 at 8:13 AM, Graham Percival
wrote:
>
Graham,
My area of expertise is editing and one of the things that often make
or break a set of docs are the indexes for each manual. Do we have any
kind of regression scheme (sorry about the pun) to check for problems
peculiar to an index? For instance does each citation in the index
lead to a pa
Go right a head and implement your suggestion--- Lilypond is open
source you know...
---hsm
On Thu, Mar 11, 2010 at 8:38 AM, David Raleigh Arnold
wrote:
> On Saturday 06 March 2010 03:12:11 David Kastrup wrote:
>> David Raleigh Arnold writes:
>> > Ideally the volume should be preset for each in
If they don't do the same thing then clearly change the documentation.
To the degree that they do something different, changing the name of
the command would be good as well. I also like the idea of independent
changes as well--- which if possible should be more clearly reflected
in the docs.
--hs
Given the distance in the index between page and
print-first-page-number I'd like to suggest changing the text in
notation\spacing.itely starting at line 645 from:
@item print-first-page-number
@funindex print-first-page-number
If set to true, a page number is printed on the first page.
Default:
Will do. Perhaps this is a way for me to help out.
--hsm
On Sun, Jan 31, 2010 at 8:33 PM, Graham Percival
wrote:
> On Sun, Jan 31, 2010 at 08:26:21PM -0700, Hugh Myers wrote:
>> What mechanism creates the index(s) for the documentation?
>
> Texinfo. Somebody adds @cindex t
What mechanism creates the index(s) for the documentation? I ask this
because while my printed documentation is badly out of date(I'm
waiting for 12.14 ;-) ) I by chance noticed three problems just in one
project this afternoon; no entry for page number, both entries for
page break point to wrong p
You might want to add abc2ly to their software list as well, since the
old write-up seems to have fallen along the wayside.
--hsm
On Sun, Jan 31, 2010 at 7:49 PM, Patrick McCarty wrote:
> On 2010-01-31, Hugh Myers wrote:
>> The first URL mentioned in:
>>
>> C:\Users
The first URL mentioned in:
C:\Users\hsmyers\Desktop\Lily Projects>abc2ly -h
Usage: abc2ly [OPTION]... FILE
abc2ly converts ABC music files (see
http://www.gre.ac.uk/~c.walshaw/abc2mtex/abc.txt) to LilyPond input.
Options:
--version show version number and exit
-h, --help
SVG is not specific to Windows--- it is a web standard. If Inkscape
can manipulate SVG then you can do as described...
--hsm
On Tue, Jan 19, 2010 at 4:32 PM, Gerard McConnell wrote:
> Am I wrong in thinking that when the SVG output is usable
> for Windows machines, then that output can be impor
Keeping in mind that I agree with Graham on all points, here is a
recent quote from Wikipedia:
All major modern web browsers except Microsoft Internet Explorer
support and render SVG markup directly.[3] To view SVG files in
Internet Explorer, either users have to download and install a browser
plu
Don't know about anyone else, but I'd certainly like to see what
you've got cooking...
--hsm
On Sat, Jan 9, 2010 at 3:59 PM, Eric Knapp wrote:
> On Sat, Jan 9, 2010 at 11:33 AM, Carl Sorensen wrote:
>>
>>
>>
>>
>> Eric Knapp asked about doing something for Chapman Stick in 2008, but as far
>> a
'const'--- bah humbug; crutch for newbs who don't know how to program ;-)
--hsm
On Thu, Dec 31, 2009 at 4:09 PM, Matthias Kilian wrote:
> On Thu, Dec 31, 2009 at 12:42:10PM -0800, Patrick McCarty wrote:
>> > Second, if you really want to compile for some reason, compile
>> > 2.12.3, which should
since that
would be impossible. Also before I forget, this is a practice exercise
for guitar...
On Sun, Dec 20, 2009 at 3:07 AM, Nick Payne wrote:
> On 20/12/09 12:17, Hugh Myers wrote:
>>
>> In Segovia's 'Diatonic Major and Minor Scales', under the notes shown
>&g
-Original Message-
> From: lilypond-user-bounces+james.lowe=datacore....@gnu.org on behalf of Hugh
> Myers
> Sent: Sun 20/12/2009 1:17
> To: lilypond-user
> Subject: Need help before I can ask the right question...
>
> In Segovia's 'Diatonic Major and Minor Scales
In Segovia's 'Diatonic Major and Minor Scales', under the notes shown
for a given scale are marks beginning with a number surrounded by
parenthesis followed by a line vaguely parallel to the notes,
concluding with an uptick between a given pair of notes. What is this
called and how might I duplicat
Right you are! This should take care of that oversight. Either place
it in the same directory as cards.ly or in some some place that
Lilypond can find--- then try again.
--hsm
On Sat, Dec 19, 2009 at 2:21 AM, Herbert Liechti
wrote:
> Hugh Myers schrieb:
>> I have previously seen inqui
I have previously seen inquires about making flash cards with
Lilypond. Thinking that this would be a good way to learn more about
the world of musical typesetting I decided to re-invent this
particular wheel. With a fair amount of help from the list here is
cards.ly:
%%
%%
%% cards.ly --
Thanks again Alexander--- thats the third time today you've bailed me
out! Hope I can return same someday.
--hgsm
On Fri, Dec 18, 2009 at 3:49 PM, Alexander Kobel wrote:
> Hugh Myers wrote:
>>
>> Given:
>>
>> flashNote = #(define-music-function (parser location
Given:
flashNote = #(define-music-function (parser location note)(ly:music?) #{
$note s2. \pageBreak
#}
)
I'd like to modify it so that a fixed duration for the note can be
within the function rather than in the calling sequence. Like so:
instead of
\flashNote e,4
I'd rather
\flashNot
Given:
\version "2.13.7"
\header {
tagline = ##f
}
\layout {
\context {
\Staff
\remove "Time_signature_engraver"
}
}
\paper{
indent = 0\mm
paper-width = 3\in
line-width = 1.5\in
paper-height = 5\in
print-page-number = ##f
after-title-space = 0\mm
before-title-space = 0\
\mm
between-title-space = 0\mm
head-separation = 0\mm
page-top-space = 0\mm
ragged-last-bottom = ##f
}
so thanks for the pointer to ragged-last-bottom.
--hsm
On Fri, Dec 18, 2009 at 1:20 AM, -Eluze wrote:
>
>
> Hugh Myers wrote:
>>
>> I had expected each page to begin
for instance.) Besides
it was a good way to learn a bit more about Lilypond.
--hsm
On Fri, Dec 18, 2009 at 3:08 AM, Alexander Kobel wrote:
> Alexander Kobel wrote:
>>
>> Hugh Myers wrote:
>>>
>>> How do I remove it such that each page begins at same top-left c
Adding page-top-space = 0\mm to \paper doesn't seem to make any
difference. Perhaps my incantation is incorrect?
--hsm
On Thu, Dec 17, 2009 at 11:32 PM, Hugh Myers wrote:
> Thanks James,
>
> I'll give it a go.
>
> --hsm
>
> On Thu, Dec 17, 2009 at 11:21 PM, J
ssion tests.
>
> On 18.12.2009, at 03:54, Hugh Myers wrote:
>
>> Given:
>>
>> \version "2.13.7"
>> \header {
>> tagline = ##f
>> }
>> \layout {
>> \context {
>> \Staff
>> \remove "Time_signature_engraver"
&g
Given:
\version "2.13.7"
\header {
tagline = ##f
}
\layout {
\context {
\Staff
\remove "Time_signature_engraver"
}
}
\paper{
indent = 0\mm
paper-width = 3\in
line-width = 1.5\in
paper-height = 5\in
print-page-number = ##f
}
\relative c'{
\set Score.barNumberVisibility = #
Given what is out there in open source land for MFC capable
programmers, I have to admit to the DIY vice myself. However when I
wake up and realize that I don't particularly want to be 'there', I'm
thankful for the editor I use most--- EditPlus
http://www.editplus.com/index.html It has everything I
How do I remove it such that each page begins at same top-left corner?
--hsm
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For windows(or dos for that matter) to 'know' what midi2ly(I presume
an .exe file) is you have to either be in the same directory or the
file has to be in a directory that dos knows about--- one of the
directories shown when you type path at the command line. For
instance:
C:\Users\hsmyers>path
PA
-- Original-Nachricht
>> Datum: Fri, 4 Dec 2009 11:17:18 -0700
>> Von: Hugh Myers
>> An: Federico Bruni
>> CC: lilypond-user
>> Betreff: Re: tablature fingering (again)
>
>> Thanks Federico,
>>
>> Not so much wrong, but 'd
Thanks Federico,
Not so much wrong, but 'doesn't match the original' ;-)
--hsm
On Fri, Dec 4, 2009 at 11:10 AM, Federico Bruni wrote:
> Hugh Myers wrote:
>> Since this:
>>
>> \version "2.13.7"
>>
>> upper = {
>> < b\4 e\3 gis
Since this:
\version "2.13.7"
upper = {
< b\4 e\3 gis\2 e' >4 s2
}
lower = {
s2.
}
{
\time 3/4
<<
\new Staff \relative c'' {
<<
\set Score.barNumberVisibility = #all-bar-numbers-visible
\bar ""
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\s
oft.com/
>
> There also seems to exist a solution to convert from midi to ascii and vice
> versa but I haven't tried it.
> http://www.gnmidi.com/handbook/english/txt2midi.htm
>
> hth
> patrick
> Original-Nachricht
>> Datum: Thu, 3 Dec 2009 05:05:0
an obvious for example, look at FAQs for instance. There
what might be an annoyance is changed to a resource, usually without a
great deal of effort.
--hsm
On Thu, Dec 3, 2009 at 5:19 AM, Alexander Kobel wrote:
> Hugh Myers wrote:
>>
>> [...] As long as I'm exposing my think
I asked the question (after googling I might add ;-) ) because I
figured if anything was on going it would have been heard about here.
Mostly I asked in order to avoid re-inventing the wheel. While I don't
claim to have solved the problem, what I do have is what I call an 80%
solution. It will read
Err--- that would be a chortle yes?
--hsm
On Wed, Dec 2, 2009 at 11:07 PM, James Bailey
wrote:
>
> On 03.12.2009, at 02:33, Hugh Myers wrote:
>
>> Graham,
>> …
>> I do know that you've already discovered the value of enlisting your
>> user community, ha
Should probably support at least some advanced timing measures ala
Guitar-Pro or some such... Pointers?
--hsm
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The link to "Building documentation without compiling LilyPond." on
http://lilypond.org/doc/v2.13/Documentation/web/help-us is broken
(404).
--hsm
p.s. which list is correct for such things?
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PM, Graham Percival
wrote:
> On Wed, Dec 02, 2009 at 05:33:55AM -0700, Hugh Myers wrote:
>> Hadn't realized that a policy of
>> collateral damage was allowed. Given your approach to testing (and
>> your experience) this should work as well as more conservative
>&g
You know I could swear that I already tried that, but at 3a.m. who
knows what slips across my keyboard--- Thanks Phil!
--hsm
On Wed, Dec 2, 2009 at 1:37 PM, Philip Potter wrote:
> 2009/12/2 Hugh Myers :
>> Same chord repeated three times.
>
> This works for me:
>
> \relat
s time span? I understand one of the three
> notes is a chord, , what are the other two?
>
> On 02.12.2009, at 18:30, Hugh Myers wrote:
>
>> James,
>>
>> e,8 gis b e
>>
>> --hsm
>>
>> On Wed, Dec 2, 2009 at 9:47 AM, James Bailey
>> wrote:
James,
e,8 gis b e
--hsm
On Wed, Dec 2, 2009 at 9:47 AM, James Bailey
wrote:
> What notes should be in the chord?
>
> On 02.12.2009, at 09:31, Hugh Myers wrote:
>>
>> … How do I go about achieving a triplet chord--- clearly the above
>> doesn't, neithe
or so and I'm lucky enough
that I'm still adding tricks to my bag--- this approach will certainly
be one of them.
I'll wait until I've read (and hopefully, understand) you enclosure
before going further.
--hsm
On Wed, Dec 2, 2009 at 3:56 AM, Alexander Kobel wrote:
> Hugh My
Given this:
\version "2.13.7"
upper = {
e \times 2/3 { e,8 gis [ b e ] } s4
}
lower = {
e,,2.
}
{
\time 3/4
<<
\new Staff \relative c'' {
<<
\set Score.barNumberVisibility = #all-bar-numbers-visible
\bar ""
\override Score.BarNumber #'break-visibility = #'#(#t #t
58 AM, Marc Hohl wrote:
> Hugh Myers schrieb:
>>
>> Since the project can't be done in 2.12, what do you suggest?
>>
>
> I inserted a paper block after the \header:
>
> \paper {
> indent = 0
> between-system-space = 2\cm
> between-system-padding
Ah! That should be easy enough to work with--- I'll see what I can come up with.
--hsm
On Wed, Dec 2, 2009 at 12:43 AM, Marc Hohl wrote:
> Hugh Myers schrieb:
>>
>> Here is the shortest template I use:
>>
>> \version "2.13.7"
>> upper = {
&g
Since the project can't be done in 2.12, what do you suggest?
--hsm
On Wed, Dec 2, 2009 at 12:41 AM, Marc Hohl wrote:
> Hugh Myers schrieb:
>>
>> Second point taken. I hope you realize that 2.13 has bug fixes for
>> 2.12--- yes?
>
> Yes, but 2.13.x is work in
After some length of time, I've determined the 'undo' method won't get
me there! This will have to wait until it happens again.
--hsm
On Wed, Dec 2, 2009 at 12:08 AM, Hugh Myers wrote:
> I'll see what I can do--- lucky for me my editor has unlimited undos.
>
>
<<
\new TabVoice = "t1" { \voiceOne \upper }
\new TabVoice = "t2" { \voiceTwo \lower }
>>
}
>>
}
Could you show me how to modify it according to the example you sent?
--hsm
On Wed, Dec 2, 2009 at 12:18 AM, Hugh Myers wrote:
> Second point taken. I
ec 1, 2009 at 11:04 PM, Graham Percival
wrote:
> On Tue, Dec 01, 2009 at 09:57:00PM -0700, Hugh Myers wrote:
>> Pardon the length of the piece of code, but clearly demonstrates the
>> problem where as other pieces don't (got to be a page long for
>> instance...):
>
>>
I'll see what I can do--- lucky for me my editor has unlimited undos.
--hsm
On Tue, Dec 1, 2009 at 11:12 PM, Francisco Vila wrote:
> 2009/12/2 Hugh Myers :
>> Often I get the following pattern--- say I'm working on bar 59 and
>> make a mistake. After the compilation p
Pardon the length of the piece of code, but clearly demonstrates the
problem where as other pieces don't (got to be a page long for
instance...):
%
% malaguena.ly -- q&d testbed for mixed notation score and tab.
%
\version "2.13.7"
\header {
title = "Malaguena"
subtitle = "none"
composer = "
So for the truly picky, insert:
\set Score.barNumberVisibility = #all-bar-numbers-visible
\bar ""
just before you change and let the bar numbers fall where they may!
Much thanks Brett...
--hsm
On Tue, Dec 1, 2009 at 9:17 PM, Brett Duncan wrote:
> Hugh Myers wrote:
I've yet to chase down a working example that given:
\version "2.13.7"
upper = {
e,, f g
a b c
d e f
g a b
c d e
f g a
b c d
e s2
}
lower = {
s2.
s2.
s2.
s2.
s2.
s2.
s2.
s2.
}
{
\time 3/4
<<
\new Staff \relative c'' {
<<
\new Voice = "1" { \voiceOn
Clearly this doesn't work:
\version "2.13.7"
upper = {
b c d
}
lower = {
< gis, d e, >2.
}
{
\time 3/4
<<
\new Staff \relative c'' {
<<
\set Score.barAlways = ##t
\set Score.defaultBarType = "|"
\new Voice = "1" { \voiceOne \upper }
\new Voice = "2" { \voice
Often I get the following pattern--- say I'm working on bar 59 and
make a mistake. After the compilation process, the error message
refers to bar 22! Given that I'm working in relative mode, I'm
confused as to how code that was moments before correct is now in
error?
Another pattern I see frequent
Eluze,
Thanks for the RTFM pointer--- I did but plead dementia :)
--hsm
On Sun, Nov 29, 2009 at 3:35 PM, -Eluze wrote:
>
>
> Hugh Myers wrote:
>>
>>
>> So how do I get from here to there?
>>
> reading the Notation Reference (NR), in this case
> http://li
Given the nature of the guitar fret board a note like a b may be
indicated in tablature in at least two ways. For instance in this
example:
\version "2.13.7"
upper = {
\times 2/3 { e,8 [ e' b ] } \times 2/3 { gis8 [ e' b ] } \times 2/3 {
b [ e b ] }
}
lower = {
s2.
}
{
\time 3/4
<<
\new Staf
Thanks Alexander,
Looks like good information all around. I'll give it a go.
--hsm
On Sat, Nov 28, 2009 at 8:21 PM, Alexander Kobel wrote:
> Hugh Myers wrote:
>>
>> In the following:
>>
>> \version "2.13.7"
>> upper = {
>> \stemDown
>&g
In the following:
\version "2.13.7"
upper = {
\stemDown
\times 2/3 { e,8 e' b } \times 2/3 {gis8 e' b } \times 2/3 { b e b }
\times 2/3 { e,8 e' b } \times 2/3 {gis8 e' b } \times 2/3 { b e b }
}
lower = {
s2.
s2.
}
{
\time 3/4
<<
\new Staff \relative c'' {
<<
\new Voic
How do I force tupletBracket printing if
\override TupletBracket #'bracket-visibility = ##t
is ignored?
--hsm
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Staff \relative c'' {
<<
\new Voice = "1" { \voiceOne \upper }
\new Voice = "2" { \voiceTwo \lower }
>>
}
\new TabStaff \relative c' {
<<
\new TabVoice = "t1" { \voiceOne \upper }
\new TabVo
I'll try both as needed... and let you know.
--hsm
On Fri, Nov 27, 2009 at 5:34 PM, Nick Payne wrote:
> To get the text repeated on each line, you either comment out last two lines
> in the function or change the override value to ##t, I can't remember which.
>
> Nic
Is there a way to repeat the text automagically with each wrap?
--hsm
On Fri, Nov 27, 2009 at 12:24 PM, Hugh Myers wrote:
> Lovely! Much thanks Nick--- also nice to have code to examine prior to
> the point I need to roll my own :)
>
> --hsm
>
> On Fri, Nov 27, 2009 at 12
Lovely! Much thanks Nick--- also nice to have code to examine prior to
the point I need to roll my own :)
--hsm
On Fri, Nov 27, 2009 at 12:20 PM, Nick Payne
wrote:
> Hugh Myers wrote:
>>
>> Perhaps I misunderstand your reply, but bar 14(where the problem is)
>> has noth
being aligned beneath a note. Is this
behavior controllable?
--hsm
On Fri, Nov 27, 2009 at 3:02 AM, -Eluze wrote:
>
>
> Hugh Myers wrote:
>>
>> the spanning text in bar 14 does not align with the first note of the
>> bar as I had expected. Is there a way to control t
In the following:
\version "2.13.7"
chord = < e b gis e b e, >
upper = {
\tempo 4=90
\chord \chord \chord
\repeat volta 2 {
\tempo 4=200
b c d
d c b
c a b
\acciaccatura d8 \voiceOne c4 b a
b a g
a g f
}
\alternative {
{ r4 \times 2/3 { gis8 \startTextSpan
" { \voiceTwo \lower }
>>
}
\new TabStaff \relative c' {
<<
\new TabVoice = "t1" { \voiceOne \upper }
\new TabVoice = "t2" { \voiceTwo \lower }
>>
}
>>
This demonstrates mixed mono and poly with tab. It also has sp
I think I was keeping track of individual bars that way (with braces
that is)--- you are right, newline would work just as well and few
characters='s less clutter. Regards \stop etc. I got it to work more
or less as you say. It is on another machine, I'll show you the
template in the next email.
-
Thanks, Alexander!
Now I have not just one but two solutions that work...
--hsm
On Thu, Nov 26, 2009 at 8:10 AM, Alexander Kobel wrote:
> Hugh Myers wrote:
>>
>> The following fails twice over; it leaves out the indicated text and
>> ignores \textSpannerDown:
>
> Hi
Much thanks Kieren,
This works:
\new Staff \relative c'' {
\override Staff.TextSpanner #'(bound-details left text) = "let ring "
<<
\new Voice = "1" { \textSpannerDown \voiceOne \upper }
--hsm
On Thu, Nov 26, 2009 at 8:02 AM, Kieren MacMillan
wrote:
> Hi Hugh,
>
>> The followin
The following fails twice over; it leaves out the indicated text and
ignores \textSpannerDown:
\version "2.13.7"
upper = {
c4 d e \startTextSpan f % polyphonic
g4 a b c % monophonic, see below
b4 \stopTextSpan g e c % polyphonic again
}
lower = {
c,2 g2 % polyphonic
s1 % a spacer "
new TabVoice = "t1" { \voiceOne \upper }
\new TabVoice = "t2" { \voiceTwo \lower }
>>
}
>>
--hsm
On Thu, Nov 26, 2009 at 3:04 AM, Marc Hohl wrote:
> Hugh Myers schrieb:
>>
>> I see nothing in the sample that allows for monophonic. As given I
&
n Thu, Nov 26, 2009 at 1:29 AM, Federico Bruni wrote:
> Hugh Myers wrote:
>>
>> On a related note (:;) this piece is a mixture of polyphony and
>> monophony. Is there an example of the two with tablature?
>>
>> --hsm
>
> If you use mainly polyphony, the followi
Since I normally program in lisp, I don't have any problems with
nested delimiters. Are you suggesting that excess (at least to your
eyes) braces are the problem or are you suggesting that the \stop is
at the wrong level?
--hsm
2009/11/25 Frédéric Bron :
>> It would also help if the suggested cha
On a related note (:;) this piece is a mixture of polyphony and
monophony. Is there an example of the two with tablature?
--hsm
On Wed, Nov 25, 2009 at 10:12 PM, Hugh Myers wrote:
> Thanks Carl,
>
> I'll give it a try...
>
> --hsm
>
> On Wed, Nov 25, 2009 at 10:1
The 2.10 manual says that:
<< \upper \\ \lower >>
is equivalent to
<<
\new Voice = "1" { \voiceOne \upper }
\new Voice = "2" { \voiceTwo \lower }
>>
Which in simple situations seems true enough. However as soon as
tablature is added the above is broken; for example:
\version "2.13.7"
firs
.ly:89:0: error: errors found, ignoring music expression
{
error: failed files: "malaguena.ly"
--hsm
On Wed, Nov 25, 2009 at 8:25 PM, Hugh Myers wrote:
> Since the piece in question, Malaguena, already has mixed monophony
> and polyphony, as well as tablature, adding voices to
Xavier Scheuer wrote:
> Le Wed, 25 Nov 2009 16:39:08 -0700,
> Hugh Myers a écrit :
>
>> So where do I place it? Bearing in mind that note-wise, both the start
>> and stop are correctly placed?
>
> \stopTextSpan is unexpected because \startTextSpan is in another Voice
This:
firstPolyRepeat = {
<< { r4 \startTextSpan \times 2/3 {gis'8 b e } e,4 \times 2/3 {gis8
b e} e,2 } \\ {e,2.~e} >>
}
secondMono = {
{ e'8 [e'] gis, [e'] b [e] }
{ e,8 [e'] gis, [e'] b [e] }
{ a,8 [e'] c [e] b [e] }
{ a,8 [e'] g, [e'] f, [e'] }
}
thirdMono = {
{ e,8 [e'] gis, [e']
Thanks Neil,
That did it! Is the \unset line needed or no?
--hsmn
On Wed, Nov 25, 2009 at 3:38 PM, Neil Puttock wrote:
> 2009/11/25 Hugh Myers :
>> Opps! Spoke to soon.
>>
>> \set Score.tempoHideNote = ##t
>> \tempo 4 = 199
>> \unset Score.tempoHideNote
&g
When will the 2.13 docs be available?
--hsm
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Opps! Spoke to soon.
\set Score.tempoHideNote = ##t
\tempo 4 = 199
\unset Score.tempoHideNote
Doesn't work in the it prints the make work \tempo 4 = 199 without
regard to the tempoHideNote. Hints?
--hsm
On Wed, Nov 25, 2009 at 11:59 AM, Hugh Myers wrote:
> The work around lo
M, Alexander Kobel wrote:
> Hugh Myers wrote:
>>
>> I have two "\tempo 4=200" which admittedly follow each other without
>> intervening change. The second is not displayed. Why? How may this
>> behavior be modified?
>
> If "without intervening change"
The following seems broken:
\version "2.13.7"
\new Staff \relative c'' {
c1
\textSpannerDown
\override TextSpanner #'edge-text = #'("rail " . "")
c2
\startTextSpan
b c
\stopTextSpan
a
}
in that the word rail does not appear. Work around?
--hsm
__
I'm looking for an example of text spanning that does not invoke an
extra staff--- is there such a thing?
--hsm
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I have two "\tempo 4=200" which admittedly follow each other without
intervening change. The second is not displayed. Why? How may this
behavior be modified?
--hsm
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eMinor=\relative c { ... } does not allow either eMinor' or eMinor, etc.
--hsm
On Mon, Nov 23, 2009 at 6:02 PM, Frank Steinmetzger wrote:
> Am Montag, 23. November 2009 schrieb Hugh Myers:
>> Given:
>>
>> eMinor = < e b gis e b e, >
>>
>> I&#x
Given:
eMinor = < e b gis e b e, >
I'd like to be able to do something like \eMinor' since I'm working in
relative mode. Is this possible. Same thing for chord length, i.e.
\eMinor2. etc.
--hsm
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acciaccatura. However, the second one works well and gets rid of the
> warning:
> << { \acciaccatura d'8 \voiceOne c4 b a } \\ { a,2. } >>
>
> /Mats
>
> Hugh Myers wrote:
>>
>> Mats,
>>
>> The workaround does not give correct results:
>
Yes! That is exactly the ticket!! Much thanks Brett--- I fear it was
much harder understanding me than it was for you to solve the problem!
Thanks for both.
--hsm
p.s. I'll take apart the new code until I understand it...
On Sun, Nov 22, 2009 at 10:23 PM, Brett Duncan wrote:
> Hugh Mye
Let's say that it is--- what would the different structure look like?
--hsm
On Sun, Nov 22, 2009 at 9:12 PM, Brett Duncan wrote:
> Hugh Myers wrote:
>>
>> Here is the 'close--- but not quite ready for cigar time' code that
>> I've cobbled together:
>&
ernative {
{ \firstPolyRepeat }
{ \secondMono }
}
\thirdMono
}
>>
}
If you run this, you will see that the bar between the alternates is
single sided where it should be double sided. Likewise there is no bar
concluding the second alternative. Also a nit-pick, but the
Duncan wrote:
> Hugh Myers wrote:
>>
>> Brett,
>>
>> Thanks for the hint. The URL is where I got the notion for what I
>> wrote in the first place. In the source, firstPoly repeats, once with
>> firstPolyRepeat as an ending and once with secondMono as an ending.
27;ve seen thus far(hardly exhaustive) match what I need, so
what I wrote was a guess based on what I saw. More hints welcome at
this point ;)
--hsm
On Sun, Nov 22, 2009 at 7:15 PM, Brett Duncan wrote:
> Hugh Myers wrote:
>>
>> Brett,
>>
>> Much thanks, missed that combi
s. also notice that it ignores any effort to shorten the volta bar?
On Sun, Nov 22, 2009 at 6:16 PM, Brett Duncan wrote:
> Hugh Myers wrote:
>>
>> I'm looking for a symmetrical version of \bar "|:" which roughly
>> speaking should produce colon, thin line, thick
I'm looking for a symmetrical version of \bar "|:" which roughly
speaking should produce colon, thin line, thick line, thin line,
colon. Is there a way?
--hsm
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Is it possible to slur the second voice in:
<< { r4 \times 2/3 { gis'8 b e } e,4 } \\ { e,2. } >>
<< { \times 2/3 { gis'8 b e } e,2 } \\ { e,2. } >>
I feel that it must be but have not stumbled apon the solution as yet.
--hsm
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When processing this:
\version "2.13.7"
\relative c' {
\time 3/4
<< { \acciaccatura d'8 c4 b a } \\ { a,2. } >>
}
I get this warning message:
C:\Users\hsmyers\Desktop\Lily Projects>lilypond.exe test4.ly
GNU LilyPond 2.13.7
Processing `test4.ly'
Parsing...
Interpreting music...
Preprocessing
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