Since the piece in question, Malaguena, already has mixed monophony
and polyphony, as well as tablature, adding voices to it doesn't seem
like a very good idea. Yes, I'm aware that <<,\\ >> is shorthand for
voicing, but since it is shorthand, the visual complexity of the score
is kept to a readable level. Having to go backwards seems problematic
at best. Oh well, have to deal with what is, so I guess I will
painfully convert back to explicit voicing (again--- I was quite happy
when I was able to simplify it away the first time.)
--hsm
On Wed, Nov 25, 2009 at 5:02 PM, Xavier Scheuer <x.sche...@gmail.com> wrote:
> Le Wed, 25 Nov 2009 16:39:08 -0700,
> Hugh Myers <hsmy...@gmail.com> a écrit :
>
>> So where do I place it? Bearing in mind that note-wise, both the start
>> and stop are correctly placed?
>
> \stopTextSpan is unexpected because \startTextSpan is in another Voice !
>
> There was a warning in the [old] doc about this :
> (implicit temporary) Voices inside a << \\ >> construct are all
> separate from the Voices outside the construct.
> This warning doesn't seem to appear in the last versions of the doc...
>
> Use explicitly instantiated voices instead :
>
>
> firstPolyRepeat = {
> <<
> \new Voice = "VoiceOne" {
> \voiceOne
> r4 \startTextSpan \times 2/3 {gis'8 b e } e,4 \times 2/3 {gis8 b
> e} e,2 }
> \new Voice = "VoiceTwo" {
> \voiceTwo
> e,2.~e
> }
> >>
> \oneVoice
> }
> secondMono = \context Voice = "VoiceOne" {
> { e'8 [e'] gis, [e'] b [e] }
> { e,8 [e'] gis, [e'] b [e] }
> { a,8 [e'] c [e] b [e] }
> { a,8 [e'] g, [e'] f, [e'] }
> }
> thirdMono = \context Voice = "VoiceOne" {
> { e,8 [e'] gis, [e'] b [e] }
> { d8 [e] c [e] b [e] }
> { c8 [e] a, [e'] b [e] }
> { c8 [e] b [e] a, [e'] }
> { b8 [e] a, [e'] g, [e'] }
> { a,8 [e'] g, [e'] f, [e'] }
> \stopTextSpan
> \chordDottedHalf
> }
>
>
> Sincerely,
> Xavier
>
> --
> Xavier Scheuer <x.sche...@gmail.com>
>
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