Marc,
Thanks for the clarification. So adding tablature, the template now looks like:
\version "2.13.7"
upper = {
c4 d e f % polyphonic
g4 a b c % monophonic, see below
b4 g e c % polyphonic again
}
lower = {
c,2 g2 % polyphonic
s1 % a spacer "disables" this voice tamporarily
g2 c2 % and here we are again.
}
<<
\new Staff \relative c'' {
<<
\new Voice = "1" { \voiceOne \upper }
\new Voice = "2" { \voiceTwo \lower }
>>
}
\new TabStaff \relative c' {
<<
\new TabVoice = "t1" { \voiceOne \upper }
\new TabVoice = "t2" { \voiceTwo \lower }
>>
}
>>
--hsm
On Thu, Nov 26, 2009 at 3:04 AM, Marc Hohl <m...@hohlart.de> wrote:
> Hugh Myers schrieb:
>>
>> I see nothing in the sample that allows for monophonic. As given I
>> only see polyphonic. The piece I'm working on is a mixture of both---
>> which obviously means I must be able to switch from one to the other.
>> Again, the sample is only polyphonic--- I must be missing something.
>> Hints?
>>
>
> Federico pointed out that his sample will ease things if your piece is
> *mostly* polyphonic.
>>>
>>> If you use mainly polyphony, the following template should help you.
>>>
>
> There is his explanation how to use the template.
>>>
>>> Actually, you can use it also for a mixture of polyphony and monophony,
>>> just
>>> add a spacer note if you want a voice to be silent.
>>>
>
> In the parts where monophony is needed, you can add spacers in the other
> voice,
> like this:
>
> upper = \relative c' {
> c4 d e f % polyphonic
> g4 a b c % monophonic, see below
> b4 g e c % polyphonic again
> }
>
> lower = \relative c, {
> c2 g2 % polyphonic
> s1 % a spacer "disables" this voice tamporarily
> g2 c2 % and here we are again.
> }
>
> Marc
>
>
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
