> On Dec 6, 2014, at 9:04 PM, Brian Walters <[email protected]> wrote:
> 
> … one thing I like to do with layers in PS for certain images, and once I've 
> adjusted the colour image the way I like, is to merge all layers to a new top 
> layer and do a B&W conversion on it with Silver Efex Pro. In this way I can 
> save both colour and B&W versions in the one layered file. It's not a big 
> deal but I don't think that's possible in LR.

You get the same thing done in LR by: 

- Adjusting the color image the way you like.
- Creating a virtual copy.
- Doing a B&W conversion on the virtual copy with Silver Efex Pro. 

What LR is doing with files behind the scenes is inconsequential. The original 
image file will be untouched, you can return to it any time you want, and it 
sits in the catalog right alongside the virtual copies. 

I'm not sure in detail how SEP and LR interact, but if SEP is operating as an 
external editor, LR will have created file with all your adjustments fully 
rendered then passed that to SEP for processing. If SEP is operating as a 
plugin with parametric processing, it will just modify the virtual copy. 

At any time, you can go back to the original, your color rendered version, or 
the B&W version, and do whatever you want to do with them. You can make a near 
infinite number of virtual copies. They live in the catalog database as a few 
hundred bytes of data to provide the reference to the original file and 
whatever parametric adjustments you have made. When you export one, you create 
a new file with all the rendering and metadata just as you created it, 
independent of LR and the original file that it was derived from.

In LR you can stack masters and virtual copies, put the one you are interested 
in on top, and collapse the stack so you see only the one on top. You can 
expand the stack and see all the others any time you want too. That's pretty 
much the same thing as making separate layer sets in a Photoshop image file and 
only showing one or the other at any given time. 

Godfrey
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