On Sat, 8 Apr 2006, Nicolas wrote:

> Steven,
> 
> I'm now running some tests with the filters on, and the parameters you
> suggested. The result is nice. I mean, the video isn't very blurry, and
> the noise is reduced.

        Super!  

> You asked me why I don't use FinalCutPro? Well, probably because
> Open-Source is my philosophy.

        I'll respect your decision to restrict your choices and limit the
        size of the toolkit.  But when you want to move up from DV you're
        going to find the choices very limited...

        A wise craftsman knows 1) to use the proper tool to do the job and
        2) welcomes a larger toolkit even if that means combining free and
        commercial tools.

> As regards to the color correction, I know I can modify the histogram of
> the pictures in Cinelerra. However, do you know of any automated method

        Actually it wouldn't be the histogram that's used when doing 
        color correction.  It'd 1) use the vectorscope, and 2) an external
        calibrated monitor. 

> of doing the correction you talk about? A command I could include in the
> mjpegtools pipe for example. ;-)

        None that are compatible with your philosophy ;)    Besides color
        correction needs to be done scene by scene in many cases (you do need
        to make sure that scenes "match" so that you don't have disruptive
        chroma shifts between scenes) using an external monitor - NOT just
        stuffing a command in the encoding pipeline.

        Oh, the tool that could do it IF you could see what you're doing to 
        arrive at the correct parameters is 'yuvcorrect'.  

> reference was what was displayed on my monitor. Unfortunately, the video

        Aieeee - you can NOT and should not under ANY circumstances use a
        computer monitor for color correction.  But you know that NOW :)

> looked really different when displayed on a TV. I then discovered the
> way the luminance is displayed on a monitor and a TV is really
> different... :-/

        Not just luminance.  It's the color range that can be displayed.
        TVs do not handle highly saturated colors well either.

        Something like a Sony PVM14L2 (which is what I use) is a good 
        inexpensive production monitor.  

http://www.bhphotovideo.com/bnh/controller/home?A=details&kw=SOPVM14L2&is=REG&Q=&O=productlist&sku=271229

        Cheers,
        Steven Schultz



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