os x.
just so that anyone who might consider tackling the issue knows there is
some demand.
best,
jörn
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Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
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rated into a jack
graph, but i've had issues when trying that with more than one
application in the past.
best,
jörn
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Meister für Veranstaltungstechnik (Bühne/Studio)
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(powf (tr,
-1/3.0f) - 1)));
return 8.686f * f * f * (1.84e-11f * sqrt (tr) / p
+ powf (tr, -2.5f) * ( 0.01275f * (expf (-2239.1f / t) / (frO + f
* f / frO))
+ 0.10680f * (expf (-3352.0f / t) / (frN + f
* f / frN;
}
--
Jörn Nettings
done. just make sure you document what you did very
explicitly.
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tually...
best,
jörn
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osx-based systems with ardour2 and ambdec for two clients so far.
best,
jörn
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Meister für Veranstaltungstechnik (Bühne/Studio)
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__
st recordings i made with a pre-series model which i'm
told is pretty much identical to the series:
http://stackingdwarves.net/download/TetraMic_vs_ST450/
hth,
jörn
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Jörn Nettingsmeier
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Meister für Veranstaltungstechnik (Bühne/Studio)
s to do it.
one i could think of is when you have signal sets which are sensitive to
crosstalk, say an a/b stereo set. it will always sound nicer when routed
discretely to a pair of speakers than as two second-order ambisonic
phantom sources panned 60° apart
best,
jörn
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rn
ps: where can i listen to this?
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nd an out-of-phase "ring".
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our mileage may vary.
best,
jörn
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ep the old WXYZ format as it is, in order not to break
all existing recordings.
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__
such as the
directout andiamo (very affordable and excellent quality), or a madi to
adat bridge such as the one by rme, or the recently released directout
exbox adat (converts madi i/o to 8x adat io).
--
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Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
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experience with these ?
well, with the behringers, you get what you pay for, and you didn't pay
much. usable, and almost certainly not the weakest link in the chain
unless you've got big budget room acoustic treatment and really
sophisticated speakers.
--
Jörn Nettingsmeier
Lortzingstr.
g feasible, which might explain the resurrected
interest. it was simply not possible with 70s analog equipment or
80s/90s know-how and computing power.
and the entrance barrier to HOA is being lowered steadily.
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ven with proper soundfield reconstruction, the human ability to judge
height is not too good, unless the listener tilts her/his head. visuals
or content usually win over actual direction, i.e. a sound is where you
think you see its source, and birds are up, footsteps are down.
--
Jörn Nettingsmeier
films using ambisonics
when this happens.
22.2 is a strong argument to go for at least 4th order in production.
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m influence. (i guess the reason is our brain can sort out
one set of ERs as "natural" and work around the coloration, but not two
sets.)
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ny other slight variation
thereof :-D
incidentally, higher-order panned sources are also way more stable with
respect to timbre.
and now: "duck, and cover :)"
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http://hauptmikrofon.de/ima2-folder/ImageAssistant2.html
i find it an invaluable tool in trying to understand what different
miking techniques are trying to accomplish.
--
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ar to many composers than
ambisonics and multichannel mixing
that is a phenomenon i haven't been able to figure out either :)
why do people still fall for the BEAST?
jörn (with apologies to the birmingham crew ;)
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 793748
create proper art, stereo will never catch on. you don't feed a
bab... oh, wait. got a bit carried away there >;->
regards,
jörn
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Hi *!
On behalf of the conference organizers, we would like to invite you to
join the Linux Audio Conference 2012, kindly hosted by the Center for
Computer Research in Music and Acoustics (CCRMA) at Stanford University.
The conference will start tomorrow, Thursday April 12, at 10:00 PST
(th
s. this is what ambisonics is all about: scalability. you get to keep
your meridians and your four quad speakers, and everyone can just live
happily ever after.
[1] the only thing that's probably even cheaper is opinions.
--
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Lortzingstr. 11, 45128 Essen, Tel. +49 177 7
On 04/18/2012 03:35 PM, Peter Lennox wrote:
No - HOA could be ideal for achieving spaciousness! - it can achieve that
decorrelation so much better...
ah, peter, how cold-hearted of you to slap the baby with a steak.
back to lurk mode... :)
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen
round - increased directional resolution corresponds with
with decreased 'accidental phantom imaging' is alsp true
absolutely. and i'm happy to welcome you as a honorary whippersnapper
among the ranks of the HOA snobs conspiracy :)
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen,
On 04/11/2012 08:01 PM, Jörn Nettingsmeier wrote:
Hi *!
On behalf of the conference organizers, we would like to invite you to
join the Linux Audio Conference 2012, kindly hosted by the Center for
Computer Research in Music and Acoustics (CCRMA) at Stanford University.
The conference will
erlin was having clicking problems
occasionally (which sums up to "quite often" on such a large rig) that
were blamed on the adat signal distribution, so you might want to take
an extra good look at the performance of the adat receivers.
best,
jörn
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Lortzingstr.
other directout gear i have used so far has
performed very well.
and their pricing is very competitive when compared to rme.
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Meister für Veranstaltungstechnik (Bühne/Studio)
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http:
ing them with one of the capsules inverted.
best,
jörn
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Meister für Veranstaltungstechnik (Bühne/Studio)
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tional component. note
that you will have to attenuate the resulting omni signal according to
the number of capsules you used.
best,
jörn
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Meister für Veranstaltungstechnik (Bühne/Studi
psychoacoustics, and then it may work well for a few people, but
certainly not for the majority of listeners.
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h
ot;.
despite these pathological mental states, my functioning in the real
world has not been affected (or so i'd like to believe). hence, i'm
confidently resuming the circling of wagons now.
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hough.
best,
jörn
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enough for any malicious seeder to seek softer
targets elsewhere.
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Meister für Veranstaltungstechnik (Bühne/Studio)
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cables isn't too
hard. if you must minimize the amount of cabling, go for passive
speakers with a centralized amp rack - that way, there is only one wire
per speaker.
how many channels are we talking about?
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Meiste
s than, say, 5-10 people, i would recommend a
third-order horizontal-only ring of eight if you are looking for proper
localisation. a cube in my experience is problematic for more than one
listener, unless all you want is envelopment.
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Lortzingstr. 11, 45128 Essen, Tel. +49 1
is cognitive? 10%, 50%, 90%?
in discussions like these, the only way to win is not to play :-D
or to read all the long long papers of people doing the actual research...
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solid with semantic cues or good visuals or a strong will to
believe. these effects are very likely all rooted in the higher
cognitive functions, but that won't help much in actually improving our
systems.
--
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Lortzingstr. 11, 45128 Essen, Tel. +49 177 793
years) or on a crisp concert grand at 442.
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rity. something similar can be done with
a first order ambi panner and UHJ playback.
sometimes (depending on content), the result will be surprising, but
tricks like these tend to fail on arbitrary content.
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Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für
!
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https://mail.music.vt.edu/mailman
er_ambisonic_systems_for%20electro-acoustic_concerts-rev3.pdf
the size limits of large-scale HOA systems:
http://stackingdwarves.net/public_stuff/linux_audio/ambisonic_symposium_2011/AmbiSym2011-Nettingsmeier-Dohrmann_Large-scale_HOA_Systems.pdf
best regards,
jörn
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s in the circle at different heights -
would that allow a hint of the height information (I would tell the
plugin where they are), or just distort the render?
it will just distort the rendering, and compromise the horizontal precision.
best,
jörn
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Jörn Nettingsmeier
Lortzingstr. 11, 4
upper part of your first-order b-format,
run them through an allpass and maybe a bit of delay and mix the
resulting signals to the upper speakers, to taste. not the canonical
method, i do confess, but it will sound ok :)
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Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
c :-D
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everb doesn't scale. if you want to use it on massive
systems, keep low-order content separate and pipe it through a dedicated
decoder using fewer speakers.
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Meister für Veranstaltungstechnik (Bühne/Studio)
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periphonic decoder which matches the position of your upper speakers
well, and leave everything except the upper speakers unconnected.
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Meister für Veranstaltungstechnik (Bühne/Studio)
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On 09/23/2012 02:25 PM, Joseph Anderson wrote:
http://www.jobs.ac.uk/job/AFC490/phd-studentship-development-of-microphone-array-with-tangential-pressure-gradient-sensors/
go, go, go!
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oundscapes.
i have used the smyth realizer, a very similar product, and it does the
job quite well. whichever one you go for, be sure to test it - this
isn't one of those products you should order per mail (in case the price
tag isn't enough indication already :)
--
Jörn Nettingsm
ts of decorrelated
sources of noise.
on the other hand, i know that roads and highways are treated as line
sources as well for the purpose of emission control, i.e. with 3dB
attenuation per doubling of distance.
maybe someone can explain why this should be so?
--
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ght when embarking on with-height adventures:
http://lac.linuxaudio.org/2012/speakers?uid=29
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's for
low level use? Preferably even sharing code, where possible?
off the top of my hat, there is a toolkit available from t-labs at tu
berlin, and iem graz has higher-order code for pd.
--
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tetrahedral mic, the simplified equations are
W = LFU + RFD + LBD + RBU
X = LFU + RFD - LBD - RBU
Y = LFU - RFD + LBD - RBU
Z = LFU - RFD - LBD + RBU
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970s EIKI
16mm film projector, and today, wherever i go, all adverts are about
transmission belts. that's sublime :-D
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To
layouts, some of which include
a roof speaker.
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speakers into
people's homes to do Ambisonics with height with a re-jigging of their
positions ;-)
if only i had some time on my hands, i'd love to throw an ambisonic
deocoder at an auro-3d layout... it's quite sub-optimal for ambi, but
there are quite a few of those syst
e.
10. even if you are, you will very likely be late :)
10. therefore, amp gains are all the way up, right from the start.
because they would be anyway, by the end of the concert.
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On 10/14/2012 01:09 AM, Jörn Nettingsmeier wrote:
On 10/13/2012 06:43 PM, David Pickett wrote:
At 05:51 13/10/2012, Dave Hunt wrote:
I have long been dubious of the common practice of turning all PA
amplifiers up to full and doing all level adjustments prior to that,
often at the mixer. This
ss your neighbours with eight speakers in a ring,
pray impress them with at least third order. even if your ambi-trained
brain can sort it out, your neighbour's very likely cannot.
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Meister für Veranstaltungstechnik (
used for auro, i don't think a
cube would hurt at all, at least for non-frontal stuff. but some care
should be taken not to mess up the LCR part.
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On 10/16/2012 12:31 AM, Fons Adriaensen wrote:
On Mon, Oct 15, 2012 at 10:33:09PM +0200, Jörn Nettingsmeier wrote:
regardless of whether you consider a two-source phantom spectrum
good or bad, i guess we can agree a three-source one is wy
worse?
No. Why should that be ?
Theile always
already there would help. Now, where do we apply for
funding??
i seem to recall markus noisternig mentioning that IRCAM had done a few
vomit comet experiments last year, but i never asked what their
objective was...
you might want to ask him before stamping your ticket to ISS.
--
Jörn
ut these perceptional advantages do not change the basic fact that the
soundfield reconstruction is incorrect outside the sweet spot.
best,
jörn
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tly diffuse field without much localisation.
Do you have any suggestions? How differently would you do?
start with a speaker radius that is 1.5 times the speaker radius, a bit
more if the room is large enough.
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On 11/09/2012 02:53 PM, Jörn Nettingsmeier wrote:
Do you have any suggestions? How differently would you do?
start with a speaker radius that is 1.5 times the speaker radius, a bit
more if the room is large enough.
DOH! Martin just prodded me off-list, of course this should have read &q
lots of outs maybe ?
<http://www.directout.eu/en/products/andiamo.html>
But you'd pay for the AD converters which you don't need.
the rme DA 32 doesn't have ad converters. but it's twice the price of
the andiamo :)
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 E
dat sync loss was (and still is afaik) the bane of the wfs system at tu
berlin.
disclaimer: i'm personally acquainted with the directout developers, and
they have helped me out with gear loans several times.
in any case, their stuff is excellent and i can totally recommend it.
best
e
demonstrated this very impressively at ICSA 2011.
so by all means concentrate your speakers on the horizontal plane, and
then since you have so many, use maybe 16 or 32 for an additional HOA 3D
setup (or just feed them discrete ambience).
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128
nd envelopment. height localisation was never an objective, though.
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better
converters with much better engineering, and you save lots of rackspace
(8 HU for the andiamos vs. 36 HU for behringers and madi-to-adat bridges)
--
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On 12/09/2012 10:06 AM, Sebastian Gabler wrote:
Am 07.12.2012 20:16, schrieb Jörn Nettingsmeier:
as mentioned by someone else, rme hdsps can be ganged. _but_ i've seen
weird timing issues with an old hdsp madi pci and a hdsp madi pcie -
they would be in perfect sync, but with random offse
On 12/09/2012 01:00 PM, Fons Adriaensen wrote:
On Sun, Dec 09, 2012 at 12:12:15PM +0100, Jörn Nettingsmeier wrote:
i could imagine how a situation like you describe could come about
when wiring the cards this way, but it feels a bit weird. iiuc,
connecting each card to an always-active wc
dat connectors, and no
MADI-to-ADAT bridge necessary.
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Surso
s only about amplitude panning, we might exploit it for the
design of Ambi rigs in the rE realm. I recall people have argued in
favor of twisted rings before - maybe this is a case in point?
Best,
Jörn
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uthors - such feedback is rare, and
i'm sure they'll appreciate it.
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/downloads/jconvolver-reverbs.tar.bz2
i've been (over-)using it for years on pretty much anything that needed
just a little sense of space without actually sounding too wet.
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wiring them for audio.
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On 01/26/2013 08:44 PM, Ross Bencina wrote:
On 27/01/2013 6:29 AM, Jörn Nettingsmeier wrote:
getting clear line-of-sight to six or more speakers is probably just as
hard as wiring them for audio.
Does it need to be direct line of site?
Maybe infrared ambient light would be OK?
as one who
usual decoding method will start to float if you take away the bottom
ring. for me, this "pull-up" is irritating enough that i try to avoid 3d
setups which are truncated on the equator.
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member
receiving an answer to a problem i had within 25 minutes, on a sunday!
it's a bit pricey if you need all the bells and whistles, though.
you will need at least the "pro audio" license iirc, the free one is
limited to stereo i think.
--
Jörn Nettingsmeier
Lortzingstr. 11
neering feat. the guy who makes them is really kind of
cool, i've talked to him at tonmeistertagung 2010 in leipzig...
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Meister für Veranstaltungstechnik (Bühne/Studio)
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sion
(IIRC) was he'd buy one ... if he had the money. The review should still
be on the Web. The link in this lists archive.
http://www.stackingdwarves.net/download/TetraMic_vs_ST450/
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Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechni
rolled off at 12db/oct around
80hz, no justification, it just sounded nice, with enough "oomph" :)
best,
jörn
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarve
on in case that's relevant for cars, in
higher order.
sure, getting a complete ambient recording in HOA is hard and involves
something like the eigenmike, but "artificial" stimuli can just be
panned, exploiting the improved focus of HOA.
best,
jörn
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Jörn Nettingsmeier
Lortzingst
subs.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
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at all.
and pity those engineers who monitored for years at 85dB SPL for 0dB.
for most practical reference levels before the advent of EBU R128, that
kind of power constitutes grievous bodily harm.
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Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für
tried. so this evil little bear of little brain but inexhaustible
mischievousness folded it down to mono, out of pure spite. the sound was
still all over the place. chowning 10, bear 0.
and here's to fake doppler shifts.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177
on the input signal, or on some external factor, like
modulation.
for practical purposes, i guess fons' definition is more useful, because
then the term "LTI" system is strictly limited to something that can be
fully described with an impulse response.
--
Jörn Nettingsmeie
the direction of
the mic as seem from the listening position) and a first-order panner
with W disconnected takes the S signal, which i point to mic position
minus 90°.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio
dron anyways. So I just watch out for it while mixing
and frequently cross-check at lower orders to arrive at a useful middle
ground.
Best,
Jörn
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
To
tputs are unbalanced rca.
if necessary, two 4way DI boxes can be added at reasonable extra cost,
but then those will be 10 times the size of the actual player unit...
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Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonme
e an st450 for rent. they are located in hamburg.
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
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m for a correct amplitude response for the full 4th order set,
it will sound duller and duller the more orders you truncate. it is
possible to generate a spectrally correct output for each subset of
orders, but that has to be computed from the a-format, with a priori
knowledge of the p
On 06/17/2013 11:22 PM, Sampo Syreeni wrote:
On 2013-06-17, Jörn Nettingsmeier wrote
that's the main problem with the eigenmike: the higher the order, the
narrower the bandwidth and the higher the lower boundary. which means
that an eigenmike signal set will not usually be downwards-compa
minor
issues you get from sub-optimal psychoacoustic decoding of normal
mixed-order sets.
usual disclaimer: severely math-challenged poster here, who'd love to be
disproved and become a happy eigenmike user ever after.
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Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen
27;s quite useful. I've even used it for live sound
amplification in theatres with a good center cluster.
best,
Jörn
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stac
will lose, and their main
advantage (better perceived spaciousness in stereo-only playback, and
better LF response) is not even considered.
miking is a trade-off. testing individual aspects won't tell us much
about actual musical use.
best,
jörn
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Jörn Nettingsmeier
Lortzing
and boy did i long for my asbestos underwear...
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT
http://stackingdwarves.net
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ike you, i do prefer co-incident miking, but honestly, i don't see how
the wide-spread preference for spread omnis can be construed as the end
of scientific thinking.
best,
jörn
--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487
Meister für Veranstaltungstechni
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