Hi
I'm new to lilypond. I have two questions.
1. How do you overide the default indentation of the first staffline.
2. How do you overide the keysignature change at the end of each staff?
Best,
Karl
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lilypond
.
Thanks,
Karl
Den 08-08-2015 kl. 23:03 skrev Mark Stephen Mrotek:
Karl,
1. \layout { indent = #0 }
2. Not sure what you mean by a key signature at the end of a staff. Can you
provide a snippet?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lil
on how to make it look
better, please advice me.
Regards,
/Karl Hammar
---
Aspö Data
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lilypo
rchestra" version.
> Are you looking for the manuscript, a published edition, or a ready
> made lilypond engraving to work with?
I already have an lilypond engraving, but for a later version I
believe, so anything.
I&
iche or scans :-)
Ok, I'll see what I can find.
> > The score is as is, but if anyone have tips on how to make it look
> > better, please advise me.
>
> Can’t do so without PDF :-)
Sorry, it's here:
http://turkos.aspodata.se/choir/osthammar/faur%C3%A9/requiem.pdf
>
f.fr/servlet/biblio?idNoeud=1&ID=42261462&SN1=0&SN2=0&host=catalogue#
>
> Cheers,
> Pierre
>
>
> 2015-09-09 14:42 GMT+02:00 Pierre Perol-Schneider <
> pierre.schneider.pa...@gmail.com>:
>
> > Hi Karl,
> >
> > Just in case, a m
e to play. Perhaps there
should be something to make it look different than the notes to play/
sing, e.g. smaller heads or a different shape or colour.
I have note thought about the abitus gap, but now when you say so it
is a little big. There must be way to shrink it.
Thanks for your time,
/Karl
dist. from "Oz to" to "its" staff is rather big, can you move it
up?
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
_
variables, and used a perl script to
generate the score block.
///
Currently I prefer my requiem way of setting up the files.
I still have to think how to use the same music.ily and to be able
to use it in different context: a simple a4 sheet of music, a choir
booklet, mix and match booklet with diff
vn't
investigated that. For an example, see:
http://turkos.aspodata.se/git/musik/WAMozart/requiem/
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
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_
ure, so how does one do
> that in lilypond?
\set Staff.timeSignatureFraction = #'(2 . 2)
\time 4/2
See example in
http://turkos.aspodata.se/git/musik/Josquin_des_Prez/per_illud_ave_prolatum/
Doc in:
http://www.lilypond.org/doc/v2.18/Documentation/notation/displaying
erface nicely with
make. Perhaps my procedure is redundant now, I don't know.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
___
lilypon
erface nicely with
make. Perhaps my procedure is redundant now, I don't know.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
___
lilypon
ust make sure you have an
editor that can handle utf-8.
Example:
http://turkos.aspodata.se/git/musik/songs/pilgrimssaang_1200.ly
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 14
Simon Albrecht:
> On 18.01.2016 22:03, Karin Glasmästar wrote:
> > Now I found the way to what Karl wrote: I am using the built-in
> > crude editor of Lilypond itself - doesn't that editor support UTF-8?
> I don’t know, I’m not even sure if there is a Linux version of it
> \include "../include/global.ly"
> \include "../include/common.ly"
Yes, things accumulate...
It was an example of åäö in a lilypond file.
Regards,
/Karl Hammar
---
Aspö Data
Lilla
Simon Albrecht:
> On 18.01.2016 22:18, k...@aspodata.se wrote:
> > Simon Albrecht:
> >> On 18.01.2016 22:03, Karin Glasmästar wrote:
> >>> Now I found the way to what Karl wrote: I am using the built-in
> >>> crude editor of Lilypond itself - doesn'
ts in attached file
doesn't work ?
I got the syntax from:
http://www.gnu.org/software/guile/manual/html_node/String-Syntax.html#String-Syntax
I found the codes for åäö in:
http://www.unicode.org/charts/PDF/U0080.pd
/download/details.aspx?id=29
https://github.com/wbsoft/frescobaldi/releases/download/v2.18.2/Frescobaldi.Setup.2.18.2.exe
> I would like the Lillypad to support UTF-8. Would be a good Christmas gift
> next year :-)
Great, we'll look forward to your gift next Christmas then :)
R
. "\u00E4" )
(":A" . "\u00C4" )
(":o" . "\u00F6" )
(":O" . "\u00D6" )
))
then lilypond fails. How should it be done ?
Regards,
/Karl Hammar
I got the guile
yntax
>
> That's the Guile-2.0 manual. LilyPond uses 1.8 at the moment.
Hmm, so basically it can't be done.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
___
pecial-characters)
#(add-text-replacements!
'(
("100" . "hundred")
("dpi" . "dots per inch")
;(":a" . "\u00E4" )
;(":b" . "\x00\xE4" )
;(":c" . (list->str
///
I don't know of any way to check if aria_ily is defined or not.
Tried with
#(if (defined? aria_ily) (display "Yes\n") (display "no\n"))
but it gives:
aria.ly:15:2: error: GUILE signaled an error for the expression beginning here
#
(if (defined? aria_ily) (displ
ows up in the right position, and
if the first ligature is replaced by a simple note the dot are right
too.
It seems as if the second ligarture confuses the \augmentum function.
Regards,
/Karl Hammar
--
it until
> > now. Very nice!
> >
>
> It's not even documented yet:
> https://code.google.com/p/lilypond/issues/detail?id=3601
http://www.lilypond.org/doc/v2.18/Documentation/internals/midi_005fcontrol_005ffunction_005fperformer
Regards,
/Karl Hammar
---
onventions for the generated code are also
welcome.
Regards,
/Karl Hammar
---
Aspö Data
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lilypo
midicomp in the
> README.
> Perhaps it's worth to try a nice conversion to ly-code.
No, I didn't know about it, have git cloned it now, thanks.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 14
di", line 68, in read_midi
return midi.parse (open (file).read ())
IOError: [Errno 2] No such file or directory: 'aeiou.mid'
$
It's installed from git, make install, perhaps something wrong with
the install script.
So
MIDI module, but have not heard about the Tweaks thing.
I have downloaded it now and will check it out, thanks.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
mping this midi file with midi.pl, it easy to identify
> > what goes where.
>
> If this is specifically what you want to do (Noteworthy->Lilypond) you might
> look at
>
> http://www.holmessoft.co.uk/homepage/Software/NWC2LY/index.htm
Too bad I only
ed from git, make install, perhaps something wrong with
> > the install script.
>
> That one looks just like a bad file name. Sure the file is not named
> aeiou.midi instead of aeiou.mid ?
$ ls -l aeiou.mid
-rw--- 1 karl users 9760 Jan 27 10:44 aeiou.mid
Regards,
/Karl Hammar
Johan Vromas:
> k...@aspodata.se writes:
>
> >> > IOError: [Errno 2] No such file or directory: 'aeiou.mid'
> >
> > $ ls -l aeiou.mid
> > -rw--- 1 karl users 9760 Jan 27 10:44 aeiou.mid
>
> To eliminate some odds, try passing the file us
ect, it's an upbeat, after 1/8'th time a 6/8 time sig. comes,
and at the end of the piece a 5/8 time sig comes, well as usual with
upbeats. It seems to be midi's way of representing thoose things.
Regards,
/Karl Hammar
the one revised by Wilhelm Kempff)?
>
> It would be nice if someone could go there and do some measurements on
> one page (which we'd like to have for our "engraving challenges").
I cannot find it in Stoc
.html
For the mac, try:
http://pdb.finkproject.org/pdb/package.php/netpbm10
https://trac.macports.org/browser/trunk/dports/graphics/netpbm/Portfile
https://github.com/Homebrew/homebrew/blob/master/Library/Formula/netpbm.rb
Regards,
/Karl Hammar
---
Urs:
...
> - make lilyglyphs available to plain latex
>(instead of only xe- and lua-)
>(Karl Hammar has volunteered)
Proof of concept:
http://turkos.aspodata.se/git/musik/bin/lilyfont.readme
http://turkos.aspodata.se/git/musik/bin/lilyfont.pl
http://turkos.aspodata.se/git/
ke the use consistent regardless of the used latex engine.
That's an good idea, but I don't know how to do an \lilyGetGlyph in
latex. Maybe someone else know.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S
ck.
This is what I did one in a time (\version "2.6.5"):
g1 \[ d \melisma
% this is a fake minor calor, together with the moved b4
\once \override TextScript #'extra-offset = #'( 0.9 . -1.8)
a'1*3/4^\markup{ \beam #0.9 #0 #0.5 }
\]
(f
4.
2048 2.290 2
2560 2.5000 1 8*5
3072 3. 14 2.
4096 4. 15 1
16*5 is (here) the same as like a4~ a16
Ideas on algorithms on how to decode the durations, how do I separate
staccato from real rests, etc. are welcome.
Regards,
/Karl Hammar
--
es:
matplotlib, scipy; if you run into errors, install it by following the
instructions at http://mit.edu/music21/doc/installing/installAdditional.html
>>> s = converter.parse("/home/karl/most/music/noter/manskor/Slovenec_sem.mid")
>>> print lily.translate.Li
t; >>>> from music21 import *
> > music21: Certain music21 functions might need these optional packages:
> > matplotlib, scipy; if you run into errors, install it by following the
> > instructions at
> > http://mit.edu/music21/doc/installing/installAdditional.html
y
> updating the manual with recommendations about what may be used
> gainfully for what kind of task.
To do that it would be nice if "someone else" selects, say, 10
midifiles together with pdf's, so we could compare the results.
> At the c
/Requiem,_KV_626_%28Wolfgang_Amadeus_Mozart%29
Anyone is welcome to help or give advice.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
le makes it harder to read in low light condition, especially for
older people, to the point, for vocal scores, that the text becomes
unreadable. My recommendation is to have it thicker.
Let him, or an older friend, try to read it in low light, and then
decide which o
csto Vsop \Lsop
\lyricsto Valt \Lalt
>>
}
% file score_B.ly
mus_sop = {
\clef soprano
}
mus_alt = {
\clef alto
}
\include "music.ily"
\score {
\new ChoirStaff <<
\new Staff \Msop
\lyricsto Vsop \Lsop
\new Staff \Malt
\ly
incomplete. I looked at
http://lilypondblog.org/ and Urs has some ideas wich I havn't been
able to digest it yet. Anyone intereseted in theese kind of problems,
and how to apply it to this music ?
Regards,
/Karl Hammar
---
fs13.pdf
http://imslp.eu/files/imglnks/euimg/e/e8/IMSLP16987-MozartNMA-K626fs14.pdf
http://www.mutopiaproject.org/ftp/MozartWA/KV626/dies_irae/dies_irae-a4.pdf
http://imslp.org/images/e/ea/PMLP02751-Mozart-K626FSeul.pdf
but I don't know much we can use them due to copyright.
Regards,
/Karl H
ly use data structures. But I don't know
how to do my own datastructures in lilypond except simple variables.
And I wounder if you cannot do the above without to much writing
and in plain scheme/lilypond (i.e. mostly following notaion.pdf and
without going "too" deep into scheme, where the
ms
I was wrong about the "only" thing). Any other data structures you have
to implement yourself.
Searching what \putMusic means leads eventually to
scheme-lib/lalily/storage.scm where define-class is used:
(define-class ()
(children #:accessor children #:init-thunk make-hash-
riginal.
Regards,
/Karl Hammar
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Aspö Data
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y] be overcome?
Cannot answer thoose two right now.
Regards,
/Karl Hammar
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Aspö Data
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lilypond-u
David:
...
> http://www.lilypond.org/doc/v2.16/Documentation/notation/typesetting-gregorian-chant
...
> At the second '\divisioMinima' (the whole line reads: c' \divisioMinima
> \break) the anomaly occurs.
I see it. It do seem to work with version 2.17.25.
" in the documentation, or
is it best to read others files to find solutions to problems. I
think I tend to read my old files to see how I did there for a similar
problem.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-7
Do anyone know how to make "punctus perfectionis/divisionis" in
mensural music (in lilypond) other than using hackery ?
I'm using the example from:
http://turkos.aspodata.se/noter/diamm/
http://diamm.nsms.ox.ac.uk/moodle/
Regard
in that sense the concept of a bar/measure is clearly there.
In some ways you could say that the the brevis was what is a
bar/measure today.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140
mit, branch, diff etc. without internet connection
> that way I can work on a train, for example
> - this makes the commit often & early paradigm easy
With svn/cvs you need more-or-less a permanent connection to
"the server". With git I can work off-line and update
Commenting away
the midiInstrument, the panning comes out as it should.
Has anyone experienced this, can anyone recommend another midiplayer?
Hälsningar,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sverige
k for 50 instruments (lcr), 40 fails (ccr or crr).
Semms I'm using freepats in the future, thanks.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
__
n I simply \input{I-systems.tex} in
my latex file.
Have a look at
http://turkos.aspodata.se/git/musik/WAMozart/requiem/
///
The above is basically a manually run lilypond-book thing.
Regards,
/Karl Hammar
---
As
daily, weekly, monthly or longer basis.
But where is the money ?
I did a plain Mozart requiem for the local choir and got ~100EUR for
30 choirbooks:
http://turkos.aspodata.se/git/musik/WAMozart/requiem/
http://turkos.aspodata.se/ch
the choirbook in press.
///
Folded A3 (i.e. A4 per page) seems to be a little to large to hold
confortable, the pages tend to fold over.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhamma
e bent flat,
parallell to the paper surface.
I've found out that the normal "stapling pin end profile" the paper
tends to get broken at the stapling, and I have formely put a stripe
of transperant adhesive plastics in the inside spin
Calixte:
...
> Or have a script/feature/tool that automatically counts measures : it would
> be able to put bar numbers in comment,
...
You can try:
http://turkos.aspodata.se/git/musik/bin/addnum.pl
it works for me...
You're welcome to suggest changes.
Regards,
/
to work a little bit
> harder, but this should get you started.
Not your desired solution, but you could use bar numbers as "bar"
indications:
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
the above puts bar numbers on every bar.
For me
3 . 2)
\time 3/1
% some magic things to make two time signs to be shown
\once\override Staff.TimeSignature #'style = #'single-digit
\time 2/1
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Swe
[about \scaleDurations]
> Ah, thanks! That makes perfect sense. If I understand correctly, it would,
> however, mean inputting everything in halved note values?
Have a look at:
http://www.lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#scaling-duration
Regards,
/Karl
riosum/motet/
http://turkos.aspodata.se/noter/victoria/o_quam_gloriosum/motet/all.pdf
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173
/turkos.aspodata.se/git/musik/bin/miditoly.pl
neither program is perfect, my program is more to the experimental
variety. If you need help with the conversion, feel free to ask for more
help.
> then you can read this page:
> http://lilypond.org/doc/v2.18/Documen
empo = 60*1000*1000 / "\tempo 4 value"
and
6000 / 82.3 about= 729040.09720534629404617253
I doubt that truncating/rounding that to a int vould cause any problem.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö
that doesn't work (good enough)
> I'll try your program and ask you again.
You are welcome.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
___
y root.
You might prefer some other location than /usr/local/guile
Regards,
/Karl Hammar
Thomas Morley:
> And I have absolutely no idea why your image is in my reply :(((
> I didn't see it, I didn't attach it. Wtf
It was in the html part and not in the plain-text part of his mail.
Regards,
/Karl Hammar
ilyponds postscript.
Any suggestions ?
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
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old/older printers as long as service parts are
available.
Regards,
/Karl Hammar
---
Aspö Data
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s, and PostScript
> compatibility requirements, and I predict there will not be an
> overwhelming number of choices.
No, the number of choises seem to be in the wincinity of zero, at least
for new printers.
Regards,
/Karl Hammar
---
Asp
ar PostScript interpreters barf. Maybe that's fixed in
> master now?
I'll try that, though there where some problems with the guile version
and some fonts last time I compiled lilypond.
Regards,
/Karl Hammar
---
A
Andrew:
> Can I ask why you don't use matte paper?
I try to, is there some you works good for lasers and that you can
recommend?
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhamma
compared to
my usual postscript printers.
If you have any advice to get it working I'd be glad.
My only intent with it is posters, photos, covers, and large sheets of
music for organ works and such where you don't
o give my
perfect matte blacks, but they have problems with the resolution, the
black edges are not straight. The blacks don't cover the whole black
area, there are small white dots all over where the the ink didn't get.
The Epson is a litte better.
Re
d of
converting what I have just because the printer is too stupid to
understand it. If possible I require all printers I buy to have
postscript, the exception is large format inkjets.
Regards,
/Karl Hammar
---
Karlin:
...
> Karl, what make and model was your surge-damaged printer? It will be
> easier to recommend another printer if we know what product families
> worked well in the past. There's even a slim chance that replacing a
> circuit board could get the old one going again.
I h
mill
colour laser ?
Why should I expose singers and players with subpar sheet music, aren't
we artists of producing beautiful sheet music. There is no reason to
degrade your results by using, in the end, a bad printer.
Regards,
/Karl Hammar
-
#x27;d be happy with the Kyocera for
prepress.
Regards,
/Karl Hammar
---
Aspö Data
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r the links, I'll will follow
them up.
Regards,
/Karl Hammar
---
Aspö Data
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Karl:
> David:
...
> > I just
> > recently removed a Ghostscriptism (using max/mix operators) that would
> > have made regular PostScript interpreters barf. Maybe that's fixed in
> > master now?
Yes, I see it.
> I'll try that, though there where some pro
Urs Liska:
...
> * Mensural notation
...
Feel free to use:
http://aspodata.se/choir/ensemble/TomasLuisdeVictoria/o_quam_gloriosum/motet/o_quam_gloriosum.pdf
http://aspodata.se/git/musik/TomasLuisdeVictoria/o_quam_gloriosum/motet/
Regards,
/Karl Ham
e adjusted or
replaced when using a newer lilypond.
Regards,
/Karl Hammar
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Aspö Data
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https
lef use which I can switch between
them in magnificat.ly by commenting:
\include "clefCem.ily"
%clefCem = \clefCemOrg
clefCem = \clefCemMod
...
\score {
...
\new GrandStaff <<
\transpose c \pitchTranspose \new Staff = "up"
; here to exemplify things.
The last link should be:
http://aspodata.se/git/musik/Franz_Zaver_Brixi/haec_est_dies/
Regards,
/Karl Hammar
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sA }
nameA = {}
staffA = \new Staff \with \nameA << \voiceA ... >>
%%%
\score {
<<
\new ChoirStaff <<
\staffA
\lyricsto voiceA \lyrA
...
>>
...
>>
}
Regards,
/Karl Hammar
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N
\daCapo
\bar "|."
the result can be seen in the last page of:
http://aspodata.se/choir/ensemble/_nxt_/bwv128_d.pdf
Regards,
/Karl Hammar
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Friedhelm Stümke:
> @Karl
> > the result can be seen in the last page of:
> > http://aspodata.se/choir/ensemble/_nxt_/bwv128_d.pdf
> may I suggest an additional "s" in "Menche"? It should be "Mensche".
Yes, you may!
Thank you very much
nly happens once unless you use them multiple times.
> here is attached an example in score mode where i would like "Menuetto da
> Capo" printed only in the lower voice.
> <http://lilypond.1069038.n5.nabble.com/file/t1823/Capture.png>
Can't help you since I don&
on angle ) = cos(atan(slope))
So bacically:
length of p1-p3 = length p1-p2 / cos(atan(slope))
and finally:
total height = thickness + blot / cos(atan(slope))
Well, you can't blame me for guessing.
Regards,
/Karl Hammar
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men = \markup{ Menuetto }
Men = { s2^\men s }
///
\include "a.ily"
\score {
<<
\new Staff \ma
\new Staff << \mb \Men >>
>>
}
///
\include "a.ily"
\score { \new Staff << \ma \Men >> }
///
\include "a.ily"
\score { \new St
imself/herself,
you can do it either way.
Regards,
/Karl Hammar
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stroke
/y y yst add def
} repeat
/y y ysep add def
} repeat
showpage
a a scale
0.1 setlinewidth
/xmin 0 def
/xlen 210 def
/ysep -7.1 def
/ymin 0 def
/ymax 297 def
ymax ysep ymin {
xmin exch moveto xlen 0 rlineto stroke
} for
showpage
//
Rega
0 rlineto stroke
/y y yst add def
} repeat
/y y ysep add def
} repeat
%%
/xmin 105 def
/xlen 105 def
/ysep -7.1 def
/ymin 0 def
/ymax 297 def
ymax ysep ymin {
xmin exch moveto xlen 0 rlineto stroke
} for
showpage
/
Rega
someone would be interested in improving the design, currently
it is a simple postscript markup:
kippis = \markup {
\postscript "
0 0.5 moveto
2 0.5 lineto
stroke
1 0.5 moveto
1 1.5 lineto
0.3 3 lineto
1.7 3 lineto
1 1.5 lineto
stroke
"
}
Regards,
/K
) \char ##x1f377
Good suggestion, but it is kind of too much detail, I think. And it
makes the score take up 3 pages instead of 2, guess that can be solved
by makeing it smaller.
Regards,
/Karl Hammar
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