the page cannot be
found. Is there another source for the engine that will work for lily
pond in TeXShop?
Is this [1] what you are looking for?
[1]:
https://web.archive.org/web/20141010002739/http://julovi.net/j/?p=76
-- Aaron Hill
On 2021-01-25 5:47 am, Aaron Hill wrote:
On 2021-01-25 5:19 am, John D. Berry wrote:
At one point I happily used TeXShop to do all of my Lilypond work. A
couple of years have passed and I have returned with a new Mac and I
find that I cannot get to this configuration due to an error in
pointer
utput-ps module instead with logic that appends a
new dispatch entry.
With that, I was able to use 2.22.0 and compile my original code
otherwise unchanged.
-- Aaron Hill
-5 -5 5 -1 0)
(closepath))
\markup \path #0.25 #samplePath
\markup \dashed-path #0.25 #samplePath
\markup
\override #'(on . 0.2)
\override #'(off . 0.2)
\override #'(line-cap-style . butt)
\dashed-path #0.25 #samplePath
-- Aaron Hill
tom-drum-style =
#(alist->hash-table
'((bassdrum default "tenuto" -1)
(snare diamond #f 0)
(hihat cross #f 1)))
\new DrumStaff
\with { drumStyleTable = #custom-drum-style }
\drummode { bd4 hh8 8 sn2 }
-- Aaron Hill
(list 'volta voltaCont))
2:
... = #(list '(volta #f) (list 'volta voltaCont))
3:
... = #`((volta #f) (volta ,voltaCont))
NOTE: The backtick in the third option begins quasi-quoting, which
allows you to "unquote" (using the comma) so you can reference the
defined voltaCont variable.
-- Aaron Hill
-- Aaron Hill
e former simply rotates the content while keeping the normal paper
dimensions. The latter swaps the height and width values without
rotation. See [1].
[1]:
http://lilypond.org/doc/v2.22/Documentation/notation/paper-size-and-automatic-scaling
-- Aaron Hill
rent-module) 'xyzzy 78.9)
#(format #t "\nxyzzy = ~s" xyzzy)
Parsing...
xyzzy = 123
xyzzy = -456
xyzzy = 78.9
Success: compilation successfully completed
-- Aaron Hill
wrong.
Maybe 875 [1]?
[1]: http://lsr.di.unimi.it/LSR/Item?id=875
-- Aaron Hill
on "2.22.0"
"\\@" =
#(define-music-function
(staff-position music)
(integer? ly:music?)
#{ \tweak staff-position #staff-position #music #})
\new DrumStaff \drummode { bd4 sn \@4 r4 r8 \@-4 r }
Not sure if \@ is a good name for this, but it is conveniently short
like \=.
-- Aaron Hill
MY_MAKE_MUSIC ("RestEvent", @$);
else
n = MY_MAKE_MUSIC ("NoteEvent", @$);
set_property (n, "duration", $2);
set_property (n, "drum-type", $1);
$$ = n->unprotect ();
}
-- Aaron Hill
#'(-1 . 1)
\vertical-ruler #'(0.9 0.6 0.3) #CENTER #'(-1 . 1)
Staff.TimeSignature
\stencil-guide \horizontal-ruler #CENTER #'(-1 . 1) NoteHead
\stencil-guide \vertical-ruler #green #LEFT #'(-1 . 1) Accidental
bes4 a8 g 2
}
-- Aaron Hill
On 2021-03-01 7:13 am, Robin Bannister wrote:
And if you are fed up with baseline-skip you can set it to 0,
and it then stays 0 whatever the font-size.
[...]
no-bs = #'(baseline-skip . 0)
[...]
Was there intention behind that variable name? ;-)
-- Aaron Hill
nally, if you need a mixture of Hairpins that either extend to the
note or stop at the barline, then you might want to define a helper
variable:
extend = -\tweak to-barline ##f \etc
\fixed c' { \time 3/4 g2 a8 \extend \< b | \time 2/4 cis'2 \! }
-- Aaron Hill
(remove-hairpin grob))
\new Staff \with {
\consists \extendHairpinsAcrossTimeSignature
}
\fixed c' {
| \time 3/4 g2 a8 \< b | cis'2 \! r4
| d'4 \> cis' b | \time 2/4 ais2 \!
| g4 fis8 \< g | \time 3/4 a8 \! b a2 \>
| g4 \! f e | \time 2/4 d2 \bar "|."
}
-- Aaron Hill
On 2021-03-13 6:11 am, Christian Masser wrote:
[...]
mySoloChordsA = \chords {
c1 f g c
}
[...]
I think you want \chordmode, not \chords, when defining the variables.
\chords { ... } is shorthand for \new ChordNames \chordmode { ... } if I
recall.
-- Aaron Hill
"|." }
The parameters to \offsetGlissando are delta-Y values for the left and
right bounds respectively. If there are multiple glissandi, then the
arguments should be lists of numbers, each value corresponding to a
particular glissando. Shown above is an untangling of the crossing
glissandi, which the coloring should make clearer.
P.S. I am ignoring the possibility of broken glissandi, as they are not
supported by default.
-- Aaron Hill
;(0 . 0)
\tweak details.note-head-gap #(- 0.2 (/ further 2))
\tweak extra-offset #(cons (/ further 2) 0)
\laissezVibrer #})
\fixed c' { \time 3/4
\repeat percent 2 {
b2 c'4
g8 a b2 \extendedLaissezVibrer #4
}
\bar "|."
}
-- Aaron Hill
family name, so it should read "Odin
Rounded". I tested it on Ubuntu, but it should work the same on
Windows.
-- Aaron Hill
ue).
See if something like this might work for you:
\version "2.22.0"
\new Voice
\with { \consists "Pitch_squash_engraver" }
{
\improvisationOn \omit Stem
\repeat unfold 8 { 4 }
}
-- Aaron Hill
Notation reference.
[1]:
http://lilypond.org/doc/v2.22/Documentation/notation/displaying-chords#index-chordNameExceptions-2
-- Aaron Hill
l = { \time 4/4 \key f \major \tempo 4=100 }
chordNames = \chordmode { f1:maj7 e:7 a:m bes/c }
\score {
<<
\new ChordNames \chordNames
\new Staff <<
\new NullVoice \global
\slashesForMusic 4 \chordNames
>>
>>
\layout {}
\midi {}
}
-- Aaron Hill
.0 to compile.
-- Aaron Hill
test.midi
Description: MIDI audio
terface trans grob source)
(if (= 0 (modulo (bar-num) 2))
(ly:grob-set-property! grob 'transparent #t))
\new Staff
\with { \consists \hideEveryOtherBarLine }
\repeat unfold 10 { b'1 }
-- Aaron Hill
% - Whitespace needed between pitch and octave mark.
%%* So potentially, three additional characters needed.
%% -
NOTE: I only used a colon above as it was not yet a defined symbol.
However, colons are used in LilyPond syntax as the short-hand for
tremolo repeats. So, almost certainly a different character would be
better.
-- Aaron Hill
e-pitch -1 2 NATURAL))
(v . ,(ly:make-pitch -1 3 NATURAL))
; ...
))
\language "numeric-english"
{ zero'4 four'8 five' two'2 }
\language "numeric-roman"
{ z'4 iv'8 v' ii'2 }
NOTE: I've abbreviated the definitions above, but you should be able to
continue the patterns as needed.
-- Aaron Hill
one wonders what the magic 1/2 means. Technically, I should
have used ,NATURAL in place of zero in the original list since that is
also a magic number.
-- Aaron Hill
c #})
{
\override Score.BarNumber.break-visibility = #all-visible
\set Score.currentBarNumber = 7
R1*3 \bar "||" \skipBarNumbers 3 R1*2
}
-- Aaron Hill
2 {b,32 ds} |
\repeat tremolo 12 { <> <> } |
}
Your chord syntax appears incorrect. Consider:
\version "2.22.0"
\language "english"
\relative
{ \time 3/4 \clef bass
\repeat tremolo 12 { b,32 ds } |
\repeat tremolo 12 { 32 } |
}
-- Aaron Hill
d:m7.5-
\set chordNameExceptions =
#customChordNameExceptionsUsingChordMode
d:m7.5-
}
-- Aaron Hill
I
\new Lyrics = belowII
\context Lyrics = aboveI \lyricsto upper { Up -- per one }
\context Lyrics = aboveII \lyricsto upper { Up -- per two }
\context Lyrics = belowI \lyricsto lower { Low -- er one }
\context Lyrics = belowII \lyricsto lower { Low -- er two } >>
\new Lyrics is used four times because we need four distinct Lyrics
lines (two stanzas each for two voices).
-- Aaron Hill
-property first 'elements)
(ly:music-property second 'elements)))
first))
ka = \mergeChords \ja \jb
kb = \mergeChords \ja \jc
kc = \mergeChords \jb \jc
\new Voice \fixed c' { \ka[ \kb \kc] }
Could be some hidden quirks with this approach, but it does seem to
allow the manual beaming to work.
-- Aaron Hill
e (ly:input-warning (*location*)
"\\extract does not understand '~s'" which)
music
foo = { c }
\fixed c' {
\extract first event-chord \foo
\extract last note-event \foo
\extract all note-event \foo
\extract all-as-chord note-event \foo
}
-- Aaron Hill
On 2021-04-23 11:32 pm, David Kastrup wrote:
Gianmaria Lari writes:
Thank you Aaron and Jean, your code works!
But I have some trivial questions.
If I write:
\displayLilyMusic \chordmode {c}
I get:
{ < c' e' g' >4 }
It looks a good "compound music expres
rkup. Consider:
\version "2.22.0"
foo = \markup { lorem ipsum }
\markup \bold \foo
\new Staff \with { instrumentName = \foo }
{ g'^\markup \italic \foo }
-- Aaron Hill
"2.22"
tune = \relative c'' {
\clef treble
\partial 8 d8~
\repeat volta 2 { d1 | }
\alternative {
{ r2 r4 r8 d8\repeatTie | }
{ c1 }
}
}
\score {
<<
\new Staff \tune
>>
}
--[end]--
Did you mean to use \laissezVibrer?
-- Aaron Hill
the pitch
property. expand-repeat-notes! is the internal procedure that carries
over the most recent pitch. So long as you insert these events early
enough, LilyPond should do the heavy lifting for you.
-- Aaron Hill
On 2021-04-30 4:17 am, Aaron Hill wrote:
On 2021-04-30 3:39 am, David Sumbler wrote:
I want to be able to insert a note of the same pitch as the preceding
one. I don't mind what form the pitch information is in, so long as I
can use it to create a new note. It could, for example, be i
eft...
How could I do that?
P.S.: I don't wanna use skips.
Can each line be a separate score?
If so, put each in a \markup, and then right-align all the markups.
\score-lines will take a single score and return a markup list, with
each line in the score as its own markup.
-- Aaron Hill
; #'("|." ".|:" ".|")
That makes it more closely match the existing ".|:-||" as defined in
bar-line.scm:
(define-bar-line ".|:-||" "||" ".|:" ".|")
-- Aaron Hill
.gnu.org/archive/html/lilypond-user/2019-01/msg00522.html
-- Aaron Hill
e this version hosted
on lilybin [1].
[1]: http://lilybin.com/kq9t97/1
-- Aaron Hill
On 2021-05-10 6:41 pm, Ahanu Banerjee wrote:
Hello,
Can anyone provide a simple way to make a tempo marking like this: "♩=
𝅗𝅥 "
?
You should be able to adapt LSR 574 [1] to achieve that.
[1]: https://lsr.di.unimi.it/LSR/Item?id=574
-- Aaron Hill
orig)))
(y (interval-index ys (* dir rel-pos
(cons y y)
{
\override Beam.positions = \flattenPositions #NEAR
g''8 b b c'' a' b'' b'' d'
\override Beam.positions = \flattenPositions #CENTER
g''8 b b c'' a' b'' b'' d'
\override Beam.positions = \flattenPositions #(* 2 FAR)
g''8 b b c'' a' b'' b'' d'
}
-- Aaron Hill
music.
LSR 976 [3] implements its own custom engraver to support an arbitrary
number of RehearsalMarks.
[1]: https://lsr.di.unimi.it/LSR/Item?id=202
[2]: https://lsr.di.unimi.it/LSR/Item?id=575
[3]: https://lsr.di.unimi.it/LSR/Item?id=976
-- Aaron Hill
soloText = cat
soloIIText = dog
}
\new Staff <<
\partCombine
\relative c'' { g4 g r r a2 g }
\relative c'' { r4 r a( b) a2 g } >>
\new Staff \with \combineTexts <<
\partCombine
\relative c'' { g4 g r r a2 g }
\relative c'' { r4 r a( b) a2 g } >>
-- Aaron Hill
;4 b' c' |
b'4 c' d' |
}
\alternative {
{
\changeVoltaText "1., 3."
e'4 f' g' |
}
{
d'4 c' b' |
}
{
\changeVoltaText \markup \with-color #red "4."
g'4 a' b' |
}
On 2021-05-14 6:40 pm, Ralph Palmer wrote:
Excellent! Thank you, Aaron. I wish I could understand what your
function
does - how it works.
The technique involves querying the current Score.repeatCommands and
replacing any existing (volta "...") command with the user-provided
vers
h8 i
}
\new Lyrics \lyricmode {
\skip 4 | j2 k4 \skip 2.*2 | l4 m2 | n2.
} >>
-- Aaron Hill
3/4 \key f \major
f4. c'8 g4 | a2. \bar "|."
}
\book { \bookOutputSuffix "C" \transpose c c \asdf }
\book { \bookOutputSuffix "Bb" \transpose bes, c \asdf }
\book { \bookOutputSuffix "Eb" \transpose ees c \asdf }
(I might have messed up the actual transpositions, but you should get
the idea.)
-- Aaron Hill
y skipping. Lyrics
"b" and "c" start at the same time, both waiting until "a" is done.
Note that "d" continues on the second line as it is part of the same
context as "c"; however, "e" does wait until "d" is complete before
resuming lyrics in the original context.
-- Aaron Hill
r if there
is
another option. Even in this case, if no "a2" is present, it would be
really nice to have the two voices explicit, to avoid confusion.
I would imagine \partCombineApart (or its kin) can help with this.
-- Aaron Hill
pe (minor key) minor diminished major minor
minor major major
Chord type (harmonic minor key) minor diminished augmented minor
major major diminished
So if you wanted "Am Dm Am E7" then that becomes "1 4 1 5M7" in "A
minor" and "1 4 1 57" in "A harmonic minor".
-- Aaron Hill
maller number. Grobs
with a smaller outside-staff-priority will sit closer to the staff.
-- Aaron Hill
... thanks, semantic
satiation.)
-- Aaron Hill
"" " |.")
\relative {
\repeat volta 2 { c''4 d e f | }
\alternative {
{ c2 e | \bar ":|]" }
{ f2 g | }
}
c1
}
P.S. No idea about the nabble stuff... does the archive [1] at
lists.gnu.org have the data you want?
[1]: https://lists.gnu.org/archive/html/lilypond-user/
-- Aaron Hill
x27;t understand?
This is one of my utility functions:
forceHyphen = \lyricmode {
\once \override LyricHyphen.minimum-distance = #2
}
You then use it like this:
\lyricmode { And the \forceHyphen white -- robed mar -- tyrs fol -- low,
}
-- Aaron Hill
-line #1 #'(8 . 0) ##f
\score {
\relative c' { c4 d \markupStencil \squiggle r }
}
-- Aaron Hill
(make-engraver
(acknowledgers
((grob-interface engraver grob source)
(add-class-name grob)
\layout { \context { \Score \consists \SvgAddClassName } }
{ \tweak output-attributes #'((class . foo)) b'4 }
-- Aaron Hill
me of the more functional
elements of Scheme programming. (Mention the word "lambda" once, and
everyone assumes you are a pure functional zealot.) Regardless, I have
tended to favor a more imperative approach lately, something that is
likely to be more consumable for users of LilyPond.
-- Aaron Hill
ete 'class attribs))
...since the SRFI says that alist-delete does not modify the original
structure, only that it might return an alist with a common tail.
And on this point, should LilyPond provide an ly:assoc-set to pair with
ly:assoc-get that avoids potential issues with shared structures?
-- Aaron Hill
On 2021-06-29 1:45 pm, David Kastrup wrote:
Aaron Hill writes:
Hrm... would it be better to explicitly alist-copy the result from
ly:assoc-get? Actually, I guess you could do:
(alist-cons 'class ... (alist-delete 'class attribs))
Either that or not even bother about de
simple way? I want to do something like:
\mark "(" a8 bes \mark ")"
and have the parens aligned on the center of the staff.
Does LSR 902 [1] help?
[1]: https://lsr.di.unimi.it/LSR/Item?id=902
-- Aaron Hill
On 2021-06-30 9:07 pm, Aaron Hill wrote:
On 2021-06-30 9:00 pm, Mark Probert wrote:
Hi.
I've looked through docs and snippets and can't seem to find a way to
place parens around a horizontal group of notes (an "optional"
indicator for leadsheets). I've tried
\par
-3
\tenor >> }
Please advice if any mistake or missing.
\partCombineChords is not a substitute for \partCombine.
The former just sets an internal state for the part combiner, however
you must use \partCombine to invoke the combiner. Consider:
soprano = { f'4 g'4 a'4 b'4 c''2 }
tenor = { d'4 e' f'' g' a'2 }
\partCombine
{ \partCombineChords \soprano }
{ \stemUp \localFontSize -3 \tenor }
-- Aaron Hill
On 2021-07-01 10:44 pm, Aaron Hill wrote:
[...]
Also, here's a minor refactor of \localFontSize better separating some
concerns:
\version "2.22.0"
localFontSize =
#(define-music-function
(font-size music)
(number? ly:music?)
(map (lambda (m)
(ly:music-
#'(up)
\key d \major
\stemDown
( ) fs
}
-- Aaron Hill
On 2021-07-09 1:22 pm, ming tsang wrote:
I try to run the following lilypond code.
\version "2.23.3"
\markup { \note #"16" #1 }
The markup command was changed (in version 2.22, I think) so that you
now specify a duration, not a string:
\markup \note { 16 } #UP
-- Aaron Hill
staff space lower.
\override ChordName.extra-offset = #'(0 . -1)
}
\score {
<<
\new ChordNames \with \chordsOnStaff \harmony
\new Staff \tune
>>
}
-- Aaron Hill
On 2021-07-10 7:15 pm, ming tsang wrote:
I copied the snippet from the lilypond snippet repository. There is no
lilypond version information.
Last I checked, the LSR was only up-to-date with 2.18.2.
-- Aaron Hill
On 2021-07-10 8:46 pm, Aaron Hill wrote:
On 2021-07-10 7:15 pm, ming tsang wrote:
I copied the snippet from the lilypond snippet repository. There is
no
lilypond version information.
Last I checked, the LSR was only up-to-date with 2.18.2.
And confirmed at the bottom of the Contributing
t;File Name =" $#{ \filename #} }
All the more reason to leave 2.18.2 behind and just focus on the newer
versions of LilyPond.
-- Aaron Hill
y stencil that causes no additional
spacing. But supplying a suitable value for the property would let you
apply spacing to a particular score.
-- Aaron Hill
iece = "Curabitur condimentum" pad-below = 2 } \song
}
\score { \header { opus = "Integer sit amet" pad-below = 1 } \song }
\score { \header { pad-below = 3 } \song }
-- Aaron Hill
message.
What version are you running? You should have gotten this output:
GNU LilyPond 2.22.0
Processing `grob-paths.ly'
Parsing...
grob-paths.ly:4:13: error: bad grob property path
\override
BreathingSigh.Y-offset = #2.6
Interpreting music...
-- Aaron Hill
want it to appear:
\version "2.22.0"
noTime = \omit Staff.TimeSignature
<< \new Staff { \once \noTime \time 3/4 b'4 4 4 }
\new Staff { b'8 8 2 }
\new Staff { \once \noTime b'4. 8 r4 } >>
-- Aaron Hill
(Do try to keep the mailing list on all replies, so that threads do not
get disrupted and to ensure broad visibility and participation.)
On 2021-07-21 9:11 am, James B. Wilkinson wrote:
On Jul 20, 2021, at 11:16 PM, Aaron Hill
wrote:
On 2021-07-20 8:11 pm, James B. Wilkinson wrote:
I fat
Staff
\with {
\override StaffGrouper.staff-staff-spacing =
#'((basic-distance . 6) (minimum-distance . 6)
(padding . -inf.0) (stretchability . 0))
}
<< \new Staff { g,4 g g' g'' | s1 }
\new Staff { \clef "bass" s1 | g,4 g g' g'' } >>
-- Aaron Hill
/frescobaldi/frescobaldi/pull/1382
-- Aaron Hill
(>) within
midiEmph?
-- Aaron Hill
{ \foo \layout { #(layout-set-staff-size 15) } }
\score { \foo \layout { #(layout-set-staff-size 20) } }
\score { \foo \layout { #(layout-set-staff-size 25) } }
}
-- Aaron Hill
y, and it might be useful for generic note
names to be chords as well.
Key signatures do not support the generic note names as they are
processed before the top-level handler. For now, you would have to
manually specify the pitch:
\key #(ly:make-pitch 0 1 0) \major %{ equiv. to \key d \major %}
-- Aaron Hill
result via two steps, first mapping the note names
to dummy pitches chosen to be unique, then replacing those
with the real pitches, adding the articulations at the
same time.
Sigh... you got there before me. :)
It is funny how similar our approaches were.
-- Aaron Hill
once \override TupletBracket.edge-height = #'(0.7 . 0)
\once \override TupletBracket.shorten-pair = #'(0 . -1)
\once \override TupletBracket.padding = 3
\tuplet 5/4 { a16[ bes16] }
\time 4/8
r8
}
-- Aaron Hill
[1]. You need to click on the parenthetical "details" link
for each section, which then will give you the link to its PDF. Once
you are on one of these pages, there is a banner with links to the other
details pages.
[1]: http://lilypond.org/manuals.html
-- Aaron Hill
w.com/questions/2535760/python-try-except-comma-vs-as-in-except#2535770
-- Aaron Hill
message
"programming error: bounds of this piece aren't breakable"
What's the "right" way to achieve this?
\version "2.20.0"
\relative c' {
c1~
\repeat volta 2 {
c2 e2|
g2 c,2(<>)|
}
}
You should use one of the "semi-ties", specifically \laissezVibrer.
-- Aaron Hill
alignment between the
systems, which if you do want measures to line up, that would be the way
to go. With the second, each staff is completely isolated from one
another. In the example above, I added color to each staff so you can
better see the effect.
-- Aaron Hill
edDirectly \markup "Compiled directly..."
\ifCompiledDirectly \score { { b'4 4 2 } }
The logic is simple: check to see if the command-line arguments contain
the name of the file being processed.
-- Aaron Hill
/doc/v2.22/Documentation/notation/writing-text#text-spanners
-- Aaron Hill
es/34
-- Aaron Hill
27;(fixed-space
. 1.2) \bar "||"
You might need to be specific about context:
\override Staff.BarLine...
^^
-- Aaron Hill
bes8
}
\bar":|]"
}
It is possible to add some padding to the BarLine:
\once \override Staff.BarLine.extra-spacing-width = #'(-2 . 0)
\bar ":|]"
-- Aaron Hill
translate sten (cons xoff yoff)))
pocoRitMarkup =
\markup \whiteout \tiny \italic "poco rit."
pocoRit =
-\tweak stencil \overlayMarkup \pocoRitMarkup \etc
{ b'4 \pocoRit \< 4 4 4 \! }
-- Aaron Hill
no interpretation of arithmetic expressions.
You should quasiquote:
\markup \path #0.4
#`((moveto 0 0) (lineto -30 ,(* 2 25))
(lineto -20 80) (closepath))
-- Aaron Hill
Scotch Gaelic, Manx, Welsh, Breton, and Cornish poets
into their native languages for singing in each Celtic
country and at Pan-Celtic Festivals."
}
-- Aaron Hill
. Find and select a character, and the status bar
will list its Alt+Numpad code if supported. Keep a cheat sheet nearby
with the ones you use most often; though it should not take long before
muscle memory takes over. In my work, I type "blessèd" enough that I
have ALT+0232 memorized.
position
while we are looking for a full-time replacement for our previous
director. Unfortunately, it seems there are fewer folks entering the
music ministry these days, and the pandemic certainly has not been
helping.
-- Aaron Hill
e the
LyricText preceding the LyricHyphen.
-- Aaron Hill
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