t;>
}
>>
>>
}
which gives me:

how can I have the bf and the a in the second measure shared across the staves??
Thanks
Robert Garrigós i Castro
Web personal: https://garrigos.cat
Web de feina: https://techora.cat
Thanks Knute and Timothy,
I did try with change staff, but it seemed not to work, and I guess it was
because the bar wasn’t finished.
Robert
> El 11 set. 2024, a les 19:51, Timothy Lanfear va
> escriure:
>
> On 11/09/2024 17:39, Robert Garrigos wrote:
>> Hi,
>>
>
{
}
}
Which gives me this:

How can I set a wider vertical space within verses?
Thanks.
==
Robert Garrigós i Castro
Catalan translation:
'Other Regression tests for ' [LilyPond version x.xx.xx]: 'Altres proves de
regressió per a ' [Versió del LilyPond x.xx.xx]
'PDF of other regtests for ' [LilyPond version x.xx.xx]: 'PDF d'altres proves
de regressió per a ' [Versi
Thanks, Robin and Tina. Great explanations.
Robert
> El 24 abr. 2025, a les 14:00, Valentin Petzel va
> escriure:
>
> Hi Robert,
>
> > I want to move a \sustainOff horizontally but cannot find the way
>
> The problem here is that `\sustainOff` is a so called post
nce \override SustainPedal.X-offset = 1
\sustainOff
}
>>
>>
}
%%%
this prints:
but I want the sustainOff symbol right under de bf of the right hand. the
SustainPedal.X-offset is not working.
What's the right way to do so?
Thanks!
Robert
\new Voice{
\voiceTwo s4 s4
\once \override NoteColumn.horizontal-shift = #-1
4
}
>>
}
}
this doesn’t move in any case
Thanks.
Robert
aaahhh of course. Thanks
Robert
> El 25 abr. 2025, a les 17:19, Valentin Petzel va
> escriure:
>
> Hello Robert,
>
> > Why NoteColumn.horizontal-shift is not working here as usual?
>
> If you look here
>
> https://lilypond.org/doc/v2.24/Documentation/intern
Hi,
I’m working on a piano score with connected arpeggios. Connected arpeggios work
by adding some code to the layout contexts. That works fine, but how can I
override this functionality for a given bar?
Thanks.
Robert
Thanks. That worked.
Robert
> El 25 abr. 2025, a les 19:23, Diosnel Herrnsdorf va
> escriure:
>
> Maybe \once \set PianoStaff.connectArpeggios = ##f? Or set it to false and
> then to true again?
>
> Regards,
>
> On 4/25/25 12:20, Robert Garrigos wrote:
>>
s2. | s4. \crossStaff d'4.}
>>
}
\score {
<<
\new PianoStaff
<<
\new Staff = "upper" << \global \upper >>
\new Staff = "lower" << \global \lower >>
>>
>>
\layout {
\context {
\Piano
>>
}
>>
>>
\layout {
\context {
\PianoStaff
\consists "Span_stem_engraver"
}
}
}
which prints this:

Note the displaced dots and the connected stem with the high d note. How can I
fix this?
Thanks.
Robert
Thanks Kieren, I needed this
Robert
> El 18 febr. 2024, a les 13:50, Kieren MacMillan
> va escriure:
>
> Hi Robert,
>
>> adding smalls notes or different rhythms for different lyrics. Just add a
>> second voice and change the note’s sizes? Or is it ther
Yes, no problem. Either form would work.
> El 25 març 2025, a les 10:00, Werner LEMBERG va escriure:
>
>> Should we thus use
>>
>> 'D\'altres proves de regressió en PDF per a '
>>
>> to stay in sync?
>
> Oops, I mean
>
> 'Altres proves de regressió en PDF per a '
>
>
>Werner
such outdated OS that
>> I dual booted the device with Manjaro Linux. Didn't run like a new machine,
>> but still worked flawlessly and was able to use up-to-date programs, record
>> 8 audio tracks in reaper and run some shenanigans in OBS.
>>
>>
>>
done too. And that's all I'm interested right now. If it's the easier way
to that end, I don't care anymore what OS is beneath it. Hence my original
question ...
Thanks for your input though!
Best, Robert
On Mon, Jul 21, 2025, at 9:13 PM, Lucas Cavalcanti wrote:
> Why not
hey there, have only recently begun using lilypond for my
scores and I have some peculiar notions about notation.
most of the stuff I want to do I have been able to figure
out but one problem has thus far eluded a solution (outside
of marking up the hard copy with a pen that is):
I adopted th
does anybody out there know how to force an accidental to be
printed on the second of a pair of tied notes? (accidental
style 'forget does not do this, neither do cautionary or
explicit accidentals)
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s used in lilypond)?
Someone once heard it referred to as a morable or something along these
lines
Any ideas?
Thanks kindly,
Robert
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language developed by Software AG (a German company). It is possible
(but I don't know how likely) that the term originated here.
Thanks for your time,
Robert
Fairchild wrote:
Robert -
Maybe you are searching for "marcato" (Italian) or "marcado" (Spanish)
I'm using tei-emacs, lilypond 2.6.4, on
win98se.
Copied lilypond_init.el into .emacs
Copied lilypond emacs-mode files to
site-lisp\lilypond directory. This seemed
to work as here is load-path:
load-path's value is
("c:/PROGRAM FILES/TEI
EMACS/EMACS-21.3/emacs-21.3/leim"
"c:/PROGRAM FILES
Hi Lilypond folks,
I was wondering if anyone has scanned sheet music and then used Lilypond
to transpose keys (especially on a Macintosh). I've googled a bit and
haven't found a method for doing this yet. Any guidance is appreciated.
Than
Ray wrote:
I have another question now, which hopefully will have an easier answer.
Currently, my melody and lyrics match up nicely and I'm producing a MIDI file.
However, the PDF has unoptimal line breaks and I'm wondering if there's a way to
fix that:
Hi Ray,
Have you tried:
http://www.lil
omplicated piece, we were just hoping to find an easier solution.
Thanks again,
Robert
free mp3 files from Austin, TX http://bentones.us/
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Are these in the order you received them?
Gilles wrote:
Now I get postings in 2, 3, 4, 5 and up to 6 copies! The
duplication happens on "lists.gnu.org" as shown here below
[In the following excerpts, the same mail id (1FDfSF-0006PI-0B)
has produced 6 different messages]:
--- Copy 1 ---
Sean,
By following Carrick's instructions, you've told the Finder what to do
with .ly files (not with "files created by LilyPond"). Now repeat his
instructions with a .pdf file and as many other file formats that you
desire.
Best,
Robert
Sean Reed wrote:
Hi Carric
t cases.
And David, thanks for openguitar.com; I've already been back to it twice today.
Now it's back to work for me,
Robert
free music from the BenTones: http://bentones.us/
ps. If you listen to "Corkscrew" on the "Beer On The Tracks" album,
you'll see what I hav
be asked here:
fink-beginners@lists.sourceforge.net
Hope this helps,
Robert
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need to
make)
Otherwise, everything is as stated! I'm also new to LilyPond and I'm
fascinated by it.
--Robert
For more information on which versions of LilyPond are available via fink:
http://fink.sourceforge.net/pdb/package.php/lilypond
Information on X11
directory. (Could be an environment setting I need to
make)
Otherwise, everything is as stated! I'm also new to LilyPond and I'm
fascinated by it.
--Robert
For more information on which versions of LilyPond are available via fink:
http://fink.sourceforge.net/pdb/package.php/lilypond
Inform
Mats Bengtsson wrote:
[EMAIL PROTECTED] wrote:
Thanks for your suggestion, I'll check them and I will update the
tutorial.
Just one thing: are you sure that you saved your "test.ly" file (or
whatever
name) on the desktop as suggested in 7d part of the tutorial? I just want
to be sure of what happ
;>
Thanks very much,
Robert
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Robert T Wyatt wrote:
Hi all,
A couple of easy beginner questions for you:
I'm using 2.4.5 on MacOS 10.3.9. Why is there a second staff? Why does
my bar check on my chords fail?
<<
\key f \major \time 4/4
\chords { d:m | }
\relative { d'8. a16~ a8 f16 d16~ d16 d16 f16 a16
r, expecting `DRUM_PITCH'
or `NOTENAME_PITCH' or `'>'':]
Thanks so much,
Robert
Mats Bengtsson wrote:
Since it's possible to have different key signatures on different
staves in a score (for example if you have transposing instruments),
you have to specify the key signature in
Graham,
Thanks! I tried this and it works also! (More than one way to do it!)
--Robert
Graham Percival wrote:
On 4-May-05, at 9:57 PM, Robert T Wyatt wrote:
I'm using 2.4.5 on MacOS 10.3.9. Why is there a second staff?
You used << and >> , that means "do these things
h for your help! --Robert
\version "2.4.5"
\header {
title = "Diamond Bill"
composer = "Bob Stillinger"
enteredby="Robert Thomas Wyatt"
maintainer="[EMAIL PROTECTED]"
style = "Bluegrass"
copyright = "All rights reserved. 2005&qu
nt to scale it)?
2) I have just a few chords that I need to add into the melody in bars
8, 16, and 10. I haven't been able to make them work yet.
3) For another song I'll need to know whether lilypond can handle
half-diminished chords (and how to ask it to do so).
Thanks so much for your
By jove, I think I've got it now!
You are beautiful people!
You have no idea how happy this composer will be to see his song so
beautifully engraved!
I've included it below and am open to suggestions for improvement on the
lilypond entry part.
Really!
Thank you,
Robert
(now, about
By jove, I think I've got it now!
You are beautiful people!
You have no idea how happy this composer will be to see his song so
beautifully engraved!
I've included it below and am open to suggestions for improvement on the
lilypond entry part.
Really!
Thank you,
Robert
(now, about
> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html#Chord-name-chart
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> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html#Chord-name-chart
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Robert T Wyatt wrote:
> (now, about that half-diminished \chord notation...)
Found it!
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Chord-name-chart.html
Well, no, that is not quite what I want I'm afraid. Yes, the 13th
example is a half-diminished chord, and yes I
Jennifer!
That's it!
Thanks very much,
Robert
At 10:25 PM +0100 5/5/05, Jennifer Clark wrote:
Robert T Wyatt wrote:
(It yields Co7 instead of Co/, if you know what I mean.)
Any ideas?
How about:-
c:m7.5-
Jennifer
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lil
tation and d.s. al fine or d.s.
al coda, but I haven't figured out a CLEAR way to do this. Any ideas?
[In case you're curious this is written for mandolin lead with guitar
chords.]
Any help is very much appreciated!
Thanks,
Robert
http://bentones.us/
== file in question follows ==
%% Tha
If one played b c b as a triplet, then this is what I would call an
inverted mordent and I would use a mordent with a slash through it.
Can I make this happen (2.5.23)?
I did find a reference that a prall is the same as an inverted mordent.
http://www.answers.com/mordent
The prall symbol in lilyp
I don't know if it is me or a bug but dynamic marks are not pretty
italic fonts, rather they are big ugly fonts:
http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilypond/Dynamics.html
If I'm the only one with this problem, I'll post my own example of
output for help.
__
Sean Reed wrote:
hi graham, robert,
i had this as well.
han-wen made the suggestion you'll find below which remedied it,
although i believe it's intended to be a temporary work-around.
Begin forwarded message:
From: Han-Wen Nienhuys <[EMAIL PROTECTED]>
Date: 25. April 2005 21
ple in LilyPond, where a native english
speaking hacker might have used some other naming. Actually, in
Swedish, we usually use "prall" and "mordent" with the same meaning
as in LilyPond and I wouldn't be surprised if it's the same in
Dutch.
/Mats
Robert T Wyatt wrote:
If on
At 5:47 PM +0200 5/11/05, Mats Bengtsson wrote:
3) I need to move a lot of my chords left an eighth note. That is,
the correct pattern is largely 3/8, 5/8. I'm still trying to figure
out how to implement this well (do I need to use--a plethora
of--silent rests?--shudder at the thought). Also, I
Mats Bengtsson wrote:
Robert T Wyatt wrote:
2.5.23 MacOS 10.3.9
1) First, a possible bug: My glissando in the first measure
dissappeared (but the gliss between measures 11/12 is present). I
think it happened when I implemented the voltas (please correct my
pluralization if I have it wrong
Robert T Wyatt wrote:
2.5.23 MacOS 10.3.9
> 4) I wish to move the volta braces above the chords.
Is this still the only known solution to this question?
http://lists.gnu.org/archive/html/lilypond-user/2002-09/msg00297.html
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I forgot all about Tips and Tricks.
Thanks a bunch,
Robert
Mats Bengtsson wrote:
Definitely not, take a look at the example called
volta-chord-names.ly in the Tips and Tricks document
for version 2.5. The explanations in the example are
somewhat misleading (I will correct it) since it mentions
rgrtw/lilypond/stillinger/DalmatianStrut.pdf
(just remove the filename to see the directory listing)
Thanks again Mats!
Mats Bengtsson wrote:
Robert T Wyatt wrote:
Mats Bengtsson wrote:
Robert T Wyatt wrote:
2.5.23 MacOS 10.3.9
1) First, a possible bug: My glissando in the first measure
dissappeared (but t
see the directory listing)
%% Thanks to the makers of LilyPond we are able to bring this to you!
#(set-default-paper-size "letter")
\header {
title = "Dalmatian Strut"
composer = "Bob Stillinger"
enteredby="Robert Thomas Wyatt"
maintainer="[EMAI
Robert T Wyatt wrote:
Mats,
This combination did fix my problem. Thank you!
Slight correction. I had to go to minimum-length = #6 to force the one
between measures 10/11 to show up. It had been at the line wrap before.
minimum-length = #6
How should a gliss behave at the end-beginning of a line
ut.ly
Mats Bengtsson wrote:
> ... take a look at the example called
> volta-chord-names.ly in the Tips and Tricks document
> for version 2.5. The explanations in the example are
> somewhat misleading (I will correct it) since it mentions
> adding an engraver, but the example itself is rel
MacOS 10.3.9
Normally I use lilypond from the Terminal.app command line so I use
Preview to view the PDFs. Today I was using a KDE xterm so I used
kghostview to view the PDF. Turns out that cautionary accidentals are
shifted to the right when viewed this way. The parentheses are in the
correct
I hate to post this because I'm afraid that it will be a part of the
deluge of e-mail when the list server kicks back in, but are the mailing
lists needing a little kick or have they suddenly gone silent since
Saturday?
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-
sbin
- tmp
- usr - bin
- doc + more subs
- include + more subs
- info
- lib
- lilypond-1.4.9.uu1 + more subs
- local + more subs
- man + more subs
- sbin
- share + more subs
- src
- tmp
- windows + more subs
- var -
run
- tmp
greetings and hoping that you can help
us
Robert F. Mudde
and family
path to the corresponding file.
And they do.
> > Invoking `dvips -ta4 -Ppdf -G0 -u +lilypond.map -oteste.ps teste.dvi
But if I run the command without the -u +lilypond.map it works. So something
is fishy with the lilypond.map file I guess.
I run 2.0.1 redhat version as made
On Tuesday 07 October 2003 21:30, Marcelo Gomes de Queiroz wrote:
> Robert de Vries writes:
> > I have the same problem. The results of the builtin ps conversion look
> > dreadful.
>
> For me the problem was that the file /etc/texmf/dvips/lilypond.map
> was a sym
ommandline used to generate ps output looks like this:
dvips -ta4 -Ppdf -G0 -u -lilypond.map -oFranc_berger.ps Franc_berger.dvi
I cannot find the -G and the -u option in the dvips I have.
dvips tells me that it is:
This is dvips(k) 5.86 Copyright 1999 Radical Eye Software (www.radicaleye.c
A Type3 Custom A
Type 3
CMR6Type1 Built-inEmbedded Subset Type 1
CMR10 Type1 Built-in
The notes look ok at normal scale, but when scaled to 1200% th
could check. Also, describe exactly the
> command you use to produce the file.
Have a look at http://www.xs4all.nl/~rhdv/music/index.html
Robert
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As it seems that you find the package suspect, I have rebuilt the lilypond
2.0.1 from the tarball, and lo and behold, no more funny stuff! It works.
It seems that the fedora package has been incorrectly built.
I hereby offer my rpm packages for RedHat 9 on my web site.
http://www.
there a way to put the fingerings on a separate ``line'', ie not tied
to note heads?
I suspect that 1) is possible, but 2) not.
Thanks for any help. (Using 1.4.6, BTW)
Alan
--
Alan Robert Clark, Pr Eng Computational Electromagnetics
Associate Professor
ct in the first line of
``Silent Night'', attached below the .sig?, or point me to the righ place
in the manual?
Many Thanks
Alan
--
Alan Robert Clark, Pr Eng Computational Electromagnetics
Associate Professor Wits University
School of Electrical and Information E
s come out at the bottom, even though I
specifgy them first in the \simulataneous block?
Many Thanks, and all the best for 2004!!!
Alan
--
Alan Robert Clark, Pr Eng Computational Electromagnetics
Associate Professor Wits University
School of Electrical and Information Engineer
I want to extend lilypond functionality by altering an provided scheme
file
(in particular fret-diagrams.scm, adding bass fret as label).
I did the changes to the file but if I start lilypond it complains with:
;;; note: .../fret-diagrams.scm
;;; newer than compiled .../ccache/lily/fret-diagrams.
written to an other cache dir, but this can be
copied to the expected location and everything will be fine.
If I'm ready with my changes for the fret-diagram I will post it here
for feedback.
thanks you a lot,
warm regards,
robert y
Am Tue, 11. Feb 2025 um 11:36:29 AM -0500 schrieb Saul Tobin
ldi, sometimes the available Windows versions were of higher
version number that the available Mac version.
BTW, I'm using MacOS 15.5 on an iMac.
Best,
Robert
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