\textLengthOn relative to bar lines instead of following note

\textLengthOn Makes lilypond format relative to the length of the textual annotations instead of the notes. However it does this by inserting a huge gap between the note with the annotation and the next note. Is there a command that does the same thing relative to the bar lines. e.g. formats notes

Re: \textLengthOn relative to bar lines instead of following note

On 24 April 2018 at 15:41, Robert Hickman wrote: > \textLengthOn Makes lilypond format relative to the length of the > textual annotations instead of the notes. However it does this by > inserting a huge gap between the note with the annotation and the next > note. Is there a comma

Re: \textLengthOn relative to bar lines instead of following note

> ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > > > I don't quite follow what you're asking. > > Info from other threads a while back, which could assist you: > > * The action of \textLen

Re: Slurs do not work with Larsen articulations

On 24 April 2018 at 16:18, Karlin High wrote: > On Tue, Apr 24, 2018 at 9:18 AM, Robert Hickman wrote: >> The only way to create good documentation is to listen to your users >> problems and progressively make improvements. > > Yes, exactly! The LilyPond community has a proc

Re: spacer rest *

Picture wooden building blocks which some of us still might remember from their childhood. Every block has a single slot to attach stuff to. s8 8 8 are 3 distinct cubes of edge length 1. s8*3 is a single block measuring 1x1x3. Cheers, Robert > On 25 Apr 2018, at 10:09, Gianmaria L

Re: Slurs do not work with Larsen articulations

" In the context of the Learning Manual, pitches and durations are introduced in section 1.2.1. It seems like it would be unfriendly to clutter that section with a discussion about modifications coming after the note. " The problem with this attitude is that it is a website and people will enter

Re: Slurs do not work with Larsen articulations

On 25 April 2018 at 18:44, Karlin High wrote: > On 4/25/2018 12:38 PM, Kieren MacMillan wrote: >> >> Hi Robert, >> >>> Many pages duplicate content or say 'please read page xyz first' >>> because I recognise that people will enter the site from any

Re: Slurs do not work with Larsen articulations

pril 2018 at 18:54, David Kastrup wrote: > Robert Hickman writes: > >> On 25 April 2018 at 18:44, Karlin High wrote: >>> On 4/25/2018 12:38 PM, Kieren MacMillan wrote: >>>> >>>> Hi Robert, >>>> >>>>> Many pages duplicate con

Re: Slurs do not work with Larsen articulations

"As we try to make clear, the Learning Manual is intentionally not built for random access. The Notation Reference *is* built for random access." However it frequently shows up in google search results out of order and the way it is written mean that these pages often don't make sense. Just inclu

An unusual feature request concerning FiguredBass

e anything but error messages, as expected Has any of you done or seen this double BC line? Thanks in advance for any advice or suggestion. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailm

Re: An unusual feature request concerning FiguredBass

late in the evening --- I send you this provisional reply. I will come back to the matter as soon as possible. Thanks again. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo

Re: An unusual feature request concerning FiguredBass

s1*8 }\set Staff.instrumentName = #"Bass" \new FiguredBass \with { \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0.5) (stretchability . 5)) } \figuremode { < Tonal >2 < _ >2 < _

Re: An unusual feature request concerning FiguredBass

messages told me. Since I expect that more scores like this will be coming my way I have saved the skeleton as a template. Thanks again. Best regards, Robert Blackstone On 29 Apr 2018, at 19:06 , Kieren MacMillan wrote: > Hi Robert, > >> Whatever I tried, it stubbornly kept &qu

Another Figured Bass problem

rasing the \ in the pdf. Doable but maybe not worthy of LilyPond. Is there a better method? Thanks in advance for any advice. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/li

Re: Another Figured Bass problem

Hi Malte, Many thanks. It is what I needed. (I think it should be in the Snippet-collection.) Best regards, Robert On 30 Apr 2018, at 11:03 , Malte Meyn wrote: > > > Am 30.04.2018 um 10:42 schrieb Robert Blackstone: >> Dear all, >> In the Lilypond documentation it is

Re: Another Figured Bass problem

; the #3 stayed on the top line. I used the method just given by Malte Meyn. Best regards, Robert Blackstone On 30 Apr 2018, at 11:36 , David Kastrup wrote: > Robert Blackstone writes: > >> Dear all, >> >> In the Lilypond documentation it is shown how to stack B

Re: Another Figured Bass problem

Hi Torsten, A nice alternative method, one that requires some extra concentration but works well. Thank you very much. Best regards, Robert On 30 Apr 2018, at 12:51 , Torsten Hämmerle wrote: > Hi Robert, > > How about simply flipping the stacking direction? > &

Re: Another Figured Bass problem

formulated in a new thread (after I have convinced myself that I won't find it somewhere in the documentation) Thanks again, Best regards, Robert On 30 Apr 2018, at 23:09 , Thomas Morley wrote: > 2018-04-30 12:51 GMT+02:00 Torsten Hämmerle : >> Hi Robert, >> >> How

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Hi Urs, This is what your file produces with Finale 2024.5, on a MacBook with OSX 10.9.5. 05-beam_Finale_2014_5.pdf Description: Adobe PDF document (I should have compressed it a bit.) Best regards, Robert Blackstone > Hi, > > I'm trying to add support to python-ly for ex

\cadenzaOn: clefs, key signatures on line breaks

Hello! I write a music piece with \cadenzaOn and \cadenzaOff. The example below produces output without the clef and key signature after line break. Is there a possibility to display them? Also, I have second question: can the lines auto break in cadenza mode? With best regards Robert

Re: \cadenzaOn: clefs, key signatures on line breaks

Hi Thomas! I added the post via web page with use of markup. It looks like the mail engine ignored it. Nevermind, I repost the example: \version "2.19.81" \relative f' { \clef treble \key f \major \repeat unfold 10 f4 \break \repeat unfold 10 g4 \

Several questions concerning scheme-music-function

tried to fiddle around with the code of that other thread, but the hard truth is, I have no clue what Scheme is all about. Can anyone point me to an example where I can see how this is done? Thanks a lot! Robert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Several questions concerning scheme-music-function

n (even without arguments) for creating something that behaves like a function. That works nicely, thanks! As for the other problems, I haven't been able to solve them, unfortunately. I'm giving up now ... Cheers, Robert ___ lilypond-u

Re: Several questions concerning scheme-music-function

ything anyway. It's just, that with Scheme, I know, I'll never get into it, too. Ok, thanks again for the references. I think for now, I simply stay within the "out of the box" Lilypond limits. I'd have to invest hours of learning Scheme - that's not an option for t

Re: Several questions concerning scheme-music-function

Hi Urs, that looks very good! I was desperately looking for something like this most of yesterday ... Thank you, I'm sure this will help me a lot. Best, Robert Am 27.05.18 um 11:53 schrieb Urs Liska: Hi Robert, you may have a look at https://scheme-book.ursliska.de It is *far*

Re: Several questions concerning scheme-music-function

Am 27.05.18 um 12:09 schrieb David Kastrup: Robert Schmaus writes: Thanks Aaron, it's rather on-topic I guess. Or rather: I'm afraid. In your first link, there's a sample chapter of "The Little Schemer" available. You'd think that they would put something

Re: Scheme learning

ss I'll work my way through that (as well as the "Extending Lilypond" manual) first. Maybe then I'm even really hooked to see more of Scheme, who knows ... That Scheme people are a frienly lot is something I noticed right away! So thanks again for your encouragement and

Problem with arpeggio's

before I encountered this problem. 2 The testsnippet does produce the arpeggio's but I do not know how to connect the arpeggio's in the individual staves staff without connecting them across the staves. I played with the various " \set Staff.connectArpeggios"-options in the

Re: Problem with arpeggio's

n arpeggio adding %% \new Staff \with { \consists "Span_arpeggio_engraver" connectArpeggios = ##t } %%% is needed This also solved my other problem, i.e. that in my score the final chords were not arpeggiated at all. Thanks again. Best regards, Robert B

GUB GLib fail

Hello community, I have been trying to cross-build LilyPond for Windows with GUB on 32-bit Debian in VirtualBox. I have successfully ran GUB's 'make bootstrap' with some hiccups I was able to solve, but when I run 'bin/gub mingw::lilypond-installer', I get this error and am stuck: Command b

Re: Ambitus-style note heads?

Hier about clusters? See here: http://lilypond.org/doc/v2.18/Documentation/notation/single-voice#clusters > On 8 Jul 2018, at 10:28, Allen Wu wrote: > > > Hi guys, > > I am thinking about writing a piece with each note offering a range to choose > instead of being specific. Is there a way

Custom drumStyleTable and improvisationOn/Off

rking with the custom table in use. Does anyone know of way to keep this working? Thanks in advance! Best, Robert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Custom drumStyleTable and improvisationOn/Off

rking with the custom table in use. Does anyone know of way to keep this working? Thanks in advance! Best, Robert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Custom drumStyleTable and improvisationOn/Off

don't need for the score for the improvisation parts. It only needs to look good, and that it does, as usually ... Thanks and have a good night, Robert Am 10.07.18 um 22:54 schrieb David Kastrup: Robert Schmaus writes: Dear Ponderers, I'm setting up a custom drumStyleTable as described in

Re: Custom drumStyleTable and improvisationOn/Off

s could be included in the documentation - I'll try to do that the next days and send it to ... well, I'll find that out, too. Thanks again everyone! Good Night, Robert Am 11.07.18 um 00:22 schrieb Torsten Hämmerle: Robert Schmaus wrote The improvisation switch works well if one c

Re: Interactive PDF Link to Notes in Preview

this latter Mac and found that they all worked perfectly. So it seems that it is no reason (yet) to strike off MacOSX from the list of platforms we need to support. Best Regards, Robert Blackstone On 12 Jul 2018, at 10:11 , Werner LEMBERG wrote: > >>> Sadly, I can not use

Re: tie direction !?

Might be the same thing as here: http://lilypond.1069038.n5.nabble.com/Curious-thing-about-ties-td196616.html > On 26 Jul 2018, at 12:37, Thomas Morley wrote: > > Hi, > > please consider the following example: > > \version "2.19.82" > > \relative c'' { > f,1 > r4 b~ b8 a b4~ > b8 a b2. >

Re: chords name

Ming, That would be g : m7.5- / f or alternatively g : min7.5- / f Cf here: http://lilypond.org/doc/v2.18/Documentation/notation/common-chord-modifiers Best, Robert > On 12 Jan 2017, at 04:26, MING TSANG wrote: > > dear lilyponders, > > I transcribe a score, I encounter

Re: how to differentiate F1:maj and F1:maj7

That's because there is none. > On 12 Jan 2017, at 04:55, MING TSANG wrote: > > > > > dear lilyponders, > > I have the following snippet but I cannot see the difference between F1:maj > and F1:maj7 > Help is appreciated. > > God bless nImmanuel, > Ming > > > > \version "2.19.54" > \l

How can I make a markup-text with a concatanation of italic text and the \sustainOn symbol?

ign "sempre 2" with \sustainOn? Thanks in advance for any advice. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How can I make a markup-text with a concatanation of italic text and the \sustainOn symbol?

Hello Simon, Thanks for your advice. In its simple form, i.e. by adding: _\markup { \italic {sempre 2} \musicglyph #"pedal.Ped" } , it works perfectly. The other method, as in the ME you gave, it did not work. But I got exactly what I needed. Thanks again. Best regards, Robert On 2

Re: Cluster exapnded over two systems

< c c' >8 < d' d'' > \change Staff = "up" < e' c > < f'' c > } g' \change Staff = "lo" c' b a, } >> } Best, Robert Am 27/01/2017 um 19:11 schrieb Amir Teymuri: Hello Lilypond users, i wa

Re: can't move note columns in both voices at beginning of a bar

Hi Stefan, Maybe I misunderstood what it is you want. Anyway, with \new Staff { \transpose c c' << { \First \First } \\ { \makespace \Second \makespace \Second } >> } the c in the first bar is also moved. Best regards, Robert Blackstone On 28 Jan 2017, at 18:16 , Ste

Re: can't move note columns in both voices at beginning of a bar

forget "my" tweak please. And sorry for the noise. Best regards, Robert On 29 Jan 2017, at 09:38 , Robert Blackstone wrote: > Hi Stefan, > Maybe I misunderstood what it is you want. Anyway, with > > \new Staff { \transpose c c' << { \First \First } \\ {

How to draw a slur above beamed notes with their stems up.

| % 137 } As one can see, the usual tools don't work here and I have not been able to find something that does work. Can anyone help me? Thanks in advance. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond

Re: How to draw a slur above beamed notes with their stems up.

your advice is very helpful. Thanks in particular for \once \whateverUp. It will save me a lot of typing. Best regards, Robert Blackstone On 29 Jan 2017, at 10:47 , David Kastrup wrote: > Robert Blackstone writes: > >> Dear all, >> In some passages like the one s

Re: How to draw a slur above beamed notes with their stems up.

ny sentences to be read for a real understanding ... Thanks again, Robert On 29 Jan 2017, at 12:06 , David Kastrup wrote: > Robert Blackstone writes: > >> Hi David, >> >> Ref.: "You have to use \slurUp at the moment a slur is _started_, not >> when it alr

Re: How to draw a slur above beamed notes with their stems up.

ve not seen any. Best regards, Robert On 29 Jan 2017, at 12:13 , Richard Shann wrote: > On Sun, 2017-01-29 at 11:57 +0100, Robert Blackstone wrote: >> Hi David, >> >> >> Ref.: "You have to use \slurUp at the moment a slur is _started_, not >> when it

A staff change and phrasing slur problem

between b.2 an b.3 in the ME. Probably I do something wrong but I have not been able to find out what. Can someone help me out? Thanks in advance. Best regards, Robert Blackstone % \version "2.18.2" upper = { \clef treble \time 3/8 s8 s8 s8 | %1 s8 s8 s8 | %

Re: A staff change and phrasing slur problem

*very* complicated." Not for each measure. But only for some measures? Or is there an alternative that you would use? I'll first experiment a bit with your remedy. Thanks again. Bewst regards, Robert On 14 Feb 2017, at 14:37 , Urs Liska wrote: > > > Am 14.02.2017

OT: Frescobaldi crash on startup

t time. But I don't know where those are kept. Has anyone had the same issue once? And can anyone tell me where I can find the preference files ... or make a clean start some other way? Any help appreciated! Tia, Robert ___ lilypond-user mailin

Re: OT: Frescobaldi crash on startup

ere is the full console output. Any help appreciated .. I have no idea how this came about. Best, Robert default 21:44:55.514587 +0100 Frescobaldi subsystem: com.apple.SkyLight, category: default, enable_level: 0, persist_level: 0, default_ttl: 7, info_ttl: 0, debug_ttl: 0, generate_s

Re: \ottava without bracket

Hi Martin, I used \ottava #0 and it worked, albeit that there still is a very short bracket and only "8", not "8va". HTH Best, Robert Blackstone On 27 Feb 2017, at 13:42 , Martin Tarenskeen wrote: > > Hi, > > This is probably easy, but I couldn't

Re: Exited with return code -1073741819.

I've experienced this problem before. It's a registry issue. I recommend downloading the free program Wise Registry Cleaner . Best regards. ___ lilypond-user mailing list lilypond-user@gnu.org ht

Piano score, pedal problem

stainOn s4 s4 s4 | % Ped 10 } \score { \new Staff = "lower" << \newVoice = "bassLine" \bassLine \new Dynamics = "pedal" \pedal >> } %%% Any suggestions? Thanks in advance. Best regards, Robert Blackstone___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Piano score, pedal problem

tion. Would it be worth while to add a snippet for this? Best regards, Robert On 9 Mar 2017, at 13:35 , Andrew Bernard wrote: > Hi Robert, > > \set Dynamics.pedalSustainStyle = #'text > > Use Staff if using Staff context, naturally. > > Andrew > > _

Re: proportional spacing for chords?

Just a thought - you apply the SpacingSpanner modifications to context \Score ... did you already try to apply those to context \ChordNames instead? That *does* change something, but I'm not sure if it is what you want ... Cool analysis, by the way! Best, Robert Am 15/03/2017 um

Re: proportional spacing for chords?

Am 15/03/2017 um 14:54 schrieb Adam Spiers: On 15 March 2017 at 13:45, Robert Schmaus wrote: Hi Adam, you're right ... I might have changed something else. Anyway, applying the overrides to the Score seems to be the correct way. I tried your file. Maybe you'll have to insert

Re: How to shorten a tail on an eighth note?

There is a technique to make the flag smaller in general: \override Flag.font-size = #-2 for instance. That what you're looking for? Best, Robert > On 8 Apr 2017, at 16:43, Joseph N. Srednicki wrote: > > Hello: > > See the example below. > > Is there a technique

Re: emailing a pdf

t the desktop ... it's just a folder as well. I guess it rather has to do with the settings your mail program. Best, Robert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Metronome mark stem length

When I adjust my score's size with #(layout-set-staff-size N) and the score has a tempo with a metronome mark, the metronome mark's stem gets longer if the size is smaller, and shorter if the size is larger. There should be examples attached at sizes 20 and 12 to show you. The question is, how

Re: Metronome mark stem length

Thanks for the fix, but I think I'll wait for the next release. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Apple stealing "Lily"

I couldn't agree more! > On 3 May 2017, at 03:30, Andrew Bernard wrote: > > Come on guys. Lilypond is not named Lily, the app is not developed by Apple, > Apple is not stealing anything, and it has nothing to do with music engraving. > > Lilypond is not a brand and not a trademark. It's open

Re: Apple stealing "Lily"

On 5 May 2017, at 07:35, Michael Gerdau wrote: > Anybody remembering apple sueing apple records for trademark infringement? Aaand we're back with some good old conspiracy theories and household paranoia. I distinctly remember Apple Corps (i.e. The Beatles) suing Apple Inc (i.e. Apple) for c

Re: Apple stealing "Lily"

On 5 May 2017, at 07:35, Michael Gerdau wrote: > Anybody remembering apple sueing apple records for trademark infringement? Also, if I recall correctly, the lawsuit wasn't about trademark infringement at all. I think Apple Corps had an understanding with the newly founded Apple Inc that the

Re: OT: Apple stealing "Lily"

mine. (see here https://www.youtube.com/watch?v=ferle2Uovks) Still Xerox gave him access to a lot of details. Is that stealing? You tell me ... And I suggest we either leave it at that or we take the conversation off the list. Best, Robert ___

Re: Asking too much: text in the staves to cross and overexpose vertical lines

Check this link in the LSR: http://lsr.di.unimi.it/LSR/Item?id=969 It descibes how to create coloured backgrounds for markup. If you simply make that background white, it might be just what you want ... if the markup is set on top of everything else at least. Best, Robert Am 06.05.17 um

Re: One staff, two voices, two lyrics --> one above, one below

e of it ... and in the desired sequence. Best, Robert > On 9 May 2017, at 16:23, Wilhelm Kleinoeder > wrote: > > Hello. > > I have one staff, two voices and two lyrics. The bassOnewords should be > placed above and the bassTwowords below the staff. But my solution

Re: XML to .ly and Lilypond, again

ource of trouble in your system. Best regards Robert Blackstone On 12 May 2017, at 13:42 , Leszek Wroński wrote: > Dear Guys, > > first, thank you very much for the replies! > > Second, for a little bit of detective work. I have not updated my > Finale in years, so if

Re: XML to .ly and Lilypond, again

TeXShop. Ref.: "The 2.19 files might be of more interest as 2.18.2 doesn't have the problem." There is no separate and/or different 2.19 file. The .ly -file generated from the downloaded -xml-file produced the same result with 2.18.2 and 2.19.58.1. Best regards, Robert On

Re: XML to .ly and Lilypond, again

Hi Leszek, Thanks for your reaction to my post. Interesting, yes, but of little help to you. We could do a little test. What happens if you use the xlm-file that can be downloaded from this link here? https://dl.dropboxusercontent.com/u/512573/FileChute/Kyrie_copy.zip Best regards, Robert

Can an augmentation dot be parenthesized?

und a way to do that. Is it at all possible? And if yes, how? Thanks in advance for any advice. Best regards, Robert Blackstone ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Can an augmentation dot be parenthesized?

rhaps be used in some way. I'm unfamiliar with the procedure of submitting items for the snippet repository but I have the feeling that it is not for me to do it. Best regards, Robert Augmentattion-dot-parenthesizing-tests_all.ly Description: B

Re: help to tie individual note to a chord

ld actually use \voiceOne, \voiceTwo etc. and \oneVoice? Best, Robert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Chords in LilyPond

/Gb/F instead of having the root chord Bb-7 in each chord all the time. It would be great if there were an easy possiblity to suppress the chord and just leave the bass there. Right now that is not easily done ... Anyway thanks for putting all that effort into this! All the best, Robert

Re: Problem with repeat

ation/bars.en.html#bar-and-bar-number-checks Best, Robert Am 28.05.17 um 19:42 schrieb Bernhard Kleine: The attached excerpt has an errorneous repeat sign at measure five since the text starts there. However the repeat sign before measure three is also valid for the text which, however, starts a

Re: Problem with repeat

Hi Bernhard, I played a liile bit with your example and I got a result that seems to be what you want. Best regards, Robert Blackstone T-u-M-Jerry-Estes-Sing-Jubilate-Deo_test2.ly Description: Binary data On 28 May 2017, at 19:42 , Bernhard Kleine wrote: > The attached excerpt has

Re: Chords in LilyPond

recording called "Enigma" (written by JJ Johnson) which contains such chords. I guess there is no established symbol for these chords, but in that arrangement they were denoted "p4" as in Ab(p4). The p4 stands for - in my assumption -

Re: Multiple voices and rest position

HI Johan., write b8 \rest instead of r b8. That's all. Groet, Robert Blackstone On 31 May 2017, at 23:17 , Johan Vromans wrote: > Hi, > > In the attached example, I would like the 8th rest symbol at the same level > as the 8th notes. See the right side of the attached imag

Re: Halving/doubling durations

Hi Peter, if you use Frescobaldi for writing your music (and I very much can recommend that!!), it has a lot of such things built in. http://www.frescobaldi.org/index.html Best, Robert Am 14.06.17 um 12:02 schrieb pe...@chubb.wattle.id.au: Hi Folks, Lots of older music is written in

How to change the position of an expressive mark relative to a beam in another voice

= #4.5 \once \hideNotes g'1^^ } } \\ {\slurUp \unset fontSize \stemUp c'16 [es'8.] s2.} >> } % Somehow LilyPond insists that the beam remains on top, or that the marcato mark remains below the beam. Any suggestions? Thanks in adv

Re: How to change the position of an expressive mark relative to a beam in another voice

n, unusual as it may be, is very effective. Reengraving it with LilyPond is not a walkover. In some places it has 8 voices. Robert On 23 Jun 2017, at 12:09 , Andrew Bernard wrote: > Hi Robert, > > May I ask who the composer is? It is unusual notation. In fact, one wonders > w

Re: How to change the position of an expressive mark relative to a beam in another voice

Hi Urs, Am I sure it is not simply an engraving error? I am never sure of anything, but since in this piece of 86 bars it occurs 31 times I think it is unlikely that it is an engraving error. Best regards, Robert On 23 Jun 2017, at 12:35 , Urs Liska wrote: > > > Am 23. Juni 2

Re: How to change the position of an expressive mark relative to a beam in another voice

Y-offset in my MWE the marcato mark sits again, or still, underneath the beam. If I could enlarge and shift just the marcato mark and leave the notes at their default size and position things would be OK. Robert On 23 Jun 2017, at 12:19 , Andrew Bernard wrote: > Hi Robert, > >

Re: How to change the position of an expressive mark relative to a beam in another voice

Hi Malte, Perfect! Two solutions in one example. Many thanks. Robert On 23 Jun 2017, at 13:08 , Malte Meyn wrote: > > > Am 23.06.2017 um 12:00 schrieb Robert Blackstone: >> In this particular composition this figure occurs many times in slightly >> differe

Re: How to change the position of an expressive mark relative to a beam in another voice

Hi Malte, I resend this reply because my previous one did not contain your message. My message is the same: Perfect! Two solutions in one example. Many thanks. Robert On 23 Jun 2017, at 13:08 , Malte Meyn wrote: > > > Am 23.06.2017 um 12:00 schrieb Robert Blackstone: &

Lilypond.org is down

Hi everyone! I just wanted to inform you that lilypond.org is down. Have a nice day! Robert ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: barNumberCheck breaks multi-measure rests?

Hi Andrew, It's not the bar number check that breaks the MM rest, it's the separation of s1. * 17 into pieces of 9 and 8 measures that does. Why don't you insert the check at bar 18 and keep use s1. * 17 - that should be ok also. Best, Robert > On 13 Jul 2017, at 02:

Get the paper size in scheme

find a variable holding the paper size. I want to ask you where to find the paper size or how to overpass this problem? Robert <>___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Warning: g_spawn_sync failed (0): gs: Failed to execute helper program (Invalid argument)

Hi, I downloaded the latest unstable branch (2.19.65) and tried compiling a score. Afterwards, gspawn-win32-helper.exe got quarantined in my AntiVirus software (McAfee), which has never happened to me before on any of the stable or unstable branches. Now my score won't compile ewith the title

Re: Re: Warning: g_spawn_sync failed (0): gs: Failed to execute helper program (Invalid argument)

Thanks, but I found the solution. I simply inserted gspawn-win32-helper.exe into the McAfee excluded list for Real-Time Scanning. And, just to make sure, I also inserted gspawn-win32-helper-console.exe there too. Also, I apologize for mispelling "with" as "ewith" in the third sentence of my p

Key signature on multiple staves

Hi, How do I set the key signature to appear on multiple staves without manually setting \key for every staff? This question was asked around ten years ago (see http://lists.gnu.org/archive/html/lilypond-user/2007-09/msg00333.html) and still doesn't seem to have been resolved. Thank you for

Re: Key signature on multiple staves

On 31/08/2017 11:00, Robert Murdoch wrote: Hi, How do I set the key signature to appear on multiple staves without manually setting \key for every staff? This question was asked around ten years ago (see http://lists.gnu.org/archive/html/lilypond-user/2007-09/msg00333.html) and still

Re: Key signature on multiple staves

I'm really sorry, everyone. I did not mean to come across as rude. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Is it possible to insert a "break" in a ottava bracket?

Hi, I can't imagine there's any problem at all with having a \break within an "ottava-zone". have you tried it? and should it be obvious what the grace spacer is for? Best, Robert Am 07.09.17 um 18:01 schrieb Caagr98: I currently do it with the code below. It works, bu

Re: Is it possible to insert a "break" in a ottava bracket?

x27;t have any other solution as well. If you can live without proper midi generation, you might just fake the ottava bracket with a text spanner. But let me be the first to call that a very poor approach ... Best, Robert > On 7 Sep 2017, at 18:45, Caagr98 wrote: > > Oops, I guess

Re: Problem with Codas

I think codas are formatted like this in most professional music scores. This example was made in MuseScore. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

I Too Have Problems with Codas

Hi, For some reason my reply to Shamus Hammons' "Problems with Codas" post hasn't shown up after half an hour, so I'll post about codas here instead. It is practically impossible to set up a coda properly in LilyPond. In most scores I've seen, the main score and the coda section are separated

Re: I Too Have Problems with Codas

On 17/09/2017 16:50, Thomas Morley wrote: http://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01027.html Old code, perhaps not the best one, but it _is_ possible. Ok, I'd never suggest to put something like that into our source. Also, I never put it in the LSR because I felt it's a too

Re: I Too Have Problems with Codas

On 17/09/2017 17:44, Thomas Morley wrote: 2017-09-17 18:28 GMT+02:00 Robert Murdoch : Anyway, I tested the code and am unfortunately getting errors with 2.19.65. Here's the log file: [...] Did you try convert-ly? Cheers, Harm I forgot about that until I'd already sent my p

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