Dear team.
The links to the changes:
http://lilypond.org/doc/v2.12/Documentation/topdocs/NEWS.html/index.html
are also broken.
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ted
to use a stanza to add this, eg:
\set stanza = \markup {\medium Pro ‐}
This works as expected, but unfortunately the dash "-" doesn't looks
like the dash which usually indicates a word-continuation (Entered
uding "--"). Does anybody know, how to get exactly
Thank you for your response.
I just wanted to know, whether there is an easier way to archieve this?
Yours, Robert Clausecker
Am Donnerstag, den 02.09.2010, 01:06 +0100 schrieb Neil Puttock:
> On 31 August 2010 13:42, Robert Clausecker wrote:
>
> > I want to write a small
As I sad, the problem is, that the usual dash (-) symbol is not really
looking like the hyphen. My question was, how to archieve it to display
a hyphen which looks very similar to the one generated by lilypond.
(Which seems to be rather a line than a character).
Yours, Robert Clausecker
Am
--- snap ---
?
To fake two RehearsalMarks to appear at the same time I add a grace note spacer
between them:
\mark "AA" grace { s16 } \mark "AB"
Best, Robert
Am 05.10.2010, 13:32 Uhr, schrieb Tim Rowe :
I have a coda immediately following a D.S., and have tried to mark it
up
um-X-extent = #'(-1 . 2)
before the treble clef and find suitable values.
Best, Robert
Cheers,
Valentin
PS - Hans: as you can see, your bug could be demonstrated with a much
smaller example, please keep that in mind when you encounter such
problems. http://lilypond.org/tiny-examples.html
y larger values to see some effect.
head/foot-separation is only *listed* (within the *horizontal* dimensions
context???), but *not documented*.
Best, Robert
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Dear All,
I am looking for .ly files for the parts for Brandenburg #3. I know that they
existed on www.mutopia.org at some point but they are not there at present.
If anyone has these, it would be a great help on a project.
Thanks!
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-
Von meinem Fliewatüüt gesendet.
> On 3 Mar 2014, at 23:31, Simon Albrecht wrote:
>
> Am 03.03.2014 23:06, schrieb Schneidy:
>> Ok !
>>
>> Well, please find herewith a first attempt.
>> It's far from perfect; I still cannot find a way to flip all/part of all
>> grobs, but it does the job !
>
t move from version 2.16 to 17 or 18,
because the possibility to have Staffs accept chord names has been removed.
That is, however a common notation practice in jazz music. Is there an obvious
replacement for this that I haven't seen yet ... or is no one but me using that
notation style in LP?
-
Von meinem Fliewatüüt gesendet.
> On 17 Mar 2014, at 11:57, David Kastrup wrote:
>
> Robert Schmaus writes:
>
>> So, again, it boils down to whatever works. There's no standard to
>> this, and frankly, I've never experienced that as a problem. Jazz
&
Oh, I'm sorry. I was looking into the problem some months ago and found a email
correspondence between David kastrup and others about the removal of the
"accepts" technique. I have never seen that it was later replaced by this new
command.
My apologies!
Also for sending an accidental reply ju
the arguments of the \bar
command.
Best,
Robert
> On 3 Apr 2014, at 02:29, Branko wrote:
>
> just to clear up, what makes problem for me, is that 2. volta, as it is
> musicexpr in \alternative {} block, so how to put that now as a beginning of
> another repetition.. Don't kn
You can also just place \bar commands wherever you want ...
> On 3 Apr 2014, at 10:24, Peter Toye wrote:
>
> A (19th century) engraver has put repeat marks in the middle of the bar
> (presumably to save ink with 1st/2nd time bars). I'd like to reproduce this -
> can it be done? I can't see any
I think, if you don't specify a key at all, the music will always be "in C" (no
accidentals at the staff's beginning). Of course the notes have all necessary
accidentals.
Best, Robert
> On 18 Apr 2014, at 04:09, "a.l.f.r.e.d.o" wrote:
>
> Hi, every
f <<
\new Staff {
\clef treble
\upper
}
\new Staff {
\clef bass
\lower
}
>>
}
Best,
Robert
Am 22/04/14 20:15, schrieb Knute Snortum:
I may have found a bug in LilyPond 2.18.2 but since I'm new to
typesetting I want to run it past the list first.
The problem is a
Look for \set Staff.shortInstrumentName in the notational reference - that's
probably what you're looking for.
Best, Robert
> On 19 May 2014, at 23:18, Speldosa wrote:
>
> I have a score that looks like this.
>
> \score
> {
>\new ChoirSt
global variable is transported to all staffs ... That's how I do it, anyway.
Best, Robert
> On 29 May 2014, at 21:16, Orm Finnendahl
> wrote:
>
> Hi,
>
> in the following example, the compound timesignature is only shown on
> the top staff. Is there a mechanism to sh
> Else I can only sah
> – Improvise! Improvisation is often underestimated and an extremely valuable
> way of making music. It does of course depend on the kind of music you’re in:
> it’s possible to improvise in (almost) every style, but for some it’s more
> common. And it’s important to have
If you search for "Rhythmic Slashes" within the v2.18 snippets documentation,
you'll find another way of creating those slashes - that approach has the
advantage that the slashes will be silent in MIDI.
Best, Robert
> On 2 Jul 2014, at 23:06, Francisco Vila wrote:
>
&
If you're interested in keeping C major: if you don't supply a key at all, the
key will be C major before and after transposition. I'm no sure this can be
done with any other key ...
Best, Robert
__
In any free society, the conflict between social conformity and individ
Am 06/10/14 17:37, schrieb MarcM:
> I agree it is not easier to type but any non-techie musician will find this
> easier to read.
Well, any non-techie musician will probably not be interested in reading
the source file anyway. In my experience, "non-techie musicians" are
impressed with the resu
rkup "at start of next measure" c1
}
Best, Robert
__
You don't get rich writing science fiction. If you want to get rich, you start
a religion.
-- L. Ron Hubbard
> On 15 Oct 2014, at 06:11, user3871075 wrote:
>
> Hello,
>
> I occasionally have a rehearsa
Am 15/10/14 15:58, schrieb Pierre Perol-Schneider:
> Hi Russ, Hi Robert,
>
> 2014-10-15 8:44 GMT+02:00 Robert Schmaus <mailto:robert.schm...@web.de>>:
>
> Maybe I misunderstood you there, but rehearsal marks should be put
> at the place where
Well, it's called All *Saints* day - you can't get more nebulous (or even
imaginary) than that. A "Day for celebrating Music", now *that* would be a
truly global and human thing to celebrate ...
__
The men who radically altered history, the great creative scientists and
mathematicians, are
#x27;s a way to do this in Lilypond (you'll have to
google it or check the snippets repository) but it's not straightforward or -
to my knowledge - yet built into the current LP releases.
Best, Robert
__
The men who radically altered history, the great creative scientists
you any further ...
Best, Robert
__
The men who radically altered history, the great creative scientists and
mathematicians, are seldom mentioned [in biographical history], if at all.
--Martin Gardner
> On 13 Nov 2014, at 17:27, "Luis F. Gordillo Navarro"
> wrote:
>
>
gn"} a e'
\break
c4_\markup{ "A pseudo-lyric" } b a g
f g_\markup{ \null \vspace #0.85 "now aligns"} a e'
\break
c4_\markup{ \concat { "A pseudo-lyric" \hspace #3 "re-aligned" }} b a g
f g a e'
}
I hate the kludge required to eye-
AH, very slick. Yes, that does the trick. Thank you!
On Fri, Jan 14, 2011 at 5:10 AM, Jan Warchoł <
lemniskata.bernoulli...@gmail.com> wrote:
> 2011/1/14 Robert Stoddard :
> > The typesetting term for this is "kerning" -- modifying the space between
> > le
Undoubtedly, this is a simple request for those who understand Scheme...
How can I change the lyric extender from a solid line to a dotted one?
Nothing in the LSR or manuals discusses this.
Thanks,
Robert
www.bostonsing.org
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*The Sacred Harp, 1991 Edition (which is the dominant 4-shape tunebook) uses
dots for extenders .. see the page at the link below. Not sure whether you
all consider the Sacred Harp Publishing Company as a "reputable publisher",
but for a chunk of your user base, it's the gold sta
#":|" |
c1
}
}
>>
}
\score {
<<
\staffChoir
>>
\layout {
\context { \Score
\override SpanBar #'transparent = ##t %Turns off staff lines between
staves
}
}
}
Bu
Thank you -- moving the Timing_translator and Default_bar_line_engraver from
the Score to the Staff contexts worked perfectly.
On Wed, May 11, 2011 at 6:34 PM, -Eluze wrote:
>
>
> Robert Stoddard wrote:
> >
> > I am setting a piece in which different parts repea
Hi everyone,
I've been using Lilypond for a couple of weeks now, and I have to say
that I absolutely love it! And the magnitude of knowledge and
helpfulness in this mailinglist is just amazing.
I have a - possibly rather trivial - problem with chord names.
If I enter e.g. "g:13" and "bes:maj7
7;s nothing to change, really, but to be more specific about
the chords ...
have a good weekend,
Rob
On Thu, 02 Jun 2011 14:30 -0700, "Paul Scott"
wrote:
> On Thu, Jun 02, 2011 at 08:51:44PM +0200, Robert Schmaus wrote:
> > Hi everyone,
> >
> > I've been using
ectives for the midi output -
is that possible?
Thanks a lot.
Have a nice sunday,
Robert
\version "2.14.1"
Tenor = \relative c'' {
\clef treble
\transposition bes
c c c c
}
Bass = \relative c {
\clef bass
c c c c
}
\score {
to each other".
I'm sure there is a simple answer to that, but what is it? I've provided
an (almost) minimal example below.
Thanks in advance,
Robert
\version "2.14.1"
Opus = { \new Staff { c c' c'' } }
\paper{
#(set-paper-size "a4&q
a
book-environment, I get an error in the console ("unexpected SCM_TOKEN")
but the parameter works anyway ...
Thanks again and best wishes,
Robert
Am 7/12/11 10:09 PM, schrieb Janek Warchoł:
2011/7/11 Robert Schmaus:
What's happening right now is that, if space becomes too sm
4 g g g
R1
\chords { d1:m7 b1:min7.5- }
}
>>
Anyone know of an easy solution to this?
Thanks in advance!
Robert
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Hi Tim,
no, that's not what I've meant - I'm interested in that particular mix
of having normal notes, followed by a few bars where the notes are
replaced by chord symbols, which are printed right across the staff lines.
Best,
Robert
Am 8/4/11 8:33 PM, schrieb Tim McNamar
at is precisely what I needed!
Cheers,
Robert
Am 8/4/11 8:38 PM, schrieb Neil Puttock:
On 4 August 2011 19:27, Robert Schmaus wrote:
Anyone know of an easy solution to this?
\layout {
\context {
\Staff
\accepts "ChordNames"
}
> (I would be amused to know if they'd actually realize if someone did
> send print/PDF generated by Lilypond...)
I asked them that question, right after reading the mail that started
this thread. not that I seriously plan to participate, but the obvious
contradiction in "hand in your compositio
I even feel I have to come to those guys' defence - zero of my
professional as well as non-professional musical friends knew (of)
LilyPond before I told them, and I don't think many of them will use it
because they prefer the apparent comfort of
point-and-click-WYSIWYG-kind-of-programs. Whereas all
t enough) infuriating that rule may be - the
reason could just be publication (and maybe it was really the
*publisher* who made this rule because that's the only software they can
handle - just like publishers who run away screaming if you turn up with
a beautifully LaTeX-typeset text because i
ffer such LaTeX style
files. That would certainly be a push for LilyPond!
Best,
Robert
Grundsätzlich können wir mit allen Notendaten arbeiten, die sich
entweder nach Finale oder Sibelius konvertieren oder umwandeln lassen.
Das sind die beiden Haupt-Programme mit denen wir heute
tions in a forest of brackets, and such. I'd love to work on
it (and learn lots in the process) but someone with more experience
would ceratinly need to be the mastermind.
Cheers, Robert
On Wed, 24 Aug 2011 08:58 -0400, "Kieren MacMillan"
wrote:
> Hi Robert,
>
> > I wond
On Thu, 25 Aug 2011 02:44 +0200, "Urs Liska"
wrote:
> The publisher will want (and probably has) to have the possibility to
> edit your score - be it for more fine tuning or for corrections in a
> second edition. And for this they will only accept the programs they are
> accustomed to, that h
On Thu, 25 Aug 2011 09:23 -0400, "Kieren MacMillan"
wrote:
> Joseph (et al.),
>
> > In Finale you see straight away if it's right or wrong. In Lilypond you
> > have to recompile each time.
>
> More to the point, one of the reasons that Sibelius overtook Finale (to
> whatever degree it has) wa
If nothing else works, there is this (for command-line buffs possibly
dissatisfactory) option of online conversion at, e.g.,
http://docupub.com/pdfconvert/
This worked for me, anyway.
Nice work, Reinhold, and thanks for sharing!
On Tuesday, September 13, 2011 10:34 AM, "Damian leGassick"
wrot
o way to write a chord like, e.g. "C7b9#9" in chord symbols in
lilypond, is that correct?
Best,
Robert
On Sunday, September 25, 2011 11:32 PM, "Louis Guillaume"
wrote:
> Hi,
>
> This may be a FAQ but I can't find definitive answers by googling.
>
> I
hich deal with roman numerl chord
notation, and it doesn't quite work as automatically as you hoped. In
fact, you'd have to insert the roman numerals as lyrics.
Best,
Robert
On Monday, October 10, 2011 8:22 PM, "Stjepan Horvat"
wrote:
> Hello guys..
>
> How could i mak
re. I guess I would need to start somewhere more basic.
Could anyone please point the way?
Thanks a lot,
Robert
Am 11/9/11 8:26 AM, schrieb lilyp...@umpquanet.com:
How can I add a new chord to Lilypond's "chordmode" vocabulary?
A minor augmented triad is composed of a root, a m
Am 11/9/11 4:49 PM, schrieb Tim McNamara:
On Nov 9, 2011, at 8:45 AM, Robert Schmaus wrote:
Hi Jim& everyone,
I'm currently preparing a macro file "jazz-chords.ily" which contains (my
version of) common jazz chord notation. I will share that file as soon as it is
put *that* into the midi score ...
It's not the most elegant way, but - frankly - chordmodes staffs are
written in no time anyway ...
Best,
Robert
On Tuesday, November 15, 2011 10:40 AM, "Stjepan Horvat"
wrote:
> Hi,
> No this isn't what i wanted..I wouldent be asking i
define-markup-command (jcStack layout props jcHi jcLo) (markup? markup?)
(interpret-markup layout props
(markup #:smaller jcHi #:larger jcLo )
)
)
does anyone know what's my mistake here? and which one of the function
calls above would be the correct ones?
(Remark: I already defined
Am 11/19/11 4:07 PM, schrieb David Kastrup:
Robert Schmaus writes:
Hi everyone,
I'm trying to define a 2-argument markup command. the definition below
doesn't work, I get all sorts of errors when I call either
\jcStack{"x"}{"y"}
or
\jcStack "x" &quo
Am 11/19/11 5:46 PM, schrieb David Kastrup:
Robert Schmaus writes:
Am 11/19/11 4:07 PM, schrieb David Kastrup:
Robert Schmaus writes:
Hi everyone,
I'm trying to define a 2-argument markup command. the definition below
doesn't work, I get all sorts of errors when I call eithe
Hi Aoileann,
Each \score encloses a new piece of music. I've put a small example
below. You can give each score a new header with an individual piece
name (but not title - that's universal).
Anyway, this might be what you're looking for.
Best,
Robert
\version "2.14
Hi Peter,
try here:
http://lilypond.org/doc/v2.14/Documentation/notation/repeats-in-midi.html
Best,
Robert
On Mon, Dec 12, 2011, at 03:42 PM, Peter Gentry wrote:
> Apologies if this is a trivial question - I have spent some time
> searching the manuals without success.
> I have a four
ather popular music) first. I don't suppose it's possible
to create a template that will enable you to "simply add some notes" and
all that advanced stuff you ask for will appear out of thin air. To do
this stuff, you need to be really firm on some basics (and beyond) of
this pr
Hi Albert,
there's no \score{ .. } in your version at all (it's missing the
backslash). Also, I don't think that the Staff works the way you had it
(missing curly brackets around the musical statement, which after all
consists of more than one commmand). Actually, you might as well loose
the \clef
It works on an iPhone, so I guess it also will on an iPad. On an iPhone
it's no fun using it, really. And a problem is that I don't see a way
(yet) how to save the source file (except by copy-pasting into a mail
body) or download the pdf - that could be the same issue on an iPad,
given Apple's iOS
> 1) pick a specific work, or body of works, which are
> unquestionably in the public domain. A Dvorak string quartet?
> Beethoven piano concerto? Bach chorales? Something already in
> mutopia?
as a suggestion of rather popular pieces, I'd like to add bach's violin
concertos and/or violin par
Drop the "www" and it works ...
On 11 Feb 2012, at 09:34, Janek Warchoł wrote:
> 2012/2/11 Brett McCoy :
>> On Fri, Feb 10, 2012 at 7:24 PM, trevordixon wrote:
>>> The "Experimental Web-based LilyPond Editor" now has a name and a home at
>>> http://www.lilybin.com! Features since last update
's not all automatic, but then again, it's rather straight forward
...
More info:
http://lilypond.org/doc/v2.14/Documentation/notation/long-repeats#written_002dout-repeats
Best,
Robert
On Mon, Feb 13, 2012, at 11:55 AM, Dan Israël wrote:
> Hi,
>
> I am writing a piece
e16 d4 (b'8-.) r8
c,4 a'-. \grace a8 (b,4) g'-.
\bar "|."
}
There might be some workaround for this to work wíth the grace notes
back in, but that I haven't figured out. Then again, the grace notes are
still a problem area ...
Best, Robert
On Thu, Feb 23, 2012, at 06:1
I've used Lilypond a few times and been generally impressed. However, there is
one thing I cannot figure out: how do I leave a vertical blank space between
lines of music? For example, if I'm transcribing a chart that has a D.S. al
coda, I'd like an inch or so of space between the main chart an
Hi Michael,
the whole music is defined in a single cadenza with manual barlines in
between. so, from pov of lilypond, all the music is in one bar, thus,
the second ees doesn't sport an accidental.
Use ees! to force the accidental ...
Best,
Robert
On Sun, Mar 25, 2012, at 09:01 PM, Mi
Am 3/27/12 2:15 AM, schrieb Michael Welsh Duggan:
Robert Schmaus writes:
the whole music is defined in a single cadenza with manual barlines in
between. so, from pov of lilypond, all the music is in one bar, thus,
the second ees doesn't sport an accidental.
Thank you. Quite clear
of course - the correct approach would have been to transpose the whole
staff instead of just a bar ... 10 points go to spain, I guess ...
On Tue, Mar 27, 2012, at 09:27 AM, Francisco Vila wrote:
> 2012/3/27 Robert Schmaus :
> The transposed version is absolute rubbish ...
>
>
Hi Anders,
alternatively to Lucas' suggestion: Use s instead of r - that way you
can have NC where you put r and blank where you put s.
Best,
Robert
Am 6/22/12 6:24 PM, schrieb Lucas Gonze:
\set noChordSymbol = ""
On Thu, Jun 21, 2012 at 10:44 AM, Anders Eriksson
wrote:
this IDE become a pay service eventually (storage cost etc)?
Thank you!
Robert
On 13 Jul 2012, at 11:51, Mike Blackstock wrote:
> It's kind of 'alpha' and needs to people to try out the functionality.
>
> Not affiliated with the Lilypond project in any way, it's
Hi Vaughan,
Actually that has always been my understanding and experience of how the \skip
command works - it skips single notes.
In your case you'd need \skip 4 for the full bar.
Best,
Robert
On 13 Aug 2012, at 07:05, Vaughan McAlley wrote:
> This is a slight variation on
ld be a good time to demonstrate to publishers what Lilypond has
to offer.
Best, Robert
On 14 Aug 2012, at 08:03, "Daniel E. Moctezuma" wrote:
> Hello,
>
> I was wondering if there are (well-known) sheet music publishing companies
> (or engraving services) using GNU Lily
Best,
Robert
Am 9/14/12 9:32 PM, schrieb Stefan Thomas:
Dear community,
is it possible to get a better horizontal spacing in the below quoted
snippet?
In my opinion the distance between the 1st and the 2nd drum beat is too
large.
\version "2.16.0"
\paper { ragged-right = ##t }
percuss
omeone has experience with those).
So - unless someone has RAM to give away - I'm happy to order those for you.
Best,
Robert
-
Von meinem Fliewatüüt gesendet.
On 24 May 2013, at 15:04, David Kastrup wrote:
>
> Hi,
>
> my computer, an IBM Thinkpad T61, has 2GB of RAM in it. Wh
The Lilyponderer
-
Von meinem Fliewatüüt gesendet.
On 31 May 2013, at 23:59, Janek Warchoł wrote:
> 2013/5/31 Janek Warchoł :
>> this cannot wait any longer: there has to be a LilyPond blog.
>> Unless someone has a better idea, i'm going to create a blog on
>> WordPress.com tomorrow morning.
>
Hi Andrew,
there's a section on that topic in the notation reference (e.g. for LP
version 2.16):
http://www.lilypond.org/doc/v2.16/Documentation/notation/creating-footnotes
So, to answer your question: It is indeed!
Best,
Robert
Am 6/12/13 11:14 AM, schrieb Andrew Bernard:
Gree
On 01/08/2013 15:15, Phil Holmes wrote:
> - Original Message - From: "Robert Honore"
>
> To: "Phil Holmes"
> Cc:
> Sent: Thursday, August 01, 2013 7:25 PM
> Subject: Re: anyone got lilypond 2.16.2 to work on Windows Vista?
>
>
Nick Payne wrote:
> On 02/08/13 05:49, Robert Honore wrote:
>> Even if I try to double-click on the lilypond icon right now, the result
>> I get is that the lilypond executable appears to start, and then it
>> seems to just sit there. Then I would use the task manager to see
want me to send that? It has less than 1000 characters in it.
Yours sincerely,
Robert Honoré.
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On 01/08/2013 19:15, Urs Liska wrote:
> From what you wrote about lilypond --version I don't think the problem
> lies there. But it's probably a good idea to send the file anyway.
>
> Urs
Ok. What's the procedure for sending the file?
You
On 01/08/2013 13:33, Phil Holmes wrote:
> - Original Message - From: "Robert"
> To:
> Sent: Thursday, August 01, 2013 6:05 PM
> Subject: anyone got lilypond 2.16.2 to work on Windows Vista?
>
>
>> I have Windows Vista Version 6.0.6002 Service Pa
On 02/08/2013 04:45, Urs Liska wrote:
> Am 02.08.2013 01:24, schrieb Robert Honore:
>> On 01/08/2013 19:15, Urs Liska wrote:
>>> From what you wrote about lilypond --version I don't think the problem
>>> lies there. But it's probably a good idea to send the fi
On 02/08/2013 08:17, David Nalesnik wrote:
> Hi Robert,
>
>
> On Fri, Aug 2, 2013 at 6:56 AM, Robert Honoré <mailto:robert.hon...@gmail.com>> wrote:
>
> On 02/08/2013 04:45, Urs Liska wrote:
>
> [...]
>
>
> > If it
On 02/08/2013 12:47, Robin Bannister wrote:
> Robert Honoré wrote:
>
>> I am attempting a complete cleanup ...
>
> This would include deleting the font cache,
> or rather: _all_ lilypond font caches.
>
> I had a mix-up with these caches (on XP)
> with somewhat sim
On 02/08/2013 08:17, David Nalesnik wrote:
> Hi Robert,
>
>
> On Fri, Aug 2, 2013 at 6:56 AM, Robert Honoré <mailto:robert.hon...@gmail.com>> wrote:
>
> On 02/08/2013 04:45, Urs Liska wrote:
>
> [...]
>
>
> > If it
On 02/08/2013 08:17, bb wrote:
> Am 02.08.2013 13:56, schrieb Robert Honoré:
>> \version "2.6.0"
>> \header {
>>title = "Serial 1"
>>composer = "Robert Honore"
>> }
>>
>> global = {
>> \time 4/
On Fri, 02 Aug 2013 18:03:57 -0700 David Rogers wrote:
Robert: It seems to me that you are working very hard to outsmart
Lilypond, doing tricks that "should theoretically work if..." some
particular obscure unreliable condition is met.
David Rogers, let me assure you that I most cer
On 02/08/2013 18:34, Federico Bruni wrote:
2013/8/2 Robert Honoré mailto:robert.hon...@gmail.com>>
Please find attached lilypond_debug_log.txt and craptastic-1.ly
<http://craptastic-1.ly>.
I can compile it on linux using version 2.16.2
I get a warning about enco
On 04/08/2013 13:41, Phil Holmes wrote:
- Original Message - From: "Robert Honore"
OK - this is what I get part way through my lilypond verbose output:
Initializing FontConfig...
Adding font directory: C:/Program Files
(x86)/LilyPondV2.16.2/usr/share/lilypond/current
my system when I have LilyPond installed.
Yours sincerely,
Robert Honoré.
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ink this was the old 2.12 one)
C :\users\Trevor\.lilypond-fonts.cache-2 (these are the current ones)
Note the leading dot in the filename, so you have to set Windows
Explorer to display hidden files to see them.
Trevor
So far I have only been able to find the ~\lilypond-fonts.cache-2 file.
You
I think you'll have to go to the file menu, choose "pizza with anchovies
and blue cheese" from there, and then sing your national anthem rapidly
in phrygian mode.
Or did I misunderstand your question?
Am 8/12/13 3:30 AM, schrieb Christopher Reed:
hello can someone please help me export my fi
rescobaldi, too, which I'm
really looking forward to! (Up to now, I use Eclipse/Elysium which works
fine but is rather slow.)
That brings me to my question: I've worked through Phillippe's "recipe"
faithfully (I think). Now, when I try to la
Am 8/16/13 10:08 PM, schrieb flup2:
That brings me to my question: I've worked through Phillippe's "recipe"
faithfully (I think). Now, when I try to launch frescobaldi on the
Terminal, I get an error message
ImportError: No module named sip
Does anyone know what's the problem there?
Could y
Best, Robert
-
Von meinem Fliewatüüt gesendet.
On 17 Aug 2013, at 15:15, Robin Newman wrote:
> I too am trying to get Frescobadi working on my Mac. I have reached the stage
> of of managing to compile and install the python-poppler-qt4 library, so I
> now have lilypond compilation an
Or do you mean bends? Glissandi? Key change, even? Could you maybe send (or
point to) an example?
It seems unclear what you mean with "crescente/calante" in harmonics (as
opposed to dynamics) ...
-
Von meinem Fliewatüüt gesendet.
On 19 Aug 2013, at 17:19, Tommaso Gordini wrote:
> Sorry, I me
Hi Stephanie,
I'm not sure where the track is supposed to lead to, so it's hard to say
whether you're on the right one.
The code you've written so far doesn't do anything (and what do you mean with
"c4 do every from go from every do c4"?).
Anyway, there's a learning manual on the Lilypond we
6: Unbound variable:
key-signature-interface::alteration-position
This refers the following code, more precisely, the 4th last line of
that macro. Unfortunately, I don't speak Scheme - can anyone tell me how
to fix this?
Thanks!
Robert
#(define (jazz-keysig grob)
"stencil: jazz key
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