row, so the second will not be
printed --- it's the same chord.
--
Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
___
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zed option: `--midi'
>>
Looks like the code in lilywrap.sh that tries to work out what
arguments to give Lilypond to generate just midi is broken. I'll try
to fix it today or tomorrow, and get a new version up.
Peter C
--
Dr Peter Chubb
ding it all by hand --- especially if there is
anything between the \score{ and the first bit of real music.
lilywrap
Description: Binary data
--
Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Aust
>>>>> "Grammostola" == Grammostola Rosea writes:
Grammostola> Peter Chubb wrote:
Grammostola> When using lilywrap I get:
Grammostola> lilywrap dynamics.ly /usr/local/bin/lilywrap: 23: Syntax
Grammostola> error: "(" unexpected
Hmmm. Are you
>>>>> "Peter" == Peter Chubb writes:
Peter> You probably have dash installed as the system shell. Here's
Peter> an updated verion of the script that will work with Dash, and
Peter> will *still* work on POSIX compliant shells, but will no longer
Pete
po variations
such as rit. or stringendo, etc., etc) has to be interpreted and
written explicitly in expanded form into the midge source.
While midge could be used as an intermediate format for MIDI output, I
can't see at present what it would gain for us --- the level of
abstraction over a
r a standard binary MIDI file is very small. And the
hard bits would still be hard: understanding the textual annotations
that composers put into their scores, and interpreting them.
--
Dr Peter Chubbwww.nicta.com.au peter DOT chubb AT nicta.com.au
http://www.ertos.ni
ess you can find a
Anthony> picture of your place on the Round Table? That might be a
Anthony> good one.
Unfortunately, E.H. Shepherd is still in copyright.
--
Dr Peter Chubbwww.nicta.com.au peter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ER
d out which lilypond version it is for. Then
add a line
\version "x.y.z"
(where x.y.z is the version it is for) and run convert-ly on the
result. Then try again with LilyPond.
--
Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.
>>>>> "Iain" == Iain Nicol writes:
Iain> Hi, I've playing about with Peter Chubb's `Articulate' for
Iain> improved MIDI output. (Thanks, Peter: I wrote a less ambitious
Iain> file a bit back---and then accidentally deleted it.)
Iain> Anyway,
.
thanls for advice,
all the very best Peter
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again for all the solutions!
Peter
[..]
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(much) better soulution?
thanks in advance
Peter
Col_P24.ly
Description: Binary data
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Bergonzi very much and Seamus Blake, Wayne Shorter and many
others also.
I just figured out some Coltrane patterns to lock to his structures,
especially "Giant Steps" period, the permutation stuff ;-)
Keep swingin'
Peter
Am Wed, 21 Oct 2009 09:10:41 -0500
schrieb Tim McNamara
xt for the lyrics to
match to. But is there a neater way to get what I want?
--
Dr Peter Chubb peter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
All things shall perish from unde
me - am I missing something?
regards
Peter Gentry
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nd these caused the error message.
The resultant pdf file was always as desired.
regards
Peter Gentry
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,
Peter
--
//=
-> Peter O'Doherty
-> http://www.peterodoherty.net
-> m...@peterodoherty.net
-> https://joindiaspora.com/people/70716
//=
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lilypond-u
I have tried downloading this code as part of learning about scheme. Every way
I try is thwarted - I even down loaded the Git for
Windows stuff. I did manage to browse a file but cut and paste just produced
one long line and the download option does not work
which is a shame.
__
to ponder...:) I'm quessing you are a linux man.
Mark said
Hi Peter,
There's a link to the left of the repository address with the word "zip"
and a little icon of a cloud on it that will let you download all the files as
a zip archive. Here's the link:
https://github.com/m
Date: Thu, 18 Oct 2012 21:27:01 -0400
>From: Mark Witmer
>\version "2.16.0"
>
>\relative c' { \time 4/4 \repeat volta 2 { c d e }
> \once \set Score.barNumberVisibility = #(lambda (bar-number
> measure-position) #t)
> \once \set Score.barNumberFormatter = #(lambda (bar-number
> me
Thanks a lot.
Eventually I decided to opt for \change Staff = "other_instrument".
Best,
Peter
On 10/16/2012 05:45 PM, Phil Holmes wrote:
- Original Message ----- From: "Peter O'Doherty"
To: "lilypond-user"
Sent: Tuesday, October 16, 2012 4:13 PM
Su
Sorry for the oversight. The attached code is as minimal as I can get it.
Thanks,
Peter
On 10/29/2012 02:48 PM, Daniel Rosen wrote:
Can't really tell from the attachment. As a rule, tiny excerpts of code (which
other users can compile themselves) are more useful for debugging than PDFs.
-staff objects in vertical
spacing. As a result, there are collisions. There is no good way to
get around this save manually overriding things like Y-offset or, if
necessary, extra-Y-offset. Cheers, MS
Okay. Thanks everyone for your help.
Best,
Peter
Hi,
Is it possible to increase the space between staves, to avoid clashing,
for specific systems, i.e. not the whole piece? If so could you please
point me in the direction of the help page?
Many thanks,
Peter
--
//=
-> Peter O'Doherty
m this point onwards not
just the one immediately below - I have a score with 6 staves per system
and the clashing only occurs between two specific staves. Is this doable?
Best,
Peter
--
//=====
-> Peter O'Doherty
-> http://www.peterodoherty.net
-&g
On 10/31/2012 12:57 PM, Eluze wrote:
Peter O'Doherty-2 wrote
On 10/30/2012 11:43 PM, Thomas Morley wrote:
or
if you want to affect only a single line of the score, use
\overrideProperty #"Score.NonMusicalPaperColumn"
#'line-break-system-details #'((alignment-d
spacers rests as well. Is there a way round this?
Many thanks,
Peter
--
//=
-> Peter O'Doherty
-> http://www.peterodoherty.net
-> m...@peterodoherty.net
-> https://joindiaspora
Hi,
In unmetered/ cadenza-style passages one often finds a time signature in
the form of an 'X'. I'm sure I've seen this in the lilypond
documentation but don't seem to be able to find it. Can anyone point me
to the relevant p
Yes, great. It works perfectly.
Thanks,
Peter
On 11/06/2012 11:38 PM, Kieren MacMillan wrote:
Hi Peter,
Have you looked at this hint?
<http://lsr.dsi.unimi.it/LSR/Item?id=312>
Hope this helps!
Kieren.
On 2012-Nov-6, at 10:36, Phil Holmes wrote:
- Original Message - From:
?
regards
Peter Gentry
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cordingly.
>
>Eluze
>
I see but values outside the range >=-1 <= 1 can also be used.
Peter
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Eluze
Your solution produced this error - where did I go wrong?
Starting lilypond-windows.exe 2.16.0 [tweak.ly]...
Processing `C:/Users/Peter/LilyPool/Trials/Testing/tweak.ly'
Parsing...
C:/Users/Peter/LilyPool/Trials/Testing/tweak.ly:5:17: error: wrong type for
argument 2. Expecting s
-songbook.aspx
So, another official (and my first) publication with LilyPond.
Hopefully there are many more to come!
Thanks so much to all involved in developing this beautiful software
and all the community who are so helpful on this mailing list!
All the best,
Peter Crighton
--
Peter Crighton
Thank you, Stjepan!
I have yet to see it printed, but the book should arrive at my house
in the coming days.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2012/12/13 Stjepan Horvat :
> Hey Peter..The sample looks great!
>
> O
On 11/14/2012 07:51 PM, Thomas Morley wrote:
2012/11/14 Peter O'Doherty :
Yes, great. It works perfectly.
Thanks,
Peter
Hi Peter,
would be nice, if you could tell us which kind of solution worked for
you and how.
Adapting the LSR-snippet? Then I would be highly interested. I didn
multiplier
Message-ID:
Content-Type: text/plain; charset="us-ascii"
Hi Andrew,
Search the archives for the \put-mm function.
It's awesome. =)
Hope this helps!
Kieren.
regards
Peter Gentry
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lilypond-use
much of a
typographer.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2013/1/7 Urs Liska :
> Am 07.01.2013 12:09, schrieb Henning Hraban Ramm:
>
>> Am 2013-01-07 um 10:14 schrieb Urs Liska:
>>
>>> I'd l
rather “modern” look, in comparison to other serif
fonts. And I also found Ubuntu to be a great sans serif font for
chords and the like.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2013/1/7 Urs Liska :
> Am 07.01.2013 15:01, schrie
be rewarded.
regards
Peter Gentry
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ut or how can I get all these
cats into the bag?
_
From: james [mailto:james.lilyp...@googlemail.com]
Sent: Wednesday, January 16, 2013 9:03 PM
To: Peter Gentry
Cc: lilypond-user@gnu.org
Subject: Re: Unwanted new page at end of score
On Jan 16, 2013, at 12:45 PM, Peter Gentry wrote
nt: Wednesday, January 16, 2013 9:03 PM
To: Peter Gentry
Cc: lilypond-user@gnu.org
Subject: Re: Unwanted new page at end of score
On Jan 16, 2013, at 12:45 PM, Peter Gentry wrote:
I cannot suppress a page break which looks unnecessary - what am I doing wrong?.
I have included the example in the a
diInstrument = "clarinet" << \include "Cass_Bb_M5_L3.ly"
>> }
>>
\new Staff = "Bassoon"
<<
\new Voice = "Bass" { \transposition bes,
\set Staff.midiInstrument = "clarinet"
<< \include "Cass_BBb_M5_L4.ly" >> }
>>
>>
>>
\midi { }
}
regards
Peter Gentry
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..@gnu.org
>
>When replying, please edit your Subject line so it is more
>specific than "Re: Contents of lilypond-user digest..."
>
>
>Today's Topics:
>
> 1. Midi repeats (Peter Gentry)
> 2. Re:Midi repeats (David Kastrup)
>
>
>-----
Please find the files attached.
>
>Maybe the individual music files (of which you show none) don't contain
>volta repeats. You can let bars look like a volta repeat, but unless
>you actually write \repeat volta 2 ..., the music is not a
>volta repeat.
>
>--
>David Kastrup
>
>
%StartMarker
% Ge
Blast. Ignore me the converted files haven't all been edited . You were
correct...
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Hi List,
is there some way to put bar lines, or more specifically repeat signs,
inside a text markup? Other than recreating them with the help of
\draw-line and \draw-circle?
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighto
Hmm, that doesn’t work for me, and I can’t see why. I’m just using
\raise #0.25 \concat { \bold "|" |: }
now. That looks good enough for what I need.
But thanks for your answer anyway!
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrig
error, unexpected SCM_TOKEN
#(if (and (ly:get-option 'old-relative)
fatal error: failed files:
"c:\\windows\\temp\\frescobaldi-pkr1ne\\tmp52xhgd\\document.ly"
Exited with return code 1.
regards
Peter Gentry
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l
user.ly
file. Digging for it using judicious %s to comment out lines until you find the
offending article.
I will erect a large notice to remind me:)
regards
Peter Gentry
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in
the example below, but I would like not to have to type stem direction (or
\voiceOne) along with the "\change Staff" each time. Is that possible?
Peter Wannemacher
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efrain" \refrain
>>
\layout { }
\midi {
\context {
\ChordNameVoice \remove Note_performer
}
}
}
Thanks for help.
Ciao
Peter Schütt
--
www.pstt.de
Die E-Mail-Adresse funktioniert, kann aber u.U. in Zukunft mal abgeschaltet
refrain
>>
\layout { }
\midi {
\context {
\ChordNameVoice \remove Note_performer
}
}
}
Sorry, in German I would say I have a board before my head.
I did not find the correct solution.
Thanks for help.
Ciao
Peter Schütt
--
www.pstt.de
Die E-Mail-Adresse funktioniert, kann aber
Hallo,
[..]
> \score {
> \new Staff
>% here
>\with { midiInstrument = #"flute" }
>{
> \relative c' {
> % or here
> %\set Staff.midiInstrument = #"glockenspiel"
This was it. Thanks for help.
Ciao
like to know if I at
least can try this out to see what’s best.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
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2013/4/9 David Kastrup
>
> Peter Crighton writes:
>
> > Hello there,
> >
> > would it be possible to attach rests in a TabVoice to a different
> > line? At least whole and half rests look terribly vertically
> > off-centered, especially in four-line staffs
to center the
DoublePercentRepeat (as in a two-bar repeat).
Can anybody help?
\version "2.16.2"
{
\repeat percent 2 {
c'1 d' e' f'
}
\repeat percent 2 {
g' a'
}
}
--
Peter Crighton | Musician & Music Engraver based i
on on
the desktop. This doesn't seem to conform to the documentation.
2) Once it's compiled there's no output, just a log file without errors (see
below).
# -*-compilation-*-
Processing `D:/Peter/Music/Lilypond/Warlock1.ly'
Parsing...
Interpreting music...[8]
Prepro
-
Sunday, April 14, 2013, 1:44:33 PM, you wrote:
> Federico Bruni schrieb:
>>2013/4/14 Peter Toye
>>
>>> Just starting to try out Lilypond, and finding a few problems in
>>getting
>>> to work at all.
>>>
>&
Urs,
I realise that now! Thanks.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, April 14, 2013, 7:33:21 PM, you wrote:
Am 14.04.2013 19:27, schrieb Peter Toye:
-
>>BTW, I recommend using Frescobaldi instead of L
I'm following the "learning" manual
which uses "r" for rests.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, April 14, 2013, 6:43:02 PM, you wrote:
> Hi Peter,
">>>" (without quotes) is missing a
4, 2013, 1:38:44 PM, you wrote:
2013/4/14 Peter Toye
Just starting to try out Lilypond, and finding a few problems in getting to
work at all.
The OS is Windows 7, if that makes any difference.
which version of lilypond?
1) Double-clicking on a .ly file gets into Wordpad, and doesn't comp
fault program as I understand it. I have no idea what the
implications are - sorry.
Now I've discovered Frescobaldi it may not be such an issue. But I'm still
trying to get it to work (only tried for about a minute so far, though).
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.pto
Phil,
OIC! I'll have to think about this and don't quite have time now. Will get back
to you, probably not until later this week.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Monday, April 15, 2013, 10:39:25 AM, you wrote:
I doubt we&#x
iling list?
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, April 14, 2013, 7:33:21 PM, you wrote:
Am 14.04.2013 19:27, schrieb Peter Toye:
-
>>BTW, I recommend using Frescobaldi instead of Lilypad:
>>http:
quot;treble" \key f \minor \time 4/4 \relative c''
{ R |
}
}
>>
But I get a load of errors:
# -*-compilation-*-
Processing `D:/Peter/Music/Lilypond/Warlock3.ly'
Parsing...
Interpreting music...
D:/Peter/Music/Lilypond/Warlock3.ly:9:6: warning: barcheck
I always use R*3/4*1 the 1 can be replaced by the number of bars rest you want
- 3/4 is the time signtaure.
You also need \set Score.skipBars = ##t if more than one bars rest.
R*x/y*n is better than any rn because the whole bar rest is centered in the bar
Learning Lilypond is easy at first but
I always use R1*3/4*1 the 1 can be replaced by the number of bars rest you want
- 3/4 is the time signtaure.
You also need \set Score.skipBars = ##t if more than one bars rest.
R1*x/y*n is better than any rn because the whole bar rest is centered in the bar
Learning Lilypond is easy at first b
Janek,
Thanks. The notation for full-bar rests isn't as intuitive as I thought!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Monday, April 15, 2013, 11:22:15 AM, you wrote:
> You need to specify duration for the rest. When there'
ngs in the
documentation. As with all language systems,. you spend an awful lot of time
searching.....
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
> http://en.wikipedia.org/wiki/Immanent_Grove>___
lilypond-user mailing l
Trevor,
Thanks. 1) Got it wrong. 2) Yes it works, but not sure why. Julia much happier.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, April 16, 2013, 4:16:35 PM, you wrote:
> Peter, you wrote Tuesday, April 16, 2013 10:43 AM
>> 1) I
Phil,
Don't quite understand this, but that's the problem with being a newbie. I'd
have thought that markings all referred to the next block. But your solution
works fine. Thanks.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, Ap
Request for feedback on 'lobbying' paper
From: Urs Liska
Subject: Request for feedback on 'lobbying' paper
Date: Fri, 19 Apr 2013 23:17:08 +0200
User-agent: Mozilla/5.0 (X11; Linux i686; rv:17.0) Gecko/20130329
Thunderbird/17.0.5
Hi,
I like the tone of the paper, but I think it might be a bit
phonic and polyphonic writing. I can't work out how to start (say) a
crescendo in the middle of a polyphonic section and terminate it in a
monophonic section, and vice-versa, as LP associates the cresc with the voice,
and then complains that it's not terminated.
Is there an easy way to
ting minimumFret:
> http://lists.gnu.org/archive/html/bug-lilypond/2013-01/msg00033.html
I was also very surprised to see that option being the default. It
might be more useful in classical guitar music, I don’t know about
that. But in rock/pop/jazz music I almost never would use open strings
whe
Thanks Urs and all others who pointed out what I'd missed in the documentation.
Maybe the heading in the documentation is a bit misleading - in this particular
case the dynamic is definitely NOT attached to a note!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoy
Wim,
Thanks. As a newbie I'm a bit surprised that Lilypond doesn't do that
automatically. But at least I've got a workaround.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, April 23, 2013, 8:50:04 PM, you wrote:
What you need
Helge,
Sorry - yes. My email client appended the whole message.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Wednesday, April 24, 2013, 6:37:16 AM, you wrote:
I reply inline...
2013/4/23 Peter Toye
Thanks Urs and all others who pointed out what I&#
I find that the "Hauptstimme" and "Nebenstimme" signs as used by Schönberg can
be useful. They can save time in rehearsal letting players know who should be
on top.
Any chance of getting them put into Lilypond?
Regards,
Peter Toye
mailt
David,
Thanks. I'd not discovered that yet. But I've only been using Lilypond for
about a week.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Wednesday, April 24, 2013, 3:26:21 PM, you wrote:
Hi Peter,
On Wed, Apr 24, 2013 at 9:23 AM,
I am trying to offer alternate fingering in a piano piece. My goal
is to place the alternate fingerings (4) (2) in parentheses and
beneath the regular fingerings 5 3.
Here's what I've tried:
a_5_4 e_3_2 c e |% 5 and 3 are above 4 and 2
\parenthesize_4a_5 \
find property type-check for `flag-style'
(backend-type?). perhaps a typing error?
\override Voice.Stem #'transparent = ##t
\override Voice.Beam #'transparent = ##t
\override Voice.Stem #'flag-style = #'no-flag
Many thanks,
Peter
--
//===
Thanks a lot, Federico and Robert.
On 05/05/2013 12:49 PM, Robert Schmaus wrote:
Hi Peter,
Something *yet* easier than three overrides? Wow ...
I guess, you could pack them into a variable, like
AllOff = { \override ... }
and use the variable instead.
For yet easier solutions known to me
programming error: Glyph has no name, but font supports glyph naming.
Skipping glyph U+1001080B, file
/home/peter/lilypond/usr/share/lilypond/current/fonts/otf/CenturySchL-Roma.otf
Does anyone have any idea what the problem is?
Many thanks,
Peter
--
//=
-> Pe
I don't have any answers for you but only sympathy for a fellow struggler.
I have many years of experience with several languages but Scheme seems so
idiosyncratic that it is difficult to learn. Each
particle of knowledge seems to be standalone and not transferable to a new
situation nothing is
Thanks. Is there a solution to the problem? It's happening in about 30%
of the unicode.
On 05/05/2013 11:15 PM, Nick Payne wrote:
On 06/05/13 00:46, Peter O'Doherty wrote:
\mark \markup { \char ##x1080B }
error:
programming error: FT_Get_Glyph_Name () error: invalid argument
This conversation is throwing much light on the difficulty that even the
computer literate face when trying to learn the Lilypond
Scheme interface.
In this case the simple addition of a mark is seen to be very complex with
procedures and arguments that are counter intuitive (or
at least nowhere
was no annoyed at you making a mistake, but rather that
>Peter used that in order to paint a bleak general picture of LilyPond.
>
Peter writes:
David you have missread my intentions - I just wanted to put the proposition
that learning the scheme/Lilypond interface is
difficult for beginners (
ry error in realloc
Exited with return code 3.
Regards,
Peter
mailto:lilyp...@ptoye.com
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llBarRests
\clef treble
R1*81
}
\new Voice \with {
\consists Time_signature_engraver
}
\time 2/4
\relative c''
{
c2| c2
}
}
Regards,
Peter
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l
set
RestText= {
e2\rest}
Regards,
Peter
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8 r16 d d8 b | g4. g8 |
c r16 c b8 a | g8. g16 g8 g | b4 a~ | a2|
}
>>
}
}
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Saturday, May 11, 2013, 10:42:49 AM, you wrote:
> 2013/5/11 Peter Toye :
>> I'm trying to
Thomas,
Many thanks. In fact, all I had to do was to override the
staff position of the MultiMeasureRest and it's now fine.
Didn't have to change the voices at all.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Saturday, May 11, 2013
David,
Thanks. But \omit isn't in the documentation (at least, a search in the PDF
fails to find it). How does one find out how to use it please?
Best regards,
Peter
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lilypond
Thomas,
Thanks. But I need the 2/4 time sig at bar 82 (bars 1-81 have such varied time
sigs it's not worth while notating) - how do I do that? It's on the same staff,
so I need to switch the sig on and off within the staff.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www
#'stencil = ##f
R1*81
\override Staff.TimeSignature #'stencil = ##t
\time 2/4
\tempo "Fast, dance-like, very rhythmic" 4 = 120
\set Score.currentBarNumber = #82
\relative c''
{
c2 d | f g
}
}
\score {
\new Staff \with {
instrumentName = "O
Thomas,
That wasn't right either - the 2nd setting should have been
\revert Staff.TimeSignature #'stencil
Best regards,
Peter
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ng
up.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
> Message: 5
> Date: Sat, 11 May 2013 13:18:55 +0200
> From: David Kastrup
> To: lilypond-user@gnu.org
> Subject: Re: Fatal bug in strftime?
> Message-ID: <87d2sxhihs@fencepost.gn
;Rallen"
g8.\startTextSpan g16 g8 g8 | b4\>
\override TextSpanner #'(bound-details left text) = "tando"
a~\stopTextSpan\startTextSpan| a2\stopTextSpan \bar "|."
}
}
\score {
\new Staff \with {
instrumentN
Phil,
I've done this now.
Thanks for the link - I'm new to Lilypond and didn't know the bug reporting
protocol.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, May 12, 2013, 4:22:55 PM, you wrote:
> - Original Message ---
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