El 09.02.2009, a las 23:16, Brett Duncan escribió:
James E. Bailey wrote:
I'd like to have a chord that is C-10. I have
myChordDefinitions = {
-\markup \super {-10}
}
And then, of course the requisite
myChordExceptions = #(append
(sequential-music-to-chord-exceptions myChordDefini
Not that this solves your particular problem, but it seems pretty
consistent to me: when the upper note falls on a line, it's to the
left, when it's on a space, to the right. Probably because of the
dot. Actually, it is because of the dot placement. If you change d8.
to d8~ d16, they are al
de NoteColumn #'force-hshift = #1.5 b a
a[ g]
\once \override NoteColumn #'force-hshift = #1.5 g f
}
}
Nick
-Original Message-
From: James E. Bailey [mailto:derhindem...@googlemail.com]
Sent: Wednesday, 11 February 2009 20:15
To: nick.pa...@internode.on.
El 11.02.2009, a las 12:10, Trevor Daniels escribió:
James E. Bailey wrote Wednesday, January 07, 2009 10:28 AM
Am 07.01.2009 um 11:06 schrieb Graham Percival:
On Tue, Jan 06, 2009 at 10:18:02PM +0100, James E. Bailey wrote:
Thanks. I remember seeing that in the choral template, but I
El 11.02.2009, a las 12:10, Trevor Daniels escribió:
James E. Bailey wrote Wednesday, January 07, 2009 10:28 AM
Am 07.01.2009 um 11:06 schrieb Graham Percival:
On Tue, Jan 06, 2009 at 10:18:02PM +0100, James E. Bailey wrote:
Thanks. I remember seeing that in the choral template, but I
El 11.02.2009, a las 16:05, jeremy tranter escribió:
Hi there,
When I load a Lilypond postscript file into Photoshop
I get the error message “this file uses one or more
fonts which are unavailable on this machine”. The.ps file
is displayed without noteheads.
Can I download and install the “Fe
El 14.02.2009, a las 09:18, Simon Bailey escribió:
hi,
On Feb 14, 2009, at 8:24 AM, sdfgsdhdshd wrote:
i want the first system to be on the page after the titles.
If you put a huge value to after-title-space: the first system is
still at
the same page (=> bug?).
I tried other parameters, b
El 14.02.2009, a las 17:35, Trevor Daniels escribió:
James E. Bailey wrote Wednesday, February 11, 2009 11:38 AM
El 11.02.2009, a las 12:10, Trevor Daniels escribió:
James E. Bailey wrote Wednesday, January 07, 2009 10:28 AM
Am 07.01.2009 um 11:06 schrieb Graham Percival:
On Tue, Jan
Ha! who knew what features lilypond has! \verbatim-file. It's in the
markup section under other.
El 17.02.2009, a las 18:31, Rob Canning escribió:
hello,
i want to insert a couple of pages at the end of the score that
include my
lilypond source code - is there a way to do this? would be nic
No, there is nothing lilypond cannot do. Lookup \wordwrap in the
markup section on Align.
El 17.02.2009, a las 19:17, Rob Canning escribió:
James E. Bailey said :
Ha! who knew what features lilypond has! \verbatim-file. It's in the
markup section under other.
wow yes - is there any
I used this code to get the output. I've never used drummode, so I
don't know anything about it, and like you said, I left off the
acciaccature, but I could put them in if it's really necessary.
\version "2.12.2"
\transpose c c' {
\time 3/4
c8[ c] \times 2/3 {c16 c c} c16. c32 \times 2
El 18.02.2009, a las 00:16, Gilles Sadowski escribió:
Hi.
I'd like a "Voice" to be totally invisible (i.e. taking up no
space) while
retaining midi output.
Then don't include it in the \score block with a \layout. You can
have multiple \score blocks in a file.
\score {
\new Sta
El 18.02.2009, a las 00:05, Mats Bengtsson escribió:
RandomLilyPondUser wrote:
http://www.nabble.com/file/p22066496/snip.png One more question -
how do I make a staff with only one line with notes
above and below like that?
Rhythmicstaff only allows notes on the line, on my drumstaff, I tri
El 18.02.2009, a las 00:57, Gilles Sadowski escribió:
Hi.
I'd like a "Voice" to be totally invisible (i.e. taking up no space)
while
retaining midi output.
Then don't include it in the \score block with a \layout. You can
have
multiple \score blocks in a file.
\score {
\new Staff
El 18.02.2009, a las 01:34, Jonathan Kulp escribió:
The code in this electric bass example works fine for me. I
uncommented the lines in question and it ran without errors. The
instrument name runs off the left margin a bit, but that wasn't at
issue here. Just to be sure it's the same
El 18.02.2009, a las 12:49, Gilles Sadowski escribió:
I'd like a "Voice" to be totally invisible (i.e. taking up no
space)
while
retaining midi output.
Then don't include it in the \score block with a \layout. You can
have
multiple \score blocks in a file.
\score {
\new Staff {\bagp
El 19.02.2009, a las 19:45, Gilles Sadowski escribió:
Hi.
E.g. in this instance, I would have liked to keep the drone notes
and the
melody notes together (i.e. in the same file) because they both are
the
bagpipe "content".
But that, as we've seen, that makes it difficult to separate the
Since the NR has the wonderful introduction to single-staff
polyphony, can this be simply inserted into the LM at the appropriate
point. I'm sure new users will have a much easier time of engraving
their music, and many problems can be avoided later if this topic is
presented in the LM the
El 20.02.2009, a las 22:57, RandomLilyPondUser escribió:
After many an hour reading through the manual, snippets, and forum,
I've
finally figured out how to do most of what I need, except this one
thing:
I have six measures per line, how do I get the measures to line up
perfectly
with
also, like the centered hyphens, you can get smart(er) extender lines
using " __ " (note the spaces around the underscores), but if you've
read section 2.4, you've seen that already.
El 22.02.2009, a las 16:49, Trevor Daniels escribió:
Alberto Simões wrote Sunday, February 22, 2009 3:25 PM
I don't know of any automated way, I just manually insert them.
words = \lyricmode { \set stanza = "1. " First line \set stanza = "1.
" Sec -- ond line. }
El 23.02.2009, a las 22:08, Tim Slattery escribió:
Randy Nelson <77ra...@gmail.com> wrote:
Hi - Does anyone know how to get Lilypond to
Last time I asked, this is what mats said:
http://lists.gnu.org/archive/html/lilypond-user/2009-02/msg00255.html
El 25.02.2009, a las 05:24, Tom escribió:
I want to put the Stanza number before every line of verse in a
longer hymn, but
cannot get the hint here to work:
http://www.geoffhorton
El 25.02.2009, a las 05:18, Kees van den Doel escribió:
I'm trying to write text in an otherwise empty measure (some
special performance instructions).
not above it or below, but in it.
How can I do that? There is a snippet doing something like that
http://lsr.dsi.unimi.it/LSR/Item?id=258
El 25.02.2009, a las 14:56, Gilles Sadowski escribió:
This seems to work for me (see attached files).
But don't you need an \instrumentSwitch command near the end?
I never used this command. How is it related to what the first poster
asked?
well, after playing random notes for 30 seconds
El 24.02.2009, a las 16:17, grisu_76 escribió:
Hello everyone!
I am searching for a possibility to put a trill-sign as an editorial
annotation within parentheses, i.e. (tr)
I used the following expression:
roundTr = \markup {\center-align \concat { \bold { ( } \musicglyph
#"scripts.trill" \
El 25.02.2009, a las 19:01, grisu_76 escribió:
Hello to all!
I have got a problem with the addition of an ossia in a string
quartet;
I work with the file structure explained in the snippets manual (p.
230 f).
All works out very well - all parts are printed out properly, but
if I want
t
El 25.02.2009, a las 17:43, David Stocker escribió:
Neil Thornock wrote:
Well, first off, lyrics in vocal music always go above the staff.
Did you mean to say that /dynamics/ in vocal music should go above
the staff?
I imagine so, but in a staff where there are lyrics above and below
t
Well, the basic (i.e., for people who understand emacs) instructions
are in the Application Usage, under Text Editor Support.
El 26.02.2009, a las 02:44, Ralph Palmer escribió:
Hi -
I'm an intermediate lilyponder and a novice penguinista. I have
Ubuntu 8.10 (Intrepid Ibex) mounted on an ol
FILE
This file produces the full score of the quartet:
file "score.ly"
\include "piece.ly"
# (set-global-staff-size 14)
\score {
\new StaffGroup \keepWithTag #'score \music
\layout {}
\midi {}
}
%%% END OF FILE
James E. Bailey-3 wrote:
El 27.02.2009, a las 22:38, Alberto Simões escribió:
Hello
In a music I am transcribing there is a portion where I had to
force two
voices with
<< { ... } \\ { ... } >>
Now my problem is that lyrics in that part of the music are not shown.
Is there any tweak to solve this issue?
Thank
Since I haven't heard any feedback, I thought I would post to the -
devel list as well. Incidentally, I've answered questions directly
related to this twice in the last week or so.
Since the NR has the wonderful introduction to single-staff
polyphony, can this be simply inserted into the L
El 27.02.2009, a las 22:53, Alberto Simões escribió:
Hello
James E. Bailey wrote:
El 27.02.2009, a las 22:38, Alberto Simões escribió:
Hello
In a music I am transcribing there is a portion where I had to
force two
voices with
<< { ... } \\ { ... } >>
Now my problem is
El 28.02.2009, a las 23:25, aliteralmind escribió:
For the first time, I'm stretching myself beyond just melodies.
I have some old six-plus part acapella arrangements that I
handwrote, and
want to put into LilyPond.
I'm scared. Let's just say that off the bat. :' )
Why be scared, it's
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a song that is not played the last time through. For
example in "Easy Living" the turnaround o
El 01.03.2009, a las 12:47, M Watts escribió:
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a song that is not
El 01.03.2009, a las 15:52, stefanozanobini escribió:
Hi,
I've a 4 voice choir score.
I want to generate a second score with the only piano reduction -
well, actually an organ reduction :-)
In the lilypond guide there is how I can create a score with choir
staffs and piano system together, but
El 01.03.2009, a las 16:55, Grammostola Rosea escribió:
Grammostola Rosea wrote:
Hi,
How do I transpose leadsheet? Chords and melody?
But the melody is not tranposed very well. The octaves of the notes
are not right :(
Or do I have to change those comma's by hand ???
You need another \
El 01.03.2009, a las 17:50, stefanozanobini escribió:
I've given a look to the new documentation (I've still lilypond 2.10
and its guide is different from the new one), but the explanation
("Separate scores showing just the vocal parts or just the piano part
can be produced by changing just the
El 01.03.2009, a las 19:08, Alberto Simões escribió:
Hello, Andrew.
Andrew Hawryluk wrote:
If you declare each of the musical voices independently, then you can
"\change Staff =" when you want to move that voice to a different
staff. It's documented under keyboards, where it happens all the
El 01.03.2009, a las 19:24, Alberto Simões escribió:
James E. Bailey wrote:
Basically, there is a portion of the music for piano (two
staves), and
it continues with a SATB (with three staves). Thus, I need to "add a
staff" somewhere.
You probabbly need to re-organise the way
You can always use markup to replace the glyph.
El 03.03.2009, a las 17:51, aliteralmind escribió:
I have repetitive notes:
c8 c c c c c c c c c c c |
This type of repetition is found throughout my piece. I'm trying to
hide the
second-through-fourth beats of notes, and have a "..." i
El 04.03.2009, a las 14:17, Kieren MacMillan escribió:
Hi Mats (et al),
It would certainly not have been obvious to me that this has
anything to do with repeats, if
I didn't know that that's the syntax used in LilyPond. Certainly,
it's related to repeating
something, but I would be surpris
El 04.03.2009, a las 15:13, aliteralmind escribió:
You gotta admit, it's a crazy amount of information for a newbie to
sift
through, even one that has some musical training.
It's a crazy amount of information to sift through, period. I have
such a new found respect for computer music notat
El 04.03.2009, a las 23:03, Kieren MacMillan escribió:
Hi Neil,
It's obsolete since you can use \tempo \markup for all these tweaks.
Looking through the MetronomeMark docs, I've been unable to figure
out how to:
1. Change the size of the note (in parentheses) without changing
the res
I just noticed that convert-ly does not work from the lilypond.app
menu item in osx 10.4. I have python installed. convert-ly works from
the terminal, but here are the problems with the menu item.
• If I update the convert-ly file to be: env python, lilypond does
not find python. That's not
? i.e.,
<< {} \\ {} >>
should be translated automagically into
<< {} \new Voice {} >>
I'd rather not waste time changing the documentation now if this
code change is likely to be implemented. So, what's the chance
this change will be made? I've no idea
ikely to be implemented. So, what's the chance
this change will be made? I've no idea whether it is easy or
difficult.
Trevor
- Original Message - From: "James E. Bailey"
To: "lilypond-user Mailinglist" ;
"lilypond- devel"
Sent: Friday,
On OSX, the lilypond mode for emacs doesn't properly escape filenames.
open -a 'Mighty MIDI' /Users/jamesebailey/Documents/James Music/
Choral Music/Windhauch/Windhauch.midi
2009-03-07 10:59:31.767 open[465] No such file: /Users/jamesebailey/
Documents/James
I remember this was a problem befor
On 07.03.2009, at 16:56, Alberto Simões wrote:
Hello,
I am having this warning:
warning: ignoring too many clashing note columns
It is normal, as there are, in fact, clashing notes.
I would like to make some notes to be displayed a little to the right
(so we can see them, and they do not
On 07.03.2009, at 17:20, Tim McNamara wrote:
On Mar 7, 2009, at 4:05 AM, James E. Bailey wrote:
On OSX, the lilypond mode for emacs doesn't properly escape
filenames.
open -a 'Mighty MIDI' /Users/jamesebailey/Documents/James Music/
Choral Music/Windhauch/Windhauch.midi
2
On 07.03.2009, at 17:29, Tim McNamara wrote:
When I try to compile a .ly file in lilypond-mode, it fails with
the message:
-*- mode: compilation; default-directory: "~/Desktop/Downloads/
Music Charts/Lilypond Charts/Dead Tunes/Days Between/" -*-
Compilation started at Sat Mar 7 10:22:25
On 07.03.2009, at 23:44, Tim McNamara wrote:
On Mar 7, 2009, at 4:05 AM, James E. Bailey wrote:
On OSX, the lilypond mode for emacs doesn't properly escape
filenames.
open -a 'Mighty MIDI' /Users/jamesebailey/Documents/James Music/
Choral Music/Windhauch/Windhauch.midi
2
On 08.03.2009, at 06:24, Tom Cloyd wrote:
After 3 months away from Lilypond, I'm back, thankfully. All
updated and sailing...right into a wall. I could really use a hint
about this current problem.
I cannot get a horizontal shift of a note, resulting in an ugly
collision. I think the pro
On 08.03.2009, at 12:58, Anthony W. Youngman wrote:
In message <1f7f572f-c5ec-46e7-a70d-075395915...@googlemail.com>,
James E. Bailey writes
On 07.03.2009, at 17:20, Tim McNamara wrote:
On Mar 7, 2009, at 4:05 AM, James E. Bailey wrote:
On OSX, the lilypond mode for emacs d
On 03.03.2009, at 19:08, Wilbert Berendsen wrote:
[ reusing annouce thread:-) ]
Hi all,
Frescobaldi 0.7.7 has been released.
http://lilykde.googlecode.com/files/frescobaldi-0.7.7.tar.gz
I'm having some difficulty actually just installing this. There's no
makefile, and no configure script
On 10.03.2009, at 20:05, Germain G. Ivanoff-Trinadtzaty wrote:
Dear all,
1) In the following snippet, I'd like the accents to be placed
above the staff :
{
d'1-> d'2-> a'-> a'1->
}
have you tried
{
d'1^> d'2^> a'^> a'1^>
}
?
___
lilypond-user
Hello, I'm transcribing some organ music and there are a couple of
symbols that are used rather frequently, and I was wondering how
difficult it would be for me to try and create them myself.
<><>
First, a bracket, either above, or below a note, on either the left
or right side. (I just real
Is it possible to get fingerings aligned the same way when defined in
a separate variable as when defined in a different variable? i.e.:
\include "deutsch.ly"
\version "2.12.2"
musicOne = { c'8 d' e' f' g' a' h' c'' }
musicOneFingerings= { s8-1 s-2 s-3 s-1 s-2 s-3 s-4 s-5}
musicTwo = {c'8-1 d'-
On 13.03.2009, at 23:56, -Eluze wrote:
James E. Bailey-3 wrote:
Or is it just not possible?
with Lilypond everything is possible!!!
try "\override Fingering #'add-stem-support = ##t" in the Staff
context
Awesome, thanks.
_
On 14.03.2009, at 04:48, Mark Polesky wrote:
James,
You're "funneling two different
music expressions into one context",
but you've not explicitly instantiated a voice context.
…
Note that when you add
\new Voice = "A"
you no longer need the #'add-stem-support command.
That's rathe
I'm guessing it's a bad time to ask questions, I haven't seen much
response, but I thought I'd ask again.
1) I know it's difficult to imagine that a user (i.e., not someone
who can fix a bug) has properly set up his system for convert-ly on
osx 10.4, but convert-ly on osx 10.4 does not work
On 16.03.2009, at 10:45, Francisco Vila wrote:
2009/3/16 James E. Bailey :
3) Is there a way to get a half of a box around a fingering? I
vaguely
remember a three-legged box in the markup commands, but I don't
see it
anymore. Any tips for where to look?
Search for the word Thr
On 16.03.2009, at 16:43, Graham Percival wrote:
c) Can we just make the change so that more people aren't confused by
the issue. (I've answered another question related to this in the
last
week)
Yes, please do. Carl can help you get started as a Frog; we
desperately need more people writ
On 16.03.2009, at 23:28, Jesper Caprani wrote:
I get this:
# -*-compilation-*-
Processing `C:/Documents and Settings/Ejer/Skrivebord/test.log'
Tolker...
C:/Documents and Settings/Ejer/Skrivebord/test.log:1:1: error:
GUILE signaled
an error for the expression beginning here
#
-*-compilati
On 17.03.2009, at 00:47, Carl D. Sorensen wrote:
On 3/16/09 11:52 AM, "James E. Bailey"
wrote:
On 16.03.2009, at 16:43, Graham Percival wrote:
c) Can we just make the change so that more people aren't
confused by
the issue. (I've answered another question re
In AU 1.2.2, the link for Bison points to Flex.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Have you tried \context Lyrics \lyricsto?
Am 21.03.2009 um 21:24 schrieb Jay Hamilton:
Hello- with Laura Conrad's help I have my score nearly the way I
want it.
However when I add \new Lyrics \lyricsto "Tenor II" \text
to the layout, I get the text but suddenly the stems are back on
th
-7694
--- derhindem...@googlemail.com wrote:
From: "James E. Bailey"
To: jay...@linuxquestions.net
Cc: "lilypond user group"
Subject: Re: Adding \new Lyrics \lyricsto "Tenor II" \text cancels
\set timing
Date: Sun, 22 Mar 2009 07:19:55 +0100
Have you t
Am 22.03.2009 um 16:49 schrieb David Raleigh Arnold:
On Saturday 21 March 2009, patrick duka wrote:
Hi,
I have a set of measures that I want to repeat several times at
different
times of the score.
I want to put the letter A at the beginning of this set of measures,
and B
at the end,
the
Am 22.03.2009 um 17:36 schrieb Jay Hamilton:
>> However when I add \new Lyrics \lyricsto "Tenor II" \text
>> to the layout, I get the text but suddenly the stems are back on
>> the noteheads. Don't understand how to have both text and no
stems.
>> Ideas? Pointers? Thanks
I don't quite un
Am 22.03.2009 um 19:42 schrieb Jay Hamilton:
\book{
\score
{
\new StaffGroup
<<
\new Staff \with { instrumentName = "Alto I" }
<< \global \AltoIconscience >>
\new Staff \with { instrumentName = "Alto II" }
<< \global \AltoIIdoubter >>
\new Staff \with
Am 22.03.2009 um 22:50 schrieb Jay Hamilton:
TenorIIexaminer = \relative c
{
\set Staff.shortInstrumentName = "T-II"
\clef "treble_8"
} then
\addlyrics { }
so I'm not sure if \context is there or not, it's not explicit.
So then you want to make it explicit. \new Voice = "Tenor II". I
You
Am 17.03.2009 um 10:39 schrieb Trevor Daniels:
Hi James
You wrote Tuesday, March 17, 2009 9:00 AM
On 17.03.2009, at 00:47, Carl D. Sorensen wrote:
On 3/16/09 11:52 AM, "James E. Bailey"
wrote:
On 16.03.2009, at 16:43, Graham Percival wrote:
c) Can we just make the
Am 23.03.2009 um 13:06 schrieb Francisco Vila:
2009/3/23 James E. Bailey :
Attached is my attempt to make a .diff. It's my first time, so if
I didn't
do it right, let me know. It's a learning process for me.
Are you using Git? then use git-format-patch to generate the p
rge installed is newer than the one required.
Should I try and find an older version?
James E. Bailey
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
You may want to consider putting each line of music in its own
markup. That way you can set explicitly how you want the horizontal
spacing.
Why doesn't \once \override Slur #'positions = #'(6 . 6)
have any effect on the slur in the alto part?
It does when I compile this.
Jam
Am 25.03.2009 um 12:50 schrieb John Mandereau:
James E. Bailey a écrit :
I'm having a configure error, and I don't know how to solve it. I
get this:
ERROR: Please install required programs: /Users/lilydev/bin/
fontforge >= 20050624 (installed: .fontforge 20080927)
Wha
Am 25.03.2009 um 14:41 schrieb Graham Percival:
On Wed, Mar 25, 2009 at 02:37:10PM +0100, James E. Bailey wrote:
Although apropos of nothing, what's the difference between the
instructions in the AU (and on the web-site) on getting the
source code, and the instructions in the CG?
No
Am 25.03.2009 um 14:54 schrieb John Mandereau:
James E. Bailey a écrit :
Am 25.03.2009 um 14:41 schrieb Graham Percival:
Nothing; they come from exactly the same source. The version in
the AU is going to die soon, where "soon" means "within 4 months".
So then why the
le.
Additionally, since midi2ly, like convert-ly, lilypond-book, and
lilysong are python scripts, at least on OSX 10.4, in addition to
installing a newer version of python, the first line of those files
needs to be changed to: #!/usr/bin/env
Am 28.03.2009 um 18:50 schrieb Hans Aberg:
On 28 Mar 2009, at 18:00, James E. Bailey wrote:
Additionally, since midi2ly, like convert-ly, lilypond-book, and
lilysong are python scripts, at least on OSX 10.4, in addition to
installing a newer version of python, the first line of those
Am 28.03.2009 um 20:14 schrieb Hans Aberg:
On 28 Mar 2009, at 19:59, James E. Bailey wrote:
Additionally, since midi2ly, like convert-ly, lilypond-book, and
lilysong are python scripts, at least on OSX 10.4, in addition
to installing a newer version of python, the first line of those
Am 30.03.2009 um 17:16 schrieb Pekka Siponen:
I'm not top posting.
I find the behavior with lyrics and alternative repeats somewhat
illogical..
For me the logical thing would be something like:
%---
\version "2.12.2"
\score {
\new GrandStaff {
\new Staff {
<<
\new Vo
\times 2/3 { ces( b as) }
}
>> |
<< { s8 des[ es des] } \\
{ \times 2/3 { r16( b ces) }
\times 2/3 { des( ces b) }
\times 2/3 { es( des ces) }
\times 2/3 { des( ces b) }
}>> |
}
}
________
which (arguably, I guess) isn't
really present in that part?
While not a solution in the sense of what you're looking for, I find
that a separate variable that can be added to all of the other parts
containing appropriate grace skips useful i.e.,
skips = { s1*32 \grace s8
\new PianoStaff \with { instrumentName = \markup \bold 7 } <<
Fehler: gescheiterte Dateien: "Vol 1.ly"
Vol 1.ly:577:53: Unknown # object: #\`
Vol 1.ly:585:65: Unknown # object: #\-
James E. Bailey
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Am 07.04.2009 um 13:31 schrieb Mats Bengtsson:
Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 6. April 2009 schrieb James E. Bailey:
I'm trying to figure out what the character in the custom key
signature is, and it's not working for me.
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I want to move lyrics closer to each other. I've tried \layout
{\context { \Lyrics \override #'baseline-skip = #-55 } } and it's not
working for me. I'm sure I've just got the wrong context somewhere.
Can someone point me to the rig
Am 09.04.2009 um 11:58 schrieb -Eluze:
James E. Bailey-3 wrote:
I want to move lyrics closer to each other. I've tried \layout
{\context { \Lyrics \override #'baseline-skip = #-55 } } and it's not
working for me. I'm sure I've just got the wrong context somewhere
Am 09.04.2009 um 23:56 schrieb -Eluze:
James E. Bailey-3 wrote:
i am not quite certain about where - in which context(s) - you have
to place
it to make it effective in every stanza
VerticalAxisGroup, as far as I understand it, moves the staves closer
together, and with it, the lyrics
ther voice in that staff, and the other voice would need an
explicit \voiceOne. And then the \oneVoice afterwards, and it should
be fine.
James E. Bailey
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\change Staff = LH
d4 c e2 g
}
>>
}
Second, is this the most efficient way to do something like this? It
seems a bit over-burdened.
James E. Bailey
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The aim is, of course, to manually typeset vocal cue notes. Any
help greatly appreciated.
thanks
Hendrik
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thanks
Hendrik
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Am 12.04.2009 um 08:26 schrieb Mark Polesky:
James E. Bailey wrote:
\override VoiceFollower #'style = #'dotted-line
doesn't seem to work here. Why not?
When you use \once, the command only is in effect for the
next note AFAIK. Either omit the \once or use this order
of comma
RP))
cis4 d e fis g
cis,4 d e fis g
}
James E. Bailey
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Am 13.04.2009 um 17:00 schrieb Neil Puttock:
2009/4/13 James E. Bailey :
I don't understand custom key signatures. Why are the accidentals
shown in
the second measure?
There's a bug in Accidental_engraver:
http://code.google.com/p/lilypond/issues/detail?id=733
Do I have to s
context Voice = altoVerseII { a4 c b c }
\context Voice = altoChorusII { c4 c c c }
}
And so on for the other voices. And then the appropriate lyrics
contexts for each. It's possible to do it using \context Voice =
sopranoVerse each time there's a verse and \context Voice =
so
Did the default beat groupings change? I thought I remembered that in
3/4, three eighth-note triplets followed by an eighth note and an
eighth rest would not beam the eighth note to the triplets. In 2.12.2
it does. Is this new? Am I remembering poorly?
James E. Bailey
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